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Archive for the ‘Magazines’ Category

Caroline Calloway–Scammer (2023)

Posted in Addiction, Caroline Calloway, Language, Liars, Natalie Beach, Nostalgia, Social Media, The Cut, Word usage on December 29, 2023| Leave a Comment »

SOUNDTRACK: hiatus

[READ: December 29, 2023] Scammer

We get a surprisingly large number of self-published books at my library.  Most of them I don’t look at, but some look interesting enough to flip through.

This one was packaged with a ribbon around in (and a bookmark), and I loved the text on the back of the book.

“Is Caroline Calloway a scammer?  No.” — The New York Times.

Suffice it to say I had never heard of Caroline Calloway and had no idea what she was scamming, but there was something about this book that made me want to read it.

The book sums up the scamming.  In fact, it is a memoir (of sorts) about her time as a scammer.  She calls this a daybook–the kind of book you could read in a day–although it took me a few days.

The book is set up in 67 vignettes.  And I found the narrator to be quite engaging.  She talks about her family and upbringing a bit, but for the most part she gets right to the scamming.

She always wanted to go to Cambridge University.  She was rejected twice and then lied (a bit) on her transcript to get in on the third try.  She also found an editor (through trickery) and secured a book deal although she had no intention of writing the book.  When she blew through the $100,000 advance and now had to pay it back, she started an OnlyFans account, did some topless photos and made the money back in a few months. (more…)

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Michael LaPointe–“Private Hands” [The 2023 Short Story Advent Calendar #19] (2021)

Posted in Canadian Content, Christmas, Hingston & Olsen, Jimi Hendrix, Museum of the Dandelion, Provenance, Short Story, The Short Story Advent Calendar, The Walrus on December 19, 2023| Leave a Comment »

SOUNDTRACK:

[READ: December 19, 2023] “Private Hands”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Michael LaPointe.  Each day has an online component with the author with a brief interview.

It’s December 19. Michael LaPointe, author of The Creep, has a line on a shoe once worn by Jerry Garcia.

I’ve read a lot of short stories over the years and I keep this blog as a way to remember them.  But it’s cool when I can start a story and recognize it.  I read this story over two and a half years ago in The Walrus, but it rang familiar after the first few paragraphs.  Interesting that i didn’t remember how it ended.

Harvey has a lot of rarities that he sells.  He is trying to sell a 1963 Fender Strat that Jimi Hendrix played at the Juggy Sound Studio.  He asks $500,000 but he knows it’s too much (Harvey overpaid for it and wants to make some money back). (more…)

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Joe Dator–Inked: Cartoons, Confessions, Rejected Ideas and Secret Sketches from The New Yorker’s Joe Dator (2021)

Posted in Anteaters, Funny (ha ha), Joe Dator, Military, New Yorker, Religion, Set at School on January 1, 2023| Leave a Comment »

[READ: May 2022] Inked

I loved this book of cartoons from Joe Dator.  I can’t say that I recognize his style especially, but his cartoons did look very New Yorker to me.

Indeed, this book features dozens of comics.  It’s not always obvious which ones were accepted and which were rejected (although he does mention some that were rejected specifically).

He talks bout the state of mind of the New Yorker artists: On a very good week, they will buy one of your cartoons for publication.  Most weeks they will not buy one.  It’s a little bit like having a job at which every week you get fired then you have to go in next week to re-apply and hope you get hired back.

He has a few sections called Betwixt the Punchlines in which he explains the motivation behind a particular piece  (He says the one where the coffee maker says she’ll come back, she always comes back (while he’s using a French press) is from his own habit of buying gadgets but always returning to old faithful.

I rather enjoyed the picture of the army man with medals on his chest who say “Anytime I’ve even been asked ‘What do you want. a medal?’ I’ve said yes.”

He also talks bout his drawings of God.

God is about 7’1″ You might think that seems kind of small for the Supreme Being, but its just big enough to make the average mortal say “Wow, that’s a big guy.”  God knows people are easily impressed. (more…)

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Zapiro–The Devil Made Me Do It: Cartoons from Sowetan, Mail & Guardian and Sunday Times (2000)

Posted in Abortion, Archbishop Desmond Tutu, Benjamin Netanyahu, Bill Clinton, Charles Schulz, Cigarettes, Comic Strips, Coronavirus, Corporate skewering, Daily Maverick, Environmentalism, Funny (ha ha), Hergé, Liars, Lies, Mad Magazine, Mail & Guardian, Nelson Mandela, Olympics, Peanuts, Political Humor, Politicians, Racism, Robert Mugabe, Sexism, South Africa, Sowetan, Violence, World Cup, Zapiro on March 4, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: March 1, 2022] The Devil Made Me Do It

As South Africa entered the new millennium, things were progressing very slowly (and sometimes regressing).  And Zapiro was watching.

