Feeds:
Posts
Comments

Archive for the ‘Authors’ Category

Dave Eggers–The Circle (2013)

Posted in Canadian Music, Cigarettes, Consumerism, Corporate skewering, Dave Eggers, Funny (ha ha), Hugh Marsh, Joni Mitchell, Martin Tielli, Morality, Nick Buzz, Rheostatics, Sex, Technology, The Future on November 30, 2015| Leave a Comment »

eggersSOUNDTRACK: NICK BUZZ-Circo (1996).

nickbuzzMartin Tielli has been prolific both as a solo artist and with his “side project” Nick Buzz (named after his love of smokes).

Nick Buzz’ first album came out in 1996 (during a time when the Rheos had just wrapped up their album The Blue Hysteria) and was ignored.  It was reissued in 2002 to a bit more fanfare.  I reviewed it once before and while I thought I was more dismissive of it then, it turns out that I wasn’t.  That I enjoyed it and felt mostly the same as I do now.

“Spilling The Wonderful” starting out with a mellow piano intro, the song jars into a noisy/drunken waltz melody and a violin solo before returning to the cabaret/waltz style that opened the song. It is deliriously catchy. The song ends with some tape manipulation before seguing into “That’s What You Get For Having Fun.” This song opens with some slapped and scratchy guitar sounds with a refrain of “there’s a monkey in my underwear.”  There’s a super catchy guitar riff that is sung along to—this song really shines live.

“Just Because” mellows things down a lot, with a jazzy sounding guitar and Martin’s delicate vocals.  The music for his one was written by pianist Jon Goldsmith which might explain the mellowness. It’s a sweet ballad.  Although the segue after this song is some clips from the radio (possibly sung by Tielli?) which are distant and crackling.   There’s a saxophone playing as well.   This merges into an announcer introducing the band for their (live) cover of Joni Mitchell’s “River.” It’s a beautiful, delicate version with Hugh Marsh’s electric violin solo swirling around.

Some dissonant sax segues into Sane So Sane which is actually a pretty gentle piano song. They play with the recording sound as the drums get muffled and dense and there’s more backing vocals thrown over the top.  But it remains largely conventional.  “Hymn to the Situation” is a creaky somewhat creepy song that Martin described as being about a self-centered jerk. who says things like “I’d suicide for you.” There’s a canned crowd cheering at a particularly funny line and even a cow mooing as the song ends

“Fornica Tango” is a wild weird song.  It is tango (Tielli speaks Italian), but the rhythm is kept by a squeaky sound (which is likely Marsh’s violin).  The song is interrupted throughout by a crying baby or, even stranger, a screeching chimpanzee (fornica translates as ant). The song ends with some crazy sounds from Marsh’s electronic violin.  The highlight of the record is “Love Streams’ a beautiful ballad based largely around a piano melody and Marsh’ keening violin. It’s followed by “Aliens break a heat” which is more tape manipulation and all kinds of weird effects (backward vocals I believe) for 2 minutes. Until it’s replaced by sounds of traffic (European) and horns honking.

The final song is the amusing “The Italian Singer/Just Because I’m Nick The Buzz” It starts slowly with some plucked strings and Tielli’s voice. There’s some spoken sections and lots of staccato music until the gentle ending which resumes the melody from “Just Because.”

It’s a peculiar album but one that gets better with each listen (and hearing him play some of these songs live has really introduced new aspects of them to me.

[READ: October 10, 2015] The Circle

I put this book off for a while but with no real reason for doing so.  And I’m sorry I waited so long because the book is really good–it’s thought-provoking and questions a lot of established ideas but is also really kind of fun and utopian.

What’s most impressive to me about the way the book is written is that the story itself is really quite simple.  It is a gradual building up of intensity.  At the end of which the main character has to make a decision which proves to be very important both for her and everyone else.

The story is about Mae.  Mae had been working at a dull and dispiriting job in civil service at her home town.  The job was dull, the people were dull, there was zero energy in the place and even her boss was depressing.  It sucked.  She had been there for 18 months and when her boss joked about her getting a promotion, she’d about had it.

She contacted her friend Annie.  Annie was her college roommate and boon companion for a few years.  And Annie worked at The Circle, the coolest most awesome place in the country to work at–think google, but better).  Was there any way that Annie could help out Mae?  Indeed there was.  Annie got Mae a job at The Circle, just like that.  Annie was one of the Top 40, the influential crowd at The Circle and Mae was in (her first day is hilarious, because Annie plays a wonderful prank on her). (more…)

Read Full Post »

Rick Riordan (adapted by Robert Venditti)–Percy Jackson and Olympians: The Titan’s Curse (The Graphic Novel) (2013)

Posted in Atila Futaki, End of the World, Fantasy, Graphic Novel, Myths, Rick Riordan, Robert Venditti, Supernatural, Threats, Tiny Desk Concert, Trombone Shorty, Violence, War, Zeus on November 28, 2015| Leave a Comment »

percy3SOUNDTRACK: TROMBONE SHORTY-Tiny Desk Concert #162 (September 29, 2011).

tromb Trombone Shorty is from New Orleans and his backing band is called Orleans Avenue.  I can’t think of too many bands that are fronted by a trombone player.

