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Archive for the ‘The Divine Comedy’ Category

SOUNDTRACK: LATER WITH JOOLS HOLLAND (Ovation TV) (2010–but obviously not really).

I’ve known about Jools Holland for years, and even knew about Later… from some other source (maybe it was on BBC America?).  But anyhow it is now being broadcast on Ovation TV (and what is that?  I’d never have heard of it except that TiVo found a Flaming Lips show for me).

The premise of Later is that there is one center stage, and encircling it are five or so bands.  The bands all face the center (where the camera is) so they get to watch the other bands, too.   Each band plays a song or two or three (depending on popularity I guess).  And it’s live and fun and generally a good time.

This episode, as I said, had the Flaming Lips on it.  I noted that the TiVo info said 2010, but the Lips played songs from At War with the Mystics, so it was more likely 2006.  Also on the bill were The Divine Comedy (and I was very excited when it said 2010, because I thought that DC had a new disc out, sigh).  The Strokes, Cat Power and a couple other folks rounded out the bill.

It was quite a show, and felt like they packed in a lot more than an hour’s worth of music.  The Lips especially pulled of an amazing three song set (scattered throughout the program, by the way) with a ton of scaled back, but still fun live gadgets (oversized hands, confetti etc).  And, they did a rocking cover of Black Sabbath’s “War Pigs.”

I asked TiVo to tape more Later.  If the diversity of artists here is any indication, I assume you;’e bound to get at least one band you like on every show.  Cool.

[READ: January 19, 2010] “The Dime Store Floor”

I don’t often review Personal Histories from The New Yorker, but every once in a while one grabs me.  And this is one of them.

I have to assume that everyone feels that smells are highly evocative, so I’m not unique in feeling that scent is super powerful.  And yet, I think I tend to overlook smells in my daily life, even though I’m always secretly hoping for one to whack me up the side of the head and say, hey remember this!

And this piece is all about revisiting scents: both intentionally and accidentally.

I really enjoyed the closing where he opens the Old Spice deodorant and flashes back to his father.  However, I had one major question/quibble with the author.  Well, two actually.

The first was this: “A few years ago, an online store I’d been using ran out of my regular brand of deodorant, and, because I was unable to think of anything else, I switched to Old Spice, the kind my father used.”  Okay, that, wait what?  You buy your deodorant online?  You couldn’t go to any store anywhere and just buy another roll-on?  What kind of unique deodorant could this possibly be and conversely how could Old Spice possibly compare?

The second, a little further down: “…went to a local drug store to buy replacement [toiletries].  There I saw that Old Spice deodorant comes in more strength, formulations and scents than I had thought and realized that the one I’d been using High Endurance Pure Sport couldn’t have been my father’s.”  Where exactly does David Owen live that he didn’t know Old Spice had a huge line of deodorants out?  Go to any store in America, heck open a magazine, you can’t miss it! I myself am monogamous to Tom’s of Maine, and even I know there’s like a half dozen Secret containers on the shelf!

Owen clearly has the internet, so it’s not like he’s unaware of the outside world, and the whole story is about interacting with others, so he’s not a recluse.  I’m just baffled by all this.  (And Sarah and I had a good laugh too). (more…)

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ny509SOUNDTRACK: ——-

radioThe CD player in my car died.

Evidently the CD Error screen in the Prius’ 6 disc changer is not completely uncommon.  And I am devastated.  (And looking at a pretty penny to replace it).  In the past, I have installed stereos in at least three different cars.  But man, not only don’t I want to interfere with the sleek Prius console, I can’t even find the screws!

sabotageI also have 2 CDs in the player, and they won’t play or eject!  The one disc is no biggie, Sabotage by Black Sabbath, easily replaceable and for cheap too.  The other one, however, is The Tragically Hip’s Live from the Vault Vol. 4 which came free with their new album, vaultWe Are the Same.  I don’t think it’s available anywhere (not even on their website yet).  When I go in for my 60,000 mile tune up next month, I’m going to hope they can rescue it.