Homophobia was spreading throughout African nations.  There’s a banner that says Queens against Mugabe.  Zapiro ties it together nicely with a picture of Queen Elizabeth with a paper that says “Mugabe lambasts U.K.”

And an anti-rape ad (starring Charlize Theron) was banned because there was public outcry.  Which leads to a later strip in which children learn the rape message: it’s not bad to rape someone in your own family (A lenient sentence was given to a man who raped his daughter); rape is less offensive than an anti-rape ad that offends men; you can get away with rape if you are famous and hire a hotshot legal team.

Apartheid fallout was still happening.

There’s a an amusing picture of Apartheid Hell and the devil is showing all of the people there a video called No person shall be discriminated against on the basis of race, gender ethnic or social origin, culture, sexual orientation….”  Although clearly the powerful men aren’t all getting punished as we see Craig Williamson, a constant figure in these battles, telling the Amnesty Committee to sit, lie down and fetch his amnesty. (more…)

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Terry Pratchett and Bernard Pearson–The Discworld Almanak: The Year of the Prawn (2004) [Discworld spinoff]

Posted in Almanac, Astrology, Bernard Pearson, Cabbages, Collecting, Dip-in Books, Discworld, Farming, Funny (ha ha), History, Holidays, Pin Monthly, Terry Pratchett on January 20, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: January 2022] The Discworld Almanak

I assumed that this book would pair well with Nanny Ogg’s cookbook since in Maskerade, there’s a plot point about the Almanak getting published.  But as happens with this sort of thing, this companion book was published five years later.

There’s really nothing in here that’s relevant to any of the plots of the books, so that’s fine.

This diversion is basically an opportunity to explore the lighter side of Ankh-Morpork and astrology.  It also doubles as a journal for whatever year you may wish to use it in (no days of the week are supplied for the two dozen pages of empty calendar dates.

The book has the look of an old fashioned almanac (as you can see by the cover) with lots of little pieces of text in all manner of places.  There’s also old designs and bordered and even a place where you can punch a hole to hang a string so you can put the book in the privy.

As with Nanny Ogg’s cookbook, there are pinned notes from the publisher to the overseer of the book which add an extra level of humor to the proceedings.

The book also sets out the Discworld calendar year–it’s not quite the same as our as it has 400 days an a thirteenth month that no one talks about.

The book starts with a warning that the turtle is likely to turn upside down this year (fear not). (more…)

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Kim Gordon–Girl in a Band: A Memoir (2015) [audiobook 2015–Kim Gordon]

Posted in Artists, Audiobooks, Autobiographies, Beck, Bill Nace, Body/Head, Ciccone Youth, Coachmen, Fluxus, Introjection, Kim Gordon, Lydia Lunch, Marriage (Happy), Marriage Trouble, Real Life, Sonic Youth, Thurston Moore, Yuck on December 28, 2021| Leave a Comment »

[LISTENED TO: November 2021] Girl in a Band

I didn’t really have that much interest in this book when it came out.  I love Sonic Youth, but I didn’t really think I cared all that much about their origin stories.  Then I saw that there was an audio book read by Kim and that sounded pretty cool.

I realized that I had no idea anything about Kim Gordon’s life and it was fascinating to learn just how much of a bohemian artist she was before she joined the band.

The memoir starts with the final Sonic Youth show.  Kim and Thurston’s divorce was already going to happen.  They simply wanted to finish out their final shows.  So Kim played while watching her disappointment of a husband absorb all the adulation.

But Kim’s book isn’t a salacious tell-all. It’s the story of her life and how she wound up where she did.  In fact, there’s very little about Sonic Youth (a lot more about the earliest records and then bits and pieces about the later records).  And, while she’s obviously pissed at Thurston for what he did, she’s restrained in her need to thrash the guy.

Perhaps the biggest take away from the book is that after thirty years of being in a rock band, she doesn’t consider herself a musician or a Rock Star (maybe a small letter rock star).  That eye opening statement is a kind of lead in to the fact that she has been an artist for most of her life–just not necessarily in music.

She moved to New York from California in 1980.  It’s crazy thinking that Kim was a California girl.

