SOUNDTRACK: PEARL JAM-Vs. (1993).
Ten was a solid record, and although it had diversity within it, overall the sound was pretty consistent. On Vs., Pearl Jam mixed it up sonically and otherwise.
It opens with “Go,” a track that rocks harder than anything on Ten but which retains a great Pearl Jam chorus. “Animal” is also loud, with Eddie’s voice sounding incredibly rough and raw.
It’s on the 3rd track that PJ begin to really mix it up with their first ballad: “Daughter,” their first acoustic track. It’s catchy, and really works with Eddie’s voice. I can never listen to the next track “Glorified G” without thinking of my college roommate who spoiled it for me. And I’ll spoil it for you because every time you hear the chorus you will now think “glorified version of a pelican.” It’s not my favorite song anyway, as the chorus is kind of weird, but the verses are really strong and do redeem this track.
“Dissident” and “Blood” continue the great rocking vein. Although they are quite different from each other, (“Blood” being much harder) they both showcase Pearl Jam’s excellent rock aesthetic.
The track between them, “W.M.A.” is the other track on the disc that shows Pearl Jam’s experimental side. It’s percussion heavy and seems like a rambling track…it works much better live, actually.
“Rearviewmirror” on the other hand is PJ at their best, a fantastic rocking (but not too heavy) song with a great chorus, and excellent vocals by Eddie. Its complement is “Elderly Woman…” which highlights the other end of PJ’s spectrum: a sort of ballad that rocks more than you might think.
“Rats” and “Leash” are two rough, almost punk songs that continue to mix up the tempo and tenor of the disc. “Rats” seems to get ignored a lot even though its chorus is a good one, and “Leash” is another angry song that’s, again, enjoyable live.
“Indifference” ends the disc and it’s a song that I wasn’t all that excited about initially. However, again, after hearing the live versions, I gained a much better appreciation for the song and now I really enjoy it. All in all Vs, is a great step forward for Pearl Jam, strangely enough pulling them away from arena anthems and into more intimate areas.
[READ: April 16, 2009] The Book of Other People
I discovered this book by searching for A.M. Homes in our catalog. I was surprised I had never heard of it. The premise of this collection, put out by McSweeneys and benefiting 826 is that each author was asked to make up a character. The requirement was that the story would be named after the character. There were no other rules. And as such, you get a wide variety of stories about all different characters: people and otherwise. In fact, it’s surprising what a diverse collection of stories have arisen from this rather simple concept.
Zadie Smith is the editor and she wrote the introduction. I like to cover all of the written pieces in the book, but there’s not much to say about the introduction except that it fills you in on the details of the collection. She thanks Sarah Vowell for the idea but I gather that the rest of the work was done by her.
I’m not grousing about the different covers this time, I’m just showing the UK one. It has the same basic set up, including pictures by Daniel Clowes, but as you can see, it’s slightly different.
And check out this roster of talent that has written (or drawn) a story: it’s like a who’s who of contemporary young writers. (more…)
SOUNDTRACK: BILLY IDOL
Billy Idol plagues my existence. Ever since he popped up on the scene (my first exposure was “White Wedding”) I thought he was kind of goofy. He has some kind of claim to cred and fame from being in Generation X, and yet I have never heard a song by Generation X and I never hear them mentioned anywhere except as being the band that spawned Billy Idol.
I have a Periodicals page already, but I rarely look at it or update it. So, over the next few months I’m going to mention a magazine that I subscribe to. When I’m all caught up, I’ll remove that page.
They’ve also started a Green section (this latest one has a computer built into a cardboard CPU unit…very cool).
SOUNDTRACK: WOLF PARADE-At Mount Zoomer (2008).
This album made many best of lists of 2008. It is considered a side project of both Spencer Krug (of Sunset Rubdown) and Dan Boeckner (of Handsome Furs). I’d not heard of either band, but I was very intrigued by this disc and I’m so glad I got it.
SOUNDTRACK: Dungen-4 (2008).
Vill du tala svensk?
Sigur Rós are nothing if not ethereal. Their music is constantly floating up in outer space somewhere. So imagine the surprise when the first song of this disc opens with some thudding drums. And, there are acoustic instruments aplenty this time around. Their previous disc Hvarf/Heim had them playing a number of acoustic pieces in various unexpected settings. And clearly the experience must have been a good one.
SOUNDTRACK: THE CURE-The Cure (2004).
I’ve been a huge fan of The Cure since my friend Garry introduced me to them circa 1985. I saw them twice in concert, I overplayed Kiss Me Kiss Me Kiss Me, and even got the giant Boys Don’t Cry poster.
SOUNDTRACK: LOVE-Da Capo (1967).
A few years ago, my friend John gave me Love’s Forever Changes. I’ve enjoyed that disc very much and decided to get some other Love music. I chose Da Capo (their second album, and the one just prior to Forever Changes) for two reasons. One: Rush did a cover of “Seven and Seven Is” on their Flashback CD and two: there’s an 18 minute song on it, and I love me an eighteen minute song.
SOUNDTRACK: THE FLAMING LIPS-Ego Tripping at the Gates of Hell (2003).
This was the second EP that came from the Yoshimi disc. This disc contains four original tracks and three remixes.
SOUNDTRACK: THE FLAMING LIPS-Waitin’ for a Superman [US maxi single] (1999).
This single contains the official stereo mixes of two Zaireeka tracks: “Riding to Work in the Year 2025 (Your Invisible Now)” & “Thirty Thousand Feet of Despair.” Unlike the downloadable homemade mixdowns, these were created by the band. The tracks are modified somewhat from the originals.
I Just Read About That... 