Until then, I must switch to, gasp, the radio.  Which isn’t that terrible.  However, it means I have no place for scrutinizing music (it’s hard to get absorbed in a CD when you have two kids), and the car was my only place for music as more than background.  Alas.

[READ: May 6, 2009] The Autobiography of J.G.B.

My only exposure to J.G. Ballard prior to reading this has been in the Divine Comedy song “The Booklovers” in which Neil Hannon states “J.G. Bal-ARD”–“instrument binnacle” (which is from his novel Crash).  I did see the movie of Crash, but that’s neither here nor there.

This story is very short, barely one page long, and it shows the main character, B, wandering around Shepperton as he realizes that no other living creatures are around.  Anywhere.  And so, B slowly adjusts to his new life. (more…)

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nodeadSOUNDTRACK: THE DIVINE COMEDY-Casanova (1996)

casanovaFollowing Promenade, Neil Hannon released Casanova.  Stylistically it is very different.  It features more of a band, rather than an orchestra (although it retains an orchestral feel).  Perhaps because of this, there were three singles from the album, all of which charted in the UK.  “Something for the Weekend” is a wonderfully fun song, full of twists and double crosses, sex and debauchery and, of course, something in the woodshed (all in just over 4 minutes).  It’s a fantastic lead off single.

The second track was the second single “Becoming More Like Alfie.”  This was long before the remake of the movie Alfie, so I had no idea what the song was referring to.  I have not seen either version of the film, but I know now that Alfie is a ladies man, as the chorus leads off, “Everybody knows that no means yes…”

In fact, the whole album deals with sex.  Loving sex, debauched sex.  Sex, sex, sex.

“Songs of Love” follows a few of the more debauched songs with a beautiful ballad of a shy young man who sits in his bedroom noticing that “while they search for a mate/My type hibernate/In bedrooms above/Composing their songs of love.”  The next song “The Frog Princess” was the third single.  It is a sweet and tender ballad of love.  Until you get to the end of the song in which the narrator wonders, “But how was I to know that just one kiss/Could turn my frog into a cow?”

The album is solid and wholly enjoyable.  And it’s clear that Neil wasn’t done with songs about love as shortly after Casanova he released A Short Album About Love.

READ: [December 2008] No Dead Time

From time to time I do an order directly from Oni Press.  I tend to order a bunch of graphic novels at a time, and this was one that sounded interesting.  The general premise is that Nozomi is a young girl who works in a record store.  She’s fed up with the stupid people she has to deal with all day.  (“You were looking for (Led) Zeppelin under Z, weren’t you?”) Meanwhile Seth is an IT guy who is sick of the corporate world, and sick of dealing with his boss.

But really the first thing you notice about this comic, is the totally bizarre looking characters.  (more…)

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thenwecameSOUNDTRACK: THE DIVINE COMEDY-Liberation (1993).

libeartiuonThis is considered by many to be the “first” Divine Comedy album, even though Neil Hannon released a previous album under the name Divine Comedy (Fanfare for the Comic Muse).  He disowned that album, but, as you do, he reissued it several years later after much demand.

This is the second Divine Comedy album that I bought (after Promenade). And so, because I just reviewed Promenade, this review works as something of a comparison, which is of course, unfair, as Promenade should be compared to this, but so be it.

What I was most struck with, when listening to this disc after Promenade is how, even though the album covers are designed similarly, and everything about the discs suggests they should be similar, just how dissimilar the music is.  Not in a global “who is this band?” sense, but just in the particulars of the orchestration.

With Liberation, there’s no Michael Nyman influence.  Rather, you get some beautifully written orchestral pop music.  Although the orchestra is not terribly conventional: with harpsichord and organ being among the top instruments heard.

In a comparison to Promenade, Liberation is less thematically consistent but has more singles to offer.  “Bernice Bobs Her Hair” (the title of an F. Scott Fitzgerald story, so the literate songwriting is clearly in evidence) is a wonderful pop song.  As is “The Pop Singer’s Fear of the Pollen Count,” (“Even when I get hay fever I find, I may sneeze, but I don’t really mind… I’m in love with the summertime!”) the catchiest ode to summer this side of the Beach Boys.  “Your Daddy’s Car” speeds along on plucky strings and is just so happy, even when they crash the car into a tree.  “Europop” is a fantastic dressing down of Europop songs while still being hugely catchy.

