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Archive for the ‘Fantasy’ Category

aamaSOUNDTRACK: KRISTIN CHENOWETH-A Lovely Way to Spend Christmas (2008).

chenoLast year I thought about doing a Christmas CD every day in December as my soundtrack.  But I forgot until a week or so in.  But this year I remembered.  Yuletide joy!

Since Sarah and I have a lot of Christmas CDs from over the years, I decided to just pick some at random this year.  And we start with this one which I got for Sarah I thought last year, but if it’s from 2008, perhaps I got it earlier?

I knew Chenoweth from her great role on Pushing Daisies.   I didn’t know she was a singer then.  She has since done some amazing runs in various roles and her voice is great.  This disc features a mix of traditional songs, a few more religious songs and a number of unexpected “mashups.”  It works pretty well, although it tends to cross the line into cheese a bit too much for me.

“I’ll Be Home for Christmas” has her in great voice.  Although I hate the cheesey sax solo.
“Christmas Island” is a new favorite song for me.  Her version is fun (although the original Hawaiian version is much more fun).
“The Christmas Waltz” is a song I don’t know.  It is probably best song on the disc.
“Do You See What I See” also suits her voice very well.  It’s the first song to mash in another song (“Angels We Have Heard on High“) which is quite pretty
“Sleigh Ride/Marshmallow World” I like her part, I’m not sure about the blend.  I don’t know who John Pizzarelli is, but he sings it too clean.  The original of “Marshmallow World” is sung in an almost drunken fashion which makes the weird lyrics better.   Nevertheless, the two of them have a good vocal chemistry.  And there’s some goofy fun at the end.
“Sing” (you know, sing, sing a song).  It’s a really weird inclusion here.  But she sounds great.
“Silver Bells” also sounds great.
“Come On Ring Those Bells” is another song I don’t know.  This version is way too pop country for my liking.
“What Child is This” is also perfect for her voice.
“Home on Christmas Day” is another song I don’t know (who knew there were so many unfamiliar Christmas songs?), and it works well “Born on Christmas Day” is a rather dull more religious song, which seems somehow out of place.
“Sleep Well Little Children/What a Wonderful World” is another mash up. It works pretty well and I kind of get why she chose it to end the album, but it’s another weird non-Christmas related song.

So overall this is a decent Christmas album. There’s some lovely traditional songs, some odd choices, and a few clunkers.  But her voice is really fantastic throughout.

[READ: November 29, 2014] Aama

I’m surprised and delighted with how many unusual, translated graphic novels are being published in the States these days.  There’s always something about the art that screams “not American.”  So when I get books like this (especially if the author’s last name is Peeters), I immediately look for the translator to confirm my suspicions.  This book was translated by Edward Gauvin.

While translated childrens book often seem slightly weird to my family (fun, but always slightly askew), the graphic novels don’t usually seem as weird to me.  (Maybe the childrens authors just expect more existential thought from their kids).

Having said all of that, I found that I really couldn’t get into this story.  There were some great elements to it, in both storytelling and character creation, but, and maybe more will be explained in future books, but the main plot was a little too vague to me.

But I loved the way it was constructed.  We open on a man face down.  As he comes to, he realizes that he has no idea who he is.  While he tries to get himself together, a weird looking ape comes up and calls him Verloc.  The ape has no hair on his legs (so they look human).  The ape is named Churchill and he is a custom built robot.  As Verloc tries to come to grips with what’s happening, Churchill gives him his “memoirs” to read.  The book is “real paper” which Verloc appreciates.  And they started just a week ago.

Pretty cool opening. (more…)

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writeSOUNDTRACK: THE MINIONS-“Banana” (2014).

Ibanan really enjoyed both Despicable Me movies, and the minions crack me up.  So how did I not know that bananas are a big deal for them?  At Universal Studios, bananas are a huge part of the Minion gear that they sell, but I had no idea why.  When we watched Despicable Me recently, I saw them fighting over a banana, but it seemed like a minor thing.

