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Archive for June, 2020

[POSTPONED: June 10, 2020] Holy Fuck [moved to February 16, 2021]

indexHoly Fuck have a great name that pretty much guarantees they won’t get much in the way of airplay or advertising.

Of course their music isn’t super commercial either–although it can be quite catchy (and has been used in a bunch of soundtracks).  They play an electronic dance music but in a decidedly old-school fashion.  They don’t use laptops at all, employing all manner of old school equipment.

Their newest album Deleter has delved into more of a 90s dance style with lyrics and everything.

I’ve considered seeing them a few times over the years, but i never really liked their releases enough to really want to go.  But I have recently heard that their live show is much more exciting than their records, so maybe I’ll make a point to see them next year.

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june8SOUNDTRACK: KAWABATA MAKOTO [河端一]–Sunday Morning (1978-83).

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Recently, Kawabata Makoto [河端一], mastermind behind Acid Mothers Temple, revealed a new bandcamp site for some newer solo recordings.

This is Kawabata’s first musique concrète works. He played 2 cassette decks, a half-broken radio cassette-corder, tapes of field recordings and something else and a synthesizer.

This album has been reissued on CD-R as a part of “Kawabata Makoto’s Early Works 1978-1983 : Learning From The Past – R.E.P. Reissue Series vol.1” (11CD-Rs + 1 CD) box set in 2012.

There are two parts.  Part 1 is 24 min.  It sounds like short wave radio with lots of static. It’s a very mechanical, earthy sound which by the middle feels like a vacuum cleaner.  This one was particularly headache inducing.

Part 2 is 21 minutes long and feels a bit more musical with tape sounds and synthesizers but all under a gauze of hiss and static. There are musical notes –ringing harp-like notes buried beneath the fuzz–and echoing vocals.  At around 18 minutes the piece slows down with thumping “drums” that slow the pace.

These first two releases are very abstract.

[READ: June 9, 2020] “Breaking Stride”

This issue of the New Yorker has four one page essays called “Close Encounters.”  Since I like all of the authors, I was looking forward to reading them all.

This piece is fascinating to me because of two things.  The first is that Matthew Klam and his oldest friend managed to stay reasonably good friends for all of their lives.   And second because both of them went on to be creative.

In 1978 Matthew and David were in eighth grade.  They are not particularly popular but they both love Steve martin’s Let’s Get Small (this is right out of Freaks and Geeks). (more…)

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june8SOUNDTRACK: KAWABATA MAKOTO [河端一]–Undead Underdrive Electrique (2019).

a3667527135_16Recently, Kawabata Makoto [河端一], mastermind behind Acid Mothers Temple, revealed a new bandcamp site for some newer solo recordings.

These are mostly abstract and meandering.  On this release he uses synthesizer and  electric guitar (and I hear a theremin).

Both of these tracks are similar although there is a clear distinction of style.

Part 1 is 22:52.  It is primarily the theremin sounds and sounds a lot like the middle siren-sounding section of Pink Floyd’s “Echoes,” but for twenty minutes.

Part 2 is 23 minutes.  It stars with a throbbing helicopter sounding pulse.  There’s lots of static and squelchy sounds.  Around 8 minutes in, it sounds vaguely outer-space like.  At 14 minutes it turns mechanical and like its breaking up and then the high siren returns.

[READ: June 9, 2020] “Praying”

This issue of the New Yorker has four one page essays called “Close Encounters.”  Since I like all of the authors, I was looking forward to reading them all.

Miranda July writes unusual pieces.  They don’t always make sense to me, but they’;re usually fun to read.  I often feel like Miranda is on a whole different wavelength than I am.

So, as this essay starts she talks bout going to the library and using her own method for finding a book.

She overhears a conversation and picks out a prominent word.  She searched for that word in the catalog and then pick the first author who shared a first or last name with someone she knew.  She would either take out that book or open it and pick out a word at random and resume the search until something grabbed her.  (more…)

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[POSTPONED: June 8, 2020] EOB [moved to June 11, 2021]

indexI used to be the kind of fan who would listen to anything that a band member released (blame Kiss for that four solo albums stunt back in the 70s).

But not every solo project is worthwhile.  And some of these solo shows are even more heavily attended than the main band.

So I didn’t really need to see Thom Yorke on his solo outings.  But the new EOB album sounds really good (from what I’ve heard of it).  I’d be curious to see what the third best known member of Radiohead was like live.  I’m not certain I was going to go to this, but it was certainly intriguing.

I do hope the tour gets rescheduled.

