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Archive for the ‘Holmdel, NJ’ Category

[POSTPONED: July 1, 2020] Alanis Morissette / Garbage / Liz Phair [moved to September 1, 2021]

indexThis was a show I wasn’t sure about.

I have seen Alanis Morissette a few times live way back in the 90s when she toured with Tori Amos.  I was there for Tori and I don’t really remember much about Alanis (which is sad, I know).

On this tour, I was more interested in seeing Garbage again (they put on a heck of a show) and for checking out Liz Phair who I once liked and now kinda don’t but who I’m curious about what she’s like live.

This was definitely a show I was going to get lawn seats and try to upgrade.

Concerts are now being postponed earlier.

On May 9, Alanis sent out this message

“Hi everyone.  My North American tour scheduled to begin in a few weeks is being rescheduled to Summer 2021 out of an abundance of caution. Please hold on to your tickets as they will be honored for the new dates which we hope to announce very soon.

So much going on inside and outside take care of yourselves and each other.  Thank you for understanding.  Can’t wait to see you when it is safe for us all to gather.  Hand on all hearts til then.”

Garbage wrote this message:

So the @Alanis tour that @garbage and @lizphairofficial were supposed to be tagging along on this summer got postponed yesterday. We are totally gutted and apologise for any heartache caused. We assure you that we have every intention of fulfilling our obligations to Alanis and to any garbage fans who bought tickets in support of us. We appreciate you so. Please head on over to the @Alanis socials in the days ahead for further info. Please note this is not our tour so we have no answers whatsoever about what happens next.
Looking forward to the days when we all get to hangout and play for you.

No official word from Liz Phair that I have seen.

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alcaterlSOUNDTRACK: SA-ROC-Tiny Desk (Home) Concert #30 (June 4, 2020).

sarocI have never heard of Sa-Roc, but I was blown away by her lyrics and delivery.  I really enjoyed that her delivery was intense and serious, even angry, but her delivery was so thoughtful.

If you want protest music for the uprising of the American consciousness, then look no further. Sa-Roc (born Assata Perkins) is an emcee from southeast Washington, D.C.

Sa-Roc bears her heart and soul here, weaving together influential threads from her upbringing; Pan-Africanism, the hardship of her father’s experience as a sharecropper in Virginia and her own childhood in Congress Heights, D.C., an area ravaged by violence and the crack epidemic in the 1980s.

In this Tiny Desk (home) concert, she debuted two exclusives, “Deliverance” is about reassessing where you are in making a commitment to change things. I love the beats and the lyrics.  She references Posdnous and De la Soul and then has this moment where she says this is the world’s tiniest violin and a violin sample plays.

After the song, she lights some sage to clear the energy.  She wants her space to experience joy and to be a stress-free peaceful environments.

“Hand of God” is her latest single about staying true to yourself.  It has a sung chorus and Sa-Roc has a pretty singing voice along with her flow.  In the second verse she raps with a sped up version of herself which is pretty neat.

“r(E)volution,” is from her upcoming album, The Sharecropper’s Daughter, which is produced by her partner in life and DJ, Sol Messiah.  It starts with a pretty guitar and a great bass line

On “r(E)volution” she spits bars: “Embedded in the home of the brave, the darkest of interiors. / Saw street scholars and soldiers defect cuz they post-traumatic stressed from the American experience.”

“Forever” is for little girls who ever felt like they were held to impossible societal standards; and if the world told them they weren’t good enough, weren’t valuable enough, weren’t worthy enough, weren’t dope enough to take up space or use their voice; they didn’t come from the right area or the right class or education; didn’t have the right skin tone or complexion; anything that made them feel less than.  This is about how dope you really are with all of your perfect imperfections.

I love that after a quiet clapping moment the song soars with guitars and bass.

[READ: May 8, 2020] Kitten Clone

In the Douglas Coupland collection Shopping in Jail, there was an essay called “All Governments Seem to Be Winging it Except for China.”  The essay said that it came from this book: Kitten Clone.

I wasn’t sure how interested I really was in reading about the history of Alcatel-Lucent, but I should have known that Coupland would do his thing and find an interesting and unique way to write about something that should be dull.

