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Archive for the ‘Film & TV’ Category

SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al

After writing the “Weird Al” biography, with “Weird Al” himself, Nathan Rabin dug even deeper into his “Weird Al” fandom to write a detailed account of, as the subtitle says, “Every ‘Weird Al’ Yankovic Album Analyzed in Obsessive Detail.”

“Weird Al” wrote the (short) introduction and then Nathan drops the needle on “Weird Al” Yankovic, Al’s 1983 debut album.

Nathan goes into varying degrees of detail on each of the songs.  Nathan was a rabid “Weird Al” fan from when he was a little kid.  And when he talks about how much he loves Al, you can see his deep abiding appreciation for everything Al has done.

Some songs get a paragraph, nut most get a page or so.  He usually talks about how much he likes (or loves) the song (and occasionally dislikes).  There’s nostalgia in the older songs and jokes and observations about contemporary things as well (Rabin’s politics poke through once in a while.  Good thing he’s a smart guy.

Because he did the Al biography with Al, he presumably got a lot of insight into the man and his work.  So although sometimes his insights seem like maybe he’s reading too much into a goofy parody, perhaps he’s on to things.  Maybe Al’s depth is deeper than rhyming Sharona with Bologna.  Which is not in any way to diminish Al’s intelligence.  He’s obviously very smart, especially as his later songs indicate.

Rabin’s tone throughout the book is smart and snarky.  He talks about the songs and the video (if there is one).  He talks about the production quality (or lack thereof) on the first album.  He references Dr. Demento (because the Dr is essential to Al’s career).  He also references Don DeLillo’s White Noise and says things like “Al is in deconstructionist mode.” (more…)

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SOUNDTRACK:  hiatus

[READ: December 22, 2021] “Truman Capote”

This year, S. ordered me The Short Story Advent Calendar.  This is my seventh time reading the Calendar.  The 2021 Short Story Advent Calendar is a deluxe box set of individually bound short stories.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check this link where editor Alberto Manguel is providing daily commentary on each of the stories he selected for this year’s calendar.

I read this whole story believing it was written by Truman Capote and believing that perhaps (as with many of the other authors in this collection) he originated from a place I didn’t realize.  And that Hassouna Mosbahi was a person or perhaps a place that I’d never heard of.

And I thought it was really weird and meta that Truman Capote was writing about himself and that he was writing about himself as if he were dead.  It seemed like a pretty crazy conceit.

Whoops.

This story is introduced by a narrator who relates his forgetfulness.  He has arrived home in Tunisia, but he’s not sure why.  Eventually he discovers a telegram that informs him his grandmother has died.  While he is in the center city he sees Truman Capote in his white suit and hat. (more…)

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[ATTENDED: March 22, 2020] Thundercat [moved from March 22, 2020]

Thundercat is an amazing bass player (He plays a six string bass).  He also writes some really catchy songs.

His style veers a little too much into R&B for me at times, but there’s something about his overall vibes that surpasses anything.

I really wanted to experience his playing live.  I was bummed that I wound up as far away from the stage as I was because I wanted to see those fingers dominate the bass.

I wasn’t prepared for how amazing his band would be.  They were a trio, with Thundercat in the center of the stage with his giant bass.  On his right was keyboardist Dennis Haam and on his left was drummer Justin Brown.  It wasn’t always clear what Haam was playing and what Thundercat was playing–which just proved how impressive they both were.  But it was totally clear what Brown was playing–dominating the drum kit and most of the stage.

Sometimes I feel that Thundercat’s albums are too poppy for me.  But boy howdy was this concert anything but.  It was like a jazzy, jamming night of excess.  And it was wonderful. (more…)

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SOUNDTRACK: hiatus

[READ: September 2021] Moving Pictures

For his tenth Discworld novel, Terry Pratchett decided to have fun with Hollywood.  Indeed, it is set on a hill called Holy Wood–an abandoned location that seems to suddenly have a magnetic attraction for Disc inhabitants.

This book also introduces Mustrum Ridcully as the new Archchancellor of Unseen University.  Ridcully will remain Archchancellor for the rest of the novels.  He proves to be unkillable (at least in practice) because he is unlike any Wizard around.  He had left the University nearly four decades earlier having become a Seventh Level Wizard at the young age of twenty-seven.  He left to look after his family’s land.  Over the last forty years he has become quite a fan of the outdoors, of exercise, of rising early and basically everything else that Wizards find revolting.  He loves hunting, owns several crossbows and is very hard to surprise–hence, no one has been able to usurp him as Archchancellor. (more…)

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[ATTENDED: September 25, 2021] Kathleen Edwards

I’ve enjoyed Kathleen Edwards’ music for years.  Her album Voyageur is just stunning.