Because I really enjoy Promenade (and Casanova) I tend to overlook this disc, but really it is just as good, and in some cases better than those two.  An air of pastoral glee pervades the record making it a real joy to listen to.  Especially in the summer.

[READ: December 8, 2008] Then We Came to the End

This book has the great distinction of being written in the first person plural (the narrator is “we,” for those of you who don’t remember eighth grade grammar).  This, of course, brings the reader into the story almost against his or her will.   Really, though, as you read it, you don’t think of yourself as being in the book, but rather, that the company that the unnamed narrators work for is something of a collective mentality.  And so it is.

The narrators work at an unnamed advertising agency in Chicago.  The time frame is the late 1990’s to early 2001 and there are lots and lots of layoffs.  Any time someone is laid off, “we” say they are “walking Spanish down the hall” (from a Tom Waits song).  And slowly they watch as one by one, staff are let go. (more…)

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pe2SOUNDTRACK: THE DIVINE COMEDY-Promenade (1994).

promednade1I heard about The Divine Comedy in the beloved British magazine Q.  I used to get every issue up until about two years ago.  I enjoyed their reviews, and especially enjoyed learning about bands that were under the radar here.  I think the Divine Comedy album that was being talked about was Casanova, but I wound up getting Promenade first.  And once I did, I was hooked.

Promenade is their second album, and it is still my favorite.  It features a musical soundtrack that is similar to Michael Nyman in its electronic/repetitive structure.  Nyman’s The Piano soundtrack came out in 1993, and although Nyman had been writing scores for years, The Piano seems like a pretty close reference point to Hannon’s work.

And yet, despite the “modern” sounding style of the music, the lyrics are old school Britain at its best.  And, Neil Hannon’s voice is truly an old-school croon (it’s almost cheesy, but not quite).  But it’s the words, oh the words, that really sell the disc.

In fact, the song that sold me from the beginning was “The Booklovers,” which is just a list of authors.  Really.  But the list is punctuated with smarty pants allusions to the writers’ works and it’s all wrapped up in a catchy chorus. But that’s not all, each song references literature in some way.

“Bath” opens with an orchestral flourish as a woman, well, bathes. “Going Downhill Fast” is about racing your bike downhill, with my favorite line: “Vacuous vice!/Just once or twice/Thrice/Four times in five we forget we’re alive.” A Seafood Song” and “Geronimo” lead you to the realization that this album is about two young lovers.  First they are having lunch, and then they get caught in a torrential downpour.  “Don’t Look Down” has one of my favorite orchestral pieces as towards the end of the song, the young man on a Ferris Wheel has a discussion with a God “who really ought not to exist” as the music grows more and more tense.

“When the Lights Go Out All Over Europe” is another stellar song that contains a wonderfully building chorus.  “The Summerhouse” is a really nice ballad.  “Neptune’s Daughter” has the story taking a dark turn until the ribald delights of “A Drinking Song.”  This song in particular has been one of my favorites because it is raucous and silly and oh so clever.  It also ends with one of the great couplets in all of drinking songdom: “From the day I was born ’till the night I will die/All my lovers will be pink and elephantine.” It is soon followed by “Tonight We Fly” a propulsive song of the two lovers “flying” over their life together and flying away from everyone.

It’s truly sublime.  I can understand those who don’t like Michael Nyman’s style not really enjoying this disc.  But if you like lyrical wonderment, you must check this out.  Divine Comedy’s next disc “Casanova” removes the Nyman influence but retains the cleverness. By most accounts it is a better album but I still love Promenade.

[READ: January 2008] Public Enemy #2

Sarah bought this collection for me for Christmas last year.  I don’t read a lot of comic strips, but occasionally one pops up on my radar.  I had seen a few Boondocks comics and really liked them.  This is the 2nd to last collection of the strip (I think…some are called treasuries, so I’m not sure what the distinction is). (more…)

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