Well, anyhow, the minions have done a cover of “Barbara Ann” as… well, you get the point.

And man, is it irritating, especially in the two hour version I present you with below.

I honestly can’t wait for the next movie though.

[READ: November 9, 2014] Write This Book

I’ve had this book on my shelf for a while.  I didn’t want to read it until I finished the Secret series.  And since I did, I decided to read this right away.  (You don’t need to read the Secret series to enjoy this book–especially for the h ow-to elements which are outstanding whether you know his work or not)

I wasn’t really sure how this would work–there was an excerpt at the back of the You Have to Stop This paperback.  He sets up the story for us and has us finish it, was it just going to be blank pages?  No, it is not.

Indeed, it is a very clever book because it accomplishes two things very well.

1) It creates a simple yet compelling mystery (with Bosch’s typical flair for twisting things around on their heads) and

2) It teaches young writers a ton about how to write.  In fact, I hope Clark reads this soon, because I think it will really help him with his storytelling. (more…)

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dumbSOUNDTRACK: WALT DISNEY-Chilling, Thrilling Sounds Of The Haunted House (1964).

hauntedJust in time for Halloween, I link to Disney’s 1964 LP Chilling, Thrilling Sounds Of The Haunted House.

I was unfamiliar with this record, but I gather a lot of people grew up being frightened by this.  The premise is simple–the narrator talks to you, yes you, as you are prepared to be scared by, well, everything you can imagine.  For 26 minutes, various sound effects are designed to scare you.

You go into a haunted house…and never come back.  Although despite the title, that’s all there is of a haunted house.  For there are more things to scare you….

There’s screams and creaks.  Gunpowder and dogs barking. A trip to Mars.

Tree limbs falling, cats going crazy.  A racist Chinese segment.

The back half of the disc is sound effects–I have no idea what that’s supposed to be around 20:49, though.

Basically every fear a kid could have (Disney was quite the sadist, huh?)

I imagine that if you were a kid (in 1964) this could be pretty darn scary.  Enjoy the whole thing…if you dare!

[READ: October 25, 2014] The Dumbest Idea Ever

I was pretty excited to see this book from Jimmy Gownley, creator of Amelia Rules, one of my favorite kids comic books.  I see that the books have been reissued, and that some new ones have been published since I last checked, so I’ll have to look for those.  He also has a new comic strip called Gracieland.

Anyhow, this book is a memoir about Jimmy growing up as a kid obsessed with comic books in a world where comic books were not appreciated (specifically: Catholic School).

It opens with young Jimmy being interviewed on TV–a seeming fantasy for any writer.  But this happens to be true (it’s local TV coverage of this young boy who has self published a comic book).  But before we get ahead of ourselves, we jump back two years earlier.

Jimmy lives in Girardville, PA.  He’s a great basketball player, an excellent student and a budding artist.  Sadly Girardville, PA is not the place for an artist–there’s not even a half way decent art store.  So, Jimmy relies on the few stores that carry comic books as his sole outlet for creative fun.  Even a good student can’t convince his teachers that a comic books is appropriate in school.  He even volunteers to do an oral report on the value of comic books.  He gets an A on the report but is still forbidden from having them in school. (more…)

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[LISTENED TO: August 2014] The Hero’s Guide to Saving Your Kingdom

stormThis audio book was ten hours long.  We listened to it on a long car trip (from Michigan to New Jersey) and when it looked like we might not finish the book, I considered slowing down on the interstate so we’d get to the end before we got home.  THAT is how good this book was.

This book picks up a few months after the exciting conclusion of the first book.  The Princes are back home (well, most of them are), reveling in the glory of their accomplishments.  Except that those blasted bards have written new songs about the League of Princes, like the incredibly popular “The Embarrassment of the League of Princes” which is causing the Princes even more grief than they had before they saved the world from blowing up.

