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[DID NOT ATTEND: June 24, 2026] The Body / Big | Brave / Carnivorous Bells

I saw Big | Brave open for SUNN0))).  I can’t believe it has been almost ten years since that show.  Big | Brave left a huge impact on me and I’ve been following them ever since.  I’ve really wanted to see them again and it just never seems to happen.

I had a ticket for this show long before we decided to go on vacation this week.  We actually arrived home on the night of this show, but there was just no way I could make it work.

I didn’t know The Body even though they made an album with Big | Brave back in 2021.  They are a doom/sludge metal band who have expanded into using other genres as well.  From what I can tell, vocally there is a lot of distorted screaming

Carnivorous Bells are from Philly.  They’re noisy and weird and remind me of noisy weird bands from the 90s.  I don’t think I’d enjoy a 90 minute set from them, but a short opening set was probably a lot of fun.

Here’s a video of them from Ortleib’s

[DID NOT ATTEND: August 4, 2026] “Weird Al” Yankovic / Puddles Pity Party

This show was announced at the same time as the one in Holmdel.  I chose NJ because it was closer and I wasn’t sure how chaotic it would be to see Weird Al during Musikfest (which can be pit of control).  We had to blow off the Holmdel one because both of my kids were away.  But this show happened to be right during our vacation week, so we wouldn’t have been able to go anyhow.

Last year, almost to the day, my wife and I saw this “Weird Al”/Puddles show.  My whole family was supposed to go but my daughter wound up working and my son wound up going to a concert in Wisconsin!   So, when this show was announced at the very handy PNC Bank Arts Center, I grabbed four tickets for us to try again.

Well, once again, my daughter was working and this time, my son went to the shore with his friends.  Since we had seen the show last year and I’m sure it didn’t change from last year, we sold the tickets and got on with our day.

I would have liked to see Al for the 11th time and to have my kids enjoy him once more (I somehow doubt he’s going to tour again), but ten times is pretty good.

I would have genuinely liked to see the entire Puddles Pity Party set.  We walked in during his set last time, and I was looking forward to seeing the whole thing.  But oh well, you can’t have everything.

[DID NOT ATTEND: August 1, 2026] Tori Amos / Bartees Strange

Back in the 90s, I was a die-hard Tori Amos fan.  Over the years I’ve moved on.  But I did see her four years ag (I can’t believe it has been that long).

I enjoyed that show, but I complained that she hardly played anything I new (yes, she has a like a dozen albums out but still).  And for my show she only played 17 songs.  For this one it was only 15!  After the last show I said “t was like seeing a friend who I had grown apart from.  We had a few things in common, but there were far more differences.”

So I had no intention of going to this show.  Looking at the setlist, she played these songs that I know

A Sorta Fairytale [really like this one]
Bliss [forgot about this one, but it rocks]
Putting the Damage On [she didn’t play anything from this, my favorite Tori album, last time]
Little Earthquakes [of course]
Spring Haze [she played it last time too]
Pretty Good Year [that would have been great to hear]

Fascinatingly, she didn’t play Precious Things.  And she did play Streets of Philadelphia [like last time]–next time, how about Philadelphia Freedom.  So, that’s 6 out of 15.  Not a great ratio.  

Bartees Strange opened up. I saw him 3 times in 3 and a half years and really didn’t need to see him again.  I really liked his earlier stuff, but the newer stuff I got sick of.  I realize I saw him last just over a year ago, so it’s not like the early stuff was super long ago.

 

[DID NOT ATTEND: August 1, 20262] Mannequin Pussy / Lip Critic

I’ve seen Mannequin Pussy six times.  The first time was when they had just released an EP and now they are opening and headlining around the world.  After the last time I Saw them I felt like I didn’t need to see them again.  I mean, I still love their songs, and the shows are cathartic.  I just didn’t feel the need for it anymore.  The last time I saw them was two years ago.  This tour was announced and I thought, meh.  But, I had recently seen Lip Critic and really wanted to see them again.

They opened for Panic Shack recently in Philly but I didn’t get a ticket in time, so I figured this show would be a great chance to see Lip Critic, and of course, Mannequin Pussy would probably be even better after being all over the world (they apparently even have a couple of new songs).

But then we booked a vacation leaving on this day, so, I sold my ticket and went to the Finger Lakes instead.

