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Archive for the ‘Funny (ha ha)’ Category

SOUNDTRACK: TWIN PEAKS-“Spiders (Kidsmoke)” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was the last song on this compilation and it’s my favorite.

There’s a lot of Wilco songs that I like and “Spiders (Kidsmoke)” is way at the top.  The song is really long and doesn’t change a lot but the changes are fantastic.  One of the great things about the song is Nels Cline’s insane guitar work throughout–noisy and seemingly uncontrolled, but somehow fitting in perfectly with the 1-2-3- bass line.

This version by Twin Peaks is as good, if not slightly better than the original.  I say that because the band sounds a little fuller during the verses which I like (although it does make the change to the noisier section less dramatic).  And Nels Cline;s guitar work is more interesting than the Twin Peaks version–although they do some cool things too.

I think Twin Peaks has a bit more of the heavy alternative sound the I like.  The vocals are great, the guitars are great.  I’ve now listened to both versions back to back and I like them both!

This cover actually made me investigate Twin Peaks more and I was bummed to find out that they had just played a show in our area after I had listened to this song.

Next time!

[READ: February 20, 2020] Princeless: Volume 5

This book opens with Adrienne and Bedelia enjoying a cleansing bath in a lake (I assume).  While they are getting clean, Adrienne mourns the state of her hair.  How often she has tried to straighten and control the knotty curls on her head.  And after some serious thought, she has Bedelia shave it all off.  I love that when she pops out of the water newly shorn, she looks gorgeous–well done Emily Martin.  On a less great note, there’s a scene in the water where Bedelia, who is a strong and rugged half-dwarf lets not forget, is drawn with a waist that would be about 10 inches across in real life–bad form Emily Martin.

In book two, Devin and Kira are trotting along (with the tough Kira getting nauseous on the back of a horse).  When suddenly Kira smells… an elf.  And it is her duty to kill it.  Kira dives on the elf’s travelling companion, who is Prince Wilcome.  The elf, named Tempest, quickly disarms Devin and takes his sword.  They are at an impasse.

Next we jump to the dwarf kingdom.  There are two male guards out front discussing music and almost come to blows during their argument, calling each other girlie and arguing which one is the real man.  But when another dwarf comes along shouting Dragon, we find out that the dwarf dragon slayers are all women.  They prep themselves and get ready to make dragon stew.  After a kiss between Benna and Gretta they fling the dwarfs through the air from a catapult. (more…)

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SOUNDTRACK: THE HANDSOME FAMILY-“Capitol City” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I’ve know of The Handsome Family for a long time, but I’m not sure if I’ve ever heard them before.  “Capitol City” is also a bit of a mystery.  It appeared on a Wilco bonus disc (for the deluxe edition of The Whole Love).  I assumed it had something to do with The Simpsons, but I guess it doesn’t.

This is a kind of honky-tonk version with banjo and “gadgets” as part of the lineup.   It’s fun with lots of weird sound effects swirling around this otherwise conventional song.

I wish you were here. Better yet, I wish I was there with you.

[READ: February 20, 2020] Princeless: Volume 4

Sir Gahiji the Hunter has learned that Adrienne is actually not dead and is in fact the knight they are all after.  He shares this information with the Black Knight. They instantly fight and the Black Knight knocks out Gahiji (or Cat Hat, since he wears a wolves’ head on his head).

Adrienne and Bedelia are headed for Grimmorium Swamp.  Bedelia tells of some horrible things that live there: flesh eating goblins, swamp creatures, electric fish, squirrels… real live squirrels! (The squirrel revelation is pretty great).

Back at the castle, the King grabs Devin and brings him along to the forest where the encounter the remains of the Queen’s carriage.   The King says he thinks the Black Knight is responsible.  The King then introduces Devin to the wolves (Kira scares the daylights out of him).

Amazingly Devin and Kira soon bond well enough.  The leader of the wolves says that he wishes his daughter were inquisitive like Devin. The King says he’d rather have Kira in battle–he’s seen rabbits with more courage than his son.  In the background we see Kira and Devin climbing all over his mother’s empty chest.  When he comes out he stands tall and says “I’m going on a quest to save my mother!” (more…)

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SOUNDTRACK: KACY & CLAYTON-“How to Fight Loneliness” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I was not familiar with Kacy Anderson and Clayton Linthicum (a Canadian folk duo).

