Feeds:
Posts
Comments

Archive for the ‘Built to Spill’ Category

[DID NOT ATTEND: June 3, 2026] Built to Spill

Built to Spill is a fascinating band.  I’ve seen them seven times.  They change their setlist nightly which is awesome, and even some of the bigger “hits” don’t get played every show.  They didn’t play Carry the Zero the last time I saw them and there’s no song that they’ve played at every show (I Would Hut a Fly is pretty close).

So they are an indie rock band who tour a lot but who don’t put out a ton of new music.  And yet their fan base is devoted (and pretty obnoxious).  The age range is pretty broad, but there are a mix of twenty-somethings scattered in there who are awful–drunken bros and chatty girls.  The girls next to me couldn’t stop talking and taking pictures of each other and the bros at the bar were audible during the quiter moments–one of them even said something about the bass player which was borderline salacious.

This is the third time I’ve seen the band with this lineup: Melanie Radford on bass and Teresa Esguerra on drums.  It’s the most times I’ve seen them with the same players.  And they have really been gelling.  Onec of the most fun parts of the shows is when Dug does a lengthy improvised solo and Melanie steps back and looks over at Teresa and they smile and get into a tight groove.  It’s great!

Teresa plays in Prism Bitch who opened for BtS back in 2019 and Melanie Radford plays in Blood Lemon who opened for BTS in 2022.  As a trio, they are fantastic.  A friend of mine says he misses the larger band, and yea, it is cool when there are two guitars playing off each other, but this format give Dug a lot of space to play around.

Every setlist is different, even from show to show.  I’m intrigued, though, that they never play songs from Ancient Melodies of the Future (I’ve only seen them play one song from that record).  But as for the other albums, he mixes it up.  And tonight’s show started with Some Other Song and Spiderweb.  The crowd was really loud after his solos–I’m fascinated that there’s so many people who enjoy jammy guitar solos.

I was psyched to hear The Plan, a personal favorite.  It was followed by The Wait which I haven’t seen them play since 2019.

By this time I was getting really annoyed by the girls near me.  They were talking so much.  And I wanted to let it not bother me but they were so annoying.  But they were also apparently really into the show.  They were excited by Center of the Universe, but I have to wonder what songs they really like.

They started Tomorrow, a song I had not heard them play before and a guy at the far left of the crowd shouted They’re Playing My Song!  And he bounced his way to the middle right in front of me, obnoxiously singing and facing everyone until he pushed his way to the barrier ans shouted along. Security came a few moments later and the loud girls next to me started shouting No No, He didn’t…  whatever.  At that point I had to leave the area because I hated everyone.  I was glad my wife hadn’t come because the crowd was awful. (more…)

Read Full Post »

[DID NOT ATTEND: June 3, 2026] Guerilla Toss

Back in December, Built to Spill and Guerilla Toss played a show at Union Transfer.  I was really excited to go, but it was right after my surgery so I couldn’t make it.  I was especially bummed because I have wanted to see Guerilla Toss for a while.

So it’s awesome that they continued the tour together this summer.

I had heard a lot about Guerilla Toss’ live show and how wild it was.  Reviews I’ve read suggest that back in 2014, Guerilla Toss was a wild band with nudity and short sets.  They have now become far more traditional, but they are still plenty weird.  It’ sjut that now there are catchy, danceable moments within the noise.

So, this show wasn’t particularly wild, but the songs were great and weird and singer Kassie Carlson is a wonderful presence onstage (with great vocal dynamics).  She has a diverse delivery style, sounding at times like the B52s, but also making some fascinating squeaky sounds.

Their bassist Zach Lewelleyn has some fantastic bass lines in the songs.  He’s also either really tall or playing a fairly small bass guitar.  Guitarist Arian Shafiee (who founded the band) plays equally weird riffs and chords.

