Feeds:
Posts
Comments

Archive for the ‘Lucy Ellmann’ Category

[READ: March 10, 2021] Things Are Against Us

I loved Ellmann’s book Ducks, Newburyport so much that I had intended to read all of her books.

So I’ve gone back and read some of her previous novels.  Which I found to be…okay.  They were mildly amusing with some very personal diatribes thrown in to put some passion into these otherwise comic novels.

Then I saw that she had a recent collection of essays, which I thought might be really interesting.

I agree about 95% with everything Ellmann says in this book.  And yet I hated this book more than almost anything I’ve read recently.  And I think I’m not going to bother reading the other novels that I haven’t read yet, since the other two weren’t that great anyhow.

Ellmann’s style in these essays is so unpleasant, so superior and self-righteous, so… (and I hate to use this word because of the anti-feminist implications of it but it is definitionally accurate) strident, that I almost didn’t finish most of the essays (I forced my way through to the end of all of them).  Strident, btw: “presenting a point of view, especially a controversial one, in an excessively and unpleasantly forceful way.  I mean, that is this book to a T.”

In the past, strident women have been very important to many movements.  But hen your arguments are so scattershot, it’s hard for your stridency to be a positive force.

“Things Are Against Us”
In this essay Ellmann all caps the word THINGS every time she writes it.  On the first page (which is half a page not including the title), THINGS appears over 30 times.  The tone is kind of amusing–about how things get in our way and cause us trouble: Things slip out of your hand; things trip you, things break.  Then each following paragraph gets more specific.  Clothes tear, socks don’t stay up.  Matches won’t light, water bottles spill. Then she gets into the body.  In her novel Doctors & Nurses she lists 12 pages of bodily ailments.  So there’s not much new here.  And there’s no real point.  It doesn’t end with any grand idea.  It just stops. (more…)

Read Full Post »

[READ: January 20, 2023] Doctors & Nurses 

When I requested Sweet Desserts, I also requested Doctors & Nurses. I didn’t know the order of her books, I just picked the two that were the first ones on the list.

Doctors & Nurses is similar to Sweet Desserts in that it is short (although it is actually 50 pages longer) and has short chapters.  But otherwise it is very different.  Desserts was a fairly serious book about two sisters (and a lot of sex).  This book is a farcial romp (with a lot of sex).

Comments online said the cover looked like a chick lit book, but it looks to me more like a cartoon from Playboy from the 1970s.

And it kind of reads like that too.

While Sweet Desserts bounced back and forth between past and present and the focus shifted between the main character and her sister, this story focuses pretty squarely on Jen, a fat nurse who is misanthropic and really seems to hate everyone.

There is one notable and peculiar thing about this book that is never addressed nor explained.  Every pages has SEVERAL words that are written in all capital LETTERS for, and I’m not trying to be obtuse about this, no reason that I can READILY determine.  I admit that I didn’t put a lot of TIME into trying to figure it out, BUT it is very peculiar.

The book opens with a scene of a rock and a gorge and the rock perpetually invading the gorge’s precious space.  It’s remarkably graphic sexually, as far as a rock and a gorge can have sex that is.

But that has nothing to do with the rest of the story (until the every end) which is about a nurse named Jen.  Jen is angry most of the time (the list of thing she hates is extensive).  And the tone is set pretty early. (more…)

Read Full Post »

[READ: January 20, 2023] Sweet Desserts

I absolutely loved Ellmann’s Ducks, Newburyport.  It was unlike anything else I had read up to that point.  I also assumed it was her first book because I hadn’t heard of her before and there wasn’t really any talk of her previous books.

But it turns out that she had written many books before Ducks–and they all seem to be very different in style from Ducks.

This novel, her debut, is so radically different as to be almost from a different author.

This is, as I understand it, a semi-autobiographical story.  Well, the entire bio we get from her on the back of the book is “born in Illinois and moved to England, somewhat unwillingly, at the age of thirteen.”  In the novel, the main character is Suzy Schwarz, an American girl who is moved to England when her mother dies.

The book is short (150 pages) and each chapter is roughly three or four pages.   It opens with Suzy as yet unborn and her older sister Franny as the center of attention.  Suzy was sickly when she was born and Franny rather doted on her–although Franny was always clearly the one in charge.

Every chapter has excerpts from other things quoted in it–often without context.   One chapter about the young girls has a recipe for for cooking eels.

The story jumps back and forth between England and America.  In England, when the women are older, they have sex a lot (Ellmann does not hold back on the explicitness, she loves sex and wants women to have lots of orgasms).