This song has a bit of menace in the delivery.  I’m not sure if it’s the way Kacy sings a bit like Aimee Mann or in the bass/organ combination.  The original is a bit more spare (although still minor key).

The guitar work (from Clayton) is very pretty, both the initial acoustic and then the sharper electric. There’s a great guitar solo mid-song.

I really like this version and will definitely check out more from this duo.

[READ: February 19, 2020] Princeless: Book One

After heaving read book three in this series, I figured I should go back and see how it all started.  This book collected issues 1-4.

This book opens with a cartoony drawing of a fairy tale.  A princess in a tower is saved by a handsome knight and they get married and live happily ever after.

On the next page, the little girl hearing the story says it is complete hogwash.

Then the girl, who is our heroine, Adrienne, lists the plot holes:

What kind of dragon dies from one blow?
How does the prince get the princess from the tower.  He climbed?  And then climbed down with her?  Because she sure didn’t with those toothpick arms.
And who would put a princess in a tower, what kind of grudge would you need against her to do that?
Plus, the cost of a tower would be more than her dowry!
You’re gonna put a dragon, a wild animal, in charge of your daughter.  What if it wanders off?  What if it kills her?

All she knows is when she turns 16 her parents better not put her in a….

cut to next page tower.  We see poor 16 year-old Adrienne locked in a tower guarded by a (very pink) dragon. The dragon is named Sparky and this dragon is not too scary.  Well, she is since she is a dragon, but she’s not as scary as some dragons.  I mean, she does manage to eat all of the knights who try to rescue the princess. (more…)

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SOUNDTRACK: LIAM KAZAR-“Sunloathe” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I don’t know Liam Kazar (he was in Kids These Days and Marrow).  This song is a simple folkie version of the song with some nice slide guitar and some cool keyboard sounds in the middle.

Kazar’s mellow singing with these instruments makes this cover sound not too different from the original.

[READ: August 23, 2019] The Adventurist

I was intrigued by the title of this book.  I didn’t know a thing about it or the author, but the title and the blurbs were promising a funny and thought provoking novel.  And they were right.

Henry Hurt is a surprisingly likable narrator given his general disposition.  He thinks we need a war in this country–not exactly, but when he looks in the rearview mirror and sees “a glare from my fellow citizen…a look of such opprobrium, such astonished offense (I change lanes too abruptly) that I would have the nerve, the gall to interrupt even for a moment her progress in the world…. Yes: tank treads and the tromp of boots, here on our courteous soil.  It is the only remedy.”

He also loves work. Not just his own work but work in general.  Unlike his sister:

in her mythology a corporate job is a necessary evil, to be tolerated only until a person finds what he was Meant To Do.

He felt that way once as well, when he first got his job at Cyber Systems but

what changed my mind was love. Of money.  I am only partly joking.  It’s no good avowing one’s regard for money.  You set yourself up as a satirical creature.  [but] it didn’t take long to see that acquiring a skill, linking arms with others to fix problems, fulfilling one’s duties with aplomb, all toward a commercial end, is its own kind of nobility.

His sister works for a non profit.  He admires the mission but finds all her coworkers too self-satisfied.

So how could one enjoy this person as a main character?  Because hes funny and insightful and because he presents a perspective that you don’t often see in literature–a non-caricatured business man. (more…)

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SOUNDTRACK: JAMES ELKINGTON-“Black Moon” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Elkington is the first person on this compilation I didn’t know.

He plays an absolutely gorgeous, complicated guitar melody to open the song.  I am mesmerized by how lovely it is.  It’s actually so much different from the original–which has a subdued guitar opening–that i didn’t recognize the song at first.

Elkington sings in a quiet, hushed voice through the verses which continue that beautiful guitar melody and add percussion.

When the chorus kicks in with organs and a great electric guitar slide it become catchy just like the original (possibly more so).  But as the chorus dissolves into the verse, the electric guitar soars throughout while the acoustic picked guitar resumes the beauty.

