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Archive for the ‘Barack Obama’ Category

SOUNDTRACK: ADELE-“Someone Like You” (2011).

I’ve been hearing this song in unlikely places–like on a radio station that plays The Foo Fighters and the Butthole Surfers.  So I thought I’d actually listen to it and see what the fuss was about.  It has been selected as one of 2011’s Best Songs (So Far) on NPR  (where you can hear it in full). 

It’s a sparse piano song, a pretty, desolate melody .  But the real selling point is Adele’s voice.  I had heard her described as a kind of Amy Winehouse (who I don’t like) or a sort of R&B siren,(which I wouldn’t like).  But she has a kind of husky voice that belies its power.  In some ways she reminds me of a more mature Fiona Apple.

On this song at least, it’s just her and her piano–no pretensions to genre or style, just an honest emotionally naked song.

The melody isn’t obvious–it’s not an immediate grab you by the lapels hit.  But it is haunting and her voice supplies the bulk of the tune.  She can carry the whole thing with ease.

I’m not sure if it fits on that radio station, but it is certainly a wonderful song.  I wonder what the rest of the album sounds like.

[READ: October 31, 2011] “One Year: Storyteller-in-Chief”

I am posting this review today because it is Election Day (in New Jersey, anyhow).  One can only hope we get some of the awful incumbents out of town, but we’ll see.  I’m also posting this now because I feel the need to vent about our current Presidential Candidates.  Not the men and woman themselves (who are all barely qualified to be in charge of their own car keys, much less the country).  What I’m venting about is the fact that we know these men and women are candidates at all.  Or the fact that so many prospective candidates have already dropped out.

The election is a year away.  A YEAR.  It’s bad enough that the media talks about everything the President does in terms of how it will affect his chances for re-election (again, A YEAR away) but that we have all of these bozos running around talking about what a bad job the President is doing as well is just dreadful.  And basically, instead of actually doing something about being President, he must do triage on the damage these loose cannons are causing.  True, Obama appears to be somewhat less than concerned with what they say about him, but the fact that everything that happens in Washington is foreshadowing the next election, it sure makes it hard for anything to get done.

Anyhow, in other countries, the citizens have a few months at most to decide who their candidates will be.  And a few months in our country would translate to much less expensive candidacies, much more opportunities for fringe candidates to be heard (for better or worse) and less candidate exhaustion (both them and us).  Why in the hell does it take eighteen months to run for President?  In what way are we served by having all of these people running for office for over a year?  And things are only going to get worse now that so many states have moved their primaries up so far (January 3, Iowa?  Really?  You want to narrow down the presidential choices ten months before the election?).

I know that my opinion won’t even cast a ripple in Washington, but come on.  I propose that people aren’t even allowed to declare their candidacy until the May before the election.  That gives them six months, which should be ample time to run an election campaign.  Have the primaries in August and September and then the general election in November.  That gives two months early in the season for primary debates and it gives a month and change after the primaries for general election debates.  This way the President isn’t distracted with running a reelection campaign and the populace (and the media) isn’t distracted for 18 months with candidates running or not running.  And seriously, if you can’t be organized enough to win an election in 6 months, you don’t deserve to be President.  How can I get this policy enacted?

This article from Diaz is a very good one.  It criticizes President Obama for not being a good storyteller.  He was an excellent storyteller before he became President (both as a campaigner and an author-Diaz cites Dreams from My Father in particular).  But since he has taken office his storytelling has lapsed. (more…)

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SOUNDTRACK: MC PAUL BARMAN-It’s Very Stimulating (EP) (2001).

So is this guy a joke? Well, he’s very funny.  Very funny, in fact.  But to my ear, not in a novelty sort of way.  He’s got the kind of rhymes that make you laugh but still work upon multiple hearings.  And, yes, Paul Barman is a squeaky, Jewish boy from Ridgewood, New Jersey (again!) and he really can’t rap on the beat and he really doesn’t have much in the way of rhythm, but got awesome skills in the lyrics department and he has production from Prince Paul (that’s the kind of credentials that anyone would like).

The theme of this EP is Paul’s utter failure to get with women (even in his fantasies).  He’s crass and vulgar and yet he’s also quite smart and rather witty (“I think about all the pube I got while reading the Rubaiyat“) .  The music is more or less inconsequential.  As Prince Paul noted, the craziness comes from the lyrics, so you don’t want to overkill the song.  But there’s some great samples and some solid beat work as well.  Nevertheless, we’re here for the words.  So, sample a few of these rhymes:

“The Joy of Your World”

It was time to copulate but we didn’t want to populate
So my bold groin reached for my gold coin proooophylactic
I unwrapped it, you can’t know how I felt
It wasn’t a gold coin condom, it was chocolate Chanukah gelt
The white part crumbled on her tummy and the rest began to melt
Foiled again…..