But when that album came out back in 2012, I wasn’t really going to many shows.   It wasn’t until a few years later that I got the concert bug again and put Kathleen on my “gotta see” list.

But Kathleen had other ideas.  After Voyageur, she took a break from music.  In 2014, she launched a coffee house in Stittsville, Ottawa called Quitters.  And it seemed like she might never play again (even though she said she would).  So I left her on my “maybe, someday” list.

Then in 2019, she played the WXPNFest (the same weekend that we were going to the Newport Folk Festival–I was a wee bit surprised she didn’t play Newport too).  I kind of assumed that it was a one-off return and that would be that.

But an album soon followed.  And then earlier this year it was announced that she was playing The Met Philly.  But as an opening act for Jason Isbell, who I did not want to see.  [It’s one thing going to a show for the opening act, but it’s another if you don’t actually like the headline].  So, again, I was out of luck.

But then she announced a show in New York City at Le Poisson Rouge.  And even though LPR is hugely inconvenient for me and it cost extra in tolls and parking, I’m so glad I went to the LPR show rather than the other two.  If for no other reason than the other two shows were all of 9 songs while this one was 16.  And the LPR crowd were there to see her!  And they sang along, and she was pretty tickled with us all. (more…)

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SOUNDTRACK: RUSH

[READ: August 2021] Neil Peart Illustrated Quotes

This book came across my desk at work and I was totally surprised.   We do get a lot of music book and we get a lot of pop culture books, but this seemed so unlikely to sit in our music library.  I hadn’t even known it existed.

So, what we get here is 100 or so pages of things Neil Peart has said with an accompanying cartoon drawn by Lindsay Lee.

Lee’s style is pretty varied which is nice.  The selections of quotations are also very varied which is less nice.  Some are thoughtful passages and other just seem to be things Neil said at some point.

You get stuff like: (more…)

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[ATTENDED: August 20, 2021] Fall Out Boy: Hella Mega Tour: Green Day / Fall Out Boy / Weezer / The Interrupters [rescheduled from August 29, 2020]

Both of my kids are pretty big Fall Out Boy fans (naturally, my son likes the older songs and my daughter likes the newer songs).  I really only know them from my kids playing them.  This means, however, that I know most of their popular songs.  So while I wasn’t looking forward to this set as much as the other two, I was looking forward to a couple of songs (I suspected that the “Light ’em Up” song would have excellent pyrotechnics, and I was right).

So after Weezer, we ran off to Chickie and Pete’s to get some fries and made it back to our seats in plenty of time (we somehow just beat the crowd).  A dark cloud floated over the stadium as we were enjoying out fries.  So I looked at the weather app which assured us that there was no chance of precipitation, and moments later the skies opened up and dropped bucket loads of water on us.  We were soaked!

The main concern was that the posters would get wet (they got a little wet but nothing too bad).  As we tried to stay dry, Fall Out Boy came out and we quickly forgot about the rain.

They had a very cool set–it looked like a hole dug into the earth or something (it was a little hard to focs with all the rain) and a video screen in the hole which showed a series of videos that seemed to be telling a story.  In fact, when the set started a narrator told us something (I couldn’t follow it at all) that I assumed had to do with the narrative. (more…)

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SOUNDTRACK: FLOCK OF DIMES-Tiny Desk Concert #246 (August 10, 2021).

Flock of Dimes is a fun band name.  It’s the solo project of Wye Oak’s Jenn Wasner (I thought Wye Oak was a solo project as well–no, it’s a duo).  [Gee, why wasn’t Andy Stack invited to this sing along?]

For this Home Concert, the solo project turns huge with nine people sitting around having a big ol’ sing along (I’ll assume they are all vaccinated and that this was filmed before Delta took off).

The setup is pretty simple: three guitars (I love that the guys on the couch are lefty (Michael Libramento, baritone guitar) and righty (Alan Good Parker, tenor guitar) so it looks appealingly symmetrical). some percussion and a lot of voices (the men on the right of the screen seems somewhat less invested).

The friends who are singing along include the three singers from Mountain Man: Amelia Randall Meath, Molly Sarlé and Alexandra Sauser-Monnig.  Meath is also in Sylvan Esso and her bandmate Nick Sanborn is also present (he’s one of the less invested men).  The set is filmed at Sylvan Esso’s new studio in Durham, N.C., called Betty’s.

