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Archive for the ‘Funny (ha ha)’ Category

12 musical things I (we) like about Christmas

Posted in Barenaked Ladies, Brian Wilson, Canadian Music, Christmas Album, Comedy Album, Consumerism, David Bowie, Dreams, Funny (ha ha), Holidays, It's a Wonderful Life, Magic, Marriage (Happy), Military, Paul Debraski, Radio, Religion, South Park, Supernatural, War on December 22, 2008| 3 Comments »

After getting the dislikes out of my system, it’s time to bring in the positivity.  Now that I have a lot of different Christmas discs to choose from, I don’t get inundated with the same songs over and over.  This has really allowed me to appreciate the old songs for what they are.

So, here’s 12 things I like about the holiday tune season (in no particular order)

1. “O Holy Night”
oholyI feel like I never really knew this song until I heard Cartman getting cattle-prodded for not knowing the words.   I listened to that version all the time (but I can’t tell if I like that version or the one on Mr. Hankey’s Christmas Classics better [“Fall on your knees, and hear the angels… something” “VOICES!”]), and what it did was give me a real appreciation for what a cool song this is.  The chord changes are very satisfying without being really obvious.  And, it’s not an easy song to sing.  But I have liked every tooversion I’ve heard: from Cartman to Avril Lavigne (whose first two verses on Maybe This Christmas, Too are the most vibrato-free singing I have ever heard.  I’m quite certain she’s flat all the way through, and yet her voice is so unaffected it’s totally disconcerting.  Tell me what you think…it’s available here).

Sarah: This truly is a beautiful song and I love all its versions as well, from Cartman to Tracy Chapman. I’m not a religious person but I always feel a little holy when I sing this. (more…)

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Chetan Bhagat–One Night @ the Call Center (2005)

Posted in Chetan Bhagat, Christmas on Mars, Consumerism, Corporate skewering, Foreign Books, Funny (ha ha), Marriage Trouble, Racism, Religion, Short Books, Supernatural, Technology, The Flaming Lips on December 20, 2008| 5 Comments »

onenightSOUNDTRACK—FLAMING LIPS-Christmas on Mars (film & soundtrack) (2008).

marsI’ve been a fan of the Flaming Lips for a pretty long time.  I first heard them with “She Don’t Use Jelly” (a novelty hit from 1993…who would have thought they’d have become so amazing) but I really got into them from the time of The Soft Bulletin (and Zaireeka).  Since around this time, Wayne Coyne and the Lips have been working on Christmas on Mars.  It is a “home movie” of sorts that the Lips and some special friends made in their home town (and their backyard).  They recently released the film on CD/DVD.

The film, based on the snippets I saw and everything I’d heard about it was nothing like what I expected.  wayneChristmas on Mars sounds like a cheesy/funny movie about, well, what Martians do for Christmas.  And seeing Wayne as a Martian seemed to confirm my suspicion.  But rather, what you get is a much less joyful celebration.

The movie is structured around a space station on Mars. There are only a half a dozen or so humans on board, and they are all going slowly crazy from a lack of oxygen.  Also on board is a “virgin” mother who is incubating a baby that was born on Mars.  One of the crew believes that the fate of the baby will determine the fate of the entire mission.

It is Christmastime on Mars, and there’s going to be a Christmas party.  But the Santa freaks out and runs outside just as a Martian walks up to the station.  The Martian is “captured” but he serenely walks around the ship, observing, mending and just being there.

There is very little dialogue.  There are really far out-trippy images.  There are lots of really creepy images (the people who let their baby be in the film were VERY trusting).  And there’s lots of vaginal imagery (in whacked out dream sequences) which makes me wonder what kind of MPAA rating this would get.

The film is a little dull at times (especially in the beginning)–although it could have just been that since I didn’t know what I was getting into, I wasn’t in the right mind frame for it…kind of like Eraserhead.  But it definitely picks up, and gets rather suspenseful.  It’s also nice that some “real” actors are in it, like SNL’s Fred Armisen,  AdamGoldberg (!) and Blue’s Clue’s Steve Burns (!!).

What’s most impressive though is the look of the film.  From interviews I read, I learned that Wayne was constructing most of the set himself (and that he got to use an abandoned processing plant for many of the scenes).  He very wisely films in low light and black and white, (with occasional splashes of supervibrant color) but the sets look really amazing.