“School Anthem” or “Senioritis” (this song was renamed for the reissue of the disc it seems)

Homework is tell major lies or plagiarise encyclopedias, so boring
Fresh-faced teachers want to tickle ’em
but a test-based curriculum excludes exploring

I’ll let a mystery gas out of my blistery ass
Just to disrupt the misery of history class

“Salvation Barmy”

She said, “Go get a haircut”
So I showed her my bare butt
Pulled down my Carhartts put my moon in her star-charts

“I’m Frickin’ Awesome” ( I love this especially for the Lila Acheson bit)

It’s nice to be hypnotized by a man you don’t despise yet
He had a type of flow and I can’t quite label it
All I know it made me want to take off my cableknit
Sweater, Oh he better be hetero
I hope they don’t catch us in the Lila Acheson
Wallace Wing when Paulus brings the mattress in–rudely
He backlashed my booty
like I was Susan Faludi over the Grace Rainey Rogers Room rostrum

“MTV Get Off The Air, Pt 2”  (the first two lines are fantastic, but the whole thing is genius).

Smirkin’ jocks with hackysacks
in Birkenstocks and khaki slacks
I’m the hypest lyricist
while they’re like, “What type of beer is this?”

Just wait until the full length for the utter genius that is “Cock Mobster” (how can be s o smart and so stupid at the same time?)

[READ: October 10, 2011] E Pluribus Venom

Like most people, I learned the name Shepard Fairey because of his iconic prints for Barack Obama.   In addition to supporting Obama, I really liked the design of the prints–simple, bold, an easy iconic style (which has since been lifted, morphed and used everywhere).  I know that many of Fairey’s prints actually come from other people’s original photos.  He has a print of Muhammed Ali in this book, and he clearly didn’t take the original photo (I don’t know where it came from).  But since all art is theft, I’m okay with Fairey taking someone else’s work and making something new from it.  I’ve always felt that attribution should be enough if you modify the original enough to call it different (which I feel this print does).  [The fact that he didn’t acknowledge the source does bug me, of course].  But that’s neither here nor there because this book predates all of that.

This book documents events that occurred in 2007.  The E Pluribus Venom show was based largely around two images that Fairey designed to reflect the two sides of capitalism.  The image to the right really doesn’t do any justice to the work itself, but you can kind of see that he created two-sided faux dollar bills.  The front showed all the good things that capitalism can do.  The back showed all of the evils that capitalism causes.  The images resemble dollars, but the text is straightforward in its message.  As with a lot of what Fairey does, it’s blunt and obvious but pretty cool.

As far as I’m concerned, though, this is the least interesting image in the book.  Although I love that they made dollar bill sized prints of these faux dollars and left them scattered around in cities to promote the show.  They way they were folded made them look at a glance like actual currency.  Very cool. (more…)

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SOUNDTRACK: President Obama reading Where the Wild Things Are (2009).

A President who is literate!

Apparently my video won’t fit here unless I space this section out better.

I don’t really have anything to say, except that I enjoyed hearing him read this.

And it’s fun to watch the Secret Service pretend to be invisible.

One more line should do the trick.

See the video here.

[READ: August 24, 2011] Wild Things

Okay, so this is a novel.  It is based on Where the Wild Things Are, the film by Spike Jonze and Where the Wild Things Are, the book by Maurice Sendak.  Obviously, Sendak’s book came first.  But, it’s only got about 60 words in it.  So, how do you make a film based on it?  Eggers and Jonze worked together for a long time to craft a screenplay and then (as Egger’s Acknowledgments explain) Jonze more or less took over the film and Eggers went off to write this book.

Hence, the book is fully titled:

The Wild Things: A Novel by Dave Eggers Adapted from the Illustrated Book “Where the Wild Things Are” by Maurice Sendak and Based on the Screenplay “Where the Wild Things Are” co-written by D.E. and Spike Jonze

I had read Egger’s except “Max” that was printed in the New Yorker ages ago and I liked it well enough, but it seemed so much like WTWTA, that I wasn’t sure what the point was (I didn’t realize it was an excerpt and, strangely enough, it’s an excerpt from several sections).  And since I had seen the film not too long ago (and honestly was kind of bored by it) I wasn’t really that excited about reading this.