I couldn’t really see Peter Negroponte (another co-founder) on drums, but he did sing backing vocals a lot. (more…)

Read Full Post »

[DID NOT ATTEND: December 18, 2025] Built to Spill / Guerilla Toss

I love Built to Spill.  I’ve seen them half a dozen times and they’re always fun.  Doug Martsch doesn’t really do anything in stage, except shred like a maniac, but somehow the shows are always fun. For the longest time I had seen Modest Mouse and Built to Spill the same number of times.  But the last two Built to Spill shows I’ve had to miss for one reason or another.   I was hoping to get BTS to catch up, but it didn’t happen.  Hope the come back next year.

I had missed Guerilla Toss back in October when they did their headline show.  So I was excited that they were opening on this Built to Spill tour.  Although I missed a bunch of shows because of the surgery, this was the only one I was really bummed about.

 

Read Full Post »

[DID NOT ATTEND: September 6, 2024] Built to Spill / Kicking Giant

I have seen Built to Spill five times and have enjoyed every show.  This tour promotes the 30th anniversary of the album There’s Nothing Wrong with Love.  I thought I knew this album pretty well, but it turns out that I really started getting into them with the album AFTER this one.

But I was still really excited to see this show.  They announced a show at Franklin Music Hall which bummed me out because I don’t really like that venue (and it was the same night that I had tickets for at least 3 other shows).  But then they announced this show at Asbury Lanes which was awesome.  I grabbed a ticket right away.

I couldn’t go to that show, which did leave this show.  But I already had tickets to see St. Vincent, so I’m missing this show.

Last time that BtS toured, they came back through the area a second time about four months later (Philly in May, Bethlehem in September), so I secretly hope that they will do that again maybe early next year?  But they played a lot of shows on this tour, so I’m not holding my breath.

The name Kicking Giant sounded familiar (more…)

Read Full Post »

[DID NOT ATTEND: August 31, 2024] Built to Spill / Floating Witch’s Head

I have seen Built to Spill five times and have enjoyed every show.  This tour promotes the 30th anniversary of the album There’s Nothing Wrong with Love.  I thought I knew this album pretty well, but it turns out that I really started getting into them with the album AFTER this one.

But I was still really excited to see this show.  They announced a show at Franklin Music Hall which bummed me out because I don’t really like that venue (and it was the same night that I had tickets for at least 3 other shows).  But then they announced this show at Asbury Lanes which was awesome.  I grabbed a ticket right away.

Then I found out that my son was going back to school that day.  So that would be kind of weird to drop him off and then rush off to a show.   Then it turned out he didn’t have to go until the following day, but it would have been even worse to go out on his last night at home.  SO I blew off this show.

Last time that BtS toured, they came back through the area a second time about four months later (Philly in May, Bethlehem in September), so I secretly hope that they will do that again maybe early next year?  But they played a lot of shows on this tour, so I’m not holding my breath.

I’d never heard of Floating Witch’s Head who are

a new Boise-based project concocted by Travis Ward (guitars & vocals) with Michael Mitchell (drums & percussion) and Eric Gilbert (keyboards & head shakes). RIYL: garage, psych, swamp, proto-punk, acid rock, beards, hot peppers, pickles, parties, nice people

The last few tours I’ve had a love/hate relationship with the opening bands.  Last tour I loved Blood Lemon but hated Wetface.  Floating Witch’s Head I’m feeling ambivalent about.  The description above is pretty accurate and I do tend to like this kind of music, but the song I listened to is really pretty standard fare, nothing that excited me.

 

 

 

 

 

Read Full Post »

[ATTENDED: September 4, 2022] Built to Spill

I know that a Built to Spill show is going to be great.  But sometimes the crowd makes it hard to enjoy.  I was fairly sure this show would be poorly attended, and yet there were a lot of (drunk) people who knew Built to Spill very well.  Are they more popular than I realize?

I had seen them just four months earlier, but the opportunity to see them again at the reasonably close SteelStacks in Bethlehem meant that I was going to see them again.  I enjoyed his new lineup.  This is the third, possibly fourth lineup I’ve seen play with Doug.  Melanie Radford is now on bass (she also plays in Blood Lemon) and Teresa Esguerra on drums.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry.

