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Archive for the ‘Femicide’ Category

[READ: March 10, 2021] Things Are Against Us

I loved Ellmann’s book Ducks, Newburyport so much that I had intended to read all of her books.

So I’ve gone back and read some of her previous novels.  Which I found to be…okay.  They were mildly amusing with some very personal diatribes thrown in to put some passion into these otherwise comic novels.

Then I saw that she had a recent collection of essays, which I thought might be really interesting.

I agree about 95% with everything Ellmann says in this book.  And yet I hated this book more than almost anything I’ve read recently.  And I think I’m not going to bother reading the other novels that I haven’t read yet, since the other two weren’t that great anyhow.

Ellmann’s style in these essays is so unpleasant, so superior and self-righteous, so… (and I hate to use this word because of the anti-feminist implications of it but it is definitionally accurate) strident, that I almost didn’t finish most of the essays (I forced my way through to the end of all of them).  Strident, btw: “presenting a point of view, especially a controversial one, in an excessively and unpleasantly forceful way.  I mean, that is this book to a T.”

In the past, strident women have been very important to many movements.  But hen your arguments are so scattershot, it’s hard for your stridency to be a positive force.

“Things Are Against Us”
In this essay Ellmann all caps the word THINGS every time she writes it.  On the first page (which is half a page not including the title), THINGS appears over 30 times.  The tone is kind of amusing–about how things get in our way and cause us trouble: Things slip out of your hand; things trip you, things break.  Then each following paragraph gets more specific.  Clothes tear, socks don’t stay up.  Matches won’t light, water bottles spill. Then she gets into the body.  In her novel Doctors & Nurses she lists 12 pages of bodily ailments.  So there’s not much new here.  And there’s no real point.  It doesn’t end with any grand idea.  It just stops. (more…)

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SOUNDTRACK: RAPHAEL SAADIQ-Tiny Desk Concert #920/Tiny Desk Fest October 31, 2019 (December 5, 2019).

This Tiny Desk concert was part of Tiny Desk Fest, a four-night series of extended concerts performed in front of a live audience and streamed live on YouTube, Twitter and Facebook.

Back in October, NPR allowed fans to come watch some Tiny Desk Concerts live.  October 31st was R&B night featuring Raphael Saadiq.

Saadiq did a Tiny Desk Concert in 2009 and I was surprised at how much I enjoyed it.  It was a stripped down show–more acoustic than R&B and I was really impressed with his guitarist Rob Bacon.  I either forgot or didn’t know that he “lit the fuse for soul’s popular revival as the lead for Tony! Toni! Tone!”

Well, Bacon is still with him and he is the highlight of this set for me.

This was  the final Tiny Desk Fest show and it runs just over 30 minutes, with Saadiq playing seven songs.

“I’m Feeling Love” is slow and sexy with some quiet wah wah (from Bacon and Saadiq) guitar running through it.  I rather enjoyed this part

I live my life like Willy Wonka
It’s that TV Edith Bunker
Uncle Fred and Jimmy Walker
George Jefferson had that walk

After this first song Saadiq brings out a special person.  After a big introduction it turns out to be Lucky Daye (whom I’ve never heard of) although the blurb says he is a “rising soul singer and songwriter.”

They sing Saadiq’s song “Be Here.”  I liked Saadiq’s voice last time but I found Lucky Daye’s voice to be way too poppy for my taste.  But this song features some funky slap bass DaQuantae “Q” Johnson and cool synths from Daniel Crawford.  Without question, though, the highlight is Rob Bacon’s ripping guitar solo.

Up next is my favorite song of the set.  It’s called “This World Is Drunk” (and the people are mad).  It is slow and pretty, with thoughtful lyrics.  I like the story telling better than the macking.

Lucky Daye comes back out and they’re going to do two of his songs. He says he wants to sing “Call,” but Saadiq says No, let’s do “Love You Too Much” first.  Daye sings and I really don’t think much of this R&B ballad.

I like “Call” better because Bacon switches to acoustic guitar and there some nice percussion (rim shots) from Alvin Ford.  I feel like this song is a bit less poppy and more interesting.

Before the last song Saadiq jokes about when he played there ten years ago: “it was really a tiny desk.”

“And honestly we were kinda complaining about it,” Saadiq laughs, recalling that performance in 2009, back when hosting intimate little concerts behind Bob Boilen’s desk was still a fledgling idea at NPR Music. “Like, we kinda didn’t wanna do it,” he admits in hindsight. It wasn’t until the video-taped version of his set hit the Internet and began picking up views that the lightbulb went off for Saadiq, too. “It’s like probably the biggest streaming I ever had, so it’s kinda good to be back — not kinda good; it’s really good to be back.”

The final song, “Still Ray” was inspired by southern marching bands… black colleges.  I didn’t go to one of those and my school did not have a marching band.  But one day I was gonna put a tuba in my song and it was gonna be the main thing in the song.  They asked where the hook?  The hook is the tuba!

Brent Gossett comes out (technically with a sousaphone) and I really like this song a lot.  He’s right, the tuba is the hook.  Near the end of the song he cuts out the music:  Just me and the tuba.  I’ve been waiting for this my whole life!

I still prefer his 2009 set, but there’s no denying Saadiq’s charisma.

[READ: March 1, 2020] “Spellbound”

This is an excerpt from the novel Hurricane Season translated by Sophie Hughes.

This except opens with an estate, agent saying that the woman never really died, even though her body was found in the irrigation cancel. They say she changed shape as she was being stabbed.  Perhaps she was a bunny or a lizard or bird.

But once her body was found people were quick to break into her house to see if they could find treasure.

The say Rigorito and his men broke down walls and dug up the floors. They even broke down the door of the Old Witch in the back of the room–where the Old Witch’s mummy lay preserved.  The mummy crumbled in front of them and those men fled town never to return.

That’s what some people say. (more…)

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