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Archive for the ‘The Cramps’ Category

SOUNDTRACK: THE BANANA SPLITS-“The Tra La La Song (One Banana, Two Banana)” (1968).

traOf all the bubblegum pop songs, this is probably the one I know the best.

I was surprised to discover that the song and TV show were from 1968, because I used to watch it all the time.

But I see that the series originally ran from September 7, 1968 to September 5, 1970, but then it was in syndication from 1971 to 1982, which is when I watched it.  Amazingly, it was in syndication for 11 years and there were only 31 episodes made.

Is there anything catchier than a bunch of people singing tra la la, la la la la?

And then the lyrics couldn’t be simpler:

One banana, two banana, three banana, four
Four bananas make a bunch and so do many more
Over hill and highway the banana buggies go
Coming on to bring you the Banana Splits show
Making up a mess of fun
Making up a mess of fun
Lots of fun for everyone
Four banana, three banana, two banana, one
All bananas playing in the bright warm sun
Flipping like a pancake, popping like a cork
Fleegle, Bingo, Drooper and Snork

This was the theme song for the TV show.  It was a minute and a half and is insanely catchy.

The Dickies did a punk cover in the 1970s, which doesn’t sound very different from the original, expect that instead of bright keyboards, the music is all guitars and drums.  It is faster-paced and yet longer because of a guitar solo and some extra sing along parts.

For those unfamiliar with the show, the Banana Splits were:

  • Fleegle — A greenish-brown dog wearing a large red bow tie, black buttons, brownish-orange chucks, with his tongue is always sticking out. He plays a guitar and sings.
  • Bingo — A nasal-voiced orange gorilla wearing white glasses and a yellow vest, featuring a toothy grin. He plays drums and sings.
  • Drooper — A lion with a very long tail wearing yellowish-orange glasses, spats on his feet, and speaks with a Southern drawl. He plays a bass guitar and sings.
  • Snorky — A mute furry elephant wearing pink glasses. He becomes a regular elephant in season 2, wearing a green vest with yellow stripes. He communicates through honking sounds akin to a clown horn, and one of the other Splits would translate what he is saying. He plays a keyboard.

What a great time to be a kid.

[READ: June 8, 2020] Bubblegum Week 5

Over at the Infinite Zombies site, there was talk of doing a Quarantine book read.  After debating a few books, we decided to write about a new book, not a book that everyone (or some people) had read already.  This new book would be Bubblegum by Adam Levin.  Many of us had read Levin’s massive The Instructions which was not especially challenging, although it was a complex meta-fictional story of books within books.  It was kind of disturbing, but also rather funny and very entertaining.

So I’ll be posting weekly ideas on this schedule

Date Through Page
May 11 81
May 18 176
May 25 282
June 1 377
June 8 476
June 15 583
June 22 660
June 29 767

A Fistful of Fists is a Handful

After the academia and “high brow” thoughts of Triple J’s essays, this week’s transcription of Triple J’s film A Fistful of Fists: A Documentary Collage is rather tough reading.  It reminded me of reading something like David Foster Wallace’s Brief Interviews with Hideous Men or Roberto Bolaño’s 2666 (The Part About the Crimes) in that there’s some really horrible things to witness but their inclusion serves to prove a point and even to further the plot and fill in some gaps.

A Fistful of Fists is a collage of twenty-seven short films all about the joy of killing cures.  The transcription is a print version of what is seen on the videos, sometimes in graphic detail.  Scenes of it reminded me of some of the “torture porn” stories that were trendy a while back. (more…)

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SOUNDTRACK: THE FUN AND GAMES-“Elephant Candy” (1968).

indexI’d never heard of The Fun and Games before looking up this bubblegum pop song.

Amazingly there were six members of the band (and none of them were cartoons).

The band members and name were constantly in flux and they released only one album, Elephant Candy in 1968.

“Elephant Candy” is a two and a half minute pop delight.

The main music of this song sounds almost like the music of a merry-go-round–a kind of sugar-coated pipe organ.

The song opens with the preposterously catchy “elephant elephant candy did you know that elephants can be fun eating candy on the run.”  The second go-round features backing vocals of a steady “Ahhahahh” that sounds simultaneously unsettling and catchy: kind of like a fun house mirror.

The verse seems like its just an opportunity to pause in between the next appearance of the chorus.

If that weren’t catchy enough, the song moves up a step so it’s even more treacly. Somehow, the song even has time for two keyboard solos.

[READ: June 1, 2020] Bubblegum Week 4

Over at the Infinite Zombies site, there was talk of doing a Quarantine book read.  After debating a few books, we decided to write about a new book, not a book that everyone (or some people) had read already.  This new book would be Bubblegum by Adam Levin.  Many of us had read Levin’s massive The Instructions which was not especially challenging, although it was a complex meta-fictional story of books within books.  It was kind of disturbing, but also rather funny and very entertaining.

So I’ll be posting weekly ideas on this schedule

Date Through Page
May 11 81
May 18 176
May 25 282
June 1 377
June 8 476
June 15 583
June 22 660
June 29 767

Sometimes One Looks Like The Other, Bad Taste and Stupidity

This weeks reading was really intense.  It also showed things that I never imagined would come up.