[DID NOT ATTENDED: July 31, 2026] Ted Leo and the Pharmacists / Cult Objects / DJ Major Taylor

We were going on vacation the day after this show.  But since I knew we couldn’t leave super early and since Garwood isn’t that far, I figured I’d go to this show and see Ted Leo again.  I had gotten to see him solo back in November, but I haven’t seen his full band in a long time.  About half way to Garwood I suddenly didn’t really feel like going to a show.  Not sure what happened.  I started thinking about how I like Crossroads but it can be a real pain in the ass for parking and other things.  And then when I got there, the parking was a nightmare.  I was already running late and just got fed up with the whole thing, so I never even stopped the car, just turned around and went home. The only other time I’ve done that was at a King Gizzard show in Philly at the Dell, where it was already super late and there was no parking to be had.

So I feel bad for not seeing Ted; however, he is playing in Ardmore later in October and I’m sure the set will be similar enough that I won’t feel like I missed anything major.

Although I will have missed DJ Major Taylor.  I never really know what to expect from a DJ when they are listed on the bill.   I’ve been to shows where the DJ played the music between sets-so it is curated rather than just whatever is on the venue’s playlist.  But I can’t say it’s ever that big a deal. DJ Major Taylor says of himself: 5 decades of sonic offerings from sci-fi cinema & TV (theme songs, scores & deep cuts )  Which I find interesting to be sure.  And listening to some of his Soundcloud, he does mix some fun things together, but surely he wouldn’t have his own set, right?

Cult Objects is a Philly based band (surely they should have opened for someone else I know by now).  About their new album, they wrote “Our mission for this album was to make a scrappy post punk record from 1982 that, if played next to ESG or Bush Tetras, would sound like they were recorded in the same studio weeks apart. Hope you enjoy!”  I actually don’t know Bush Tetras, although I feel like I should.  But I can hear how they are coming from that direction (listen to Too Many Creeps).   Having said that, I prefer Cult Objects’s overall sound.  I hear a bit more 4AD in the overall sound.  The band is Vocals / Guitar : Lauren Leilani Iona; Bass: Larissa Sapko; Guitar / Synth: Ande Ciampa; Drums / Percussion: Charlotte Anne Dole.

If you’re not sure about a band, but Ted Leo has them open for him, you know they’re going to be good.

When I see Ted in October, I wonder if his setlist will be like this:

  1. M¥ Vien iLin
  2. The Sons of Cain
  3. Where Have All the Rude Boys Gone?
  4. The Angels’ Share
  5. Even Heroes Have to Die
  6. Can’t Go Back
  7. Too Bright Window
  8. La Costa Brava
  9. Me and Mia
  10. Heart Problems
  11. The Clearing of the Land
  12. How Can I Tell You It’s Not Fair
  13. Counting Down the Hours
  14. A Bottle of Buckie
  15. January Song
  16. Little Dawn
  17. The Gold Finch and the Red Oak Tree
  18. Walking to Do
  19. Stove by a Whale

[DID NOT ATTEND: July 30, 2026] Babe Rainbow / Sam and Louise Sullivan / Sam Blasucci

I know of The Babe Rainbow because Levitation Records (who put out all kinds of cool psychedelic music) released a Levitation Sessions album and I like to check out any band that plays a session with them.  They played The Foundry three years ago and I wrote:

Babe Rainbow is from Australia.  They do play psychedelic music but it lands squarely on the delicate 60’s folk side of psychedelia.  Meaning it’s fun to have on, but I don’t need to see them live.  I felt the same way, although listening to more of their stuff, they might be more fun live than I realized.

Sam and Louise Sullivan are a family band. They grew up  playing traditional Irish and Old-time music as their parents moved them back  and forth across the country between Brooklyn, NY, and Portland, OR, usually  driving alongside a Ryder truck. Though they never stopped playing music,  Sam and Louise studied literature and visual arts. Louise started her own  ceramics business and Sam became a high school literature teacher to pay the  bills. Later, Louise joined Sam in Philadelphia and ended up working at the same Quaker prep school as an elementary classroom teacher. Louise is the visionary and the talent, holding  Sam accountable, making sure he doesn’t get too corny.  Interestingly, they have such a clean, earnest sound that it seems like it should be really corny and yet it isn’t.  Louise’s voice is wonderful and at least in this recording, I love the sound of their instruments.

Sam Blasucci is an American singer-songwriter based in California.  He’s one of the two members of Mapache, who I also do not know.  It sounds like his music is well suited to Babe Rainbow, with reviewers talking about his “easy Beach Boys-sounding pop”  and songs with “light percussion, a Caribbean feel, and a smooth groove”  as well as “R&B-inspired pop”  as well as “electro pop.”  Sounds like a very pleasant night.  Maybe next time I’ll rethink seeing them.

 

[ATTENDED: July 28, 2026] Metric

When this tour (dubbed All the Feelings) was announced, I knew I was going immediately.  Stars, Broken Social Scene and Metric?  Three great Canadian bands who have all played with each other?  It sounded wonderful.