This is a super fun set.  It opens with “Dumaine St.” a short (just over 2 minutes) jazzy number that comes from his then recent album For True.  There’s some great rhythm in the low end–the baritone sax and bass guitar keep a great groove, especially during the trombone solo (!).  It’s short, but it’s great.

Dan “Uncle Potato Chip” Oestreicher, opens the second song with a great bass line on the baritone sax.  The song is called “Lagniappe“ which is “a little gift you get for buying something. It’s an especially common practice in certain corners of the world, including Louisiana, where the term originates.”  It’s an improvisational piece built around the great bass line.  It features a trombone solo and great tenor sax solo by Tim McFatter.  The song builds (for about 5 minutes) to an exciting  conclusion (“a light workout,” Shorty calls it).

The final song has lyrics sung by Shorty. It’s probably my least favorite of the three as the lyrics aren’t that great (although his voice is good).  It’s got a good funky rhythm, but it slows things down when he is singing.  And I just want to hear him play.  Once he picks up the trombone again, the song springs to life and is a super amount of fun–with another great melody.

I wasn’t sure I’d like this set but I enjoyed it a lot.

[READ: November 22, 2015] The Titan’s Curse

The good news was that I could get both the second and third graphic novels at the same time (both with art by Attila Futaki).  The bad news is that apparently the fourth (and fifth) books were never made!  I don’t know if there are plans for them to get made but as of right now, we’re stuck at a to be continued.

Of the three, I found this book to be the most confusing because so many characters looked alike.  There was also the addition of several new characters (and as with the previous book, there was very little in the way of introduction).

We don’t know why, but Percy and Annabeth have gone to a specific place to rescue two orphans, Bianca and Nico.  They are both half-bloods, unbeknownst to them.  Bianca is initially suspicious of the heroes, but Nico is right on board.

In terms of action, there’s quite a lot.  We meet Artemis, goddess of the hunt who has arrived with her hunters.  She speaks formally and is suspicious of men.

After careful consideration Bianca decides to join Artemis’ hunters (which gives her immortality–death may only come in battle–as long as she forswears romantic love, which she has no problem doing).  Meanwhile, Nico decides to return to the camp with the others.

Oh and Annabeth, while fighting a manticore, is thrown over the side of a cliff, presumably lost forever.  Percy is freaking out but they convince him to head back to camp for reinforcements.

A new quest is decided upon, but Percy’s first goal is to rescue Annabeth.  Although we soon see that she is not dead, she just has the weight of the world on her shoulders.  Literally.

And then Apollo shows up in his golden chariot (which is a sports car naturally).

Back at camp, the director has them don helmets for more training, this time hunter against half-blood.  The hunters win every time.  This was a hugely confusing scene since everyone is in battle gear. The book is also hugely confusing because several of the scenes are done with characters in close up and Zoe (whose origin I can’t even recall) and Percy look quite a lot alike

But there’s some really wonderful scenes, like when the horse speaks to Percy and later when Percy rescues the Ophiotaurus (which he calls Bessy).

I liked that the middle section takes place in the Museum of Natural History–which allows for some cool details.  The dinosaur teeth are actually dragon teeth and the lion is really the Nemean Lion.  And when the bad guys get some skeletons to rise from the earth, they are sent on a single mission–to destroy Percy.  And they cannot be stopped by half blood weapons.

There’ a great scene with a large flying statue and then a cool scene at the Hoover Dam.

I typically enjoy when the scenes turn mystical but I was confused a bit when Artemis returned to her sisters.  I think the character of Zoe perplexes me too much, even when she reveals her true identity.

And speaking of true identity, Nico’s reveal is pretty fantastic, too.

The final scene shows a meeting of the Gods again, which I liked.  Unfortunately it seems to set the stage for book four, which we won’t seem to ever get.

More reason to rad the actual novels, then, right?

Read Full Post »

Rick Riordan (adapted by Robert Venditti)–Percy Jackson and Olympians: The Sea of Monsters (The Graphic Novel) (2013)

Posted in Atila Futaki, Dmitri Shostakovich, Earl Wild, End of the World, Fantasy, Federico Mompou, George Gershwin, Graphic Novel, Jenny Lin, Myths, Rick Riordan, Robert Venditti, Supernatural, Threats, Tiny Desk Concert, Violence, War, Zeus on November 27, 2015| Leave a Comment »

percy2SOUNDTRACK: JENNY LIN-Tiny Desk Concert #160 (September 6, 2011).

linJenny Lin is an amazing pianist.  So it’s slightly disconcerting that she is playing these beautiful pieces on a Korg keyboard.