The Flaming Lips are usually pretty upbeat and positive.  This film is overall pretty dark and negative, although there is always a ray of light shining through it.  I’m not going to give away the ending, though.

The CD is the soundtrack to the film.  It is not for the casual listener, or even necessarily for the Flaming Lips fan.  There’s no lyrics at all.  And the score is very befitting of a “lost in space at Christmastime” movie.  Unlike the typical Lips’ mood, the soundtrack is quite dark (and short at about half an hour).  The overall feel is ambient, but restless ambient.  And there’s very little in the way of tunes.  That’s not a criticism, as it is a soundtrack to the film, it’s just a warning for those expecting another “Waitin’ for a Superman.”  Although I admit it won’t be getting a lot of play in my house.

[READ: December 16, 2008] One Night @ the Call Center

A patron asked me to order Chetan Bhagat’s newest novel for her.  In the process, she told me that this novel, One Night @ the Call Center was very funny, and had finally gotten released over here.  I don’t always listen to patron suggestions, but for some reason this one stuck with me, so I inter-library loaned it.

As the title suggests, this story is set in a call center, and all the action takes place in one night (with some flashbacks).  The characters are six twenty-something Indians living in Delhi.  They work for Connections, a call center for an American appliance manufacturer. And their shift is from 10PM-2AM. (more…)

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Christopher Moore–You Suck: A Love Story (2007)

Posted in Adventure, Christopher Moore, Fantasy, Foxboro Hot Tubs, Funny (ha ha), Green Day, Sex, Supernatural, The Kinks, The Rutles, The Who, Threats, Vampires, Violence, YA Books on December 18, 2008| Leave a Comment »

yousuckSOUNDTRACK: FOXBORO HOT TUBS-Stop Drop & Roll!!! (2008)

fhtThis is the least cleverly concealed “side-project” in rock history.  At this point Billie-Joe Armstrong’s voice is so recognizable, that it’s impossible for him to hide.  But Foxboro Hot Tubs were a way for Green Day to release something different after their mega-successful American Idiot album.

I mean, how do you follow up a number-one reaching concept album?  Answer: drop all pretense, drop all complexity, and churn out a dozen songs that sound like they were written and recorded in your garage.

At first listen I didn’t like the album very much. Well, that’s not true.  I liked the first song, “Stop Drop and Roll” quite a bit, but the rest of the record got a little repetitive for me.  And, worst offense: they TOTALLY ripped off “You Really Got Me” by the Kinks for their song “Alligator.”  I mean, chord riffs, chord changes, even the chorus are so close as to be actually irritating.

It was only after listening more carefully that I realized that FHT rip off a lot more than the Kinks.  And, although not quite a pastiche like The Rutles, the ripping off is more of an homage/twist, rather than just cheesy thievery (because honestly, who thinks that Green Day could get away with ripping off the Kinks’ most popular song?)

On my last listen through I heard “I’m Not Your Stepping Stone” in “Sally,” “Roadrunner” in “She’s a Saint Not a Celebrity,” some earlier Green Day songs (like “When I Come Around” ) in “Pedestrian” and “Run Run Run” by the Who in “27th Ave. Shuffle”

After getting past those “influences” the album is mostly fun (especially the flute (!) solo in “Dark Side of the Night.”  They’re clearly not trying to write the next epic, they’re just cleansing their palette before their real follow up.  And, heck, the fact that it actually did quite well in radioland didn’t hurt either.  Foxboro Hot Tubs make some fun garage rock.

[READ: Winter 2008] You Suck

Christopher Moore’s book covers are very striking.  That’s not a good reason to read his books, though.  The titles are also pretty funny.  Which is also not a good reason to read his books.  It’s the content inside that is the reason to read him.  A little while ago I had read Lamb: The Gospel According to Biff, Christ’s Childhood Pal and it was very fun indeed.  So, I picked up You Suck, which was his most current one at the time.