Prince Liam is living with Prince Frederic (in Frederic’s castle).  He is trying to train Frederic to be a better fighter (with very poor results).  Princess Ella is living there too (in separate rooms, of course).  Ella and Frederic have been engaged since their first adventure, but not much has been spoken about it since that first day.  Indeed, Ella is a much better fighter than Frederic and she has been training harder with Liam. Liam is clearly smitten with Ella, but he doesn’t want to hurt Frederic.  When Frederic’s father gets fed up with Liam trying to teach Frederic how to fight, he makes it clear that Liam is unwanted.  So Liam leaves.

Gustav is not fairing any better.  It is his brother’s birthday and the humongous cake has been set out for them (while Gustav has been sent to the kiddie table).  When he disrupts the ceremony once the bard sings “The Embarrassment of the League of Princes,” he is unceremoniously sent off to teach the trolls how to farm (so they stop stealing from the villager’s gardens).  Of course, Gustav knows next to nothing about farming, so he teaches them how to brawl, which the trolls love even more.

Duncan has been writing a book since the first book. It was originally to be called The Heroes’ Guide to Saving Your Kingdom (hey!), but has since been changes to The Heroes’ Guide to Being a Hero.

The Prologue of our book tells us about Duncan’s book and then says:

No you may be asking yourself, Who is this Prince Duncan and what makes him such an expert on heroes? To which I will respond by saying that perhaps you may have skipped a book on your way to this one.  You should probably check on that.

So yes, the series will continue to be hilarious. (more…)

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[LISTENED TO: June 2014] The Hero’s Guide to Saving Your Kingdom

heros1Holy cow, did I love this audio book!

I was looking for an audio book that the kids would enjoy on a long car ride.  The title sounded terrific and when I saw that it was read by Bronson Pinchot, I didn’t wait another second to download it.  And yes, Pinchot’s reading was stellar and amazing, but in addition, the story was hilarious and fantastic.

And I’ll get out of the way that the book is completely kid-friendly.  There’s nothing objectionable (the harshest word is crud).  Some of the violence is cartoony (and Pinchot makes it pretty visceral) but it doesn’t last long.  My nine-year old and six-year-old were just as hooked as the adults.

This book aims to set the record straight about Prince Charming.  Prince Charming is of course in every fairy tale, but you did know that they are not the same Prince Charming, right?   Those lousy bards who created the songs about the female leads certainly got the Princesses names correct, but they never bothered to get the Princes’ names into the songs.  (Charming is an adjective, not a name).  So, meet Prince Liam, Prince Frederic, Prince Duncan and Prince Gustav. They’re the Prince Charmings (actually it is Princes Charming–the book is very much a stickler for proper grammar), who saved–Sleeping Beauty, Cinderella, Snow White, and Rapunzel, respectively.  And they are out to make names for themselves or at least make their names known.

Each one of them starts as an outcast for a different reason.  The only thing I found confusing about this story was trying to keep the kingdom names straight.   So I’m trying to outline them here. (more…)

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questSOUNDTRACK: BOB MOULD-Tiny Desk Concert #381 (August 11, 2014).

mouldbobMan, I leave the Tiny Desk concert area for a little while and they have loaded up ten shows already!  How will I ever catch up?  But more importantly, one of them is with Bob Mould!  How about that?  Mould has a new album out which I have been enjoying, but it’s really fun to see him in this Tiny Desk setting–just him and his electric guitar, bashing out four songs in 13 minutes and still playing in that low-slung style.

His voice still sounds great (even if it is a little disconcerting to see the bald, gray-bearded man with glasses who replaced the bratty punk Mould of old).

     He plays two new songs from Beauty and Ruin “The War” and “Hey Mr. Grey.”  He also plays an older solo song: “I Don’t Know You Anymore.”  And since he’s playing them all from his fuzzy amp, they sound great together (even if the new stuff isn’t quite as catchy).  After some chatting, he ends the set with a classic Hüsker Dü song, “Makes No Sense At All.”

  It’s great to see him being funny and charming.  And it’s even better to have him back and rocking.