The write up says

It’s rare to see a world-renowned pianist willing to make such a sacrifice, but that’s how strongly Lin feels about getting the music out there, knowing that (with even more downsizing) folks could watch her perform this Tiny Desk Concert on their iPhones.

And while I wouldn’t think that a great pianist would have a problem playing an electronic piano, I had to wonder if the keyboard weight impacted her at all.  It sure doesn’t seem like it.

She plays five pieces altogether.  And they are all modern pieces.  I don’t know a lot about Shostakovic, but the blurb says that  Shostakovich, inspired by Bach wrote his own set of Preludes and Fugues in all 24 keys in 1950.  I would have guessed they were Bach, but you can hear differences in his more modern style (and not just because of the keyboard).  The notes are fast and furious (and beautiful).

I don’t know Federico Mompou at all, but the blurb says  “Barcelona-born Federico Mompou was a contemporary of Shostakovich’s, but that’s where the comparisons end. In the 1960s, he completed four volumes of piano music he called Musica Callada, or “Silent Music.” Mompou’s sound, [features]  austere beauty and emphasis on the spaces between notes.”  And you can really hear the way the notes ring out (I’ll bet even more so on a grand piano).

The final song is an arrangement of Gershwin’s “Fascinatin’ Rhythm” which has been “souped up by the late American virtuoso pianist Earl Wild. His arrangement turns the Gershwin song into a kind of stride-jazz extravaganza.”

Watch Lin’s hands fly around the keyboard.  It is hard to comprehend.  I don’t know which hand I am more impressed by.

It’s amazing to be able to watch a master so closely.

The setlist:

  • Dmitri Shostakovich: Prelude and Fugue No. 2 in A minor, Op. 87
  • Dmitri Shostakovich: Prelude and Fugue No. 7 in A major, Op. 87
  • Federico Mompou: Musica Callada — Nos. 1, 15
  • Gershwin (arr. Earl Wild): “Fascinatin’ Rhythm”

[READ: November 22, 2015] The Sea of Monsters

Clark really liked the first graphic novel and asked me to get the rest.  So I did.  And then I had to see how the story continued, too.

Book two of the graphic novel series (also with art by Attila Futaki) begins with Percy at home.  He is told he shouldn’t return to Camp Half -Blood, but his mom won’t say why.  At “regular” school, he is still picked on, but he now has help from a huge boy known as Tyson.  The bullies make fun of Tyson too, calling him a retard, but Percy sticks up for him. [The one problem with the graphic novels is they have to edit down so much, there’s no real introduction to Percy’s school or to Tyson].

On the next page, though, we learn that the bullies are actually demons and that Tyson is able to fight them off because he is …a cyclops.  (It must be very hard to create a cyclops–visually, they are just so wrong–where do you put that eye?  Do the normal eye sockets still exist? I always find them disconcerting to look at). (more…)

Read Full Post »

Rick Riordan (adapted by Robert Venditti)–Percy Jackson and the Olympians: The Lightning Thief (The Graphic Novel) (2010)

Posted in Atila Futaki, End of the World, Fantasy, Graphic Novel, Local Natives, Myths, Rick Riordan, Robert Venditti, Supernatural, Threats, Tiny Desk Concert, Violence, War, Zeus on November 26, 2015| Leave a Comment »

SOUNDTRACK: LOpercy1CAL NATIVES-Tiny Desk Concert #113 (February 21, 2011).

localI’ve decided to cherry pick some Tiny Desk shows for the end of the year–order be damned.

Local Natives are from L.A.  They play (in this Tiny Desk Concert anyway), a folkie alt rock which really emphasizes the band’s gorgeous harmonies.

For this set there are two acoustic guitars, an acoustic bass, a drummer and some cool extra percussion.  It also makes me laugh to see them all packed so tightly in that little space.

The first song “Wide Eyes” has lovely harmony vocals by the guitarist and the percussionist.  But when the backing vocals kick in, the sound really soars.

“Cards & Quarters” has a lovely guitar intro and fantastic three part harmonies.  I love the way the songs builds and builds to the end–it’s very dramatic.

For the final song, “Airplanes,” the percussionist switches to guitar (and sings lead vocals) and one of the guitarists plays the mandolin.  This song is very personal, with lots of details about the singer’s grandfather.  Again, the harmonies are gorgeous.

I’ve heard a lot about Local Natives and now I need to check them out more closely.