UPDATE: This is the first show that has been rescheduled to a new date on which I already have tickets to a rescheduled show.  Now, do I want to see EOB or King’s X?

 

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SOUNDTRACK: THE BANANA SPLITS-“The Tra La La Song (One Banana, Two Banana)” (1968).

traOf all the bubblegum pop songs, this is probably the one I know the best.

I was surprised to discover that the song and TV show were from 1968, because I used to watch it all the time.

But I see that the series originally ran from September 7, 1968 to September 5, 1970, but then it was in syndication from 1971 to 1982, which is when I watched it.  Amazingly, it was in syndication for 11 years and there were only 31 episodes made.

Is there anything catchier than a bunch of people singing tra la la, la la la la?

And then the lyrics couldn’t be simpler:

One banana, two banana, three banana, four
Four bananas make a bunch and so do many more
Over hill and highway the banana buggies go
Coming on to bring you the Banana Splits show
Making up a mess of fun
Making up a mess of fun
Lots of fun for everyone
Four banana, three banana, two banana, one
All bananas playing in the bright warm sun
Flipping like a pancake, popping like a cork
Fleegle, Bingo, Drooper and Snork

This was the theme song for the TV show.  It was a minute and a half and is insanely catchy.

The Dickies did a punk cover in the 1970s, which doesn’t sound very different from the original, expect that instead of bright keyboards, the music is all guitars and drums.  It is faster-paced and yet longer because of a guitar solo and some extra sing along parts.

For those unfamiliar with the show, the Banana Splits were:

  • Fleegle — A greenish-brown dog wearing a large red bow tie, black buttons, brownish-orange chucks, with his tongue is always sticking out. He plays a guitar and sings.
  • Bingo — A nasal-voiced orange gorilla wearing white glasses and a yellow vest, featuring a toothy grin. He plays drums and sings.
  • Drooper — A lion with a very long tail wearing yellowish-orange glasses, spats on his feet, and speaks with a Southern drawl. He plays a bass guitar and sings.
  • Snorky — A mute furry elephant wearing pink glasses. He becomes a regular elephant in season 2, wearing a green vest with yellow stripes. He communicates through honking sounds akin to a clown horn, and one of the other Splits would translate what he is saying. He plays a keyboard.

What a great time to be a kid.

[READ: June 8, 2020] Bubblegum Week 5

Over at the Infinite Zombies site, there was talk of doing a Quarantine book read.  After debating a few books, we decided to write about a new book, not a book that everyone (or some people) had read already.  This new book would be Bubblegum by Adam Levin.  Many of us had read Levin’s massive The Instructions which was not especially challenging, although it was a complex meta-fictional story of books within books.  It was kind of disturbing, but also rather funny and very entertaining.

So I’ll be posting weekly ideas on this schedule

Date Through Page
May 11 81
May 18 176
May 25 282
June 1 377
June 8 476
June 15 583
June 22 660
June 29 767

A Fistful of Fists is a Handful

After the academia and “high brow” thoughts of Triple J’s essays, this week’s transcription of Triple J’s film A Fistful of Fists: A Documentary Collage is rather tough reading.  It reminded me of reading something like David Foster Wallace’s Brief Interviews with Hideous Men or Roberto Bolaño’s 2666 (The Part About the Crimes) in that there’s some really horrible things to witness but their inclusion serves to prove a point and even to further the plot and fill in some gaps.

A Fistful of Fists is a collage of twenty-seven short films all about the joy of killing cures.  The transcription is a print version of what is seen on the videos, sometimes in graphic detail.  Scenes of it reminded me of some of the “torture porn” stories that were trendy a while back. (more…)

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[POSTPONED: June 7, 2020] Hyukoh / Hot Flash Heat Wave

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Hyukoh (Korean: 혁오) is a South Korean indie band.  Oh Hyuk is a well regarded indie rocker and this

I don’t really know all that much about them, but I have really been enjoying the kind of music that South Korea has been exporting lately.

Listen to how great “Wanli万里” is.  Excellent guitars, a great bass and relentless drums.  He even sings in English on the more mellow “Ohio.”  They released a new album in January and were planning to tour it here in the States.

Here’s their official word:

We have made the difficult decision to cancel HYUKOH 2020 WORLD TOUR – NORTH AMERICA due to increasing uncertainty regarding safety and travel feasibility caused by coronavirus. We are devastated to share this disappointing news, but we are currently prioritizing the health and well-being of our fans and tour crew above all during this unprecedented time. Refunds will be available from point of purchase. We are grateful for your continued support. Thank you.

