[ATTENDED: June 23, 2026] The Beths
I love The Beths and I’m thrilled that my wife does too. This was her third (my fourth) time seeing them. And the previous time was only six months ago (do they ever go back to New Zealand?)
This was a double headline show, which I tend to think sucks for everyone. The bands don’t play a full 90 minutes (or more) and the fans don’t get a full show from either of the bands that they like. But sometimes it works out okay. We were hoping the show wouldn;t run too late as we were both pretty tired. So, the fact that Spoon kept it pretty short was ok.
But honestly we would have loved a bit more of The Beths!
After Squirrel Flower, we moved up fairly close to the stage. Then a nice tall man (from Matawan) told us to go in front of him. Which was so thoughtful. Although if he did that for everyone, he’s be in the back row.
The couple in front of us was interesting. She was a huge Beths fan and he…stood sideways for the whole show. He faced he partner. I looked at his shoes and indeed they were pointing to the side. And he turned his neck for the entire show to see the band. Why would anyone do that?
The tall guy next to me was totally into it, drumming along, make hand motions and singing (quietly) everything. This was a pretty dedicated fan base–surely everyone there saw them in December too.
Because they weren’t full headlining, they kept things relatively tightly paced. The show started like the last one with the fantastic Straight Line was a Lie which got everyone bouncing. They followed it with the really fun No Joy which is especially fun because at two points song the song, Jonathan Pearce on guitar and Benjamin Sinclair on bass stomp on a little stomp rocket thing and penny whistles fly into the arm which the catch an proceed to play.
It was interesting that they played some songs that they didn’t play six months ago. Like they played Knees Deep from Expert… It’s a fun bouncy song (because they all are, right?). Then they jumped back to Future Me, one of many songs that have wonderful backing vocals from Jonathan, Benjamin and drummer Tristan Deck.
Things shifted gears dramatically when Liz said she was going to sing the next song by herself. She told us it was about her relationship with her mother, so it was clearly Mother, Pray for Me. The thing I didn’t know about the song (or her) was that her mother is a devout Catholic Indonesian woman. Liz was born in Jakarta and moved to Auckland at age four. That made some of the lyrics even more meaningful. This song is a surprise because it’s not poppy and punky, it is slow and beautiful. And I am really surprised that she played it during this shortened set. It stops all 0f the energy and, thankfully, the crowd is rapt. It must be a very meaningful song for her to bare herself like this.
When it was over and she thanked everyone for being quiet (except two people who whooped?), Jonathan told us about a club in New Zealand that is right across from their studio and it’s about to close that very night. They were trying to raise money for it and said that all profits from merch would go to the venue. But they needed $150,000 by midnight. And holy shit, they raised it (well, the club did, not The Beths alone–but “Auckland indie band The Beths were one of the almost 3000 donors, sending $9633.38 from the band and “the people of Philadelphia””.) It was a pretty lengthy chat which meant that they didn’t get to do their usually fun introductory banter. Although TRistan did give a plug for Ben’s wonderful blog breakfast and travel updates.com.
They touched on their previous album a couple of times with Best Left (not to be confused with Best Laid Plans) with that echoing pulsing guitar intro (some things are best left….to rot). And then only one song from Jump Rope Gazers (the wonderful title track)–this is why a double headline show isn’t as much fun, only ten songs?
I was delighted that they played Metal, the recently ubiquitous single that is so much fun. The melancholy Til My Heart Stops was followed by the similarly melancholy (but somehow bouncy and poppy) Little Death.
They ended the set with Expert in a Dying Field, another super fun and catchy song. I felt that they had enough time to squeeze in the amazing I’m Not Getting Excited (it’s only like 2 minutes long) but they were done (and Ben says they removed all of their gear in 9 minutes). It was a great set, marred only by the fact that I wished it was 45 minutes longer.
| 2025 |
2025 |
2023 |
2022 |
| Straight Line Was a Lie ⇒ [2] |
Straight Line Was a Lie ⇒ |
Future Me Hates Me ¶ [2] |
I’m Not Getting Excited Ω |
| No Joy ⇒ [2] |
No Joy ⇒ |
Knees Deep ⊗ |
Not Running ¶ |
| Knees Deep ⊗ [2] |
Silence is Golden ⊗ [2] |
Out of Sight Ω [2] |
Great No One ¶ |
| Happy Unhappy ¶ [2] |
Future Me Hates Me ¶ [3] |
A Passing Rain ⊗ |
A Real Thing [new] |
| Mother, Pray for Me ⇒ [2] |
Metal ⇒ |
Not Running ¶ [2] |
Happy Unhappy ¶ |
| Best Left ⊗ [2] |
Til My Heart Stops ⇒ |
Best Left ⊗ |
Out of Sight Ω |
| Jump Rope Gazers Ω [4] |
Mother, Pray for Me ⇒ |
Dying to Believe Ω [2] |
Acrid Ω |
| Metal ⇒ [2] |
Your Side ⊗ |
I Want to Listen ⊗ |
Jump Rope Gazers Ω |
| Til My Heart Stops ⇒ [2] |
Uptown Girl ¶ [2] |
Head in the Clouds ⊗ |
Uptown Girl ¶ |
| Little Death ¶ [4] |
Mosquitoes ⇒ |
Jump Rope Gazers Ω [2] |
When You Know You Know ¢/⊗ |
| Expert in a Dying Field ⊗ [3] |
Ark of the Covenant ⇒ |
I Told You That I Was Afraid ⊗ |
Mars, the God of War Ω |
|
Jump Rope Gazers Ω [3] |
When You Know You Know ⊗ [2] |
Whatever ¶ |
|
Best Laid Plans ⇒ |
I’m Not Getting Excited Ω [2] |
Little Death ¶ |
|
Little Death ¶ [3] |
You Wouldn’t Like Me ¶ |
Future Me Hates Me ¶ |
|
I’m Not Getting Excited Ω [3] |
Silence is Golden ⊗ |
River Run: Lvl 1 ¶ |
|
Have Yourself a Merry Little Christmas (Hugh Martin cover) |
Expert in a Dying Field ⊗ |
Dying to Believe Ω |
|
Expert in a Dying Field ⊗ [2] |
encore |
|
|
encore |
You Are a Beam of Light Ω |
|
|
Roundabout ⇒ [Roundabout replaced Take since roundabouts / traffic circles came up earlier in the show. First time as closer.] |
Little Death ¶ [2] |
|
⇒ Straight Line Was a Lie (2025) (played everything from it except Take)
⊗ Expert in a Dying Field (2022)
Ω Jump Rope Gazers (2020)
¶ Future Me Hates Me (2018)
¢ Demos 2014-2020
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This was my fourth time seeing Spoon, a band I’ve never been a huge fan of. That sounds worse than I mean. I’ve liked them for years and I like many many of their songs, they were just not one of the bands that I got really into. And yet, I will see them all the time when they play because their live show is so good.
I Just Read About That... 