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Archive for the ‘Stranger Things’ Category

SOUNDTRACK: TŌTH-Tiny Desk Concert #967 (April 13, 2020)

For reasons I’m unclear about, I thought that Tōth was a heavy metal band.  Well, they aren’t.  At all.

The last time we saw Alex Toth at the Tiny Desk, he was standing against the shelves, trumpet to his lips. He performed in 2015 with Rubblebucket and his partner Kalmia Travers was singing lead. This time around, Alex sings about their relationship’s end in the song “Copilot.”

It’s a quiet song with gentle guitar and throbbing synths from Ben Chapoteau-Katz.  Alex Toth sings softly and drifts into a high falsetto during the chorus. There’s even some whistling.

“Copilot” is one of two songs Tōth performed at the Tiny Desk from his album Practice Magic and Seek Professional Help When Necessary. These songs are thoughtful, honest reflections on the end of his personal relationship with Kalmia Travers (although it continues professionally).

The arrangements here are spare but textured with bits of Alex on trumpet and touches from Ben Chapoteau-Katz on sax and electronics. The rhythm section of drummer Rebecca Lasaponaro and bassist Ryan Dugre pin it all together.

Rebecca Lasaponaro drums with And The Kids and she is fantastic.  Her drumming here is a bid more subdued, but she has a lot of electronics at her disposal which is fun.

“No Reason” is a slower song which features some mellow drums, but  also some lovely twinkling keys and Toth’s trumpet solo in the middle.

He says he’s thrilled to be drinking tea out of an NPR mug at NPR.

Up next is an excerpt from a new record:

The new tune “Turnaround (Cocaine Song)” is a funny/sad (and I’ll assume true) tale of poorly timed indulgence at his Aunt Mary’s funeral in New Jersey.

It’s a slow meandering (silly sounding) story about an embarrassing incident involving cocaine.  There’s a muted trumpet solo and a simultaneous sax solo from Chapoteau-Katz.

Toth says “Juliette” has an amazing and weird video starring Maya Hawke from Stranger Things.  There’s also audience participation which he’ll teach during the song.  Oh, he also has to take his beanie off.

The song begins with everyone shouting wha wha / wha wha ooh ooh. A simple bass line from Ryan Durge runs through the whole song as everything else is quietly performed (including more sax solos).  The song is sweet and odd but pretty catchy.

At the end, while everyone sings along, Toth recites a romantic scene

there’s a double rainbow and children dance all around us with ice cream cones and red balloons and lots and lots of puppies!

Sometimes I’ll see a band at my desk and wish I could jump in and join. That’s what happened when Tōth played the Tiny Desk. I felt a deep connection to both the fun and emotion in their music. Besides, I loved their outfits.

I’m not sure how memorable these songs are, but they are sure fun to listen to.

[READ: April 30, 2020] “Five Stories”

Here is yet another installment of microfiction from Diane Williams.

Every time I read stories from her I try to imagine how they were constructed.  I have considered that she takes pieces from other stories and jams them randomly together into short fiction.  But now I’ve decided that the way she writes her stories is that she writes a longer story and as she edits it, she accidentally deletes more than she meant to but then just leaves it.

Her stories just leave me going… huh? (more…)

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SOUNDTRACK: MOUNTAIN MAN-“You and I” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Mountain Man is a trio of three women with beautiful voices.  They often sing a capella or with one guitar accompaniment.  There music is quiet, designed for you to lean in to hear better.

The original song is a gentle folk song (with some gently rocking moments).  Mountain Man make it even more gentle.  The original has a vocal harmony from Feist.  Having a two harmony voices makes this version even more special.

Alexandra Sauser-Moning plays guitar (and maybe sings lead?) while Amelia Meath and Molly Sarle sing gorgeous harmonies.

As with everything Mountain Man does, it’s delicate and lovely.

[READ: February 11, 2020] The Time Museum: Vol. 2

Volume 2 opens up with very little explanation about what happened before.  In fact, it jumps right in the middle of a chase.  A purple creature with four tentacles is running away from Delia in an amusement park.  The purple creature is a kid and he doesn’t know why he’s being chased.  Delia communicates through her wrist watch that the kid has the Icono de Prestigo.

The rest of the beginning of the book has Delia’s Epoch Team chasing this (very fast) kid as he flees with the Icono.  The kid finally settles in the middle of an exhibit for Monstro the Terrible.  They freak out and don’t want to see the kid hurt, but he says his dad works there and the exhibit has been empty for years.  Which proves to be false as immediately Monstro (who looks a lot like the monsters in Stranger Things) awakens and swallows the kid.

Through some brave and disgusting techniques the kid and the icono are rescued.

After all of that, the kid hands over the icono and says its probably all melted anyway.  What?  Then they see him walk by with another one–the icono is actually a container for an ice cream sundae.  The Team was hundreds of years too late to save the actual relic.  When they return they are given a reprimand. (more…)

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