I didn’t realize it was a sequel to Bloodsucking Fiends until after I started reading it, but I didn’t find that to be a problem.  (more…)

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Brian McLachlan & Tom Williams–No Dead Time (2004)

Posted in Alfie, Books about music, Brain McLachlan, Canadian Content, Consumerism, Corporate skewering, Funny (ha ha), Funny (strange), Graphic Novel, Oni Press, Smarty Pants, The Divine Comedy, Tom Williams on December 17, 2008| Leave a Comment »

nodeadSOUNDTRACK: THE DIVINE COMEDY-Casanova (1996)

casanovaFollowing Promenade, Neil Hannon released Casanova.  Stylistically it is very different.  It features more of a band, rather than an orchestra (although it retains an orchestral feel).  Perhaps because of this, there were three singles from the album, all of which charted in the UK.  “Something for the Weekend” is a wonderfully fun song, full of twists and double crosses, sex and debauchery and, of course, something in the woodshed (all in just over 4 minutes).  It’s a fantastic lead off single.

The second track was the second single “Becoming More Like Alfie.”  This was long before the remake of the movie Alfie, so I had no idea what the song was referring to.  I have not seen either version of the film, but I know now that Alfie is a ladies man, as the chorus leads off, “Everybody knows that no means yes…”

In fact, the whole album deals with sex.  Loving sex, debauched sex.  Sex, sex, sex.

“Songs of Love” follows a few of the more debauched songs with a beautiful ballad of a shy young man who sits in his bedroom noticing that “while they search for a mate/My type hibernate/In bedrooms above/Composing their songs of love.”  The next song “The Frog Princess” was the third single.  It is a sweet and tender ballad of love.  Until you get to the end of the song in which the narrator wonders, “But how was I to know that just one kiss/Could turn my frog into a cow?”

The album is solid and wholly enjoyable.  And it’s clear that Neil wasn’t done with songs about love as shortly after Casanova he released A Short Album About Love.

READ: [December 2008] No Dead Time

From time to time I do an order directly from Oni Press.  I tend to order a bunch of graphic novels at a time, and this was one that sounded interesting.  The general premise is that Nozomi is a young girl who works in a record store.  She’s fed up with the stupid people she has to deal with all day.  (“You were looking for (Led) Zeppelin under Z, weren’t you?”) Meanwhile Seth is an IT guy who is sick of the corporate world, and sick of dealing with his boss.

But really the first thing you notice about this comic, is the totally bizarre looking characters.  (more…)

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Berkeley Breathed–Opus: 25 Years of His Sunday Best (2004)

Posted in Art, Baby Snakes, Berkeley Breathed, Bloom County, Bruce Bickford, Corporate skewering, Frank Zappa, Funny (ha ha), Funny (strange), NASA, Opus, Political Humor, Secondhand Lions, Smarty Pants, Technology, The Mike Douglas Show, Time Travel, War on December 13, 2008| Leave a Comment »

opusSOUNDTRACK: FRANK ZAPPA-Baby Snakes [the movie & soundtrack] (1979).

babyThis is sort of a review of the soundtrack album to Baby Snakes, but really it’s a review of the film, which I just watched over the last 4 days.  Baby Snakes (A Movie About People Who Do Stuff That is Not Normal) was not as depraved as the subtitle (and the history of Zappa) would lead you to believe.  In fact, primarily it is a concert film.  There are a bunch of other things in the film as well, but easily 3/4 is a live Halloween concert in New York City.

More on that in a moment.

In today’s market, the other parts of the film would simply be packaged as bonus features on a DVD.  The claymation and subsequent interview with the artist Bruce Bickford would be a (somewhat) interesting short film, and a lot of the behind the scenes footage would also go well as a bonus attachment to the concert.

But I won’t get ahead of myself.  The claymation sequences are, frankly, amazing to watch.  There’s a clip on YouTube of Frank on the Mike Douglas Show (which is a trippy/weird thing to watch in and of itself) in which he shows an example of the claymation from the film and from elsewhere. Unlike the amazing work of Aardman on Wallace and Gromit, Bickford’s work is not polished.  However, each new image slowly morphs into the next in a series of mindblowing sequences…there are scenes of sex and violence and driving and mountains and flowers, and naughty bits and vomiting and you name it.  It is the most stream-of-consciousness looking visuals I may have ever seen.

During the sequences, Frank interviews Bickford.  The interview is pretty long, and it sounds like Bickford may be completely stoned. I tuned out a lot of what he was saying.