[READ: May 23, 2015] The Lightning Thief

I have seen the Percy Jackson movie and now I’ve read the comic book, but I have yet to read the actual novel (or series).  I figure I will some day.  But for now I’ve had this cool graphic novel to flesh out the movie.

It’s interesting how the movie and graphic novel (with art by Attila Futaki) emphasize different things.  It felt to me like the movie spent more time on introducing the characters once they got to “camp,” while the graphic novel seemed to gloss that.  But there were some other adventures that the group went on which were different between the book and movie (which may have just been for expenses).

Okay, so the brief summary of the book is that Percy Jackson is a boy in school.  He has trouble reading and his teacher gives him a hard time.  As we open, the class is learning about ancient Greek myths and the teacher is emphasizing how important they will be for Percy.  On the next page, one of Percy’s teachers turns into a demon and attacks him.   But no one else is aware of it.  Except maybe his best friend, Grover.

When school ends, Percy heads home to his mother’s house.  His mother is living with a totally awful guy (there was more about this in the movie) and explains that Percy’s father left before he was born.  But just as they settle in, Grover shows up and tells them they have to go.  Now. (more…)

Read Full Post »

George O’Connor–Olympians 1-6 [Zeus, Athena, Hera, Hades, Poseidon, Aphrodite] (2010-2014)

Posted in Adventure, Aphrodite, Athena, C., Children's Books, Cyclops, Death, End of the World, Fears, Feminism, First Second :01, George O'Connor, Graphic Novel, Hades, Hera, Heracles, Homer, Minotaur, Myths, PJ Harvey, Poseidon, Religion, Series, Supernatural, Threats, Tiny Desk Concert, Torres, Violence, Zeus on November 25, 2015| Leave a Comment »

olymmp SOUNDTRACK: TORRES-Tiny Desk Concert #461 (August 10, 2015).

torresI’ve really enjoyed a lot about Torres’ music this year.  Mackenzie Scott has an interesting delivery which reminds me of certain aspects of PJ Harvey, and her songs are angry but measured.

Her songs seem to have a lot of low-end in them (without being bass heavy exactly–in fact in this Tiny Desk, there is no bassist).  And her singing voice is often rather low (and sometimes growly).  There’s a moment in the first song “New Skin” in which the music drops out and then Mackenzie Scott starts playing her guitar anew and it’s a sound unlike any in the song before (even though she has been playing all along).

Guitarist Cameron Kapoor adds cool sounds to what I think is her best song, “A Proper Polish Welcome.”  Erin Manning provides wonderful harmony vocals along with keyboards on this song which is as powerful as it is understated.  The song gives me chills.

“The Harshest Light” is a slow song that has glimpses of light as she sings slightly higher notes in the chorus.  And when her voice breaks near the end, you can hear the intensity in her singing.

It’s a great three song set that only leaves you wanting more.

I had resisted getting this album, but realizing just how good these songs are might tip the tables to a purchase.

[READ: Summer 2015] Olympians 1-6

While I imagined that I might read all of the First Second books this year, I paused about mid way through (more for me next year).  But one of the last things I read from First Second was this series of outstanding mythologies about the Greek Olympians.  It also turned out that a few years back I got these books for C., not realizing they were under the First Second imprint.  I was intrigued by them then, but I’m really glad that I read them now.

George O’Connor is a massive geek and Greek scholar.  He has done lots of research for these books, including going to Greece and visiting sites and antiquities as well as comparing all manner of ancient stories to compile the most interesting pieces. He explains that since these stories were orally passed down, they were modified over the years.  He doesn’t change the myths, he merely picks the story lines that are most interesting to him.  And then he adds a lot of humorous modern touches (and dialogue) which keep it from being at all stuffy.

O Connor’s drawing style is also inspired by superhero comics, so his stories are presented in a way that seems much more like a super hero than a classical hero, which is also kind of fun.

Each book ends with an author’s note which is hugely informative and gives plenty of context.  It also has a bibliography, but more importantly, it has a list of notes about certain panels.  Do not skip these notes!  In addition to providing a lot of insight into the myths of the characters themselves, there are a lot of funny comments like “Greeks raced in the nude (point and laugh)” which really bring new depths to the stories. (more…)

Read Full Post »

H.G. Watt–The Importance of Manners (2015)

Posted in End of the World, Etiquette, Evelyn Waugh, Fraud, Funny (ha ha), H.G. Watt, Hande Zapsu Watt, Humiliation, Marriage Trouble, Martin Tielli, Myths, Nick Buzz, P.G. Wodehouse, Religion, Rheostatics, Sex, Sexism, Short Books, Surreal, War, Yuck!, tagged on November 24, 2015| 2 Comments »

mannersSOUNDTRACK: MARTIN TIELLI-Hugh’s Room Toronto, ON (September 27, 2009).

hughsThis is the final solo show from Martin Tielli on the Rheostaticslive site.  And it’s a great final show.  The sound quality is excellent and the crowd is also really into it.

