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Archive for the ‘Verftet Online Music Festival’ Category

SOUNDTRACK: IRIS-Verftet Online Music Festival 2020 (April 1, 2020).

In April 2020, Norway’s Verftet Music Festival streamed an online concert:

Get ready for Verftet Online Music Festival, Bergen’s largest virtual concert festival, where we can enjoy great music together. We want to turn despair and frustration into innovation and positivity, and invite everyone to a digital festival experience out of the ordinary – right home in your own living room.

I was completely unfamiliar with Iris, but she was the only other singer whose set was still streaming.  Because Aurora is a Norwegian singer in the same range, I feel like Iris’ voice sounds similar to hers.  But that’s a lazy comparison.

I suspect that she is a bit more poppy than this set lets on.  Like the Silja Sol set, it feels like a more “unplugged” kind of show.

It opens with “crawl for me” with she her singing to a guitar.  It’s quiet and powerful.  The rest of the band comes out for “mercy” which is “how i would like to to not show me any.”  There are washes of guitar s and keys, including a very cool, almost sinister keyboard sound in the end.

A cellist arrives for “kroppsspråk” which is a cover of a Lars Vaular song.  It’s kind of rapped–but in Iris’s more singing way.  It seems like the original is very dancey and she has dialed it back.

After a gentle piano solo version of “giving in” (her voice is lovely in the spare setting), she played “from inside a car,” my favorite song of the set which  has a breathy quality that I really like.

Then she throws in a Beatles cover.  “Here, There and Everywhere” is a beautiful gentle cover with just her voice and an acoustic guitar.

“hidden springs” stays with the acoustic sound, but she moved to a more techie processed vocal for “your mind, the universe.”  She has a few technical glitches for this song but when they are resolved her voice sounds very cool as it starts and then turns into a much bigger song.

As they prepare the next song she jokes that you shouldn’t eat crackers in bed, which proves to be the opening line of “hanging around you/crackers,” a sweet sounding breakup song.

Before the final song she mentions that all of her band is wearing band T-shirts: Iron Maiden, Metallica, Kiss and um, Reservoir Dogs(?).  It’s an amusing look for such a gentle show.

Before starting “romance is dead” she encourages everyone to visit my You Tube channel for recipes.  This set ending song is soft and lovely, just piano and strings and her beautiful voice.

[READ: July 15, 2021] “Road Trips”

When David was a kid, his father rallied the families on their street in Raleigh to plant maple trees.  For years they were tiny, pathetic things.  Now, decades later they are tall and majestic creating a canopy down the street where his father still lives.

He was home visiting his father who brought him to a block party.  At the party a teenager saw David’s father and groaned “Lou Sedaris, who invited her?”

“My son is gay,” the boy’s mother announced as if none of us had figured this out yet.  David was blown away that someone could casually announce this on the street where he grew up.  As a young homosexual David played all the games that the other closeted kids did.  Dated girls and claimed that sex before marriage was what dogs did–a true union of soles could take eight to ten years!

He kept his secret until he was twenty.  But he would have kept it longer had a couple not picked him up when he was hitchhiking.  It was 1 AM and he was picked up by a Cadillac with people his parents’ age in it. (more…)

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SOUNDTRACK: SILJA SOL-Verftet Online Music Festival 2020 (April 5, 2020).

In April 2020, Norway’s Verftet Music Festival streamed an online concert:

Get ready for Verftet Online Music Festival, Bergen’s largest virtual concert festival, where we can enjoy great music together. We want to turn despair and frustration into innovation and positivity, and invite everyone to a digital festival experience out of the ordinary – right home in your own living room.

Sadly, most of the performances are unavailable, but this one from Siljia Sol (who is also Aurora’s backing vocalist) is streaming.

She plays ten songs in about 40 minutes, singing entirely in Norwegian.

“Kometen” is a two minute opener.  It has trippy synths and feels like an introductory lullaby.  Silja has an amazing voice, with quite a range.  Here it is soft and childlike.  But “Superkresen” turns into a fully 80s dance song.  It fits perfectly with the totally80s visuals of her set.

“Hatten” continues the bounciness.  This song feels poppier with a quietly soaring chorus.  “Hultertilbult” is more guitar-based and feels more organic.  As does “Ni Liv” which has a more prominent bass line.  This song has nice soaring backing vocals from her guitarist.

I don’t know the originals of these songs at all, but this feels like a restrained rendition.  Not quite unplugged, but perhaps more suitable for watching on your couch.

For “Stemning” she moves to the piano and plays a quiet ballad–her voice is lovely here.

The dancing returns for “Løgneren.”  Throughout these songs, Silja’s voice reminds me of Aurora’s, probably because her voice is essential to all live Aurora songs (and because they are both Norwegian).  With Aurora Silja hits incredibly high soaring notes and she really doesn’t do that in her own songs.  Although she does hit some high notes here.

“Semmenemme” has a more rhythmic approach–with almost a rapping vibe.  “Eventyr” cranks up the guitar more with a nice groove behind it.

“Dyrene” ends the set with the most catchy song of the bunch.  It is more subtle but features some nice soaring high vocals in the chorus.

It’s fascinating listening to ten songs and having no idea (at all) what they are about.  I’m very curious to hear if her recorded output has a more or less 80s vibe going on.

You can stream the set here.

[READ: July 10, 2021] “Curving Time in Krems”

This story was really cerebral and metaphysical. as such it took a really long time to get to the point.  It was also an incredibly long story for what amounts to: boy calls girls he had a crush on and wished he had done so sooner.

The main character is an academic invited to a dinner party in Krems, a city that “resembles Vineta, the city submerged by waters.”  Snow had fallen making the oblivious old town even more deserted.

A woman at the dinner insists that her cousin attended classes with him and spoke about him recently.  He tells her this is impossible as he did not have female classmates.

He figures out that the woman is talking about Nori S.  But Nori was a grade ahead of him and there’s no way she would remember him.

For a seventeen-year-old boy, a beguiling eighteen-year-old girl is more inaccessible than a Hollywood diva is to a professor [that’s a weird simile, there].

(more…)

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