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Philly Music Fest 2022 (October 10-15, 2022) [DID NOT ATTEND]

Posted in Ardmore Music Hall, Dolphin Tavern, Echo Kid, Empath, GHÖSH, Johnny Brenda's, Kayleigh Goldsworthy, Low Cut Connie, Mannequin Pussy, Max Swan, Philadelphia, PA, Philly Music Fest, REC Philly, Riverby, Screaming Females, Stereo League, The Fillmore Philadelphia, The Ire, Underground Arts, World Cafe Live on October 10, 2022| Leave a Comment »

[DID NOT ATTEND: October 10-15, 2022] Philly Music Fest 2022

Every year since 2019 I have participated in Philly Music Fest in some way.  But this year I wound up giving the whole thing a miss.

Philly Music Fest is a non-profit endeavor focused exclusively on local bands, with all proceeds donated to local music education charities. Philly Music Fest features both established and up and coming artists, showcasing the diversity of the Philadelphia music scene.

It wasn’t because of a bad lineup or anything, it was that I had tickets to other shows every night.  I wound up not going to all of those shows anyway, but basically I was already booked for the whole Fest.

This year’s line up was even bigger than last year’s

October 10, 2022 at Ardmore Music Hall 

  • Marielle Kraft is a poignant indie pop singer-songwriter
  • Electric Candlelight is a heavy psychedelic band that I was supposed to see open for Fuzz
  • Mt. Joy is a band I’ve heard on the radio a bunch who I don’t particularly like, so not so great in the headliner here.

October 11, 2022 at Ardmore Music Hall 

  • Stereo League is apparently impossible to describe using concrete words as I can’t figure out what their music sounds like from the blurbs I’ve read.
  • Salika is an R&B singer
  • Mt. Joy of the two nights I wouldn’t have picked this one anyhow.

October 12, 2022 at World Cafe Live

  • Perpetual Motion is described as dynamic acoustic jazz who play blues, rock, jazz, and world music
  • Kayleigh Goldsworthy is a folk singer who I saw open for Frank Turner.  She was great.
  • Ron Gallo is not Vincent Gallo, which is what I think every time I see his name.  Ron is an indie guy who I’ve never heard but who must be pretty popular or interesting if he keeps popping up.
  • Lady HD is a kind of psychedelic pop band whose name reminds me too much of that Lady A fracas that bubbled up a few years ago.
  • Low Cut Connie is one of the bigger bands at the festival.  I’d never want to see them, but I like some of their songs.

October 13, 2022 at Johnny Brenda’s

  • This was the night I would have gone to
  • The Ire is a four-piece goth-tinged post-punk band.  I like their overall sound.
  • Ghosh is a band I’ve wanted to see: they’re pissed off, informed, and ready to party.
  • Screaming Females are terrific and even better live.  I thought this would sell out in a second.

October 14, 2022 at REC Philly

  • This was a free show.  A night of hip hop and beat curated by Working on Dying who I’ve never heard of of

October 14, 2022 at The Dolphin

  • The Dolphin is a new-ish venue that I’ve yet to check out.
  • Max Swan is saxophonist, vocalist, and producer influenced y likes of Stevie Wonder, James Blake.
  • Echo Kid is two guys from RFA.  This is a hazier, no-holds-barred, psychedelic reimagining of the way they’d approach their songwriting process with a languorous sense of ease, effortless genre-blending, and an amalgam of intentional recorded conversation
  • Shamir is an artist I’d like to see live.  They keep popping up as an opening act and then something happens and I don’t see them.  Here’s another miss.

October 15, 2022 at Underground Arts

  • This would have been my pick for show of the Fest, if I hadn’t already been overbooked.
  • Justmadnice is blues-dipped psychedelic jazz.
  • Riverby are a fun indie rock band with a loose sound (and a cover of “Walk Through the Fire” from Buffy the Vampire Slayer.
  • Empath is a band I was supposed to see open for Fucked Up but the couldn’t make the rescheduled date.  They are kind of noisy and poppy and punky and are probably very fun live.
  • Mannequin Pussy is one of my favorite new(ish) bands.  They are amazing live and are always worth seeing.

The 2023 Fest is bound to be great too.

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Best Coast / Rosie Tucker (Union Transfer, Philadelphia, PA, January 29, 2022 and Asbury Lanes, Asbury Park, NJ, January 27, 2022) [CANCELLED]

Posted in Asbury Lanes, Asbury Park, NJ, Best Coast, Cancelled, Mannequin Pussy, Philadelphia, PA, Rosie Tucker, Union Transfer on January 29, 2022| Leave a Comment »

[CANCELLED: March 20, 2020] Best Coast / Rosie Tucker [CANCELLED]

indexI had tickets to see Best Coast at Union Transfer in March 2020.  I like them although I was more interested in seeing their opening act Mannequin Pussy.