The only weird thing is that Coupland implies that he is alone on this excursion, but the photographs are not his (which is surprising since he loves art) the pictures are by Olivia Arthur.

This book is part of a series called Writers in Residence created by Alain de Botton, with the slogan: “There are many places in the modern world that we do not understand because we cannot get inside them.”  Coupland’s book is the third in the series.  The other two are Geoff Dyer: Another Great Day at Sea: Life Aboard the USS George H.W. Bush and Liaquat Ahamed: Money and Tough Love: On Tour with the IMF.

This book looks into the past, present and future of Alcatel-Lucent and the cover of the book sets the stage: (more…)

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[ATTENDED: July 28, 2014] Beck

It was five years ago that S. and I saw Beck live.

For that show, I went in with lowered expectations.  I thought the show was going to be a lot of Morning Phase, a mellow album he had just released, but it turned out to be a ton of fun.  S. remembers it as one of her favorite concerts ever.  So when I saw that he was touring and coming to Holmdel, I was excited to get tickets.

Then I saw how much they were.  Tickets were over $100 for most normal seats and the front section was well over $100.  So there was no way I was getting tickets for that.  Then I remembered the awesome feature at PNC Bank Arts Center.  If there are seats available before the show you can upgrade a lawn seat for $20.  So we bought $30 lawn seats and then a few days before the show, we took advantage of the upgrade and for $20 more, we were moved to Row N!

And Row N is a great vantage point.

Needless to say, our expectations were pretty high for this.  And Beck did not disappoint.  Well, maybe a little. (more…)

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[ATTENDED: August 20, 2019] Cage the Elephant

I was rather surprised that Cage the Elephant were co-headlining this tour with Beck.  I assumed that Beck was the clear headliner–and yet the (younger) crowd seemed to be there more for Cage.  I also didn’t realize that they had collaborated recently on the song that this tour was named after).

But the biggest confusion for me was that I didn’t know who Cage the Elephant were.  They were part of that trend of bands that had three words with The in the middle. Like Pedro the Lion, Jukebox the Ghost, Minus the Bear and Young the Giant.  I assumed that I had no idea who Cage the Elephant were or what hey even sounded like.

But then I was surprised to discover that I really liked two of their songs but had no idea it was them: “Ready  to Let Go” and “Mess Around.”  After figuring that out, I was looking forward to them but really had no idea what to expect.

Well, they went on about ten minutes late (which was annoying, since they’d had 30 minutes to get ready).

Their stage set up was like bleachers–a guitar drum and keyboards on the top and a guitar vocals and bass on the floor.  Then the lights went down and the stage burst into flames! (more…)

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[ATTENDED: March 6, 2018] Spoon

I couldn’t believe that Spoon was the second band on this bill.  I had seen Spoon last year at the TLA in Philly and they played a huge set and the fanbase was rabid.  It was weird to see them in the setting sun (Britt Daniel came out and acted like he was a vampire when he saw the bright sun).

The crowd had filled in somewhat between Sunflower Bean and Spoon, but they were still going on at 6:45–not an ideal concert time, to be sure.

Regardless, the folks who were there were there for Spoon and they reacted appropriately. There was lots of dancing and singing along.  And Daniel either saw people he recognized or just acted like it because he was engaging and a lot of fun.

A few days before this tour started, it was announced that bassist Rob Pope was leaving the band [he’s going to spend more time with his other band The Get Up Kids].  It seemed liked terrible timing, but I gather they had his replacement Ben Trokan all lined up because they didn’t miss any dates on the tour and Trokan was great when I saw them.

Britt Daniel was dressed in a shirt and jacket (again, it was very hot, what’s up with these singers?).  He immediately started interacting with the crowd, climbing on his monitors and putting a foot on the fence that kept the crowd from the stage.  Like last time, they opened with “Do I Have to Talk You Into It” and everyone sounded fantastic.  Daniel’s voice was in great form and his guitar playing (when he played) was right on.

Since the previous show was nearly two hours and this one was barely 40 minutes, I assumed we’d get the truncated version of the previous set list.  But it seems that Spoon likes to mix things up a bit from night to night.  So up next was “The Way We Get By” which I didn’t hear last time (nice!).  They followed that with another favorite of mine, “My Mathematical Mind.”