The backstage footage is the kind of sillydebauchery that you imagine happens back stage: there’s a blow up sex doll, there’s most of the band members telling little stories about what’s going on and there’s Adrian Belew dressing in drag.  But again, the editing is not great, and the footage is just sort of randomly inserted…the worst part is when Adrian Belew is actually talking OVER the Frank and the Devil negotiation during “Titties and Beer.”  Boo!

So, both of these segments could have worked very nicely as their own short films, rather than being inserted into this longer piece.  In fact, the haphazardness of the proceedings seems even worse when you realize that they are no longer inserted into the film after about the two hour mark: the last stretch of the concert is interruption free.  The problem is that the whole film is nearly three hours long, and since he intersperses these interviews/animations in between live footage, watching five or ten minutes of animation feels disjointed (overall, the editing leaves something to be desired)

The live footage, however, is pretty amazing.  Watching Terry Bozzio beat the crap out of the drums while singing/narrating is pretty fantastic.  And Andrian Belew is amazing to watch at any time. It’s also fun to see the percussionist going nuts on what must be a hundred different instruments (including the ever-present Zappa Xylophone.)

But clearly the highlight is watching Zappa.  Zappa conducts a whirlwind percussion jam, giving the musicians the key (A is a triangle of two hands, C is his hand shaped like a C) before getting them to strike their chords.  It is a fun improv moment, and shows that even back in the 70s, he was interested in composing music, not just writing rock songs.

Incidentally, the soundtrack, of Baby Snakes contains many of the live songs from the film,(but not the improv)  including the excellent “Punky’s Whips” and “Black Page #2.”  The soundtrack is short (especially compared to the movie) but is really great.

Watching Zappa solo on the guitar is also pretty amazing.  I’ve listened to all of his guitar solo releases.  And he simply knows the guitar backwards and forwards.  So, this concert is a good way to just sit back and watch him play.  But it’s also a good way to watch him interact with the fans.  Frank is right there with the fans, shaking hands, slapping high fives (and doing this while he is playing an extended solo as well).  His charisma is undeniable.

And his charisma is in great evidence during the audience participation section where some of the thronging masses are invited onstage to enact a scene out of Frank’s imagination (a young volunteer is “whipped” by a young woman whose face is painted white with flowers on it, and her friend Donna U Wanna).  The woman in the white makeup is all over Frank when she’s down in the crowd, too.  While Frank is singing, she starts kissing him and even taking his hair out of a ponytail holder–and he never flubs a word!  What a professional.

By the end of the film you kind of forget about the editing, but in the first 2/3, mostly you come away thinking that the editing is just not very good.  Much of the claymation is repeated (some is repeated three times).  While I understand that Frank reedited the film down to 90 minutes in a failed attempt to find a distributor, and I know everyone is happy to get this unedited version of the film, nevertheless I think the whole film should be broken up into smaller films for maximum enjoyment.

[READ: January 2008 ] Opus

I was a huge huge huge fan of Bloom County back in the day. It was one of my favorite comics, and I can recall doodling Opuses and Bill the Cats during downtime in class.  I sort of liked Outland, but then, I didn’t get a paper, so I never really saw those.  And, lo and behold, I didn’t even KNOW about the Opus strip.  I also just read that he just finished the Opus strip in November.  The final panel is supremely touching and is available here (what appeared in the Sunday paper) and then here (the link that’s in the cartoon).

I found this book remaindered, and figured I’d have to give it a try.  And it filled me with nostalgia! (more…)

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Joshua Ferris–Then We Came to the End

Posted in Books about writers, Cancer as plot device, Consumerism, Corporate skewering, Funky Web Sites, Funny (ha ha), Joshua Ferris, Marriage Trouble, Michael Nyman, Pregnancy, Q, Sex, Smarty Pants, Technology, The Beach Boys, The Divine Comedy, Threats, Violence on December 12, 2008| Leave a Comment »

thenwecameSOUNDTRACK: THE DIVINE COMEDY-Liberation (1993).

libeartiuonThis is considered by many to be the “first” Divine Comedy album, even though Neil Hannon released a previous album under the name Divine Comedy (Fanfare for the Comic Muse).  He disowned that album, but, as you do, he reissued it several years later after much demand.

This is the second Divine Comedy album that I bought (after Promenade). And so, because I just reviewed Promenade, this review works as something of a comparison, which is of course, unfair, as Promenade should be compared to this, but so be it.