What a wonderful cover and what a fantastic guitar player.

[READ: February 15, 2020] The Hidden Witch

After finishing The Witch Boy, I was really happy to see that we also had the second book in this trilogy, The Hidden Witch.

This book picks up right where the last one left off, although this one includes a map of the area, so we can see how close Aster’s house is to the main town (and the school).

The book opens in with witchcraft class.  Aster is there with the girls (who are looking at him funny).  He is far behind but his Aunt Iris doesn’t seem too happy about the fact that he is in the class.

Aster’s grandmother agrees to teach him if he will help her.  Her special request is to try to save her brother Mikasi–the creature from the previous book who they have trapped.  She believes that because Aster also had an inkling for witchcraft that he could possibly speak to the Mikasi within the beast.

Then we switch to Sterling Junior High where Charlie is showing off that her leg is no longer broken.  But there’s  new girl in school now.  Her name is Ariel and she seems very dark–thick eyeliner, dark clothes, etc,

This is one more reason why I love this series so much.  Charlie walks up to Ariel and tries to talk to her.  Ariel says you don’t have to partner with me just cause you pity me or whatever.  And Charlie replies “I thought you looked cool.  I like your bracelets.” They immediately start chatting and Ariel admits that she is good at art.  She draws something and Charlie is very impressed.  And soon enough they are friends.  I loved that interaction and wish it was that easy in real life.  And maybe sometimes it is.

Later that night, Aster goes to Charlie’s house. Their friendship is out in the open–her dads like him and everything.  They talk about their day and have a family dinner (I love that Charlie has two dads, but it is not a plot point or an issue at all.  It just is).

Then we cut to Ariel’s house.  Ariel is in foster care (you can tell by how different she looks from the rest of the family).  Her “dad” is kind of jerk saying that if she can’t make it in this school, she may have to go back to the foster system (jeez).

Ariel complains that trouble finds her–none of the things that happened in the past were her fault.  But the whole time she is staring at the phone and getting angrier.

Charlie promised she would call that night but she hasn’t..  And by the time she is ready for bed, Ariel goes to her hideout and summons a Fetch which she sends to find Charlie and give her “a scare.”

The Fetch is basically a shadow that sneaks into Charlie’s room and burns her (or something) on the arm.  Charlie runs away and the creature follows.  She runs all the way to Aster’s house and when she crosses through the protection stones, the Fetch can’t follow.

Charlie finds Aster and with his grandmother’s help, he is able to heal her arm.  Then the grandmother looks through the eyestone and they an all see the Fetch.  The grandmother can’t determine who made the Fetch, but she does make a protection spell for Charlie.  As Charlie walks away, Aster agrees to help his grandmother wit her brother.

At school the net day, Ariel is making enemies and sends a Fetch to push the bullies around a bit.  She is also super frosty to Charlie.  That’s when Charlie realizes she forgot to call her and is very sorry.  When she says “You kind of hate me now,” Ariel is taken aback and promises not to hate her.

She asks why Charlie had a bad night.  Charlie says she dealt with whatever it was and Ariel says to herself that that’s never happened before.

The next day, Charlie and Ariel are studying together when Aster comes by to bring Charlie a bracelet of protection.  Ariel gets a little jealous of their friendship.  When Aster leaves, she says boys are mean.  Charlie says everyone can be mean sometimes.  Charlie says that even though she has friends, sometimes she thinks everyone got the message about how to act and she missed it.  That’s why she likes Ariel.

Ariel is offended “Because I don’t know how to act?”
Charlie replies, “Because you don’t think there’s a right way to act.  You’re just doing your thing.”

That night is Charlies basketball game.  Aster goes and on his way Sedge tags along.  Sedge admits he doesn’t want to shapeshift–he’s freaked out about it.  In fact, he thinks that normal school sounds pretty great.

At the game Aster sees that Fetch is helping Charlie in the game–fouling people and assisting with the ball. Charlie is devastated that she wasn’t as good as she thought she was.  But the more pressing concern is who was casting the Fetch.  That’s when she realizes it must be Ariel.