Martin says that it is the fourth show ever with this band which includes Martin Tielli – vocals, guitar
Selina Martin – acoustic guitar, vocals, bowed saw
Monica Guenter – piano, synth, viola, vocals
Greg Smith – bass, vocals
Ryan Granville-Martin – drums, vocals, glockenspiel

(That’s a lot of Martins).

They open with a Rheostatics song, “Dead is the Drunkest You Can get,” a mellow song that works really well and has outstanding backing vocals from Selina and Monica.  Then they play two Nick Buzz songs, “That’s What You Get for Having Fun” and “Love Streams.”

“Something Wild” introduces a lot of vocoder–his vocals sound very different from on the Danny Gross record.  “Underbrush” is very slow and dramatic.

There’s something about this band that really brings out the best of these songs.  “Voices from the Wilderness” is lovely and “I’ll Never Tear You Apart” is also lovely, done in a slower tempo.  Although Martin keeps correcting himself when he messes up the words.

When they get to “Hymn to the Situation” (an old Nick Buzz song) he says it was an audience request and he thought it was funny.  He asks that the audience cheer wildly when he says the word “axe” (which is what happens on the record).  His description of the song is very funny, saying that it is about love.  Not sex, which is disgusting and which is all you hear in the media.  He concludes, “Never confuse the savory and the sweet.”  The song is played entirely on the piano.

“Saskatchewan” is great.  Big and loud.  Although Martin plays some amazingly bad chords at the end of the song–presumably intentionally.  The guitar solo is played on a violin, which is also pretty neat.

The set list says that the song “Our Keepers” was supposed to be next, but it is not included.  Indeed, the set ends with “Saskatchewan” making this show only 55 minutes.  Nevertheless, it’s a great recording and a wonderful spanning of Martin’s solo career.

[READ: October 10, 2015] The Importance of Manners

I found this book at work and was intrigued by the blurb: a Dali-esque fable, and that it was “in the vein of Evelyn Waugh and PG Wodehouse.”  I was committed to the book when I saw that the print was huge and that the chapters were really short.  Not the best recommendation for reading a book, but if you’re looking for quick read, those are some good markers.

The story is a travelogue farce that involves religion, sex, more religion, death and the end of the world.

There are several main characters, although I suppose the main protagonist is Burt Darwin.  Darwin is concerned for his afterlife and he cycles through a different religion multiple times during the day to make sure he has all of his bases covered.  He also keeps a journal in which he must tell the truth because this will lead to a successful afterlife (according to some healer or another).

We next meet Lady Chanel Malory.  Chanel was a hand model, is quite pretty and is looking for adventure (sexual if possible).  But she is married to Lord Percy, an old stuck up aristocrat who says all the things you’d expect someone like him to say.  He also believes that Lady Chanel is French and she is happy to play up the charade of being French for most of the story (it cracks briefly).  The final main character is Sister Mary.  She is an exiled nun, but she dresses like Mother Theresa, blesses everything and everyone and considers everything including flossing to be blasphemous.

They are all on a cruise ship traveling to Africa (you can probably see already the kinds of jokes and scenes that are going to appear).  They meet angry Kings (one who calls Lord Percy “Hitler”), they meet a talking (at least to us) snake who is mad to be stepped on, we encounter Vodun gods (and sellers of Authentic African knickknacks (most likely made in China) and a spell that makes Sister Mary forget that she is a nun and remember the past that brought her there.

There’s even a couple of authorial interruptions.

While most of the book is made of comic episodes (and some are indeed very funny) there are also some intriguing subplots.  Like Lady Chanel’s connection to pirates (which is sadly never explored fully), there’s even the exorcism of a demon.

Oh, and there’s someone who is about to set off a nuclear bomb destined to blow up the whole word.  Although none of our cast know that, somehow one of them saves the entire world.

H.G. Watt is also known as Hande Zapsu Watt.  She was born in Istanbul but now lives in Scotland.  According to some information, she has published four more novels and four children’s books which have all been translated into several languages, but I can’t find any of them.

So this book was a little broad, with some fairly easy targets, and yet I enjoyed it quite a bit.  There was a lot that made me laugh including  the acknowledgments in which she thanks her editor “who edited all the way to page 42 before writing in the margin: “umm, isn’t this a bit racist?”  [The book is, but it attacks everyone mercilessly, so no one need feel singled out].