They were one of the first bands to cancel their tour outright back in May 2020 rather than rescheduling dates.

They announced a new tour for 2022 back in June.  I’d have rather seen them in Asbury Lanes, but that show was on the same night as our War on Drugs show.  So I considered going to the Union Transfer show.  It was supposed to be a busy week of shows, so I wasn’t sure I’d want to go or not.

But on January 6, the band announced they were cancelling the tour

Best Coast is canceling its upcoming tour in support of its “Always Tomorrow” album due to COVID concerns.

The tour was set to kick off on Jan. 11 at the Catalyst Club in Santa Cruz, California. The SoCal indie-pop group — consisting of singer-songwriter-guitarist Bethany Cosentino and multi-instrumentalist Bobb Bruno —was scheduled to hit August Hall in San Francisco as well as such cities as Chicago, Toronto, Seattle and Los Angeles.

“We are devastated to announce that our upcoming Finally Tomorrow tour is unfortunately canceled,” the band posted on Twitter. “It was an incredibly difficult decision to make, but one that we ultimately felt was right.

“The last two years have been so difficult for us as a band (and the entire world) — and we appreciate your support through it all.”

“Our last show was in Chicago (on March 11, 2020). It was about two weeks into a monthlong tour.  We had obviously been hearing a lot about COVID. But I think when you are on tour you exist in such a bubble of just what’s going on in the tour landscape. We were all kind of like, ‘OK, like I guess we’ll see what will happen with this.’ I fully didn’t think that the world was truly about to shut down. I did not see that coming whatsoever.”

“At this time, we are not rescheduling any of these dates, as the rollercoaster of the reschedule-announcement-cancelation cycle we’ve been stuck in is incredibly exhausting (for you too I’m sure!) and we just need a moment to decompress. We love you SO much and we hope to safely see you soon. Hang in there. love, bethany and bobb”

(more…)

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Caspian / Caracara / Holy Fawn (Underground Arts, Philadelphia, PA, November 10, 2021) [DID NOT ATTEND]

Posted in Caracara, Caspian, Holy Fawn, Mannequin Pussy, Philadelphia, PA, Underground Arts, Union Transfer on November 10, 2021| Leave a Comment »

[POSTPONED: April 6, 2020] Caspian / Pianos Become the Teeth / Maserati

My friends Liz and Eleanor have told me that Caspian was one of the best shows that they had seen.  I have been planning to see them ever since.

They were supposed to play Union Transfer in April 2020, but that show was postponed/cancelled.  It’s kind of surprising that they went from Union Transfer to Underground Arts (which is about half the size), but who knows why things are scheduled where they are.

I was pretty excited to go to this show, except that we had tickets to the rescheduled Anti-Flag show for the same night.  So Caspian will have to wait. (more…)

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Mannequin Pussy (Union Transfer, Philadelphia, PA, October 29, 2021)

Posted in Angel Du$t, Mannequin Pussy, Philadelphia, PA, Pinkshift, Union Transfer on October 31, 2021| Leave a Comment »

[ATTENDED: October 29, 2021] Mannequin Pussy

I had just seen Mannequin Pussy open or Japanese Breakfast back in August.  And they were great.  But there’s nothing like seeing a band as the headliner.

The unthinkable happened a few days before our show–all of the bands gear and merch were stolen while they were in Ohio.

Mannequin Pussy has a pretty unique sound, so I’m sure they’ve customized a lot of their gear.  But they decided to carry on.  The opening bands loaned them so gear and Mannequin Pussy thrived.  The crowd also helped with a few “Fuck Ohio” chants.

They broadcast Meek Mill’s “Dreams and Nightmares (Intro)” as a tension-building set up for their performance.

The set was similar to their opening set with Japanese Breakfast, but it was longer and there were a couple of substitutions.

It was a great mix of the raging and the chill.  The band really knows how to get a crowd going, often playing a few blistering punk tracks in a row to get the crowd into a frenzy and then calming things down, all the better to get the crowd going again. (more…)

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Angel Du$t (Union Transfer, Philadelphia, PA, October 29, 2021) [MANNEQUIN PUSSY]

Posted in Angel Du$t, Bad Brains, Lemonheads, Mannequin Pussy, Philadelphia, PA, Pinkshift, Union Transfer on October 30, 2021| Leave a Comment »

[ATTENDED: October 29, 2021] Angel Du$t

Angel Du$t is considered a supergroup (according to Wikipedia).  At the time, I hadn’t heard of either of the bands that the members came from (Turnstile and Trapped Under Ice).  Since then, Turnstile has absolutely blown up all over the place.