  • A lengthy and carefully edited suicide note.
  • A lengthy treatise on transgendered persons/prostitution/homosexuality
  • Academic papers that are simultaneously well-written and yet obviously the work of a child.

Part Two, Section 5 of the book is called “Letters and Facts.”

This was an interesting place to stop/resume reading because, although they reference the same incident, the beginning of this section differs from the end of the previous section.  (more…)

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SOUNDTRACK: OHIO EXPRESS-“Chewy, Chewy” (1967).

The name Ohio Express sounded familiar, but I couldn’t remember why. Turns out that they did “Yummy Yummy Yummy” (which I could have put here, but “Chewy Chewy” seems more bubblegum-apt).

What I was fascinated to discover though, was that (according to Wikipwdia)

“Ohio Express” served as a brand name used by Jerry Kasenetz’s and Jeffry Katz’s Super K Productions to release the music of a number of different musicians and acts. The best known songs of Ohio Express (including their best scoring single, “Yummy Yummy Yummy”) were actually the work of an assemblage of studio musicians working out of New York, including singer/songwriter Joey Levine.

Several other “Ohio Express” hits were the work of other, unrelated musical groups, including the Rare Breed, and an early incarnation of 10cc. In addition, a completely separate touring version of Ohio Express appeared at all live dates, and recorded some of the band’s album tracks.

So basicaslly, Ohio Express were like The Monkees, but without a cute public face.

In fact, if Wikipedia is to be believed, (and sure, why wouldn’t it), Ohio Express has a fascinatingly complex and questionable history.  Almost worth a novel in itself.

This song opens with a high -pitched “doo doodoodoo do” as the main verse breezes along in quite a familiar bubblegum style.  You can absolutely hear “Yummy Yummy Yummy” in the pedigree of this song.

It’s bouncy and catchy with the appropriate keyboard bops.  The biggest surprise comes at a minute and forty five seconds when the song throws in, inexplicably, the guitar riff from “Then He Kissed Me” for two measures as a kind of instrumental break then returns to the main melody.  This is no where near as catchy as “Yummy Yummy Yummy,” but it has its moments.

The album that this song comes from Chewy Chewy is remarkably annoying.  It’s under 30 minutes but it is just full of “comic” bits.  “Nothing Sweeter Than My Baby” opens with over 30 seconds (of a song that lasts 2:52) with one guy saying “Oh Bonnie” (or bunny) and the other guy in falsetto saying “Oh Clyde” over and over and over.  I don’t even assume it was funny back then.  “So Good So Fine” opens with a 30 second “skit” about Superman being stuck in a phone booth.  The full song is 2:10 and has nothing to do with Superman, phone booths or anything of the sort.

“Yes Sir” opens with a person saying “Hi, I’m chicken little.” The angry reply is, “I don’t care who you are get your beak out of my popcorn.”  What?  The song is practically a children’s call and response song.  “Little Girl” opens with a “dialogue” that includes a fairly lengthy backwards spoken section which is apparently the person talking?  The hilarious punchline is that the person is from Poughkeepsie, New York.  You know it’s funny because there is a silly fake cackle.  The ensuing song is pretty catchy though.  There’s even a pop version of “Simon Says.”

I guess writing pop hits isn’t as easy as it seems.

[READ: May 25, 2020] Bubblegum Week 3

Over at the Infinite Zombies site, there was talk of doing a Quarantine book read.  After debating a few books, we decided to write about a new book, not a book that everyone (or some people) had read already.  This new book would be Bubblegum by Adam Levin.  Many of us had read Levin’s massive The Instructions which was not especially challenging, although it was a complex meta-fictional story of books within books.  It was kind of disturbing, but also rather funny and very entertaining.

So I’ll be posting weekly ideas on this schedule

Date Through Page
May 11 81
May 18 176
May 25 282
June 1 377
June 8 476
June 15 583
June 22 660
June 29 767

Lacing up my rhinestoned shirt in Vegas or: Finking wrecks fun

Part Two of the book is called The Hope of Rusting Swingsets

So if you thought the swing set murders were not going to be revisited, you’d have been wrong.

Part 2 Section 1 is called “Look at Your Mother.”  It concerns Stevie Strumm.

Belt has had a crush on Stevie for a while.  She’s the only girl that he can comfortably talk to.  Stevie had once given him a mixtape because he liked her Cramps shirt.  Stevie, the second youngest Strumm, invited Belt over to destroy their rusted swingset (number ten in his murderous spree).  She was babysitting her younger sister while the rest of her family was at a G N’ R show.

The end of the second paragraph promises two events that we haven’t seen and may or may not.  He has a vertiginous feeling that he will feel “while dressing at the foot of Grete the grad student’s bed and after reading No Please Don’t‘s first review.” (more…)

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SOUNDTRACK: ANTONIO CORA-“The Cellar” (from The Blair Witch Project) (1999).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

I was getting bored of the Esquire list so I found this fun little tidbit of spookiness.