Read Full Post »

Scott Feschuk–The Future and Why We Should Avoid It: Killer Robots, The Apocalypse and Other Topics of Mild Concern (2014)

Posted in Aliens, Alternative Medicine, Barack Obama, Canadian Content, Canadian Music, Consumerism, Danny Michel, David Cross, Disease, Doctors, Drinking, Erich Korngold, Fears, Film & TV, Funny (ha ha), Hockey, Humiliation, John Southworth, Justin Trudeau, MacLean's, Martin Tielli, Natural Disasters, Political Humor, Propaganda, Ray Kurzweil, Sci-fi, Science, Scott Feschuk, Sex, Smarty Pants, Star Wars, Stephen Harper, Technology, The Art of Time Ensemble, The Future, Travel, TSA, Violence, Yuck! on November 23, 2015| Leave a Comment »

feschukSOUNDTRACK: THE ART OF TIME ENSEMBLE with MARTIN TIELLI–Korngold: Source & Inspiration (Enwave Theatre, Harbourfront Centre, Toronto, ON, January 30, 2009).

aotimeAfter seeing The Art of Time Ensemble yesterday, it was quite serendipitous that I would have a show from them (featuring Martin Tielli) to post about on the following day.

This concert is the third in the Art of Time’s “Source & Inspiration” series. Two years earlier the first concert focused on composer Franz Schubert.  The previous year’s concert focused on Robert Schumann. This time the spotlight was on the 20th century Jewish composer Erich Korngold–a composer of European pedigree who became well known for his wonderful Hollywood film scores.

This concert featured Korngold’s Suite for Two Violins, Cello and Piano as the ‘source’ as well as new songs inspired by this work from Martin Tielli, Danny Michel and John Southworth.

This recording is only 8 minutes long because there’s only two Martin Tielli songs. “Lied Two” (the German word for song is lied (pronounced leed) so Martin called his “Lied Two.” And “Moglich” which translates into “possible.”  Both pieces are played with by the orchestra.  Martins sings.

The more dramatic of the two would be “Moglich” with his loud whispered “Relaxxxxx at the end.”  For more information about the show, you can click on this link.

Full Program & Repertoire:
Suite Op. 23 for 2 Violins, Cello and Piano Left-hand
Erich Korngold
i.Praeludium und Fuge
ii.Walzer
iii.Groteske
iv.Lied
v.Rondo-Finale
INTERMISSION
Athabasca
Adventures of Erich Korngold
—John Southworth
The Sailor Song
Island
—Danny Michel
Lied 2
Moglich
—Martin Tielli

Performers
Andrew Burashko, piano
Danny Michel, singer
Erika Raum, violin
Stephen Sitarski, violin
John Southworth, singer
Martin Tielli, singer
Winona Zelenka, cello

[READ: November 22, 2015] The Future and Why We Should Avoid It

The title of this book made me laugh so I set it aside to read it.  Little did I know that it would be so very funny that I put aside other things so I could finish it.

I hadn’t heard of Feschuk before.  He has written two previous books (How Not to Completely Suck as a New Parent sounds pretty good) and writes mostly for MacLean’s magazine.

As you might guess from the title, this book looks at the future, and Feschuk’s predictions are uncanny.  For instance, I brought the book home and decided to look at it in the bathroom.  And the introduction states quite clearly:

By now, life should be awesome and leisurely and you should be wearing a spacesuit and high-fiving your wisecracking robot sidekick.  Except instead your dishwasher is broken, your god-damn iTunes won’t sync up and right now you’re reading this book on a toilet in your bathroom instead of where you should be reading it–on a toilet in your hover car.

Too right, too right. (more…)

Read Full Post »

Jasper Gibson–A Bright Moon for Fools (2013)

Posted in Big Books, Canadian Music, Drinking, Funny (ha ha), Jasper Gibson, Knives, Luke Doucet, Mark Sasso, Marriage (Happy), Martin Tielli, Michael Palin, Murder, NQ Arbuckle, Sex, Six Shooter Records, Threats, Unlikable main character, Violence, Yuck! on November 19, 2015| Leave a Comment »

moonfoolsSOUNDTRACK: MARTIN TIELLI-Ottawa Bluesfest Ottawa, ON (July 5, 2008).

bluesfestThis brief set at the Ottawa Bluesfest was for a Six Shooter Records showcase. As such it is short (about 30 minutes).  By the end there are tons of guests playing with him, which is fun.

He opens with three solo acoustic songs: “I’ll Never Tear You Apart” which sounds great and “Something in Those Woods” which would appear on his third album The Ghost of Danny Gross the following year. When the song ends, he says he is still  “working on it.” The third song “The Underbrush” will also appear on Danny.

Then the band comes in: Ford Pier, Greg Smith and Doots (Steven Pitkin) on drums.   Someone in the band says that Martin looks great, the treatments really paid off to which Martin replies “What?” incredulously.

The rocking “My Sweet Relief” segues nicely into the rocking “That’s What You Get for Having Fun.”  Interestingly, Martin seems to forget the words, so they play an entirely instrumental verse (complete with a solo) before resuming the song.