It’s even crazier thinking about her older brother Keller who was manipulative and mean and ultimate institutionalized. Kim idolized him and he abused her terribly (more than an older brother might normally do).  All of this made Kim into the shy and sensitive woman who you would never think was responsible for some of the most iconoclastic and then iconic music of the 20th century. (more…)

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Simon Rich–New Teeth: Stories (2021)

Posted in Alexandra Sauser-Monnig, Amelia Meath, Babe Ruth, Babies, Baseball, Corporate skewering, Death, Fantasy, Fears, Funny (ha ha), Humiliation, Josh Gad, Megafaun, Molly Sarlé, Monsters, Morality, Mountain Man, New Yorker, Pirates, Short Story, Simon Rich, Sylvan Esso, Technology, Wye Oak, Yuck! on August 12, 2021| Leave a Comment »

SOUNDTRACK: FLOCK OF DIMES-Tiny Desk Concert #246 (August 10, 2021).

Flock of Dimes is a fun band name.  It’s the solo project of Wye Oak’s Jenn Wasner (I thought Wye Oak was a solo project as well–no, it’s a duo).  [Gee, why wasn’t Andy Stack invited to this sing along?]

For this Home Concert, the solo project turns huge with nine people sitting around having a big ol’ sing along (I’ll assume they are all vaccinated and that this was filmed before Delta took off).

The setup is pretty simple: three guitars (I love that the guys on the couch are lefty (Michael Libramento, baritone guitar) and righty (Alan Good Parker, tenor guitar) so it looks appealingly symmetrical). some percussion and a lot of voices (the men on the right of the screen seems somewhat less invested).

The friends who are singing along include the three singers from Mountain Man: Amelia Randall Meath, Molly Sarlé and Alexandra Sauser-Monnig.  Meath is also in Sylvan Esso and her bandmate Nick Sanborn is also present (he’s one of the less invested men).  The set is filmed at Sylvan Esso’s new studio in Durham, N.C., called Betty’s.

“Two” is a bouncy number with lots of percussion.  I like the way the backing singers join in from time to time, but not constantly–it introduces new voices throughout.

One of the invested men is percussionist Matthew McCaughan from Bon Iver–he’s got a full complement of instruments at hand.  Joe Westerland (from Megafaun) is the other percussionist, he’s just a bit more subtle in his actions, but you can see him gently tapping through “Two.”

“Price of Blue” is a little slower but it has a wonderful melody.  The harmonies really standout on this song.

I don’t know the originals of these songs, but I have to assume the blurb is correct

These acoustic performances actually shed new light, thanks to radiant and radically different arrangements, while fully capturing the warmth we look for from Tiny Desk concerts.

Whatever the case, the backing vocals are tremendous.  You can really hear Molly Sarlé’s gorgeous harmony vocals.

“Awake For The Sunrise” feels like an old fashioned fire side sing along.  I’ve enjoyed Wye Oak’s music but I don’t know it very well.  I rather like Wassner’s delivery here–but i feel like these songs might not be as good without these harmonies!

[READ: August 12, 2021] New Teeth

I’m guessing that Simon Rich had a baby.

This collection of stories is loaded with stories about little kids.  And that’s all right because he has a very funny take on being a parent.

The other stories tackle the corporate environment and are full of fish-out-of-water stories.

“Learning the Ropes” is about being a new parent.  But it is written from the point of view of two pirates. And hilarity ensues.

What’s odd to me is that in his first books, his stories were really short, but I feel like lately his stories have gotten much longer–sometimes too long.  This one in particular kind of dragged at times, because it’s pretty much a one-note joke: what? pirates raising a little girl?!  One pirate is a concerned parent which means he wants them both to care about the child.  It’s got a few very funny moments, and of course, when the pirates who speak in pirate style (“The only man I trust is me first mate”) say things like “Arr… it be called ‘limit testing.’ She be acting out because she be craving discipline,” well, that’s classic Simon Rich right there. (more…)

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Primo Levi–“Bear Meat” (New Yorker, January 8, 2007)

Posted in Alessandra Bastagli, Mountain Climbing, New Yorker, Primo Levi, Short Story on August 11, 2021| Leave a Comment »

SOUNDTRACK:  BEN HOWARD-Tiny Desk (Home) Concert #245 (August 9, 2021).

I don’t really know who Ben Howard is.  he is not one of “The Bens” (that was Ben Folds, Ben Kweller and Ben Lee).  For this Tiny Desk (Home) Concert it’s just him and his guitars.  But the blurb suggests the album these songs are from is quite different.