But since I loved Zeitoun and this fur-covered book has been sitting near my bed for a couple of years now, I decided it was time.  And I really enjoyed it.

Well, here’s the thing.  This book is not a novelization of the film.  You notice that right away because the first chapter (which is awesome) is not in the film at all.  In it, Max rides his bike to his neighbor’s house.  His friend is not home but his mother is and when she sees Max all by himself and on his bike without a helmet she freaks out (even though they live about four houses apart).  His reaction and her overreactions are really very funny.

There are scenes from the movie in the book, of course.  It is adapted after all.  Indeed, it is more or less the same as the book, but there are many scenes which Eggers has added that really help to flesh out the story and give depth to everyone involved.  As a matter of fact, Max doesn’t reach the Wild Things’ Island until page 100 (out of 285 pages). (more…)

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SOUNDTRACKMOGWAI-No Education = No Future (Fuck the Curfew) (1998).

This is a 3 song EP. The opener “Xmas Stripes” is one of my favorite early Mogwai songs.  The opening melody is really great, with a cool interesting bass and a nice guitar over the top.  At about 3:30 the song grows from a silent track to a menacing, growing beast until the drums start and the song and the main riff begins.  By 5 minutes it’s all out rock noise.  By 6 minutes the song is scaled back for the violin solo.  The remaining 7 (!) minutes are a denouement for the song.  Even though I love the track, I mostly love the first 8 or 9 minutes.  The ending tends to drag a bit.

But for all of their noise, Mogwai’s early releases were really quieter instrumentals, meditative songs that were really quite pretty.  “Rollerball” is a beautiful, sad three-minute track.

The last song “Small Children in the Background” continues in this quieter vein.  At nearly 7 minutes, it allows for a noisy middle section.  This noisy section is indeed mostly noise.  And yet the pretty melody of the rest of the track is just as loud throughout the mix, making for a very cool and very brief explosion mid-song.

Not all EPs are essential, but this one is pretty fantastic.  And I have Lar to thank for getting it for me.

[READ: March 10, 2011] Changing My Mind

It’s funny to me when that when I get into an author, I seem to wind up not reading the books that people most talk about until much later.  Take Zadie Smith.  Her debut, White Teeth, is something of a touchstone for many readers.  I missed it when it came out, but I loved On Beauty and figured I’d go back and read it.  That was almost a year ago.  And in that time I have read lots of little things by her and now this collection of essays.

Regardless, this collection of essays is a wonderful look in to the nonfiction world of a writer whom I admire.  And it was quite a treat.  Zadie is an intellectual, and that comes across in all of these paces.  Whether it’s the subjects she’s writing about, the footnotes she uses or just the acknowledgment that she likes art films and not blockbusters, we know where she’s speaking from.  And, of course, I’m right there with her.  The funny thing about this book then is how few of the subjects I know.

The book is broken down into five sections: Reading, Being, Seeing, Feeling and Remembering.  The Reading section is basically book reviews.  The Being section is about her experiences.  The Seeing section is about films.  The Feeling section is about her father and the Remembering section is about David Foster Wallace. (more…)

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SOUNDTRACK: SHARON VAN ETTEN-Tiny Desk Concert #91 (November 14, 2010).

I was introduced to Sharon Van Etten via NPR’s All Songs Considered, so it’s no surprise that they would have her on a Tiny Desk Concert as well.  I loved her song, “Save Yourself” more than I could imagine.  There was something about the way the intensity built and built that really blew me away.  The rest of her album is really enjoyable, but it has less intensity. It’s almost like an acoustic album.

So it’s funny that I find her Tiny Desk show mildly disappointing because it is also an acoustic set. In fact, it is just her and her guitar (and her singing partner who sings wonderful harmonies).

Okay, I shouldn’t really say disappointed because the set is quote good.  Her guitar laying is fine and her voice, he unique and slightly unsettling voice is in fine form here.  There’s just something about the stripped down nature that takes away that extra sparkle that I really love about the disc.  I imagine that if I hadn’t heard the whole CD first, I would have been blown away by this live recording.

The four songs (“Peace Signs,” “Save Yourself,” “One Day,” “For You”) are all from Epic, and they’re all really good.  It’s a nice accompaniment to the album, but I think the album is a bit better.

[READ: December 13, 2010] I Live Real Close to Where You Used to Live

Back in early 2009, McSweeney’s published Thanks and Have Fun Running the Country: Kids’ Letters to President Obama as a friendly kick off to the President’s new term. We’re now at the end of the second year of that term and the “Have Fun” part seems to be rather unlikely.  But just in time for the rise of Boehner, McSweeney’s has published this companion piece, letters to the rest of the Obama family.  And it is just as sweet, clever and at times odd as the first.