The final song is a great version of “Shaved Head,” with a full cast of Six Shooter Records players in the guest list: Luke Doucet, Paul LaPlante, Christine Fellows, Justin Rutledge, NQ Arbuckle, Casey Laforet and  Mark Sasso as well as a few others whose names I missed.

It’s a great fun show and a great quality recording.

[READ: July 1, 2015] A Bright Moon for Fools

I found this book at work and was intrigued by it.  Not by its title or cover, which is dreadful, but because on the edge of the pages was printed Up on two legs, man!  I love a book that plays with convention so I decided to check it out.  Then on the front is a blurb from Michael Palin(!) which says “Very funny, very unpleasant and very moving.”  And this is a very apt blurb for this book.  It is quite funny, it is very unpleasant and it is also rather moving.

The story is about a man named Harry Christmas.  Christmas is a scoundrel.  He is mid-fifties but appears much older–fat, drunk and be-mustached.  He fancies that he looks fantastic, but no one is fooled.

Christmas suffers no fools. He expounds vociferously about any slight (especially slights against common courtesy–for although he is belligerent, he does believe in common courtesy).  He hates all of the vulgar inanities of modern life, which he calls, “The Rot.”  He hates people who use air quotes, he hates people who listen to walkmen (or whatever other technological marvel is out there), he hates people who want to sit and talk to him while he is eating, and worst yet he hates those who assume that because he is British, he loves football.  None of these hatreds seems that unreasonable to me, but since Harry is a big drunken man, his belligerence moves past justifiable and into the realm of scary.

And yet, he is a funny and enjoyable protagonist to be sure.  Well, except that he has stolen the life savings from his previous girlfriend and has fled London for Venezuela. (more…)

Read Full Post »

Y York–Bleachers in the Sun (2010)

Posted in Canadian Music, Cigarettes, Dave Bidini music, Food, Humiliation, Play (Drama), Revenge, Threats, Unlikable main character, Y York on November 18, 2015| Leave a Comment »

bleachersSOUNDTRACK: MARTIN TIELLI-The Hudson, Hamilton, ON (January 28, 2006).

hamilton After the flurry of solo activity, the Rheos released their final album and toured and then broke up.  Dave Bidini said that Tim Vesely wanted to quit in January 2006. Who knows exactly when that was made clear or how this solo show from Martin came about.

It’s only 29 minutes long.  When he comes out someone asks where he came from. So who knows what’s going on.

The recording is too loud and feels kind of harsh. But he says “I’m gonna try some songs on you.”

I think the entire set is him solo although it sounds like there may be an extra guitar on “My Sweet Relief” and “I’ll Never Tear You Apart.”  He doesn’t mention anyone though, so maybe he’s just awesome.

There’s only 7 songs “Digital Beach” (an unusual Rheos cover by itself).  Then six songs from his debut album.  “World In A Wall” which is great (but again, kind of harsh sounding), “Waterstriders (The Bridge)” “My Sweet Relief” “I’ll Never Tear You Apart,” a rocking “That’s How They Do It In Warsaw” and “Wetbrain.”

It’s a brief show with very little chatter, but it’s interesting to hear him do many of these songs solo.  Given that he tends to play songs from newer albums I can’t help but wonder if this was actually an older concert.

[READ: June 15, 2015] Bleachers in the Sun

Every now and then a big pile of short plays comes to my desk.  The ones that sound interesting I’ll give a read–it usually doesn’t take too long.

This one is about 4 eleven year old girls (in the play the performers are adults).

The blurb on the back says “Why would adults go to see a play about eleven-year-olds?  Possibly because none of us ever really stop being eleven.  [This play] holds a mirror up to grown ups to darkly illuminate the world of modern adolescent girls, which is just like ours, only amplified.”

Okay, well, yes it sort of does that,  But the mirror was so dark that I found the play less than illuminating. (more…)

Read Full Post »

Jesse Armstrong–Love, Sex & Other Foreign Policy Goals (2015)

Posted in Charity, Funny (ha ha), Guns, Humiliation, Instant Klazzix, Jesse Armstrong, Martin Tielli, Neil Young, Peep Show, Political Humor, Queen, Selina Martin, Sex, Smog, Threats, Travel, Violence, War, tagged on November 17, 2015| Leave a Comment »

jessee SOUNDTRACK: MARTIN TIELLI-Operation Infinite Joy (2003).

oijThis was Martin Tielli’s second solo album and the first disc in his Subscription Series.  Basically, you paid up front and were guaranteed four discs from the man.  Each disc came in a cool metal box, with artwork on the outside and gorgeous artwork in the booklet.  This disc was also available commercially, but I believe the other three were never made available.