They confront Ariel and she says that Charlie is clearly a witch too–that’s why she wasn’t hurt by the Fetch.  But Aster says it was his family that helped Charlie.  And he wants to help Ariel as well–hes concerned for her because the Fetch could backfire on her.   Being angry all the time can really impact you–When people treat you like a monster you start to act like one.

Soon enough the Fetch attacks Ariel and she is rendered unconscious.

Aster and Charlie bring her to Aster’s house–the only place she can get help.

I loved the way the story was resolved and who it tied so nicely to the previous book.  I also enjoyed the way the story lines twisted together ta the end (no spoilers)

I’m looking forward to book three (which is out already)!

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SOUNDTRACK: JEN CLOHER-“Impossible Germany” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Cloher takes on of my favorite Wilco songs and transforms it in a way that I quite like.  The song opens with some cool buzzing guitar sounds before the main melody resolves with some plinking guitars and keys.

When Cloher starts singing in her quiet, whispering voice, the song builds up a bit and grows really catchy (with cool sound effects swirling around).  The song is really mellow and catchy until the guitar solo in the middle which has a great echo on it as the song ramps up the speed.

I love that the song has picked up the pace and Cloher has vocally as well, although her delivery remains much the same–understated and cool.

It’s a great version.

[READ: February 15, 2020] The Witch Boy

My daughter has had this book for quite some time and she and S. both encouraged me to read it.  I didn’t put it off for any reason, it’s just that there were other things around first.

But boy did I love this story.

I love that it plays with gender roles but in the inverse of a lot of stories.  In this one the boy wants to do what the girls normally do.  And I liked that it’s not that the boys think what the girls do is too girly, it’s just that that is how it has always been done–boys do one thing and girls do another.  So it’s a nice twist on the gender role reversal story.  Plus the story is unyieldingly positive.

We open on a group of young girls learning witchcraft.  I love that they are speaking in runes and that (I assume) Osterberg made up all the symbols?  Or maybe they are classic witchcraft symbols?

Then we see that Aster is in the tree above them eavesdropping.  He is yelled at and told the girls are leaning secrets that he is not privy to.  His mother tries to calm him by saying the magic is not for him, but he insists that he wants to learn it.  But his role, like all the boys, is to learn to shapeshift (I’m glad they each have a cool skill, at least).  But he’s not interested in shapeshifting.  He wants to cast spells.

Then we learn why the gender roles are separated.  Aster’s grandmother had a twin, Mikasi.  Mikasi wanted to learn magic and he eavesdropped as well.  But the spells poisoned him and he lost control.  A darkness came over him, people were hurt and he was cast out. (more…)

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SOUNDTRACK: MOUNTAIN MAN-“You and I” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Mountain Man is a trio of three women with beautiful voices.  They often sing a capella or with one guitar accompaniment.  There music is quiet, designed for you to lean in to hear better.

The original song is a gentle folk song (with some gently rocking moments).  Mountain Man make it even more gentle.  The original has a vocal harmony from Feist.  Having a two harmony voices makes this version even more special.

Alexandra Sauser-Moning plays guitar (and maybe sings lead?) while Amelia Meath and Molly Sarle sing gorgeous harmonies.

As with everything Mountain Man does, it’s delicate and lovely.

[READ: February 11, 2020] The Time Museum: Vol. 2

Volume 2 opens up with very little explanation about what happened before.  In fact, it jumps right in the middle of a chase.  A purple creature with four tentacles is running away from Delia in an amusement park.  The purple creature is a kid and he doesn’t know why he’s being chased.  Delia communicates through her wrist watch that the kid has the Icono de Prestigo.

The rest of the beginning of the book has Delia’s Epoch Team chasing this (very fast) kid as he flees with the Icono.  The kid finally settles in the middle of an exhibit for Monstro the Terrible.  They freak out and don’t want to see the kid hurt, but he says his dad works there and the exhibit has been empty for years.  Which proves to be false as immediately Monstro (who looks a lot like the monsters in Stranger Things) awakens and swallows the kid.

Through some brave and disgusting techniques the kid and the icono are rescued.