[READ: August 1, 2014] Bone: Quest for the Spark 1

BONE: Quest for the Spark #1

Many years ago I read and loved the Bone series.  I have all of the books and even bought the individual issues (back when I collected comic books…they must be worth half of face value by now!).  C. even started reading the Bone books a while back (we love saying “Stupid Stupid Rat Creatures” to each other).

But I honestly haven’t thought much about the series since then.  So I was shocked to see this “new” book at the library.  And even more shocked to see Shiegoski’s name on it (instead of Jeff Smith’s (which is there, fear not)).  And then triply shocked to see that it is a novel with a few pictures and not a graphic novel at all.  Whoa, consider my mind blown.

So this story takes place years after the events of the Bone series.  Gran’ma Ben is still around and Thorn is queen now.  But as the Prologue states, Queen Thorn is unwell.  She is in a deep sleep and is ice cold.  And Gran’ma Ben has the gitchy feeling that things are not okay.  if none of that makes sense to you it’s because you’ve never read Bone.  So, in a nutshell, most of the characters are people, but the Bone family are small, white, ghost-like creatures, very cartoony in a human world.  They’re adorable and funny. (more…)

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steamiiSOUNDTRACK: MOON HOOCH-“Bari 3” (2014).

bari3Man, I love Moon Hooch–that loud crazy baritone sax and the other skronky sax.  But there’s also the great drumming.  And, in this song, there’s so many stops and starts, it’s amazing they can do so much with just 2 different types of instrument.

Just how many different things can one band do with two saxophones and a drummer?  Well, in the case of Moon Hooch, the answer seems to be limitless.  This song jumps and twists–it has a heavy loud section and a smooth groovy section, it even has a loud thunderous section.  Between Colin Stetson and Moon Hooch, the saxophone is definitely cool again.

And why not watch Moon Hooch play this song at a scenic rest stop on a Pennsylvania highway:

[READ: June 10, 2014] “Balfour and Meriwether in The Adventure of the Emperor’s Vengeance”

After having read the other two Balfour and Meriwether stories, it seemed only natural to track down the first of the stories.  And it happened to be collected in this Steampunk anthology.  I didn’t read anything else in the anthology even though I like steampunk, mostly because I didn’t have time.

This story opens, as the others do with Balfour and Meriwether sitting at home by the fire.  Then Lord Carmichael bursts in with news.  This means Balfour and Meriwhether know it is time to save Queen and country.

In this case, the crisis involves Napoleon and some old plundered Egyptian goods.  This proves to be a similar premise as Tales from the Clockwork Empire and I have no idea if Napoleon’s plundering of Egyptian artifacts led to any clockwork machinery for real or not–I may have to look that up.  But this story ups the ante by having a Jewish conspiracy as well.

The British museum has several Egyptian artifacts (taken from Napoleon’s army), but it is believed that Napoleon’s men included false items with the loot in order to discredit anyone who thinks that all of the items are real.  One such falsity was believed to be a sarcophagus.  Lord Abington (the anti-Semite) wants that sarcophagus opened while no one else around.  But when he opened it the others in the next room heard a scream, a thud and then silence.  Meriwther and Balfour speculate about what was in there–perhaps it was plague and the whole museum may need to be razed.  This freaks out Lord Carmichael, naturally. (more…)

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CV1_TNY_McCall_HorseCarriage.inddSOUNDTRACK: AGES AND AGES-Tiny Desk Concert #358 (May 20, 2014).

ages I knew one song from Ages And Ages so far (the wonderful song “Divisionary (Do The Right Thing)”), and I was interested to hear what else the band did.  Well, they open this Tiny Desk Concert with a great burst of multiple harmonies and fugues—when you have 8 people in your band you can really showcase diversity in vocals (there’s only 6 here at the Tiny Desk and there’s 7 in the band photo but NPR says 8 so, your guess is as good as mine). “Light Goes Out” has that great opening and then it turns into a pretty quick indie rock song.  I really enjoy the way the different vocalists (and three guitars and one piano) really pile on the sounds.  Even the percussion elements add something to this joyful song.