The kids from 826 National in several cities were asked to write letters to the first family.  It’s interesting to see how the different regions ask different questions, but perhaps more interesting is how some things seem to resonate no matter where the kids are from.  Two kids ask about Pokémon Black and White (this must be the hot new game).  Several kids ask how many rooms there are in the White House.  Naturally, several ask about her garden (what she has in it or what kind of fruits and veggies she likes).

But the most fun is the advice the kids give.  My favorite is the girl who says that her aunt thinks Mrs Obama should have one more child (but only if she wants to).

Sadder are the children who are clearly having a rough time.  One child talks about her parents’ separation, and another’s entire letter is: “Can you help my family? We’re about to lose our house. Make the world a better place. What is your favorite food?”  It must be tough to be a prominent person who clearly wants to help yet who is for the most part, impotent to do anything.

And for me that has to be the hardest part about writing to the first lady.  She has no clear “role.”  She’s a public figure and she advocates for good, but she can’t really “do” anything.  And that has to be hard to grasp.  Although judging by what the kids say, maybe they have no problem with it. (more…)

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SOUNDTRACK: The Believer June/July 2007 Music Issue Compilation CD: Cue the Bugle Turbulent (2007).

The 2007 Believer disc smashes the mold of folkie songs that they have established with the previous discs in the series.  The theme for this disc is that there’s no theme, although the liner notes give this amusing story:

one decaffeinated copy editor (“the new guy”) made a suggestion: “The Believer CD should be composed of eight a.m. music/breakfast-substitute jams, like that commercial from a while back with the guy who gets out of bed over and over again while ELO plays over his morning routine. You should tell all of the bands to write/contribute songs worth listening to within three minutes of waking up.”

So, without a theme, they just asked artists for some great songs.  There’s one or two tracks written especially for the disc (Sufjan Stevens, Lightning Bolt).  There’s a couple B-sides.  There are some wildly noisy raucous songs: and three of them come from duos!  No Age offers a very noisy blast of feedback.  Magik Markers play a super-fast distortion-fueled rocker, and Lightning Bolt play 5 minutes of noise noise noise.  Oh, and there’s even a rap (Aesop Rock)!

Tracks 3-7 are just about the 5 best songs in a row on any compilation.  Oxford Collapse plays a catchy and wonderfully angular song with “Please Visit Your National Parks.”  It’s followed by a song from Sufjan Stevens that sounds NOTHING like Sufjan Stevens, it’s a noisy distorted guitar blast of indie punk.  I’m from Barcelona follows with a supremely catchy horn driven song that would be huge on any college campus.  Aesop Rock comes next with a fantastic song.  I’d heard a lot about Aesop Rock but had never heard him before, and he raps the kind of rap that I like: cerebral and bouncy.  This is followed by Reykjavik! with a crazy, noisy surf-guitar type of song.  It reminds me of some great college rock from the early 90s.

Of Montreal, a band I’ve been hearing about a lot but who I’ve never heard (and didn’t think sounded like this) plays a wonderfully catchy two minute love song that sounds ironic, but which likely isn’t.  The melody is straight out of the Moody Blues’ “Wildest Dreams,” and yet it is still fun and quirky.

There’s a couple instrumentals as well: The Clogs do a cool, mellow instrumental and Explosions in the Sky do one of their typically fantastic emotional tracks.  Also on the disc, The Blow contribute a delightfully witty song and Bill Fox, a singer I’d never heard of (but who has a great article about him in the magazine), really impressed me with his Bob Dylan meets Nico delivery.  The disc ends with an alternate version of a song by Grizzly Bear.

This is definitely my favorite Believer disc thus far.  See the full track listing here.

[READ: Throughout 2009] Schott’s Miscellany 2008

This year’s edition of Schott’s Miscellany is very much like last year’s edition (see that review here).  I mean, it is an almanac after all.  However, it is a wondrous testament to Schott that even though I read every word of the 2008 edition, I was able to read every word of the 2009 edition and not feel like I was duplicating myself very much.

Obviously the news, facts and events of 2008-09 are different from last year.  And since Schott’s writing style is breezy and fun with a hint of sarcasm and amusement thrown in, you don’t get just a list of facts, you get sentences with subtle commentary on the facts.  And it’s a fun way to re-live the past year.  Plus, the Sci, Tech, Net section discusses science stories that sounded really impressive and important which I can’t believe I didn’t hear about at the time. (more…)

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[READ: Yeah, I’m not reading her book, but this parody book looks mighty funny.  Click the cover to order it.]

