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Archive for the ‘Funny (ha ha)’ Category

tristramshandy2SOUNDTRACK: PEARL JAM-Binaural (2000).

binauraBinaural bursts forth with the rampaging “Breakerfall” and “God’s Dice.”  The latter pauses only briefly for a chorus break.  They are followed by “Evacuation,” a song that sounds a bit off kilter in this studio version but which blasts off on the live version. It’s got a great shouty chorus too.

“Light Years” is another wonderfully singalongable PJ track. The verses are delicate and, while the choruses don’t build, they are still very catchy.  “Nothing as It Seems” is a haunting track that is dark and fantastic.  The opening guitar riff sounds like it’s coming from the middle of a desert, and the rest of the song is great and great sounding too.  “Thin Air” is another mid- tempo song that doesn’t wear out its welcome, and is fun to sing along to as well.

“Insignificance” is one of the great stop/start songs in PJ’s history. The staggered guitar work builds and stops, builds and stops and just gets better as it goes along.  “Of the Girl” is one of those moody pieces that on previous discs sounded kind of throwaway, and yet this song has enough interesting nooks in it that it never gets dull.  It doesn’t really ever bust out into big chorus, but the subtle changes are just as powerful.  “Grievance” is also fantastic. Another staggered type of song with powerful lyrics and rocking verses and choruses. And when played live, this song is a behemoth.

“Rival” is one of those weird little songs that PJ throws in.  An experiment that works more than some of t heir others.  Followed by “Sleight of Hand” one of their more impressive ballads.  Even though the chorus isn’t dramatically different, it’s still very powerful. “Parting Ways” is one of their best album enders in a long time. It’s another slow one, yet it doesn’t meander. There’s some nice guitar interplay that keeps the song interesting.

And then there’s “Soon Forget” a little number played on a ukulele.  For another band this would be a gimmick yet Eddie’s sincerity pulls it off quite nicely. There’s also a hidden track at the end (evidently called “Writer’s Block”) which is the sound of a typewriter typing.

This was the disc that got me back into Pearl Jam, and it really is a great album. Most of their first barrage of live discs came from this tour, which may explain why I like these songs so much (I heard them all about 70 times, right?), but it’s a great place to start for latter-day Pearl Jam.

[READ: April 2007] The Life and Opinions of Tristram Shandy, Gentleman

I read this book a long time ago, in college, based on the recommendation of my friend Gene.  I really enjoyed it and found it quite funny.  Then, last year, I watched Tristram Shandy: A Cock and Bull Story, which is sort of a film adaptation of Tristram Shandy.  A post about this movie could be just as long as the movie itself, but the short version is that the hilarious Steve Coogan is an actor in a production of the film of Tristram Shandy.  As they are filming Tristram Shandy, the camera follows Coogan, the actor, as his neuroses get the better of him in both his professional and personal life.  This Coogan stuff has absolutely nothing to do with the book, making the whole proceeding weird and wonderful. (more…)

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masksSOUNDTRACK: PEARL JAM-Vitalogy (1994).

vitalI always think of this as the “weird” Pearl Jam disc.  Mostly that’s because the contents are certainly weird (in that it’s made up like an old book, including excerpts from the book in the liner notes).  But also because it has some of Pearl Jam’s strangest songs on it, especially “Hey Foxymophandlemama, That’s Me,” easily one of the weirdest songs in their canon, and possibly the weirdest song on a major label.  It’s 7 minutes of samples and scratchy guitars.  And it’s more than a little creepy.  The disc also contains “Bugs” an accordion-based rant about, well, bugs. and “Aye Davanita” a sort of Eastern chanting type piece.

And so I tend to let these oddities overshadow the fact that Vitalogy is an amazing album full of some of Pearl Jam’s classic tracks.

The disc opens with “Last Exit” a song that packs in everything that Pearl Jam is known for: rocking guitars, a great chorus and a great guitar solo.  It’s followed by PJ’s ode to vinyl singles, “Spin the Black Circle,” a fast and furious punk song, not unlike “Whipping.”  Next is “Not For You” a slow builder that ends in some raucous screaming.  And “Tremor Christ”, whatever that means, continues in this rocking vein.

Then we get to “Nothingman” the first ballad on the record.  I never really cared for this song all that much, although after rocking out this record, I’ve been singing “Nothingman” for the last few days.  I guess I do actually like it.  I think the live version tends to have more oomph, though.

“Corduroy” is another classic Pearl Jam song, it opens slow, but builds to an infinitely singable chorus…no idea what corduroy has to do with the sing though.

“Better Man” is a wonderful ballad and is one of Sarah’s favorite songs.  It’s always a crowd pleaser .  The album ends with “Immortality” (except for “Foxymophandle…”) a great song of longing that really comes alive live.