They played the new song, “No Bullets Spent” which fit in perfectly with the rest of their set.  Then everyone went crazy when they started the rumbling guitar for “The Underdog”.  There were no horns like on the record, but the keys and piano were a great substitute.

I love watching drummer Jim Eno.  He seems to be having so much fun out there.  He definitely feeds off of Daniel’s energy–there were a couple of times when Daniel slashed his guitar through the air and Eno accented that with some drum hits.  During “The Underdog” he was playing the maracas and when he was done he hurled it across the stage to the roadie–who caught it!

The slow piano intro that started the next song sounded familiar, but I wasn’t sure if I knew it.  It turned out to be a cover of John Lennon’s “Isolation.”  It sure sounded like a Beatles song when they were playing it, but they put a nifty Spoon spin on it.

On the left side of the stage was Gerardo Larios and Alex Fischel both on keys and guitars.  Larios was standing in the back playing mostly keys but the occasional guitar.  I enjoyed watching Larios play the harp-like keyboard sounds during “Inside Out.

Alex Fischel is a rocking lunatic on his side of the stage.  Mostly he’s bouncing and pouncing on his own keyboards and effects arrays but every once in awhile he would strap on a guitar and come out to the center of the stage for a minute, playing some noisy angular guitars like in “You Got Yr. Cherry Bomb” (a song I can’t believe they didn’t play last time and which I was super exited to hear tonight).

I knew that Trokan would fit in fine with Spoon once he played the throbbing bass of “I Turn My Camera On” which sounded perfect.

They ended the set with a rocking “Don’t You Evah” and  hen followed it with two songs from They Want My Soul, “Do You” and “Rent I Pay.”  Las time, they ended the TLA show with “Rent I Pay” as well.  So the first and last songs were the same, but much of everything else was different.

The sun started to set on them before their set ended, and that seemed to make their set a bit more fun.

Spoon were very loud though and I should have put in ear plugs.  But since they only played for 40 minutes, it wasn’t too much over-exposure for me.

All in all a great set and a good introduction to Spoon for S. who didn’t really know them.

 

2019 PNC 2018 TLA
Do I Have to Talk You Into It [Hot] Do I Have to Talk You Into It [Hot]
The Way We Get By [Moon] I Turn My Camera On [Gimme]
My Mathematical Mind [Gimme] Lowdown (Wire cover)
No Bullets Spent [Hits] The Fitted Shirt [Girls]
The Underdog [Ga] Don’t You Evah [Ga]
Isolation (John Lennon cover) Do You [Soul]
Inside Out [Soul] Via Kannela [interlude]
You Got Yr. Cherry Bomb [Ga] I Ain’t the One [Hot]
I Turn My Camera On [Gimme] Everything Hits at Once [Girls]
Don’t You Evah [Ga] Can I Sit Next to You [Hot]
Do You [Soul] My Mathematical Mind [Gimme]
Rent I Pay [Soul] Don’t Make Me a Target [Ga]
The Underdog [Ga]
Got Nuffin [Trans]
Black Like Me [Ga]
encore
Small Stakes [Moon]
Hot Thoughts [Hot]
Rent I Pay [Soul]

[Girls] Girls Can Tell (2001)
[Moon] Kill the Moonlight (2002)
[Gimme] Gimme Fiction (2005)
[Ga] Ga Ga Ga Ga Ga (2007)
[Trans] Transference (2010)
[Soul] They Want My Soul (2014)
[Hot] Hot Thoughts (2017)
[Hits] Everything Hits at Once (2019)

Evidently Eno has different bass drum heads.  I wonder how often he changes them.

This time it was the one on the left.  Last time it was the one on the right.

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[ATTENDED: September 23, 2017] Sunflower Bean

Two years ago I saw Sunflower Bean open for Pixies. I thought they were great live and I wanted to see them again.  Since then, they have put out a second album and another EP.

When I saw that they were opening the Spoon/Cage the Elephant/Beck show, I knew I wanted to get there by 6 to see them again.  They were only given 25 minutes, and there were only about 25 people in the arena (not including the lawn), but they rocked the house.