“Divisionary (Do The Right Thing)” sound great in this context—the way the women play with harmonies is just fantastic.  It starts slowly, with a strummed acoustic guitar, then more and more voices join the mix.  The harmonies that the women sing (which I don’t think are on the record sound great).  “No Nostalgia” has a traditional folk sound (with that shaker as a cool percussive element).  It’s probably the most traditional sounding song of the bunch, but again those many voices of harmonies sound great.

They are one of the few bands to stretch out to 4 songs on a recent Tiny Desk, and their fourth is “Our Demons” a great song with more great voices coming in.

If I was unsure just how good Ages and Ages is, this tiny Desk Concert sold me.

[READ: June 1, 2014] “The Man in the Woods”

This is the second of a group of recently uncovered stories from Shirley Jackson’s papers which the New Yorker has published.

Even though this story is timeless–there is really no indication of when it is set, and any clues seem to be more mythological than real–when reading it I assumed it was written a while ago.  There’s something about the language that just reads “not contemporary.”  And I think that’s interesting in and of itself.

But as I said, this story feels timeless–it has a mythological/fairy tale mystique about it which starts right off the bat when we see the main character, Christopher, walking in a very deep, very dark forest.  He has been walking for countless days and the forest has been getting more and more close–as if the trees were leaning in on him.  He is all alone until a cat starts following him “trotting along in the casual acceptance of human company that cats exhibit when they are frightened.”  And thus, the two continue deeper into the woods with Christopher saying to the cat that the path must lead somewhere.

And it does, an hour or so later, they come upon a bend in the path which leads to a small house.  He approaches cautiously but is quickly welcomed by the young “not so young as he would have liked, but too young, seemingly, to be living in the heart of a forest” lady named Phyllis.  There is another lady called Circe who is making food.  The warmth of the cabin and the smell of the food warms Christopher to his core.  And the cat makes himself at home quickly as well.  But the ladies are a little odd, and Christopher dare not make himself too comfortable.  Especially when they call out the head of the house. (more…)

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CV1_TNY_03_17_14Liniers.inddSOUNDTRACK: HOZIER-Tiny Desk Concert #360 (May 27, 2014).

hozierI had been cataloging the Tiny Desk Concerts from the beginning, but in recent days they have had so many good bands that I didn’t want to wait until I caught up with them.  So, for the next few posts there will be current Concerts (I have no idea what number they are, but I hope to fix them retroactively).

Hozier is responsible for the insanely catchy song “Take Me to Church.”  WXPN plays this song all the time.  I didn’t like it at first but then when I really listened to it I was hooked.  Of course I had no idea that the guy who was singing this powerful soulful song was a soft-spoken Irishman.  Hozier is Andrew Hozier-Byrne, a 24 year old from County Wicklow.  And while he’s singing this song here he makes it seems so easy to belt out those big notes.

Although it doesn’t quite reach the gravitas of the recorded version in this stripped down live session, he sounds great and the keyboard, cello and drums (and backing vocals) really bring this song to life.

The next two songs Hozier plays by himself.  “To Be Alone” is a very old-sounding blues—the sound of his guitar and the way his plays combined with the way he sings really hearkens back to early blues.  Typically I don’t especially like early blues but I do like this song quite a bit.

The final song is an acoustic ballad.  (So he plays three different guitars in this set).  It has a kind of Richard Thompson guitar feel and is a rather touching ballad.

Hozier has only released two EPs thus far, but with this amount of diversity I am looking forward to lots of other things from him.

[READ: May 29, 2014] “The Relive Box”

This story made me think of what the “Entertainment” in David Foster Wallace’s Infinite Jest might actually be like.  In Infinite Jest, the “Entertainment” is a video so intoxicating, you watch it–ignoring all other needs–until you die.  In this story, the “relive box” is a machine that plays back any memory that you have in full 3D. And people get so absorbed in their past that they forget about the present.