Having spent time with Collections from the Whiteout, Ben Howard’s sonically adventurous fourth album, I was curious to see how he would adapt these songs to the Tiny Desk (home) concert format. So when the opening shot shows Ben in a room alone, an acoustic guitar in hand, it was both an “oh yeah!” and an “uh-oh” moment. Gone were all those textures that he, Aaron Dessner, and a load of talented musicians had worked on, but front and center was that delicate, reflective voice that I love. It’s a voice that, in the recent past, was often swarming in effects and buried in reverb.

Ben plays four songs.  The first, “Follies Fixtures” is on acoustic guitar.

So as Ben Howard opens his Tiny Desk with the album’s opening track, I found myself zeroing in on the oblique and painterly images of “Follies Fixtures”: “Walk with me to the burning spire. / We can count the dеad on Ender’s pyre. / The dusty towns whеre the number’s found / Don’t quite match the missing.”

This song reminds me of Jose Gonzales in this format.

Howard then switches to electric guitar for the rest of the songs.  He adds drum machine for “Far Out.”

“Thanks for having me and allowing me to play the slight variations of songs that I’m forced to settle with at the moment,” Ben says, and with that he kicks on the drum machine …. Watch those fingers on the guitar and hear that tone. “Far Out,” indeed.

His guitar playing is really something in this song, with soft chords and lot so harmonics as well as great use of the low note riffage in between.

“I I Forget Where We Were” is a moody song–he creates soft chords that swell as he sings.

He later premieres a new tune, “Oldest Trick In The Book.”

He laughs saying he just spent the last ten minutes tuning his guitar so we’ll be happy to know he’s in tune.

This song is the slowest with some really deep resonating bass notes (and no drum machine).  It’s fun watching hi play a solo and low notes at the same time with his finger picking style.

[READ: July 15, 2021] “Bear Meat”

This very short story was translated from the Italian by Alessandra Bastagli.

It begins with the comment that spending evenings in a mountain hut after a four- five- or six hour climb is pretty wonderful. The people you find there don’t speak much.  But these clumbers should not be confused with the ones who do speak a lot–hot shot clumbers, extreme climbers.  The adventurers may be worthy but this story is not about them.

The narrator arrived and there were several men there–eating and drinking.  Once the wine began flowing (at that altitude and temperature it is a metabolic necessity) they began talking about their initiation into serious climbing. (more…)

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Richard Rayner–“After the Movie” (New Yorker, April 30, 2007)

Posted in Aurora, Massive Attack, New Yorker, Norway, Richard Rayner, Short Story, Suicide, The Beatles, Verftet Festival on July 31, 2021| Leave a Comment »

SOUNDTRACK: AURORA-Verftet Online Music Festival 2020 (April 20, 2020).

In April 2020, Norway’s Verftet Music Festival streamed an online concert:

Get ready for Verftet Online Music Festival, Bergen’s largest virtual concert festival, where we can enjoy great music together. We want to turn despair and frustration into innovation and positivity, and invite everyone to a digital festival experience out of the ordinary – right home in your own living room.

Aurora played a 45 minute home concert for Verftet which you can see online.

The show starts with her at the piano (an unusual sight), playing the lovely ballad “Animal Soul.”  Then the drums start and Aurora and her band play a fantastic cover of the Massive Attack/Liz Frasier song “Teardrop.”  It sounds pretty cool on piano and even though Liz Frasier’s voice is unique in the world Aurora sounds terrific.

“Warrior” sounds very different from the recorded version, because it’s still rather quiet (although louder than the other songs).  Silja Sol has taken over piano and sings absolutely gorgeous harmonies.  Hearing the song stripped down shows what a powerful song it i

“All Is Soft Inside” opens with quiet echoing guitars and features more great backing vocals from Silja.  Although when Aurora sings a capella for a few beats it shows how great her voice is.  This song is really terrific.

Then she says something very Aurora: “I’m itching on my bum but I don’t want to do it on camera,  can you just film Magnus while I scratch my butt.”

Followed by some sage advice for pandemic times: “Its okay to be worthless, no not worthless, unproductive… we don’t have to do more than just exist sometimes.”

“Through The Eyes Of A Child” is a beautiful with just her and Silja on the piano.  The a capella verse with the deep and high harmonies sounds wonderful.  The song builds with the rest of the musicians adding in the guitar and drums.

“The River” grows bigger but is still restrained.  As is “Queendom,” her huge dance hit.  But even in this stripped down very it is still catchy and super fun.