코로나19의 전 세계적인 확산으로 인해 혁오 2020 월드투어 – 북미 일정이 취소되었음을 알려드립니다. 관객과 밴드 및 스태프의 안전을 위해 신중히 고려하여 내린 판단임에 팬 여러분의 너른 양해 부탁 드립니다. 감사합니다.

I hope they come back after their summer tour of Asia.

Hot Flash Heat Wave are from California (so not a local band tacked onto this tour).  I’m not sure how they got paired up with Hyukoh, but good for them.  They have a kind of trippy psychedelic vibe which is always fun live.

 

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waljuneSOUNDTRACK: KEVIN DEVINE-“Freddie Gray Blues” (2016).

a1265312378_16This week, Rough Trade and Bank Robber Music released a compilation on bandcamp called Talk – Action = Zero: A Compilation Benefitting Black Lives Matter.   On one day they raised $12,000 for Black Lives Matter, which is pretty fantastic.

The record features 100 songs, a majority of which are previously unreleased and some of which seem to have been written in the past week.

This Kevin Devine song is not new.  In fact, it has been recorded twice.  First with a band on his Instigator album and then reimagined as an acoustic song on his We Are Who We’ve Always Been record.  The acoustic version is included on the compilation and it really allows you to hear these lyrics.

It’s depressing that he wrote this song four years ago after the death of Freddie Gray, a 25-year-old Black American man who was arrested by Baltimore Police for allegedly carrying a switchblade on April 12, 2015.

Gray fell into a coma in the back of a police van and passed away on April 19.  An investigation found that the arresting officers failed to follow safety protocols “through acts of omission” due to the spinal injuries Gray received during the police transport, which led to his death.  The six police officers were not convicted but faced various charges from second degree-murder to manslaughter.

Here it is four years later and the song is just as relevant and fits in this compilation all too well.

The lyrics are straightforward, the melody simple.

I’m talking Freddie Gray blues
I’m talking what happened to you
You were just 25
When they ended your life
When “to serve & protect”
Meant break your leg, snap your neck
Meant to kill you, to sever your spine
No matter what, there’s no good reason why

Devine also speaks from personal experience because of his family’s association with the police:

When I’m talking these killer cop blues
I’m kinda talking my family to you
See, my dad was a cop
And his dad was a cop
And my uncles were cops
And my cousins were cops
I’m partly here because of cops
And I love all those cops
And I know not every cop
Is a racist, murdering cop
But this is bigger than the people I love
The system’s broken
Not breaking
It’s done

And then, like any white person who is an ally, he realizes his position.

I’m talking white privilege blues
I’m talking confession to you
I don’t know what it’s like
To be afraid all my life
Looking over my shoulder
Behind each officer, a coroner
Entrenched inequality
No access, no empathy
Crushed in stacked decks
Institutions & death
This is not my reality
I’m afforded the luxury
Of shaking my head
I shut the screen, go to bed
I can turn off what you never can
And watch it happen again and again (and again and again and again and again, and again).

[READ: June 5, 2020] “Rookie”

I can’t get over how many stories there are about tree-planting, something that I feel like no one in the States ever does but which seems to be a rite of passage in Canada.

Every story talks about how horrible it is.  You can make a lot of money if you can put up with the conditions.  The cold, the backbreaking work, the pressure, living in a trailer or hotel for months.  Although you could make $10,000 in two months if you were good. And, pretty much everyone there let the drugs and drink and sex flow.

There’s always people who thrive and can plant 4,000 trees a day (at 9 cents per tree) called highballers.  While a rookie is lucky to plant 1,000 (which would mean breaking even after camp costs, like food).

In this case the highballers are Skye and Jen who seem to be a couple.  The rookie is Jake and the story is mostly about him.  Jake is a religious twenty-something.  He is God-fearing and serious.  He intended to go tree-planting with his friends from Bible College.  Elmer was the group leader and they would keep tabs on each other to make sure they didn’t smoke, do drugs or have sex.  Jake decided to join up, but by that time, Elmer’s crew was full, so he wound up with another crew in Ontario. (more…)

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[CANCELLED: June 6, 2020] Acrobuffos

indexS. took her Girl Scouts to see Acrobuffos and said it was great.  I had actually wanted to go to the show but was on a Scout hike that weekend.

So when they announced they were coming to McCarter, I bought us all tickets.

Of course, now McCarter has cancelled the rest of their season, so we can only hope that the troupe comes back next season.

What are Acrobuffos?

Visual, completely wordless, comedic physical theater. The Acrobuffos present sophisticated image-driven performances, playing games using poetic mime. They are not your typical clowns – they are artists and surrealists – who will not be easily categorized.

Who wouldn’t love that?