So, obviously I’m not going to read her book.  But I did want to point out the Webster’s definitions of Rogue.  It was pretty clear on the campaign trail that words didn’t really mean anything.  But when your very own book uses a word as its title and that word is (presumably) used to describe you, wouldn’t it behoove you to find out just what the word means?

1 : vagrant, tramp
2 : a dishonest or worthless person : scoundrel
3 : a mischievous person : scamp
4 : a horse inclined to shirk or misbehave
5 : an individual exhibiting a chance and usually inferior biological variation

So, which is it?  Vagrant?  Dishonest Person?  Scamp?  Horse?  Inferior individual?  That may not have been the best word choice.

And speaking of failed vice presidential candidates.  Recent events have led me to ponder the life of the failed vice presidential candidate.  It seems that in the 21st century, the failed presidential candidate gets off okay.  He fails and he moves on, but jeez, let’s look at the last few failed VPs: (more…)

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weekI’m not sure how I first learned about The Week. I think I received a trial issue in the mail. But after just one or two issues we were hooked.  The Week is a comprehensive newsweekly, although it offers virtually no original reporting.  It collates news stories and offers opinions from a variety of sources: newspapers, online magazines, political journals etc. And it provides opinions from across the political spectrum.

Each issue has the same set up (although they recently had an image makeover: a new cover design and some unexpected font changes in a few sections, which I suppose does lend to an easier read).

Each issue starts with The main stories… …and how they were covered. The first article is a look at whatever major story captivated the editorials that week.  (The growing gloom in Afghanistan).  And in a general sense of what you get for long articles (the long articles are about 3/4 of a page) You get WHAT HAPPENED, WHAT THE EDITORIALS SAID, and WHAT THE COLUMNISTS SAID.  The What Happened section is a paragraph or two summary of the story.  The editorials offer a one or two sentence summary from sources like USA Today, L.A. Times and The Financial Times, while The Columnists are from The Washington Post, The Wall Street Journal and Time.com, for example. (more…)

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ashSOUNDTRACK: UI-Sidelong (1996).

ui I mentioned this band in my review of The New Yorker because Sasha Frere-Jones writes the music column for the magazine and he’s also the main guy here.

This disc is challenging to describe but certainly not to listen to.  It is a gorgeous smooth/funky/instrumental set.  The band plays with sound effects and time changes, but they are grounded by a fantastic double bass-guitar rhythm.  In some ways they remind me of the bass style from Morphine (that fluid and ultra-cool sound).

There’s a couple of songs with words, although they’re not really anything special (mostly sort of chanting/free verse style).  Stick with the instrumentals which don’t get bogged down with concepts.

This album came out the same year as Tortoise’s Millions Now Living Will Never Die.  Tortoise seems to be a frame of reference for reviewers (like me), although they don’t sound anything alike.   I guess its the whole instrumentals-can-be-cool aesthetic.

If you like your music funky and bass heavy without being dance music (although you can certain groove to Ui) or straight up funk, this is a disc worth seeking out.

[READ: August 24, 2009] Army of Darkness: Ash Saves Obama (Issue 1)

I had a couple of reasons for reviewing this comic before the series was finished.  One, it’s Army of Darkness.  Two, Ash saves President Obama.   Three, It’s Army of Darkness!! And four it’s on a small press, so they can use the publicity.

You need to know some back story to understand just what the hell is going on here.  And if you haven’t seen any of the Sam Raimi/Bruce Campbell films (Evil Dead/Army of Darkness) then this probably doesn’t mean much to you. (more…)

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ny1It took me going to Seattle to learn about The New Yorker magazine.  I was visiting my friend Rob and he was really surprised that I didn’t read the magazine all the time (my reading always seems to surprise people, see The Believer.)

Upon my first read of the magazine, I was surprised to see that the first twenty pages or so are taken up with upcoming shows: films, concerts, sports, everything.  I actually wondered how much content would be left after all that small print.

Since then I have learned that Sasha Frere-Jones writes columns in here quite ofuiten.  For reasons known only to my head, I was convinced that Sasha was a black woman.  Little did I realize that he is not.  And that he was in a band that I have a CD of called Ui.  He is an excellent resource for all things music, whether I like the artist he’s talking about or not.  Some entries are here.  This audio entry about Auto-Tune is simply fantastic.

But of course, there’s a lot of content.  And the first thing you get are letters.  I don’t think I have EVER looked at the letters section. (more…)

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