SOUNDTRACK: THEM CROOKED VULTURES-Them Crooked Vultures (2010).
So whose group is this? Dave Grohl’s? Josh Homme’s? John Paul Jones’? (This question is kind of answered in the excellent Austin City Limits episode). But while the question is a but silly, it’s also not. This band sounds like Josh Homme (who pretty much makes into gold whatever he does) playing his own blend of rock over what is undeniably Led Zeppelin’s bassist.
There are times when it is so evident that JPJ played classic Led Zep riffs that you almost think Vultures are just ripping off Led Zeppelin. Until you realize it’s the same guy and therefore it’s totally okay. And Dave Grohl…after years away from the drums, it’s like he has a new vengeance to beat the crap out them. I don’t know if his style is unmistakable, but once you know it’s Grohl, it’s very obvious that it’s him.
And the songs are really great. A cool mixture of Homme’s Queens of the Stone Age sleaze within a solid, classic rock framework. Many of the songs have monster, stomping riffs that are catchy and fantastic. The longer songs (5 are over 5 minutes) loosen the band up a bit, with some jamming and fun middle sections. But when they’re not jamming, the music is tight and fast and loud, and they play off of each other wonderfully. There’s not a bad song in the bunch.
A few times while listening to the disc, I’ve felt that maybe it was a tad long (66 minutes of non-stop music). But since this is ostensibly a one-off project, why shouldn’t they pack the disc full of everything they can? Of course, if they can make a second album, that is as cool and interesting as this, I’ll welcome it right away too.
[READ: November 23, 2010] Scott Pilgrim’s Finest Hour
I have yet to see the movie of Scott Pilgrim (primarily because I never get to the movies anymore, but also because the DVD hasn’t come back at my library yet). But I’m pretty psyched that I was able to read the final volume before seeing the movie. [I’m also hugely embarrassed to be so out of the loop that I didn’t realize the book came out BEFORE the movie–come on!]
But now, behold, the climax of this excellent series.
To summarize: Scott Pilgrim (the guy with the sword up on the cover) is in love with Ramona Flowers. But in order to win her completely he must battle her seven evil exes. The battles are video-game inspired (and are consequently surreal and funny). And the revelation of the individual exes is also amusing.
This final volume is somewhat surprising in its contemplativeness. While longing and depression are par for the course in the series, this volume was surprising for its early lack of action (leading up to the final showdown of course). The great news is that O’Malley handles this non-action with skill, and scenes of Scott moping and slouching around are amusing, not dull. There’s also a great deal of introspection (again, handled deftly). All of this navel gazing makes sense because at the end of Vol. 5 Ramona disappeared with neither explanation nor clue. (more…)




SOUNDTRACK: RAH RAH-“Arrows” (2010).
This issue of The Walrus features the Summer Reading Issue, which nine short fictions about Canada. In concert with that I decided to listen to
The Walrus’ July/August issue features a summer reading collection. Nine authors all answering the call “to write the most Canadian story they could think of.” Over the next week or so I’ll review them all. But as an introduction, I wanted to mention the artwork of Seth.
SOUNDTRACK: THE PRODIGY-Experience (1993).
Before Prodigy sang “Smack My Bitch Up” and Keith Flint had devil horns and pierced everything, Prodigy were a dancey techno act. This was their first album, and allmusic calls it “One of the few noncompilation rave albums of any worth.” High praise indeed.
SOUNDTRACK: DANGER MOUSE AND SPARKLEHORSE present: Dark Night of the Soul (2010).
Seems like most things that Danger Mouse touches involve lawsuits. I’m not entirely sure why this disc had such a hard time seeing the light of day. But it is due for a proper release in July. Although by now, surely everyone has obtained a copy of the music, so why would anyone give EMI any money for the disc (since they hid it away in the first place).
SOUNDTRACK: FUCKED UP-Couple Tracks: Singles 2002-2009 (2010).
I knew of Fucked Up from a cover shoot on
Thursday I went to BEA–Book Expo America. I wasn’t all that thrilled to go this year as last year was kind of a drag (and publishers were stingy). But this year I had a very good time.
By the time I got there it was already 11. But I was thrilled to see that at that moment Mo Willems (we own all of his books, and my kids are huge fans of Pigeon and Elephant & Piggie) was signing posters for his new book. He signed a poster for Clark (only one per person, sorry Tabitha). And then over the course of the day I managed to lose the poster (sorry Clark).
SOUNDTRACK: WALLER NOT WELLER blog.
WallerNotWeller
SOUNDTRACK: SISTERS OF MERCY-Floodland (1987).
Since I’m reviewing a goth book, why not talk about a goth record? Back in the day, I really liked Floodland (and still think it’s pretty cool). The album is over the top, but it’s quite apparent that I’m really drawn to theatrical music.