The Blair Witch Project was a low budget, DIY-looking movie.  The soundtrack is a compilation with songs on it (Josh Blair’s Witch Mix), but this track is from the actual movie soundtrack.  I couldn’t exactly tell if there was a release of the actual movie soundtrack, but the last track on the disc is similar to a video I found online for the “end credits theme.”

Excluding the intro, which has 30 seconds of dialogue from the film (“Heather’s Apology”), this track is a five-minute nightmarish ambient score.

It is largely quiet with rattling, echoing sounds.  An online thread (therefore of dubious truth) says that the score was made with the sound of sticks breaking and being thrown into a culvert (or some such) and slowed down dramatically.  There’s also some kind of droning sound throughout (maybe a synth, but who knows).  It seems to slowly percolate while things scrape and bang.  There’s a few louder noises that really stand out, but there’s no momentum or narrative to the soundtrack.  It’s just a sort of endless low grade scare.

Don’t listen at bedtime.

[READ: October 27, 2019] “Last Call for the Sons of Shock”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

I feel foolish that I didn’t “get” this story right away.  When I see that it was originally published in The Ultimate Frankenstein, I guess the Blank Frank name would have been a bit more obviously Frankenstein’s monster.  I did figure it out before the end, but on a second read it was much clearer. (more…)

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  karlove5SOUNDTRACK: RAGA ROCKERS-“Slakt” [“Slaughter”] (1988), “Hun er Fri” [“She is Free”] (1988) and “Noen å hate” [“Someone to hate”] (1990).

ragaKarl Ove mentions many bands in his books.  Raga Rockers appeared twice in this one.  I can’t find a ton about them online, because they never really made it beyond Norway, but the Google translated version of their website says:

Raga Rockers is an ingenious rock ‘n roll band that has existed since 1982.

Today the band consists of: Michael Krohn (vocals, lyrics), Hugo Alvar Stein (keyboards / guitar), Eivind Staxrud (guitar), Arne Sæther (keys), Livio Aiello (bass) and Jan Kristiansen (drums).

The band came out of the punk community in the early eighties, but became such a “poppy” large parts of the Norwegian people have founded acquaintance with them.  Songs like “She is free” and “Someone to hate” is almost singalong classics! Their greatest triumph came perhaps in 1999 when they played for thousands of ecstatic Norwegians at the yellow stage at Roskilde Festival. (Reviews of the show by Dagbladet (which Karl Ove wrote for) and Dagsavisen–both are in English.

Despite their punk roots and the rather violent song titles, the songs are almost poppy–heavy guitars but simple chords and a singer who doesn’t sound angry at all.  In fact, if I didn’t read about their punk roots, I’d swear these songs are kinda goofy.

“Slakt” is a simple song, opening with a 4/4 drum and splashes of guitar.  The middle is a bluesy riff with a chorus of “ah ha ha”  The lead singer’s voice is mostly kind of deep–not quite what I expected from the heavy guitars.

“Hun Er Fri” is quite different from the others songs.  It’s only 90 seconds long and features a piano.  The chords are still simple the piano may be playing single notes in fact).  The lyrics are pretty much nonstop and kind of fast.  It seems like a silly pop trifle and I can see why it’s popular among their fans.  The first time I listened to it, I was surprised it ended when it did.  This bootleg live version is certainly fun.

rocknrollThese two songs came from their 1988 album Forbudte følelser [Prohibited feelings]

“Noen å hate” has a bit more of a metal sound, but is essentially the same kind of heavy rock with simple chord progressions.  There’s a good solo at the end.  A black metal band called Vreid has done a cover of this song (which really only sounds different because the Vreid singer is more growly).

This song comes from their 1990 album Rock n’ Roll Party.

And yes, they are still around.  They took a hiatus in the 2000s but came back with three albums 2007’s Übermensch, 2010’s Shit Happens and 2013’s Faktor X.

[READ: May 1, 2016] My Struggle Book Five

karlove 5ukI realized as I read this fifth book that I should have been keeping a vague sense of the timeline of these books.  Specifically, because he opens this book with this: “The fourteen years I lived in Bergen from 1988 to 2002 are long gone.”  So if he was born in 1968, this book covers roughly ages 19-33.

So my general outline for the other volumes:
Book Five: 1988-2002 (19-33)
Book Four: 1987 (18)
Book Three: 1968-1981  (1-13)
Book Two: 2008 (40) (with flashbacks to meeting his second wife in 2003 or so)
Book One: 2008 (40) (with flashbacks to his father’s death in 1998 or so)

What era could Book Six possibly be about?

We’ll find out next year in what is said to be the 1,200 page final volume.

So as I mentioned above, Karl Ove talks about the fourteen years he lived in Bergen.  And it made me laugh that he says:

The fourteen years I lived in Bergen, from 1988 to 2002, are long gone, no traces of them are left, other than as incidents a few people might remember, a flash of recollection here, a flash of recollection there, and of course whatever exists in my own memory of that time.  But there is surprisingly little.

And then he proceeds to write 600+ pages about that time. (more…)

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