And so, Vitalogy really is an amazing record. The eccentricities of the disc do not overshadow the great music at all, and it is easily one of the best.

[READ: May 2007 & April 21 & 22, 2009] Ulysses Moore Books 1, 2 & 3 & 4

I started this series almost two years ago.  In the midst of Sacred Games, I needed a break and this little series seemed ideal.  It’s a suspenseful mystery about three kids on the island of Kilmore Cove.  I had intended to read the third book, but it didn’t come out until a  few months later, and, believe it or not, my library never got a copy of it.

I had intended to write about the series back in May of 2007, and yet I didn’t.  Now that I’ve finished the fourth book, and will continue to read the series, I’ll start the write ups now.  (According to Wikipedia, there are eight [UPDATED: 11/16 there are now NINE] books in the series already, although only 4 have been translated into English at this point).

Scholastic doesn’t seem to know what to do with this series, which is a bit of a shame.  In fact, there’s very little about this series online.  I couldn’t even find a cover picture of books 3 or 4 that matched the style of 1 and 2.  (Leading me to believe that they were never released in hardcover).  It’s marketed as  a good series for fans of Spiderwick, and I guess that’s true, but they are not doing much to gain an audience for it. (more…)

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bookpeopleSOUNDTRACK: PEARL JAM-Vs. (1993).

vsTen was a solid record, and although it had diversity within it, overall the sound was pretty consistent.  On Vs., Pearl Jam mixed it up sonically and otherwise.

It opens with “Go,” a track that rocks harder than anything on Ten but which retains a great Pearl Jam chorus.  “Animal” is also loud, with Eddie’s voice sounding incredibly rough and raw.

It’s on the 3rd track that PJ begin to really mix it up with their first ballad: “Daughter,” their first acoustic track.  It’s catchy, and really works with Eddie’s voice.  I can never listen to the next track “Glorified G” without thinking of my college roommate who spoiled it for me.  And I’ll spoil it for you because every time you hear the chorus you will now think “glorified version of a pelican.”  It’s not my favorite song anyway, as the chorus is kind of weird, but the verses are really strong and do redeem this track.

“Dissident” and “Blood” continue the great rocking vein.  Although they are quite different from each other, (“Blood” being much harder) they both showcase Pearl Jam’s excellent rock aesthetic.

The track between them, “W.M.A.” is the other track on the disc that shows Pearl Jam’s experimental side.  It’s percussion heavy and seems like a rambling track…it works much better live, actually.

“Rearviewmirror” on the other hand is PJ at their best, a fantastic rocking (but not too heavy) song with a great chorus, and excellent vocals by Eddie.   Its complement is “Elderly Woman…” which highlights the other end of PJ’s spectrum: a sort of ballad that rocks more than you might think.

“Rats” and “Leash” are two rough, almost punk songs that continue to mix up the tempo and tenor of the disc.  “Rats” seems to get ignored a lot even though its chorus is a good one, and “Leash” is another angry song that’s, again, enjoyable live.

“Indifference” ends the disc and it’s a song that I wasn’t all that excited about initially.  However, again, after hearing the live versions, I gained a much better appreciation for the song and now I really enjoy it.   All in all Vs, is a great step forward for Pearl Jam, strangely enough pulling them away from arena anthems and into more intimate areas.

[READ: April 16, 2009] The Book of Other People

I discovered this book by searching for A.M. Homes in our catalog.  I was surprised I had never heard of it.  The premise of this collection, put out by McSweeneys and benefiting 826 is that each author was asked to make up a character.  The requirement was that the story would be named after the character.  There were no other rules.  And as such, you get a wide variety of stories about all different characters: people and otherwise.  In fact, it’s surprising what a diverse collection of stories have arisen from this rather simple concept.

bookpeople2Zadie Smith is the editor and she wrote the introduction.  I like to cover all of the written pieces in the book, but there’s not much to say about the introduction except that it fills you in on the details of the collection.  She thanks Sarah Vowell for the idea but I gather that the rest of the work was done by her.

I’m not grousing about the different covers this time, I’m just showing the UK one.  It has the same basic set up, including pictures by Daniel Clowes, but as you can see, it’s slightly different.

And check out this roster of talent that has written (or drawn) a story: it’s like a who’s who of contemporary young writers. (more…)

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esquireI don’t recall why I started getting Esquire. I think it was because I got some kind of discount magazine subscription card. And since Sarah gets lots of women’s magazines, I thought I’d try a men’s one.