After all of that, the kid hands over the icono and says its probably all melted anyway.  What?  Then they see him walk by with another one–the icono is actually a container for an ice cream sundae.  The Team was hundreds of years too late to save the actual relic.  When they return they are given a reprimand. (more…)

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SOUNDTRACK: COURTNEY BARNETT-“Dawned on Me” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This is a pretty standard cover of this song with Courtney Barnett on acoustic guitar with no accompaniment..  Her voice sounds great and it’s fun to hear her sing this in her Australian accent.  I definitely miss the wonderful bass line in the song, but her version is lovely.

[READ: February 2, 2020] Space Battle Lunchtime Volume 2

The book opens with Peony in a cell.  The disembodied voice shows that she signed a contract to be on Cannibal Coliseum. It is signed Peggy, ha.  They tell her she’ll be chopping or being chopped in an hour.

She says that she can’t cut up and cook someone.  The voice says “It’s called Can-nibal Coliseum not Can’t-ibal…”

Peony realizes the she has her phone so she turns it on and sees NO BARS.  You’re in space, what did you expect.

Back at the Space Battle Lunchtime set, it is revealed that Peony left a note–she forfeited.  But the cameraman says that doesn’t sound like her. Neptunia says that Peony bailed on their date as well.  And, what a surprise, Chef Melonhead has offered to fill in for the missing Peony.

Neptunia and the camera guy look at footage of the  loading doc and see that Peony was taken by a Cannibal Coliseum van.  (more…)

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SOUNDTRACK: BUILT TO SPILL-“Bloody Rainbow” (2020).

What happens when one of your favorite bands releases an album of covers of an artist that you think is so outrageously overrated that you pretty much hate him?

Yep, I’m the indie poster boy who cannot stand Daniel Johnston.  Everyone that I like and listen to seems to believe that his music is a gift direct from god.

I have heard some of his earlier songs when he could actually sing and I found them to be okay.  But most of my exposure to him is his later work when he couldn’t.  And I can’t help but think there’s some element of exploitation involved as well.

But whatever, his songs are simple an fairly catchy even if lyrically they are questionable.

I had no idea that Johnston had recruited Built to Spill to be his backing band for some of his final shows in 2017.  This album comes from the rehearsals for the tour.

This is the first song I’ve heard from the album and here’s what I learned.

I could listen to Doug Martsch sing anything.  This helps a lot.

Musically the song is exceptionally simplistic.  No problem there, lots of songs are simple.

The Built to Spill band sounds fantastic.  This is the trio format of Martsch, Steve Gere on drums and Jason Albertini on bass.

So basically, if the whole album sounds like this, I could absolutely see me enjoying it quite a lot.  Simple fun weird songs, sung by someone who can sing.  What’s not to like?

Just as long as I don’t have to listen to the originals.

[READ: February 3, 2020] Space Battle Lunchtime Vol. 1

I’m always intrigued by Oni Press books that look kind if un-professional. I’m not exactly sure what I mean by that, but many of their books, this one included, don’t look like they are “proper” graphic novels.  I think that’s what first attracted me to the press, that these stories looked like something I could do.  The artwork is good and most of the artists have their own style, but they look more homemade than studio produced.

Space Battle Lunchtime epitomizes that to me.   It feels warm and loved and personalized.  A story that Riess had to tell and enjoyed telling.

We open in a small bakery as Peony is putting the finishing touches on some pastries.  A frog-like creature walks in (on two legs) and asks for some Coo-fee lattes.  Then she notices the cakes and remarks about how cute they are.  While she is talking to them she gets a phone call.  Then she asks Peony if she has what it takes to be The Greatest Chef in the Galaxy.  After a second Peony says Absolutely.

Seconds later, Penny is at an alien television studio.  She says she thought Galaxy was the theme…not the location.  But she has very little time to settle in before it’s show time.

The rules are simple–impress the judges and win a 20,000 solarbuck prize.  Oh and if Peony loses, the frog-creature will lose her job (because she has screwed up too many times before). (more…)

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SOUNDTRACK: J.S. ONDARA-Tiny Desk Concert #937 (January 24, 2020).

WXPN has been playing J.S. Ondara quite a lot since his album came out.  And while the DJs would often give some details about his life story, he gives a bit more here.