“Two” is a bouncy number with lots of percussion.  I like the way the backing singers join in from time to time, but not constantly–it introduces new voices throughout.

One of the invested men is percussionist Matthew McCaughan from Bon Iver–he’s got a full complement of instruments at hand.  Joe Westerland (from Megafaun) is the other percussionist, he’s just a bit more subtle in his actions, but you can see him gently tapping through “Two.”

“Price of Blue” is a little slower but it has a wonderful melody.  The harmonies really standout on this song.

I don’t know the originals of these songs, but I have to assume the blurb is correct

These acoustic performances actually shed new light, thanks to radiant and radically different arrangements, while fully capturing the warmth we look for from Tiny Desk concerts.

Whatever the case, the backing vocals are tremendous.  You can really hear Molly Sarlé’s gorgeous harmony vocals.

“Awake For The Sunrise” feels like an old fashioned fire side sing along.  I’ve enjoyed Wye Oak’s music but I don’t know it very well.  I rather like Wassner’s delivery here–but i feel like these songs might not be as good without these harmonies!

[READ: August 12, 2021] New Teeth

I’m guessing that Simon Rich had a baby.

This collection of stories is loaded with stories about little kids.  And that’s all right because he has a very funny take on being a parent.

The other stories tackle the corporate environment and are full of fish-out-of-water stories.

“Learning the Ropes” is about being a new parent.  But it is written from the point of view of two pirates. And hilarity ensues.

What’s odd to me is that in his first books, his stories were really short, but I feel like lately his stories have gotten much longer–sometimes too long.  This one in particular kind of dragged at times, because it’s pretty much a one-note joke: what? pirates raising a little girl?!  One pirate is a concerned parent which means he wants them both to care about the child.  It’s got a few very funny moments, and of course, when the pirates who speak in pirate style (“The only man I trust is me first mate”) say things like “Arr… it be called ‘limit testing.’ She be acting out because she be craving discipline,” well, that’s classic Simon Rich right there. (more…)

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SOUNDTRACK: hiatus

[READ: July 2021] Crazy for You

Clooney Coyle is an Irish actor on the Irish language soap opera Brú na hAbhainn.

He is vain but amusing.  He is invited to his best friend Isla’s house for a party.  Isla is a school teacher and she is inviting the staff over for a Halloween party. Unfortunately an insufferable volunteer named Vonnie insisted that she be invited.  Isla has complained to Clooney about Vonnie many times and he is tickled to meet someone so obnoxiously self-assured and assertive,

Vonnie arrives and she is a horror show.  It’s a shame, though, that O’Donoghue had to make her fat and ugly in addition to loud and obnoxious.  But she walks into the party, insults the host, insults the guests, takes wine that isn’t hers (she didn’t bring anything to the party) and is a general nightmare.  But Clooney is intrigued by her and decides to treat her nicely.

When he was younger, he was picked on for being gay in rural Ireland so he understands the need to shine when others put out your spark.  And soon enough he pledges that they are friends for life.

Vonnie has the best line ever: “As an adult, I am an artist.”  She says this all the time and everyone looks at her the same way…. wtf does that mean.  She means that all children are artists, but she is an adult who is an artist.  She also has a gallery which Clooney promises to go to.  Her art is terrible and she charges him admission.  When she insists that he sit for a portrait, and them charges him a sitting fee he still manages to say that they are friends for life.

And that’s what sets her off.

Vonnie becomes insanely jealous.  And that’s when the book goes from the outrageous to the ridiculous and all believability is lost. (more…)

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SOUNDTRACK: hiatus

[READ: July 2021] The Imperfects

I saw this book at work–I didn’t think I’d be seeing as many interesting books at work with my new position, but here was one that I wanted to read!

The title was interesting and the concept was eye catching right from the start.

The story seems fairly simple.  There is a grandmother–Helen Auerbach–and three grandchildren.  The grandchildren are estranged from their mother, who is peripherally in contact, and their father, who thy have not seen in decades.  They are also kind of estranged from each other because of some bad choices each of them has made.  Incidentally all of the children are Millers, not Auerbachs from their estranged father.

The book opens in Vienna 1918 with a historical moment that weighs heavily on the rest of the story.  I didn’t really like the writing style of that section–it was not what i was expecting and I hoped the rest of the story wouldn’t be written in that way (and it wasn’t, thankfully).  But I enjoyed the way that moment ultimately tied into the story. (more…)

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