What I was most struck with, when listening to this disc after Promenade is how, even though the album covers are designed similarly, and everything about the discs suggests they should be similar, just how dissimilar the music is.  Not in a global “who is this band?” sense, but just in the particulars of the orchestration.

With Liberation, there’s no Michael Nyman influence.  Rather, you get some beautifully written orchestral pop music.  Although the orchestra is not terribly conventional: with harpsichord and organ being among the top instruments heard.

In a comparison to Promenade, Liberation is less thematically consistent but has more singles to offer.  “Bernice Bobs Her Hair” (the title of an F. Scott Fitzgerald story, so the literate songwriting is clearly in evidence) is a wonderful pop song.  As is “The Pop Singer’s Fear of the Pollen Count,” (“Even when I get hay fever I find, I may sneeze, but I don’t really mind… I’m in love with the summertime!”) the catchiest ode to summer this side of the Beach Boys.  “Your Daddy’s Car” speeds along on plucky strings and is just so happy, even when they crash the car into a tree.  “Europop” is a fantastic dressing down of Europop songs while still being hugely catchy.

Because I really enjoy Promenade (and Casanova) I tend to overlook this disc, but really it is just as good, and in some cases better than those two.  An air of pastoral glee pervades the record making it a real joy to listen to.  Especially in the summer.

[READ: December 8, 2008] Then We Came to the End

This book has the great distinction of being written in the first person plural (the narrator is “we,” for those of you who don’t remember eighth grade grammar).  This, of course, brings the reader into the story almost against his or her will.   Really, though, as you read it, you don’t think of yourself as being in the book, but rather, that the company that the unnamed narrators work for is something of a collective mentality.  And so it is.

The narrators work at an unnamed advertising agency in Chicago.  The time frame is the late 1990’s to early 2001 and there are lots and lots of layoffs.  Any time someone is laid off, “we” say they are “walking Spanish down the hall” (from a Tom Waits song).  And slowly they watch as one by one, staff are let go. (more…)

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Aaron McGruder–Public Enemy #2: An All New Boondocks Collection (2005)

Posted in Aaron McGruder, Barack Obama, Boondocks, Consumerism, Corporate skewering, Doonesbury, Funny (ha ha), Graphic Novel, Michael Nyman, Poetry, Political Humor, Prison, Q, Racism, Smarty Pants, The Divine Comedy, War, WMDs on December 11, 2008| Leave a Comment »

pe2SOUNDTRACK: THE DIVINE COMEDY-Promenade (1994).

promednade1I heard about The Divine Comedy in the beloved British magazine Q.  I used to get every issue up until about two years ago.  I enjoyed their reviews, and especially enjoyed learning about bands that were under the radar here.  I think the Divine Comedy album that was being talked about was Casanova, but I wound up getting Promenade first.  And once I did, I was hooked.

Promenade is their second album, and it is still my favorite.  It features a musical soundtrack that is similar to Michael Nyman in its electronic/repetitive structure.  Nyman’s The Piano soundtrack came out in 1993, and although Nyman had been writing scores for years, The Piano seems like a pretty close reference point to Hannon’s work.

And yet, despite the “modern” sounding style of the music, the lyrics are old school Britain at its best.  And, Neil Hannon’s voice is truly an old-school croon (it’s almost cheesy, but not quite).  But it’s the words, oh the words, that really sell the disc.

In fact, the song that sold me from the beginning was “The Booklovers,” which is just a list of authors.  Really.  But the list is punctuated with smarty pants allusions to the writers’ works and it’s all wrapped up in a catchy chorus. But that’s not all, each song references literature in some way.

“Bath” opens with an orchestral flourish as a woman, well, bathes. “Going Downhill Fast” is about racing your bike downhill, with my favorite line: “Vacuous vice!/Just once or twice/Thrice/Four times in five we forget we’re alive.” A Seafood Song” and “Geronimo” lead you to the realization that this album is about two young lovers.  First they are having lunch, and then they get caught in a torrential downpour.  “Don’t Look Down” has one of my favorite orchestral pieces as towards the end of the song, the young man on a Ferris Wheel has a discussion with a God “who really ought not to exist” as the music grows more and more tense.