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download - 2020-05-13T095755.048SOUNDTRACK: BOB MOULD-“American Crisis” (2020).

mpodldBob Mould was once a punk icon.  He has since moved through various styles of music (some more successfully than others).  But now, with everything going on in America these days, he is back to doing what he does best–writing short, powerful, rocking punk songs that address issues.

“American Crisis” starts out with a bashing guitar intro and Mould screaming (he can still scream with authority). The verses pound forward, unrelenting.  The verses are short–all the better to get to the chorus which is also propulsive and fast but really catchy.

I love the third or fourth part (there’s quite a few parts in this brief song).  The lyrics: “You’re one of us or you’re one of them.”  He gives a great wave of a guitar slide leading to a brief guitar pause before the song takes off again.

He ends the song with a whispered statement that was true during the AIDS crisis and is true today.  “Silence=Death.  Never Forget.”  Check it out.

[READ: June 5, 2020] “Bedside Planner”

This is an excerpt from Coetzee’s novel The Death of Jesus.

Simón and Inés are the legal guardians of a young boy named David. David suffers from an unknown disease and is bedridden. David is often asleep but is occasionally lucid.

David wants to know if he will be recognized.  Simón says, as a hero?  Of course.  But first you will have to do the deeds that will get you remembered.  That way someone will write a book about you.

David asks if he has done anything and Simón assures him that he saved Simón and Inés. He also says that some of the good deeds that David did he did with the aid of Don Quixote. (more…)

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alcaterlSOUNDTRACK: SA-ROC-Tiny Desk (Home) Concert #30 (June 4, 2020).

sarocI have never heard of Sa-Roc, but I was blown away by her lyrics and delivery.  I really enjoyed that her delivery was intense and serious, even angry, but her delivery was so thoughtful.

If you want protest music for the uprising of the American consciousness, then look no further. Sa-Roc (born Assata Perkins) is an emcee from southeast Washington, D.C.

Sa-Roc bears her heart and soul here, weaving together influential threads from her upbringing; Pan-Africanism, the hardship of her father’s experience as a sharecropper in Virginia and her own childhood in Congress Heights, D.C., an area ravaged by violence and the crack epidemic in the 1980s.

In this Tiny Desk (home) concert, she debuted two exclusives, “Deliverance” is about reassessing where you are in making a commitment to change things. I love the beats and the lyrics.  She references Posdnous and De la Soul and then has this moment where she says this is the world’s tiniest violin and a violin sample plays.

After the song, she lights some sage to clear the energy.  She wants her space to experience joy and to be a stress-free peaceful environments.

“Hand of God” is her latest single about staying true to yourself.  It has a sung chorus and Sa-Roc has a pretty singing voice along with her flow.  In the second verse she raps with a sped up version of herself which is pretty neat.

“r(E)volution,” is from her upcoming album, The Sharecropper’s Daughter, which is produced by her partner in life and DJ, Sol Messiah.  It starts with a pretty guitar and a great bass line

On “r(E)volution” she spits bars: “Embedded in the home of the brave, the darkest of interiors. / Saw street scholars and soldiers defect cuz they post-traumatic stressed from the American experience.”

“Forever” is for little girls who ever felt like they were held to impossible societal standards; and if the world told them they weren’t good enough, weren’t valuable enough, weren’t worthy enough, weren’t dope enough to take up space or use their voice; they didn’t come from the right area or the right class or education; didn’t have the right skin tone or complexion; anything that made them feel less than.  This is about how dope you really are with all of your perfect imperfections.

I love that after a quiet clapping moment the song soars with guitars and bass.

[READ: May 8, 2020] Kitten Clone

In the Douglas Coupland collection Shopping in Jail, there was an essay called “All Governments Seem to Be Winging it Except for China.”  The essay said that it came from this book: Kitten Clone.

I wasn’t sure how interested I really was in reading about the history of Alcatel-Lucent, but I should have known that Coupland would do his thing and find an interesting and unique way to write about something that should be dull.

The only weird thing is that Coupland implies that he is alone on this excursion, but the photographs are not his (which is surprising since he loves art) the pictures are by Olivia Arthur.

This book is part of a series called Writers in Residence created by Alain de Botton, with the slogan: “There are many places in the modern world that we do not understand because we cannot get inside them.”  Coupland’s book is the third in the series.  The other two are Geoff Dyer: Another Great Day at Sea: Life Aboard the USS George H.W. Bush and Liaquat Ahamed: Money and Tough Love: On Tour with the IMF.

This book looks into the past, present and future of Alcatel-Lucent and the cover of the book sets the stage: (more…)

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