In the two years since I’ve seen them, they have grown bigger (adding a keyboard player) and more confident.  Julia Cumming was a lot louder and more brash as the frontwoman–shouting to the people in the back (and the lawn) and encouraging us all to stand for the final song.  She also sounded great, employing a few different vocal styles on each song.  As always her bass (she plays a Rickenbacker, which is awesome) sounded great.  The biggest change was in her look.  Last time she was wearing a dress and had a fairly normal hairstyle.  For this show she was all glammed out, with a cool pink tigerprint dress and her hair and make up very new wave.  She looked an awful lot like Debbie Harry. (more…)

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[ATTENDED: September 6, 2018] Deep Purple

My friend Al told me he was going to this double bill of Deep Purple and Judas Priest.  He and I went to my first ever concert back in 1985–Deep Purple at the Meadowlands.  It seemed like a fun idea to see Deep Purple again 33 years later.

Turned out he had a work thing and couldn’t go.  So that sucked.  But I scored great seats for $28 so that’s cool.

I was surprised that Deep Purple was going on after Judas Priest–I was sure that Judas Priest would be a bigger draw.  I wasn’t all that excited to see Deep Purple, but I was certainly curious.

And that’s when I realized that Ian Paice is the only person who has been with Deep Purple in all of their hundreds of lineups.  But, Ian Gillan and Roger Glover were from the first major lineup (the Mk II version of the band).  (more…)

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[ATTENDED: September 6, 2018] Judas Priest

My friend Al told me he was going to this double bill of Deep Purple and Judas Priest.  I had just seen Judas Priest back in March and didn’t really feel like I needed to see them again (there was one song I ‘d wanted to hear which they didn’t play, but otherwise the set was great).

Then my friend Armando clarified something I’d often wondered about PNC.  He said that if you bought lawn tickets to a PNC show, you could get an upgrade to a really good seat for $20.  It didn’t happen for all shows, but any show that hadn’t sold out was fair game.  This seemed like a great opportunity to test this theory.   Then I received an email from Live Nation the next day that gave me $20 off my next concert.  Well, the lawn seats to this show were $20.  So I had to pay the stupid fees.  But that meant I bought my lawn ticket for $8.  A couple days before the show I was able to upgrade my ticket to row K (as in 11 rows from the stage) for $20.  So great seats for $28!

I realized that since both K.K. Downing and Glenn Tipton were no longer in the band and since the drummer was a revolving door for most of the band’s history, the only two “original” members were Halford and bassist Ian Hill (and technically Halford isn’t original, but he is the real thing).

Like last time, there was a large red curtain at the front of the stage. This time, I was able to catch footage of it as it was pulled away. (more…)

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[ATTENDED: September 6, 2018] The Temperance Movement

I love that this band named themselves The Temperance Movement.

I looked them up before the show and got the gyst of their music: a British blues rock band formed in 2011.

It seemed like they might sound a lot like the band that opened for Judas Priest the last time I saw them.  I wasn’t all that interested in them because I assumed it would be very loud and sound very bad (the opening bands are never hooked up to the sound system correctly and they always sound ear-piercing).  Plus they were going on at 7PM, so I just assumed I’d never make it there in time to see them.

Well traffic was light and it turned out they started playing more or less as I arrived at the arena. (more…)

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[ATTENDED: July 20, 2018] Weezer

I saw Weezer a couple of years ago in Bethlehem.  It was my first time seeing them, but I left feeling somewhat underwhelmed. They debuted 2 new songs, which was cool, but the show felt pretty short and I was really irritated by the crowd.

Tall, drunk college kids.  A lot of pushing and shoving (but not dancing) and I could not get close enough to the action.

I enjoyed the set designs and Rivers’ get ups.  But they finished in less than 90 minutes.

True they sounded great, but overall I was just a little blah.

I felt for sure if I could see better I would enjoy them a lot more.  And this proved to be true.

This show was not in support of a new album (I didn’t realize that), it was more of a career retrospective (sort of).  And what this meant was that they played a lot of songs I really like and, amazingly, they played not only more songs than the last time (very odd for a co-headlining show), they wound up playing nine songs that they hadn’t last time. (more…)

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