This album is really lovely–lots of epic, dramatic moments, with sweeping guitars and choirs.  It’s a real testament to Martin’s songwriting and playing chops.  Although interestingly, Martin is a guitar guy and this album has a lot of piano (from Ford Pier I believe).

The disc opens with “Beauty On” which has some fanfare and a grand introduction about the rock singer who shouts, “Are you with me, Cincinnati are you ready to rock???!!” and a pause and a quietly spoken, “i am not.”  When playing this song live he often left out that intro and simply included the piano melody and the second part of the song.

“OK by Me” has a jaunty feel as it opens.  It has a simple but ornery guitar riff which morphs into several different things in this five-minute song.  There’s an acoustic guitar bridge that gives way to a chorus of voices and then the main verse melody line.  It’s catchy and meandering at the same time.  After the line “I’m playing guitar with all my dinosaurs and me” he busts out  wild raging guitar solo that sounds uncannily like Queen.

“The Temperance Society Choir” is another great dramatic song, with a choir (naturally) and some wonderful harmony vocals.  It also features lead vocals by Selina Martin for the opening lines.  There’s some great guitar and bass sounds in it (mixed low in the mix) and the wonderful lines: “All those in favor just say Aye.”  “Aye!”  “All those opposed just say no.” (pause, quietly) “no.”  It even features an old style piano interlude.

“Segeant Kraulis” is a weird song with lots of great sections.  It opens with a vocoder’d voice saying it is 60238 in the narcotics division.  After several sections, there’s a super catchy chorus, and then a noisy section with presumably Sgt Kraulis screaming “make me visible, you fuckers.”  The last section of the song devolves into a  kind of reggae section with all kinds of glitchy sounds and the repeated declaration, “We were opening packages we did not know the contents of.”

“Andy by the Lake” is the first of Martin’s longer, quieter songs.  Like some of the songs on his first solo album this song is quiet and meandering although the spikes of drama (thunder, lightning) are much welcomed.  The most conventional song on the album is a cover of Smog’s “Cold Blooded Old Times.”  I like the original but there’s something about the way Martin does it that I think is even better–the bassline is great (not present on the original).  I love Bill Callahan’s delivery on the original, but Martin makes it more dramatic (surprise).

“Winnipeg” is a great long song with multiple parts.  It’s got a fantastic intro on bells or vibes (when the wind blows, 50 below) and then shifts into a Neil Young-esque epic.  It features the interesting line “I’ve had cole slaw.”  (Cole slaw also was mentioned on his first solo record). I love the chorus of vocals singing the “ahhhha” before “any day.”  There are so many parts to this song that when people first started recording it live before it was released, I saw three different possible titles for it.

“Waterstriders” is another slower song but the intricate guitar lines are gorgeous throughout.  It’s a great chance for Martin to create all kinds of interesting sounds over a simple rhythm.

“Ship of Fire” also has a Neil Young feel–especially when the intro guitar comes in over the bass.  This song also has many parts and is a pretty fascinating story.  There’s a recurring section about a boy across the Atlantic that is very trippy.  But the lyrics are dark.  There’s also a really noisy section that builds in drama until the final concluding chorus and roaring, guitar-fueled outro.

“Kathleen” ends the disc as a delicate ballad.  I really like this disc a lot.  It’s my favorite of Martin’s solo records and is just an all around great album (with amazing artwork in the booklet).

The Subscription Series disc features two bonus tracks.  “National Pride” which is simple but nice.  And “Diamonds on Our Toes” which is a great song with a fantastic end section and the bizarre screams of “I play electric guitar!”  Both of these tracks come from the Instant Klazzix session which you can download on Rheostatics live.   The versions here have been remixed by martin.

I can’t find all that much out about Instant Klazzix, but there is stuff online about the “group.”  One of these days I’ll post about it.

[READ: June 10, 2015] Love, Sex & Other Foreign Policy Goals

This book was written by a writer of the British comedy Peep Show, which I liked a lot.  However, this book is not very funny (I don’t think it is supposed to be very funny).  Rather, this book falls into the “how far would you go to win a girl” category.  And it wonders if you would go all the way to war-torn Bosnia?

For narrator Andrew, if the girl is smoking hot Penny, then the answer is yes.

Andrew is a middle class working guy.  He is part of the Department of Works, although he’s not glamorous like the real construction guys–he’s more of a gopher.  He has been dating Helen for quite some time.  But he’s quite sure that she is cheating on him.

One night he meets a bunch of students.  They are radical and interesting, and Andrew enjoys their company.  Then they start talking about the problems in Yugoslavia (the book is set in 1994).  They decide that they should drive to Bosnia, bring some aid and, yes, put on a play that will blow everyone’s minds and stop the war. (more…)

Read Full Post »

« Newer Posts - Older Posts »