“When the Lights Go Out All Over Europe” is another stellar song that contains a wonderfully building chorus.  “The Summerhouse” is a really nice ballad.  “Neptune’s Daughter” has the story taking a dark turn until the ribald delights of “A Drinking Song.”  This song in particular has been one of my favorites because it is raucous and silly and oh so clever.  It also ends with one of the great couplets in all of drinking songdom: “From the day I was born ’till the night I will die/All my lovers will be pink and elephantine.” It is soon followed by “Tonight We Fly” a propulsive song of the two lovers “flying” over their life together and flying away from everyone.

It’s truly sublime.  I can understand those who don’t like Michael Nyman’s style not really enjoying this disc.  But if you like lyrical wonderment, you must check this out.  Divine Comedy’s next disc “Casanova” removes the Nyman influence but retains the cleverness. By most accounts it is a better album but I still love Promenade.

[READ: January 2008] Public Enemy #2

Sarah bought this collection for me for Christmas last year.  I don’t read a lot of comic strips, but occasionally one pops up on my radar.  I had seen a few Boondocks comics and really liked them.  This is the 2nd to last collection of the strip (I think…some are called treasuries, so I’m not sure what the distinction is). (more…)

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Kerry Colburn & Rob Sorensen–So You Want to Be Canadian: All About the Most fascinating People in the World and the Magical Place They Call Home (2004)

Posted in Books about music, Burt Bacharach, Canadian Content, Canadian Music, Corner Gas, Funny (ha ha), History, Hockey Night in Canada, Holidays, Ian Ferguson, Johnny Cash, Kerry Colburn, Mike Ford, Moxy Fruvous, Nanaimo Bar, Poutine, Rob Sorensen, Short Books, Will Ferguson, Woody Guthrie on December 7, 2008| Leave a Comment »

so-youSOUNDTRACK: MIKE FORD-Canada Needs You volume two (2008).

fordThis is the long awaited follow up to Mike Ford’s first Canada Needs You CD.  Volume Two covers Canada’s history in the 20th Century.

The album is more fun than the first because there are several tracks where Ford uses a stylistically appropriate music to go with the songs: “Talkin’ Ten Lost Years” uses a Woody Guthrie-inspired “talking blues” to go along with the Depression-era lyrics.  “Let’s Mobilize” is done in a great swing style for a 1940s/50s era song.  “Joey Smallwood” uses a near-perfect Johnny Cash style (it may not be time-appropriate since Cash is timeless, but it works great for the song).  “Maurice Richard” is a perfect Dylanesque folk song.  And finally, the pièce de résistance is “Expo 67!” It is so wonderfully Burt Bacharach-y, so perfectly late sixties it gets stuck in your head for days! C’est Magnifique!

The rest of the album, especially the first three songs do not try to match a song style to the time it discusses.  Rather, he sings about Canadian history in a folk/rock style ala Moxy Fruvous (“Creeping Barrage” and “In Winnipeg”) or in a great R&B/girl group style–with actual female singers, not himself in a falsetto (“Tea Party”) or reggae on “I’m Gonna Roam Again.”

The songs are all great.  And, yes, it’s a great way to learn some history (I’ve already Googled Joey Smallwood, just to see who he was.  I’m trying to get all of the lyrics down, but it’s not always easy, especially if you don’t know the details of what he’s singing about.  Which leads to my only gripe.

My gripe is that the disc packaging doesn’t include much information.  And, since he is essentially teaching people about the history of Canada, I’d think that some details should be included in the packaging.  I realize of course, that he says that the he’ll have the information on his website, but since we’re carrying the disc with us (not the website), it’d be nice to have at least a summary like on Volume One.  Because frankly, I don’t know enough about Canadian history to know what he’s talking about on most of the tracks.

The only problem is that as of this writing he hasn’t put the information on his website yet.  D’oh!