I’ve been wanting to see Turnstile, but I guess I’ve already seen 3/5 of them [Daniel Fang — drums ; Brendan Yates – rhythm guitar ; Pat McCrory – lead guitar].  The two guys from Trapped Under Ice were Justice Tripp – lead vocals and Jeff Caffey bass.

I didn’t know anything about the band and even the write about up them said that they defied expectations of their other bands. (more…)

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Pinkshift (Union Transfer, Philadelphia, PA, October 29, 2021) [MANNEQUIN PUSSY]

Posted in Angel Du$t, Mannequin Pussy, Philadelphia, PA, Pinkshift, Union Transfer on October 29, 2021| Leave a Comment »

[ATTENDED: October 29, 2021] Pinkshift

I hadn’t heard of Pinkshift (I don’t quite understand the name) before this show, but holy cow they blew me away.

Pinkshift is from Baltimore and they play a great mix of grunge and punk all coordinated by lead singer Ashrita Kumar.

Kumar is an amazing front woman, channeling her anger and aggression into an amazing set of songs.  It was awesome seeing a young Indian American woman fronting a punk band and telling the crowd what to do.

Guitarist Paul Vallejo and bassist Erich Weinroth were locked in step as they rocked.  And drummer Myron Houngbedji was completely intense

The first two songs were intense with Ashrita stalking he stage and commanding the crowd. (more…)

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Eric Spitznagel–Rock Stars On The Record: The Albums That Changed Their Lives (2021)

Posted in "Weird Al" Yankovic, Adam and the Ants, Against Me!, Alice Bag, Alice Cooper, Amanda Shires, Asia, Bad Brains, Beach Slang, Bjork, Blondie, Bob Dylan, Buddy Holly, Buggles, Captain Beefheart and His Magic Band, Craig Finn, Crass, David Bowie, Depeche Mode, Dip-in Books, Don McLean, Donny Osmond, Drive-By Truckers, Elton John, Eric Spitznagel, Fishbone, Frank Turner, Frank Zappa, Fugazi, Gwar, Henry Rollins, Hole, Interviews, Iron Maiden, John Lennon, Kiss, Kristin Hersh, Laura Jane Grace, Leonard Cohen, M.I.A., Mac Demarco, Mannequin Pussy, Mark Mothersbaugh, MC5, Minor Threat, Mitski, Nickelback, Oasis, Pom Pom Squad, Procol Harum, Rainer Maria, Sex Pistols, Soul Asylum, Stevie Wonder, Superchunk, Suzi Quatro, The Buggs, The Left Banke, The Mothers of Invention, The Runaways, The Velvet Underground, The Who, Todd Rundgren, Van Halen, Wendy & Lisa, White Denim, Yeah Yeah Yeahs, Yoko Ono on August 30, 2021| Leave a Comment »

SOUNDTRACK: see below.

[READ: August 2021] Rock Stars On The Record

I saw this book at work and rolled my eyes.  I thought well, here’s another book about musicians talking about music.

Really, most musicians aren’t very interesting and it was probably just the same old same olds talking about albums that have been praised to high heaven already.

But then I saw a few names that intrigued me.  So I read it.  And it was fantastic because Eric Spitznagel did a magnificent job with this task.

Not only because he chose diverse people (some hardly even rock stars, really) who had interesting things to say, but because of the way he followed up his questions with better questions–questions that the musicians seemed excited to answer.

And also because the list of people turned out to be really interesting.  I didn’t recognize a number of names, but that’s because they might have been the guitarist for a famous lead singer).  And this made it really interesting.

I don’t know if it’s worth stating the why’s of each person here (each interview is basically four pages) but I will state each person’s favorite record (with a few extra comments here and there). (more…)

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Mannequin Pussy (Union Transfer, Philadelphia, PA, August 7, 2021) [JAPANESE BREAKFAST]

Posted in Best Coast, Japandroids, Mannequin Pussy, OHMME, Philadelphia, PA, Union Transfer on August 7, 2021| Leave a Comment »

[ATTENDED: August 7, 2021] Mannequin Pussy

I had tickets to see Best Coast back in March of 2020.  I like them, but the primary reason I wanted to go was because Mannequin Pussy was opening.  I had seen them open for Japandroids in 2018 and really wanted to see them again.  Best Coast had cancelled their tour and while they are coming back early next year they had a new opening act.

So I was pretty psyched to find out that Mannequin Pussy were opening for Japanese Breakfast (whose tickets we had for a while already).

Mannequin Pussy are now officially a trio (they were a quartet when I saw them last), with the core of marisa “missy” dabice–guitars & vocal; colins “bear” regisford–bass & vocals and kaleen reading–drums.   Although they were a five piece on stage with a “new” guitarist and keyboardist (not sure who they were).