I saw Metric back in 2022 and thought their show was fantastic.  Their album Fantasties was one of my favorite albums of 2009.  I hadn’t listened to their subsequent albums as much, but I really enjoyed that show.  And I was excited for this one.  Their new album is much more synth poppy, which I didn’t love.  But I figured it sounded like a great opportunity for a live show.

I was somewhat taken aback when the stage setup was revealed for Metric.  In hindsight it didn’t look very different from the last time–dark and spare with lots of room for walking around.  But it was such a stark difference from the warm, crowded stage for Stars and Broken Social Scene.

The drums were straight back on a riser.  On either side of the riser were electronic gadgets.  Full sized gear that was lit up with colorful lights.  In the center of the stage was a small table with a keyboard and a light.  It was perfectly symmetrical.

The band came out and, holy cow, they had banks of lights al around the stage, including right at the front and those lights shone right at the people in the front row.  I felt like the family in front of me was really unhappy about that.  At any rate, they left about half way through the set for whatever reason.

I was front and center for this show so, I was right in front of Emily Haines.  Joules Scott-Key on drums in the back–but so dark that I could barely see him for most of the show.  Joshua Winstead was on to my right.  He often went back to that bank of electronica to do whatever he had to do.  I always enjoyed watching him play bass because he seemed to play very hard–even if sometimes the electronics drowned him out.  On the left was James Shaw playing guitar and also doing whatever to the wall of dials and gears he had back there.

They opened with their new single Victim of Luck, a song I love.  It sounded great.  I enjoyed that Emily would move her table of gear around the stage–sometimes parking it up front, other times pushing it out of the way to give her more room to more around.  Up next was Formentera, with a thumping bass and ringing guitars.

Youth Without Youth is another new song with some jagged guitars and a propulsive beat.  I wondered how some of the sounds were being generated.  Sometimes Emily played the keyboard, but other times, I’m guessing that James had manipulated the sounds so that his guitar sounded more like a synth.  I also enjoyed the Go Go Go Go part.

Then they played two songs from their second album. The bouncy Monster Hospital and the more moody Poster of a Girl.  Continue Reading »

[DID NOT ATTEND: July 30, 2026] Pollyanna / Little Hag / father’s daughter

Two years ago, Pollyanna played a show at this very venue.  But our vacation wound up being this week.  So no Pollyanna, yet again.  This was actually the 6th time that I’d failed to see them. I was planning on going out the following night and then we were off to vacation, so it felt like a bad idea to head out to Asbury Park on a July night.

Fortunately, they are playing a show in October.  I hope I still like them by then.

Little Hag is a from Asbury Park.  They opened for Blvck Hippie back in May and I wished that I havd been abe to get to that show for all of the bands, but especially Little Hag.  They formed in 2016 in the suburbs of central Jersey by Avery Mandeville, guitarist Matt “Fern” Fernicola and drummer Owen Flanagan; joined in recent years by bassist Mitchell Warren-Devlin and keyboardist/vocalist Cara Introcaso.   Narc Magazine says “fans of opinionated, unflinchingly explicit, female-led punk rock should jump straight into this one.”  Musically they’re a bit softer than one might expect with more synth than feedback.  But the lyrics to Show Me Your Head alone make them worth checking out

Remind rich men that they’re ugly
Remind rich men that they will always be ugly
Remind rich men that we hate them
Remind rich men that we can and will kiss them

Mark, show me your head
Elon, show me your head
Jeff, show me your head
I want to put a hole in it
Donald, show me your head
JD, show me your head
Ben, show me your head
I want to put a hole in it

father’s daughter lists themselves as “your dad’s new favorite band.”  I can’t find much out about them, but they are from New Jersey and have two songs out.  Kind of a shoegazey/heavy vibe with restrained vocals that I really like.  I hope they play around the area, I’d like to check them out.

[ATTENDED: July 28, 2026] Broken Social Scene

When You Forgot It in People came out back in 2002, I listened to it quite a lot, but then Broken Social Scene fell of my radar.  I knew about a couple of projects over the years, but had no idea that they were still a going concern.  Earlier this year WXPN started playing a new song by them.  Indeed, the band put a new album out this year.

Two years ago, Broken Social Scene toured You Forgot It in People.  I grabbed a ticket and then lost some interest as the show drew closer.  I had a show lined up for the following two nights.  So I blew off the show.  Reviews made me realize I missed something fun and interesting.  Indeed, the family in front of me at this show said they have seen Broken Social Scene some 25 times.  So I was glad to finally get to experience them live.  And wow, what a fun spectacle.