There is a lot about food in the book because Fran develops a weight problem (Ellmann talks a lot about women with weight problems).  Later Suzy buys Colossus magazine (a porn about large women) and admires the personal ads: Huge Sue (84-70-73) Where did she fine Size 73 knickers?. (more…)

Read Full Post »

SOUNDTRACK:

[READ: December 23, 2022] “Olive Oyl”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

Like we always do at this time: the Short Story Advent Calendar is back for 2022. We had such a great time last year working with our first-ever guest editor, the one and only Alberto Manguel. This year, however, we’re bringing things back to basics. No overarching theme or format, just 25 top-class short stories, selected in-house, by some of the best writers in North America and beyond. It’s December 23. Lucy Ellmann, author of Ducks, Newburyport, can count beads with the best of them.

I loved Ducks Newburyport, which was huge and hard to read and fun and funny.  This story is short and easy to read and very peculiar.  

It is a short story about Olive Oyl.  Yes, the woman from the Popeye cartoons. (more…)

Read Full Post »

SOUNDTRACK: JESCA HOOP-Tiny Desk Concert #965 (April 3, 2020).

I really liked the Tiny Desk Concert that features Sam Beam and Jesca Hoop.  So much so that I bought the CD and it made me want to see both of them live.

Jesca Hoop last appeared at the Tiny Desk as a duet with Sam Beam (Iron & Wine) in the spring of 2016. They sang songs from their collaborative record Love Letters For Fire.

This time it is just Jesca and I have realized that I liked her more as an accompanist rather than a lead singer.  Actually, that’s not exactly right.  Her voice is lovely.  I just find the songs a little meandering.

This time around, Jesca Hoop came to the Tiny Desk with just her guitars, her lovely voice, and brilliant poetic songs. She has a magical way with words, and she opened her set with “Pegasi,” a beautiful song about the wild ride that is love, from her 2017 album Memories Are Now.

“Pegasi” is nice to watch her play the fairly complex guitar melodies–she uses all of the neck.  The utterly amazing thing about “Pegasi” though comes at the end of the song when she sings an amazing note (high and long) that represents a dying star.

She wanted to sing it today so it could live on Tiny Desk.

The two songs that follow are from her latest album, Stonechild, the album that captured my heart in 2019, and the reason I reached out to invite her to perform at my desk.

“All Time Low” is a song, she says, for the “existential underdog.”  She switches guitars (to an electric) and once again, most of the melody takes place on the high notes of the guitar.  Her melodies are fascinating.  And the lyrics are interesting too:

“Michael on the outside, always looking in
A dog in the fight but his dog never wins
If he works that much harder, his ship might come in
He gives it the old heave-ho.”

After the song, she says, I’m going to tune my guitar, but I’m not going to talk so it doesn’t take as long. If you were at my show, I’d be talking the whole time and it would take a long time.

And for her final tune, she plays “Shoulder Charge.” It’s a song that features a word that Jesca stumbled upon online: “sonder,” which you won’t find in the dictionary. She tells the NPR crowd “sonder” is the realization “that every person that you come across is living a life as rich and complex as your own.” And that realization takes you out of the center of things, something that is at the heart of “Shoulder Charge” and quite a potent moment in this deeply reflective and personal Tiny Desk concert.

This word, sonder, came to my attention back in 2016 when Kishi Bashi first discovered it and named his album Sonderlust for it.

The song is like the others, slow and quite with a pretty melody that doesn’t really go anywhere.

I found that after three listens, I started to enjoy the songs more, so maybe she just writes songs that you need to hear a few times to really appreciate.

[READ: March 2020] Ducks, Newburyport

I heard about this book because the folks on the David Foster Wallace newsgroup were discussing it.  I knew nothing about it but when I read someone describe the book like this:

1 Woman’s internal monologue.  8 Sentences. 1040 pages

I was instantly intrigued.

Then my friend Daryl said that he was really enjoying it, so I knew I had to check it out.

That one line  is technically (almost) accurate but not really accurate.

The story (well, 95% of it) is told through one woman’s stream of consciousness interior monologue.  She is a mother living in Ohio.  She has four children and she is overwhelmed by them.  Actually she is overwhelmed by a lot and she can’t stop thinking about these things.

She used to teach at a small college but felt that the job was terrible and that she was not cut out for it.  So now she bakes at home and sells her goods locally.  She specializes in tarte tatin.  This is why she spends so much time with her thoughts–she works alone at home.  Her husband travels for work.  Whether she is actually making money for the family is a valid but moot question.

So for most of the book not much happens, exactly.  We just see her mind as she thinks of all the things going on around her.  I assume she’s reading the internet (news items come and go in a flash).  She is quite funny in her assessment of the world (how much she hates trump).  While I was reading this and more and more stupid things happened in the real world, I couldn’t help but imagine her reaction to them).  She’s not a total liberal (she didn’t trust Hillary), but she is no conservative either (having lived in Massachusetts and New York).  In fact, she feels she does not fit in locally at all. (more…)

Read Full Post »