Specifically, the narrator is so intent on reliving that he ignores his daughter and his job.  As the story opens, the narrator’s daughter Katie says she wants to relive.  They just recently got this new relive box–it cost a fortune–and Katie wants to visit with her mother.  Her mother left them and Katie seems to have lost friends and impetus to do much else, so she would like to relive some good times.  But the narrator was planning on reliving for several hours that night, so he can’t have her hogging the machine.  So he sends her to bed, crying heavily, so he can have the machine to himself.

And what’s so important that the narrator has to relive?  After reliving his best sex moments, he goes back in time to the night he met Lisa, his first girlfriend.  She was a goth girl in a club and the narrator had the nerve to buy her a drink and ask her to dance.  Which ultimately let to sex and eventually to a relationship. And he relieves all of the highlights of their time together–something he has done several times this week already.  In fact, he has been doing this so much that he has been late for work twice and when he’s there he’s bleary-eyed and pretty much out of it.  So he says he’ll only do it once more this week.  And just for a few hours. (more…)

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bm-cover-sm-225x300SOUNDTRACK: ERIC CHENAUX-Dull Lights [CST043] (2006).

dullI’ve talked about other Eric Chenaux discs before, and this one is similar to those–very mellow with Chenaux’s gentle voice running through some melodies.  The instruments include electric guitar, 12 string banjo, lap steel guitar, harmonica, electric banjo, portable sample keyboard and drums.

It’s never always clear to me what he’s signing about because his words are stretched out quite long and I’m often very distracted by the music that is accompanying the songs.

The first song “Skullsplitter” is in no way what you might be expecting from a song with that title.  There are cymbals, but no real drums, there’s a scratchy sound like a violin (although none are listed in the credits so perhaps it is samples) and what sounds like randomly plucked notes on a muted banjo.   The martial drums on track 2, “Worm and Gear” really help to coalesce the elements of this song  so you can really appreciate what Chenaux is doing here.  “I Can See It Now” has a woozy almost drunken feeling.  Chenaux has such a pretty voice that you want to lean in but the music seems so unusual.

Later in the disc, “Memories Are No Treasure” is catchy with a nice vocal melody, showing that Chenaux can write a more conventional song.  “White Dwarf White Sea” has a banjo line that has always reminded me of lines from “God Bless America”–in the middle of the riff, the banjo seems to play “from the mountains to the prairie.”   “Ronnie-May” has a very catchy county melody.  A pretty wild (genuinely wild) guitar solo, breathes crazy life into the record.  “However Wildly We Dream” concludes the record with that same kind of drunken feel (the drums are just insane).

I definitely didn’t enjoy this one as much as his other discs

[READ: April 7, 2014] Balfour and Meriwether in The Vampire of Kabul

This is a short story that I discovered because I enjoyed the (written later but not impacting this story in any way) novella that came out this year.

Abraham has written three stories about these two turn of the 20th century “detectives.”  They are like a supernatural Holmes & Watson (with a tad more violence).  In this story, which, again, is completely independent of the others, Meriwether & Balfour are sitting at home on a December night in 188- bored out of their minds.

Just as Meriwether says he wishes that something would break their malaise a ninja comes crashing through their giant window.  In a trice she has a gun at Balfour’s head. Meriwether is helpless to assist.  But they both recognize who it is almost immediately–Maria Feodorovan, the czarina of Russia and sworn enemy of Meriwether & Balfour.  As the dust clears, we learn what Maria is here for–she is daring to ask for help from our duo.

It appears that the Czar has gone mad.  But not from natural causes–someone or something attacked him.  There was “an ectoplasmic darkness” in the corners of the room and while he has recovered somewhat, it seems that his mind is no longer his own.  And, she explains based on overheard knowledge that the Queen of England is next.  As she says this, the police rush in to say that The Queen has been attacked. (more…)

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