[READ: Christmas 2007] So You Want to Be Canadian

iamcI am Canadian.  Okay, I’m not, but I’ve had the beer, and I’ve seen the commercial (hilarious) and I’ve been there several times. I even have Canadian satellite broadcast into my home (long story).  So, I’ve seen Rick Mercer’s Talking to Americans, and I’ve been a fan of Corner Gas long before it was broadcast down here. (more…)

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Wacky Packages–with an interview with Art Spiegelman (2008)

Posted in Airlines, Art Spiegelman, Bob Newhart, Collecting, Comedy Album, Corporate skewering, Funny (ha ha), Funny (strange), Jerry Seinfeld, MST3K, Russia, The Bob Newhart Show, War on December 2, 2008| 2 Comments »

wackySOUNDTRACK: BOB NEWHART-The Button-Down Mind of Bob Newhart (1960), The Button-Down Mind Strikes Back (1960) & Behind the Button-Down Mind of Bob Newhart (1961).

newhart1We started watching The Bob Newhart Show on DVD (the 1970s one, not the one set in the inn).  I was surprised how much I liked it and how well it stood up, for the most part.  And it made me realize how much I liked Bob Newhart in general.  So, I figured I’d try some of his stand up and see what it was like.

newhart3I was delighted to find out that a joke from Mystery Science Theater 3000 was finally explained to me: the “Mrs Webb” joke that is muttered whenever an old lady is driving a car comes from the “Driving Instructor” joke on the first album (hereafter known as Button-Down).  It’s only taken a decade for me to get that joke!

newhart2But really, what do you get when you listen to a Newhart CD?  And what would a reviewer write about in a review of these CDs?  Well, I think it would go something like this:

[Reviewer]: Yea, hi, ha ha.  Hi.
[ ]:
[Reviewer]: I was just listening to these Newhart CDs.
[ ]:
[Reviewer]: No.  No, they’re not new, they’re almost 50 years old now.
[ ]:
[Reviewer]: Ha ha, right.
[ ]:
[Reviewer]: No, they’re basically telephone conversations.  In most instances Bob plays a character listening to the person on the other end whom you never hear.  So, it’s almost entirely reaction shots.
[ ]:
[Reviewer]: Yes, they’re very funny.
[ ]:
[Reviewer]: A few are dated.  The one about Khrushchev, “The Khrushchev Landing Rehearsal” (Button-Down), for example is pretty funny but was probably a lot funnier in 1960.  And “Driving Instructor” (Button-Down) is sexist in set-up (it’s sort of a joke about “women drivers” but once you get past that it applies to any new driver) but the joke is probably the funniest thing on any of the discs.  I was also concerned about “The Africa Movie” (Behind the Button) as it seemed potentially fraught with inappropriate humor, but it turned out to be very very funny, and a wonderful twist on expectations.
[ ]:
[Reviewer]: Yes, the skits do run pretty long.  Most are over 5 minutes, but he packs a lot of jokes into that time.
[ ]:
[Reviewer]: Well, sure there are a few that are only about 2 minutes long, and one that even comes close to set up/punchline: “TV Commercials” on Behind the Button (the dentist commercial in particular).  But even on that disc, the one sided nature of the conversations persists.
[ ]:
[Reviewer]: There’s a Khrushchev skit on Behind the Button as well (“Tourist Meets Khrushchev”), but aside from knowing who he is, the jokes in that skit aren’t dated at all.  It’s all about an annoying tourist running into him somewhere…and the resultant consequences.
[ ]:
[Reviewer]: Yeah, Yeah. Boom!
[ ]:
[Reviewer]: It’s not violent, just implied.  Another potentially violent one is “Bus Drivers School” (Strikes Back) as he notes that it takes a certain type of sadist to drive a bus, if you know what I mean.  But, uh, well, the only one that gets somewhat risque is “The Uncle Freddie Show” which shows Newhart’s intolerance for kid’s TV show hosts.
[ ]:
[Reviewer]: What?
[ ]:
[Reviewer]: Well, Uncle Freddie doesn’t seem to like kids.
[ ]:
[Reviewer]: Oh.
[ ]:
[Reviewer]: Well, no, some other topics are “Nobody Will Ever Play Baseball” (Button-Down) because how could you possibly market it [“Why four balls, Abner?”]?
[ ]:
[Reviewer]: Yes, a lot with marketing.  Like “Abe Lincoln Vs. Madison Avenue” (Button-Down) [“Keep the beard, Abe], and “Merchandising the Wright Brothers” (Button-Down) [“Where will we put the john, Orville?”].
[ ]:
[Reviewer]: Precursor to what?
[ ]:
[Reviewer]: Well, he does predate many, many comedians by having airline jokes.
[ ]:
[Reviewer]: No, nothing about peanuts. But “The Grace L. Ferguson Airline (And Storm Door Co.)” (Strikes Back)” pretty much negates the need for any future airline humor.
[ ]:
[Reviewer]: No, I’m not saying the new comedians aren’t funny.
[ ]:
[Reviewer]: I do like Seinfeld.
[ ]:
[Reviewer]: No, Newhart’s bit is about an airline run out of someone’s house.
[ ]:
[Reviewer]: It’s totally….
[ ]:
[Reviewer]: Oh, forget it.