Broken Social Scene is a loose collective of musicians who come and go.  For this show, the fewest number of people on stage at any given time was 7.  With it maxing out at around 15.  The main components of the band are Kevin Drew, Brendan Canning and drummer Justin Peroff.  We learned midway through the set that earlier this summer, Justin was injured in Vancouver.  They had cancelled some shows, but Justin fully recovered and was playing with them tonight.  Two other guys have been with the band since almost the beginning, Andrew Whiteman who was on the far side of the stage.  I couldn’t see him too well, but he sang lead a few times and did some solos. Right in front of me, and most intriguing to me was Charles Spearin who played a double neck guitar/ bass.  I’d never seen one quite like this.  It was really small, but Spearin jumped back and forth between bass and guitar throughout the set.  Sam Goldberg also played guitar but switched off to bass once in a while.  During the first song, Cuase= Time, all three–Goldberg, Spearin and Whiteman all played the solo together.  Brendan Canning mostly played bass, but occasionally played guitar and keys.

Kevin Drew was center stage wearing a baseball at that said Captain, which I found amusing.   He was definitely the captain, introducing new people and telling stories between songs.  He also sang most of the songs, but not all of them. Continue Reading »

[ATTENDED: July 28, 2026] Tomahawk

I’ve seen Mike Patton with two bands: Dead Cross and Mr. Bungle. I enjoy anything he does and am always happy to see what he comes up with (Although I didn;t like the Avett Brothers/Patton country sound all that much).  St this point, there’s realistically only two other bands I’d like to see him front live, Fantômas (which I doubt will happen) and Faith No More (which could happen).  I’d also like to see Mr. Bungle again, since the show I saw was their debut album only, but whatever.  Tomahawk is a Patton-fronted project that I was into for a bit and then it just felt like there were too many Patton related bands to keep track of at the time (Lovage, Peeping Tom, Fantômas, Faith No More, Mr. Bungle) so I stopped following them.  Which is a shame because their music is quite diverse (I mean, all Patton music is diverse, often within the same song, but…oh forget it).

So anyhow, Tomahawk put out an album in during the pandemic but hadn’t toured it.  Then, a few months ago, they announced this tour with the Melvins: a huge waste of your time and money (hilarious).

Even though I wasn’t a huge fan, I knew I had to see them.  In addition to Patton, the band featured Duane Denison (Jesus Lizard, Firewater) on guitar John Stanier (Helmet, Battles) on drums and Trevor Dunn (Mr. Bungle, tons of other things) on bass.  A great lineup.

The lights came up and the stage was fairly sparse. Drums in the back (with Stanier’s outrageously tall cymbals), a table of some sort out front for Patton and amps on either side. Because of the table, I couldn’t see Trevor Dunn very much (he hung back) until he came up to sing backing vocals.  But I had a great view of Denison and it was amazing watching him play.  He’s not flashy at all, but he does al kinds of interesting things to generate interesting sounds.

In fact, the whole show was not flashy at all.  There were no fancy lights or projections (just the band’s logo on a curtain in the back).  In fact, half way through the set I realized that the setlist was taped to Patton’s table.

They opened with the first song on their first album.  Rather appropriate, I think. The squeaking sound of some kind of effect opened the set as Patton whispered the lyrics to Flashback and the crowd went berserk.  The song took off and the mosh pit started.  Tomahawk is a hard band to mosh to, because their songs go at varying tempos and intensity.  But people managed it.

Tomahawk never toured that 2021 album, so they finally had a chance to play it live.  I suppose old school fans wanted to hear their earlier stuff (although, I mean this album is 5 years old, it’s not exactly new), but I really enjoyed this new stuff.   And the played 9 of the ten songs from it.

SHHH! has lots of vocal parts and I really enjoyed at the end of the song when Patton whispers the title.  It seemed like he was trying to get everyone to stop yelling things (which they did during the quiet parts), but I realized it was part of the song.  Predators and Scavengers has a cool riff and simple chugging guitar parts.  It was fun being in front of Duane Denison for this one.  I loved turning my head from Patton to see what he was doing and he was inevitably calmly playing some cool thing or other.

I had listened to the setlist before the show since I didn’t really know the songs that well (if at all) and one of my favorites was Business Casual.  It was really fun watching Mike and Trevor scream the lyrics and then whisper “bad cholesterol, business casual.”  Dension made interesting quiet guitar sounds while Dunn’s bass rumbled along.  I liked that Doomsday Fatigue had quiet moments–because Patton’s (and the whole band’s) range is tremendous and it’s fun to see them really show off what they can do. Continue Reading »