They came out, the red lights went on (I forgot about those terrible-for-photos lights at Union Transfer) and proceeded to play two brand new songs.  Somehow I had missed that they released the Perfect EP earlier this year.  They sounded great–Missy’s voice a terrific mixture of pretty and screamy.  “Control” set the stage followed by “To Lose You.” (more…)

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Namwali Serpell–“The work of Art” (Harper’s, September 2020)

Posted in Art, Artists, Billie Holiday, Farkhunda Malikzada, Fire, Harper's, Lawrence Beitler, Mannequin Pussy, Murder, Museums, Namwali Serpell, Racism, The New York Teacher, Work on October 13, 2020| Leave a Comment »

SOUNDTRACK: MANNEQUIN PUSSY-Patience (2019).

I saw Mannequin Pussy two years ago and they were dynamite.  I’ve been waiting for a full length to come out and this release (while only 25 minutes) was worth the wait.

“Patience” opens with fast drums and rumbling bass.  I love that the lead guitar is playing some riffs that meld in perfectly with the rest of the band’s chugging along.  At just over two minutes, as it fades out it seems like there should be more, but it segues right into

“Drunk II” is a classic-sounding alt rock song from the 90s.  The guitars are just fantastic–catchy but diverse enough not to be obvious.  Dabice’s voice ranges from screaming to cooing “I still love you, you stupid fuck.”  It’s also got a super catchy chorus. At 4 and a half minutes, it’s the longest song on the disc, and even though their other songs are much shorter, they can keep a four minute song sounding great.  This song also has one of the few (long) guitar solos from Athanasios Paul.

“Cream” is a roaring punk song with screamed vocals, some grooving sliding bass from Colins Rey Regisford and pummeling drums from Kaleen Reading.  I love that even though the song is not even two minutes long they have time for choruses, verses and even an instrumental break.

“Fear /+/ Desire” slows things down with an acoustic guitar and Marisa’s gentlest vocals as she sings clearly this updated lyrics

When you hit me
It does not feel like a kiss
Like the singers promised
A lie that was written for them
…Is this what you wanted?
Holding me down makes you feel desired

“Drunk I” is less than a minute long and lurches between a really catchy guitar riff and gentle vocals and roaring full out choruses (or vice versa).  Again things slow down for “High Horse” with lovely echoing guitars and Dabice’s soft, clear vocals.  Until the loud chorus with anguished screamed vocals–the shift back to delicacy is really well done.

“Who Are You” is a catchy bouncy song with a terrific chorus.  Midway through, the song moves to double speed and gets even catchier.  It’s followed by the thirty eight second “Clams” a blistering screaming duet of noise, chaos and intensity.

It’s followed by the awesome, harshness of “F.U.C.A.W.”  Between the dissonant guitar and the screamed vocals is the middle of the song which is practically shoegaze, before the noise ending wraps things up in under two minutes (with some sounds ringing out for a bout fifteen seconds).

The disc wraps up (already) with “In Love” the second longest song.  It’s got cool sampled sounds and a piano., but the song is still all about the guitars (and terrific bass).  The song has a kind of mellow jam to the end–that nifty sample for the melody and some guitar soloing.

There’s so much packed into these twenty five minutes that you can easily start it right back up for another ride.  I’m really looking forward to seeing them live again.

[READ: September 29, 2020] “The Work of Art”

There was so much going on in this story, I really liked it a lot.

The narrator begins unfolding the story of an incident at an (unspecified) museum.

A guard named Cliff arrives on the scene and his coworker Geraldine tells him that the woman in the burqa has been staring at ths one piece of art for hours–unmoving. (more…)

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Best Coast / Mannequin Pussy (Union Transfer, Philadelphia, PA, September 16, 2020) [rescheduled date–CANCELLED]

Posted in Best Coast, Cancelled, Coronavirus, Mannequin Pussy, Philadelphia, PA, Quarantine, Union Transfer on September 16, 2020| Leave a Comment »

[CANCELLED: September 16, 2020] Best Coast / Mannequin Pussy [rescheduled from March 20]

indexThis show was rescheduled from March 20.

Best Coast was one of the first bands whose show/tour was postponed by the coronavirus.  The band quickly rescheduled their March show for September, which was a relief and an indication that everyone thought things would be back to normal by the fall.

Then on May 12, I was sent this update:

Some sad news to share, the re-scheduled September 16th show w/ BEST COAST has now been outright canceled.

Right now our business, like so many others in the live music industry, is feeling the effects of this shutdown. It’s been eight weeks since we had a show, and our doors will likely be closed for at least a few more months. Although our shows have been temporarily paused, the hard work of our staff, operating costs, and continued expenses have not.

As of May 12, there’s no explanation for why (I’m sure that will be on their site).  Is it just preemptive cancellation or a way for people to get refunds rather than holding on to tickets?  Who knows.

I do hope that concerts will resume by September, but I guess it’s not looking to good for that.

best coast

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