All three discs are very funny.  I was under the impression that he only had these three discs, but I now understand he released four more discs through 1967, all of which are supposed to be funny, but which are unavailable right now.

[READ: Halloween 2008] Wacky Packages

So you don’t really READ this book.  This book is a collection of images from the Wacky Packages collection of trading cards that circulated from 1973-1974.  There were seven series of cards that ran during this time for a total of some 232 cards.  According to the site I link to below, there were 16 series in total, which makes sense, as I was only 5 when these 7 series came out, but I distinctly recall getting the packs myself. (more…)

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Simon Rich–Free Range Chickens (2008)

Posted in Faith No More, Funny (ha ha), Kid Koala, Kool Keith, Mike Patton, Mr. Bungle, New Yorker, Norah Jones, NPR/PRI/PBS, Peeping Tom, Religion, Set at School, Short Books, Simon Rich, Smarty Pants, The Sound of Young America, Time Travel on November 28, 2008| Leave a Comment »


GsimonSOUNDTRACK: PEEPING TOM-Peeping Tom (2006).

peepingPeeping Tom is one of the many side projects that Mike Patton (known mostly as the vocalist for Faith No More) has created in the last few years.

As Faith No More moved past “Epic” into their later releases, it became increasingly clear that Mike Patton was one wacky little monkey.  And as he moved into projects like Mr. Bungle and his solo releases, he really let his freak flag fly.

Peeping Tom has Patton collaborating with all kinds of people.  And it is a surprisingly accessible record (even though it is still pretty unusual).  The album has a sort of hip hop feel to it with loud pulsing drums on most of the tracks as well as collaborators like: Kool Keith, Amon Tobin, Doseone, Kid Koala, and uh, Norah Jones.

“Five Seconds” starts as a pretty straightforward song, but the chorus of him counting/shouting 1 second, 2 seconds… faster and faster, takes on a new meaning of sinister.  “Mojo” has fun with Britney Spears, although the fun is in lyrics only, as the song is a heavy blast of illicit substance references.  The third track “Don’t Even Trip” continues this carnival of dementia with the wonderful lyrics, “I know that assholes grow on trees, but I’m here to trim the leaves.”

The middle of the album is less manic, it slips into some really catchy trip hop moments with the guests taking some control of the songs.  Kool Keith raps on “Getaway” allowing Patton to take charge on the choruses, while “Caipirinha” sounds very smooth and jazzy, as any song with Bebel Gilberto should.  “Celebrity Death Match” has a very funny vibe to it, not unlike Kid Koala’s tracks. The final track “We’re Not Alone” says it’s a remix, although it’s not a remix of any tracks on the disc.  It returns to the heaviness of earlier in the album.  And near the end it sounds not unlike a Foo Fighters track (despite its slow-paced and falsettoed verses).

But probably the most fun/giddy song on the disc is “Sucker.”  In it, a whispering, sultry, derisive Norah Jones sings the line, “What made you think you were my only…lover?  Truth kinda hurts, don’t it mother…fucker?”

There are many many moments on this record that seem borderline commercial, yet the schizophrenic nature of Patton’s songwriting means that those moments are quickly replaced by something else.  Compared to say Fantomas, this is a very commercial disc, but fear not, Patton fans, there’s enough weirdness on here to keep you coming back.

Plus, the album packaging is really cool. You pull open the tab on the right side and the disc slides out on the left side. There’s a keyhole cutaway that reveals different layers as the package opens, too.  Very cool.

[READ: November 22, 2008] Free Range Chickens

I had forgotten my book for lunch time reading today, and I didn’t want to start anything big, so I was thrilled to see that we had gotten in Free Range Chickens (at my request, of course).  It was the perfect lunchtime book as I finished the whole thing in 40 minutes.  (This may be a warning not to buy it, unless you intend to re-read it). (more…)

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