I hadn’t really gotten to see Radford much during Blood Lemon, but she totally let loose with Built to Spill.  Her bass playing was great and her sound was outstanding.  She also seemed to create some of the second-guitar melodies (instead of the bass lines) to make the songs sound even fuller. And then she would jump back with her hair flying a smile on her face.

I had seen Esguerra with Prism Bitch, but she was even more impressive tackling songs that I knew.  She was fast and powerful and seemed to be the engine pushing the songs forward not just keeping pace with them. (more…)

Read Full Post »

[ATTENDED: September 4, 2022] Wetface

When I realized that I was going to be late for this show, I hoped beyond reason that Wetface would go on first and I would miss his set instead of Blood Lemon.  I realize that Blood Lemon bassist Melanie Radford plays bass in this incarnation of Built to Spill and probably needs some downtime between sets, but I really did not want to sit through Wetface again.

I considered leaving the room and looking at merch or just going for a walk but I didn’t really want to lose my place.  Although, realistically, my place kinda sucked because the people around me were awful.  I should have stuck with my guts.

The drunken Bethlehem crowd absolutely loved Wetface.  And I’m going to say that I found him more entertaining at this venue than the first time.  Perhaps because my expectations were so low.

He had a lot of technical difficulties which he played up and which he had fun with.  I also got a kick out of him throwing his last three T-shirts (that’s all that left of my merch) into the crowd.  “But, hey, they are all smalls, so if you’re a big person and you just grabbed that shirt, I am happy for you that you got something free at a concert, but kindly give it to someone who will fit it).

He played a song and when it was done, someone requested that he play it again.  So he did.

I am quite aware that I need to lighten up at shows, but yes, I would have been very happy to have missed this set.

Read Full Post »

[ATTENDED: May 11, 2022] Built to Spill [rescheduled from July 30, 2020]

I feel like I have seen Built to Spill a million times, but this was my fifth show.

The first time I saw him was at Union Transfer back in 2015 and he had a five piece band.  That was a couple of iterations ago and now he was back with a new band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford from openers Blood Lemon.

The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry. (more…)

Read Full Post »

[ATTENDED: May 11, 2022] Wetface

Wetface is the one-man-band project of Montreal based songwriter Jordan Minkoff.   He writes and plays on a mid 80’s Yamaha organ, douses “bright and ambitiously crafted pop music with layers of wonky digital strings and orchestration.”  That’s according to his label.

According to me he is a tedious, goofy in a bad way singer who is very good at playing the keyboard.  There didn’t seem to be anything ambitious about his songs which were very far from pop.  He sang often in a crazy falsetto.  It’s possible he was making things up as he went along.  The sound (’80s Yamaha) was so cheesy most of the time that I had to assume he was joking, but that the joke just wasn’t all that funny because the sound was so pervasive.

I wanted to see if I was alone in really disliking this set.  I see that the reviewer from White Eagle Hall (the show I had tickets to two nights later but which I did not go to) loved him.  Thought he was hilarious both in his song craft and his banter.

Turns out that Jordan Minkoff created some of Built to Spill’s recent videos and Doug Martsch is a big fan (he also really liked Daniel Johnston, so…).  Martsch called Wetface up on stage to sing with them in Jersey City.  Maybe that would have made me like him more.  But honestly I couldn’t wait for his set to be over.

 

 

Read Full Post »

[DID NOT ATTEND: May 12, 2022] Built to Spill / Wetface / Blood Lemon [rescheduled from July 31, 2020]

I saw Built to Spill the night before in Union Transfer.  Originally I was more excited  to see them at white Eagle Hall, but I had a Sinead O’Connor concert conflict (which of course didn’t happen, but just in case).

Since I had just seen them the night before, it didn’t see worth going out the following night for what would have been largely the same show (good as it was).

I also really didn’t like Wetface and didn’t want to sit through that set while waiting for Built to Spill.

I did really enjoy Blood Lemon though and would happily see them again, especially since I arrived a little late and missed some of their set.

For ease of searching, I include: Le Almeida (drums), Joao Casaes (bass) and Joao Luiz (guitar), Transfusao Noise Records, Orua.

Read Full Post »

Older Posts »