I’ve been quite delighted with it since I subscribed. And one thing that I like about it is that I don’t feel compelled to read everything in it. I enjoy the letters, although my favorite part of the letters page is the “Context-free highlight from a letter we won’t be running” which always contains a random sentence or two from a letter. This sentence is always weird and it’s awesome to imagine what the rest of the letter contained. An example: “Our prime minister is pretty harmless, but he licks his lips a lot when he speaks.”

As the Man at His Best section starts, I enjoy “The Vocabulary” which defines the words they will introducing in the section. And of course this section has The Rules, a randomly selected number assigned to a rule that should be followed. Example: “Rule No. 815: Of the clocks in the house, the coffeemaker is the least likley to be accurate.”

This section also contains the usual line-up of media reviews: books, music, film and TV. These are all short and sometimes I agree and sometimes I don’t, and that’s fine. Usually the books and movies they like are too “butch” for my taste, and that’s a general note about the magazine that I’ll get to shortly.  But the music section tends to introduce me to stuff I don’t already know.

There’s also stuff about food and drink, and I always want to try the food advice, because it’s mostly about foods I try to make, but I never save the pages so I always forget the clever suggestions. (more…)

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homesSOUNDTRACK: LULLABYE ARKESTRA-Ampgrave [CST044] (2006).

ampgraveI’m not sure what’s up with the spelling of Arkestra (Sun Ra tribute, perhaps?), but “Lullabye” is certainly a misnomer.  “Ampgrave” on the other hand is a pretty good summary of the music on this record.

The band is basically a drum and bass duo.  And yet, they are so much more.  The bass runs the show, with the bass lines being loud and furious.  There are also several guests who provide horns, organ, violin and my favorite addition: “screaming.”  This complete package makes for a loud, bruising, soulful unholy mess.  And it’s really fun.

The disc won’t appeal to everyone. The opening track “Unite!!!!!!!!!!!!!!!!!” is where the “screaming” really comes to the fore, and will certainly scare off the weak-hearted.  Which is a shame, as track 2 mellows out with some good soulful tunes (albeit utterly distorted, let’s not forget). There’s some other weird and wonderful tracks.  “Y’Make Me Shake” is a great rocking track with excellent horns to provide nice moments of melody.

The disc ends with a great one-two punch of “Bulldozer of Love” and the wonderfully titled “Ass Worship” two noisy, chaotic tracks that find a killer melody under all that distortion.

I hate to use the White Stripes as a frame of reference because it’s kind of lazy, but they are a two-piece playing soulful, distorted rock.  But the White Stripes are practically bubblegum pop when it compares to the racket these guys make.  It’s a lot of fun, if you like your fun noisy.

[READ: March 31, 2009] This Book Will Save Your Life

While it didn’t save my life, I enjoyed this book very very much.

This book follows the life of Richard Novak.  As the book starts, Richard seems like a type A workaholic who is too consumed with his work and routine to really enjoy anything.  When he gets an inexplicable yet frightening pain, he calls 911 and is taken to the hospital.   And this rather mundane opening leads to a hugely complicated back-story and a hugely complicated fore-story (?) in which all aspects of Richard’s life meet in a house in Malibu.

For, you see, Richard was something of an asshole.  Richard’s ex-wife, is another Type A personality who is as absorbed in her work as he is in his.  When he is offered a job in California, requiring him to leave New York, his wife said, go if you want to.  And he did, leaving his wife and his son Ben (seven at the time) with minimal contact and, eventually, little participation in his son’s life. (more…)

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newyorker3SOUNDTRACK: AIRBORNE TOXIC EVENT-“Sometime Around Midnight” (2009).

ateI’ve been hearing this song on the radio a lot lately (WRFF especially seems to play it a lot).  But they never said who it was!  I liked it, but I was sure it sounded like an old song.  Ack, but what was it?  I kept coming up with a band called Dear Mr. President.  And then I heard the truth.  It was the Airborne Toxic Event.

I’m still not sure that Dear Mr President is who I’m thinking of, but their song “Fate” has a similar vocal style at the beginning…it morphs into a different song altogether, but maybe that is what  was thinking of.

As for this ATE song, I really like it.  It’s got this weird quality that I find appealing.  It’s  a slow builder, but the vocals are what’s so intriguing about it…very understated with a whispered feel, until the big stadium chorus comes in.  And yet, there’s no chorus.  The song builds and builds to a chorus that never arrives.  Nice trick, guys.

Heh, I was just looking back over my previous post about Airborne Toxic Event, and I see that I do know this song from when I first listened to it on MySpace back in June 2008.  At that time I compared them to the Church.  I guess I can’t let them be their own band.

I’m certainly going to have to check out their CD

[READ: March 26, 2009] “Tails of Manhattan”

I don’t always include the one page pieces from the New Yorker, but since I like Woody Allen, I figured I’d include this one.  It also gets a special mention because in Allen’s collected essays he often has jokey pieces that are topical, and it’s rather rare that I am completely aware of the topical reference.