J.S. Ondara’s journey to the Tiny Desk is a fascinating one. From his home in Nairobi, he listened on his sister’s radio to American artists, including Nirvana, Jeff Buckley, Death Cab For Cutie and, most importantly, Bob Dylan. He wanted to be a folk singer, so he moved to Minnesota, Dylan’s home state.

In between songs he narrates his life in a wonderfully comically understated style.

Ondara told us his story. “I remember, at one point, someone told me about this contest that you guys do called ‘the Tiny Desk Contest.’ And I was, at the time, desperately trying to be a folk singer. And I’m not quite. I’m not a big fan of contests, but I like NPR. So I figured I’d give it a shot. And I’d just written that song, ‘Lebanon.’ So I made a video of me playing that song, and I submitted it. And I suppose that things didn’t go quite in my favor. So I figured I’d find a bit of a roundabout way to get here, which involved making a record and touring it relentlessly and stalking Bob [Boilen] all around South by Southwest. (I actually didn’t do that part.) I was thinking about it. And now I’m here. The journey would have been a lot shorter had I just won the bloody contest. It’s on me, not you, I suppose, I should have written a better song.  But in the very wise words of Miley Cyrus, ‘it’s not about how fast you get there, it’s about the climb.’  I can’t stop quoting that song, it’s one of those words even when I don’t want to.”

“Lebanon” is a slow ballad with Ondara’s unique singing style (S. and I genuinely didn’t know if Ondara was a man or a woman upon hearing his song “Saying Goodbye” because his voice is so multivaried.  I really like the passion of the lyrics and how it is countered with the slowness of the music.

In the water, fire
I’ll go wherever you go
In the valley, in the canyon
I’ll go wherever you go
Hey, love, I’m ready now
Can’t you see this riot
Inside of my veins
Hey love, I’m overcome
By desire
How must I wait?
Up next is “Days of Insanity” with this fascinating lyric

There is a bear at the airport, waiting on a plane
There is a cow at the funeral, bidding farewell
There is a goat at the terminal, boarding the C-train
There is a horse at the hospital, dancing with the hare
Somebody call the doctor, from the university
Somebody call upon the witch and the wizardry
Somebody call the rabbi, the pastor and the sheikh
Coz we are coming on the days of insanity
The days of insanity.

In talking about this song he says it is such a rich time to be a folk singer in America.  He wrote the song while making the record.  He was watching videos of kittens and puppies as he does every night before bed and the video suggested watching Stephen Colbert with John Mulaney.  Mulaney took a trip to Japan and described things in America as being like seeing a horse loose in a hospital.  It’s like something no one’s ever seen before.  Ondara encourages us to watch the clip and he is right–it is hilarious!

“Saying Goodbye” is the song that’s been getting the airplay.  It’s passionate and powerful and when he sings in the higher register it really is otherworldly.

This live version is quite a revelation.  His delivery is different–much more slow and deliberate.  But he can still hit that glorious high notes..

Amazingly, Tales of America was nominated for a Grammy award for Best Americana Album (not bad for a guy from Kenya).  Sadly it didn’t win.

[READ: January 30, 2020] Cleopatra in Space Book Five

It took Maihack seventeen months to make this book!  He says that sixteen of those months were spent growing the beard on his author picture.

This story is action-packed with some fascinating twists and turns.  Consequently, seventeen months is a long time to go between books.  Fortunately, Maihack’s quality of illustration and storytelling has maintained its high standards.

The book opens with a flashback to the moment when Cleo first disappeared from Gozi while they were having target practice (back in book 1).

The actual story has followed Cleo on her adventures.  But now we see what happened to Gozi.  He was attacked by … someone … and imprisoned.  Gozi believes that whatever happened to Cleo–it was her choice not to return and help him.

I have to admit I was more than a little confused as to just what happened next, [Gozi explains things later on].  In the montage of events, there’s a spaceship and lots of cats (I suspect that if I had read the other books more recently this would be more clear).  In whatever happened, Gozi is badly burned and the pain never goes away.  He was wrapped in bandages but that didn’t really help at all.  Then we see exactly what happened to make Gozi turn into Octavian and to agree to use the Lion’s plasma to carry out the ruin of the galaxy. (more…)

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