“The Seed” is a wonderfully dark and powerful song.  For this quiet version, Silja plays quiet echoing guitar and the song builds into an intense climax (which is still quite restrained compared to the original).  But we can’t overlook the deep vocals from Magnus on the drums.

The set ends with a beautiful cover of The Beatles’ “Across The Universe” a song that will “take us away, a dreamy song… a perfect world… a beautiful hippie paradise.”  It’s a lovely gentle cover with amazing harmonies from Silja.

[READ: July 20, 2021] “After the Movie”

This is a very dark story.  It’s about Ed, a writer and filmmaker whose recent books have flopped.

He and his wife had just come back from the movies and his mood was foul.  He went to bed without saying good night to the kids.  Instead of falling asleep, he found himself sitting up and crying,

He genuinely considered killing himself.  He had no money coming in, they had borrowed against the house.  They had nothing left.  He was nothing,

Muldoon had called him this afternoon from Amsterdam.

Ed sat in bed and remembered back to when he was trying to perk up his friend Muldoon who was then having a similar slump. Ed encouraged him to hang in there.  And look at Muldoon now. (more…)

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David Sedaris–“Road Trips” (New Yorker, November 27, 2006)

Posted in David Sedaris, Essays, Funny (ha ha), Hitchhiking, Iris, Lars Vaular, LGBTQ, New Yorker, Norway, Sex, Verftet Online Music Festival on July 26, 2021| Leave a Comment »

SOUNDTRACK: IRIS-Verftet Online Music Festival 2020 (April 1, 2020).

In April 2020, Norway’s Verftet Music Festival streamed an online concert:

Get ready for Verftet Online Music Festival, Bergen’s largest virtual concert festival, where we can enjoy great music together. We want to turn despair and frustration into innovation and positivity, and invite everyone to a digital festival experience out of the ordinary – right home in your own living room.

I was completely unfamiliar with Iris, but she was the only other singer whose set was still streaming.  Because Aurora is a Norwegian singer in the same range, I feel like Iris’ voice sounds similar to hers.  But that’s a lazy comparison.

I suspect that she is a bit more poppy than this set lets on.  Like the Silja Sol set, it feels like a more “unplugged” kind of show.

It opens with “crawl for me” with she her singing to a guitar.  It’s quiet and powerful.  The rest of the band comes out for “mercy” which is “how i would like to to not show me any.”  There are washes of guitar s and keys, including a very cool, almost sinister keyboard sound in the end.

A cellist arrives for “kroppsspråk” which is a cover of a Lars Vaular song.  It’s kind of rapped–but in Iris’s more singing way.  It seems like the original is very dancey and she has dialed it back.

After a gentle piano solo version of “giving in” (her voice is lovely in the spare setting), she played “from inside a car,” my favorite song of the set which  has a breathy quality that I really like.

Then she throws in a Beatles cover.  “Here, There and Everywhere” is a beautiful gentle cover with just her voice and an acoustic guitar.

“hidden springs” stays with the acoustic sound, but she moved to a more techie processed vocal for “your mind, the universe.”  She has a few technical glitches for this song but when they are resolved her voice sounds very cool as it starts and then turns into a much bigger song.

As they prepare the next song she jokes that you shouldn’t eat crackers in bed, which proves to be the opening line of “hanging around you/crackers,” a sweet sounding breakup song.

Before the final song she mentions that all of her band is wearing band T-shirts: Iron Maiden, Metallica, Kiss and um, Reservoir Dogs(?).  It’s an amusing look for such a gentle show.

Before starting “romance is dead” she encourages everyone to visit my You Tube channel for recipes.  This set ending song is soft and lovely, just piano and strings and her beautiful voice.

[READ: July 15, 2021] “Road Trips”

When David was a kid, his father rallied the families on their street in Raleigh to plant maple trees.  For years they were tiny, pathetic things.  Now, decades later they are tall and majestic creating a canopy down the street where his father still lives.

He was home visiting his father who brought him to a block party.  At the party a teenager saw David’s father and groaned “Lou Sedaris, who invited her?”

“My son is gay,” the boy’s mother announced as if none of us had figured this out yet.  David was blown away that someone could casually announce this on the street where he grew up.  As a young homosexual David played all the games that the other closeted kids did.  Dated girls and claimed that sex before marriage was what dogs did–a true union of soles could take eight to ten years!

He kept his secret until he was twenty.  But he would have kept it longer had a couple not picked him up when he was hitchhiking.  It was 1 AM and he was picked up by a Cadillac with people his parents’ age in it. (more…)

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