This piece is about two old Jewish men who are reincarnated as lobsters (funny in itself), but it also concerns Bernie Madoff.  And since it’s unavoidable, I know who Madoff is an what he did.  I assume this piece would be funny in even you didn’t know who that was (or in 5 years when we forget), because the idea of lobster revenge is always funny.

Allen’s New Yorker pieces aren’t always funny, so it’s nice to see that he can still do a concise little piece like this that really hits the mark.

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geek1I have a Periodicals page already, but I rarely look at it or update it.  So, over the next few months I’m going to mention a magazine that I subscribe to.  When I’m all caught up, I’ll remove that page.

I was inspired to do this when I got the latest Geek Monthly. I stumbled upon Geek magazine last year when I was gathering magazines for the library’s annual magazine survey.  I really enjoyed it and when I saw the next issue it was a Futurama feature, so naturally I had to subscribe right then and there.

And since then I have not been disappointed.

They have fun geek quotes from famous and non-famous people.  Some short articles about tech gadgets and new products. And an Ask Alienware category for high tech and gaming questions.

geek2They’ve also started a Green section (this latest one has a computer built into a cardboard CPU unit…very cool).

They also have a music section (six album reviews and an interview with a cool geeky person).  This latest issue has a great interview with Will Oldham & The Arcade Fire.

There’s obviously the interview with the cover person (Zach Braff & Nathan Fillion are recent cover stars).  Plus, there’s other film-related articles.  (An interview with Wallace Shawn and an inevitable piece on Battlestar Galactica).  There also usually an opinion piece about a film or TV topic, and sometimes a debate on a subject (Film Adaptations of Books).  There’s also a regular Rant from Mark Altman, and Secrets of a Lady Geek.

As you get near the back, you get film reviews (mostly sci fi & horror, but there’s also some comedies and documentaries), and DVD reviews.   And, of course book reviews (comics and otherwise).

And then you get one of my favorite sections: product reviews.  The Office Arsenal shows awesome gadgets that you can bring to work (sadly I don’t work in an environment where Nerf rockets and Super Soakers would be appreciated.)  But the best part has to be random reviews at the back of the magazine.  Things like: MyGlowKeys, or Van Dorn Gourmets Onion Dip and Bath Bomb, or the thing that’s been making me laugh for days: FX Neo: Hard Minty Eyedrops, which has the hilarious review: “Hard. Minty. Eyedrops.  I can’t think of two more terrible adjectives for something I’m supposed to stick in my eye.  Hot stabby eyedrops?  Grating infectious eyedrops?  Nope, can’t do it.” (more…)

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newyorker2SOUNDTRACK: WRFF 104.5 FM.

1045I stumbled upon this station by accident one day.  I was working outside, trying to tune in a radio station, and, although I was near a classic rock station from New York, I heard a very cool alternative song.  So, I tuned in this staticky station and later learned that I was listening to 104.5, WRFF out of Philadelphia.

It’s weird to me that these “90’s” stations are popping up, and that it’s a retro sound, but then, there is a market for those of us Lollapaloozers.  This station plays a great selection of 90’s rock, with an occasional dip into the 80s and of course, new music by any of these bands.  They don’t go too heavy, although they’re not afraid to really rock out.

Now if only I could get that signal a wee bit clearer.

[READ: March 26, 2009] “Author? Author”

This was a very short, but very funny piece about Sedaris’ book tours.  He started and ended this tour in a Costco…and trying to picture Sedaris in a Costco is about as funny as anything he wrote about.  Having said that, the bit about condoms and strawberries with optional olive oil had me laughing all day.

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miracleSOUNDTRACK: QUATTE.F- “I’m So Glad” from My Space (2009).

Quatte.f is a patron at my library.  He had asked me to help him transfer some photos and eventually to help him upload his demo song to his MySpace page.  He told me that he was in a local group of some sort–I don’t recall who they were–and this was his chance to go solo.

I’m not much of an R&B fan (NO!), but after we uploaded the track, he asked me to listen and I did.  And I have to say I really liked it.  It’s catchy as heck.  And his voice is really strong.  He also avoids most of the histrionics that I dislike so much about R&B.

So, I wish him much success, and since I doubt he’ll ever see this, if you click on his link and listen to his song he’ll be pretty psyched that he’s suddenly gotten all of these listens to his song.  And if you’re from a label, he’s currently unsigned.

Check it out.

[READ: March 22, 2009] Miracle Wimp

Sarah got a copy of this in the mail.  She said, hey, this looks like something you’d like.  So I read it, and finished it in like three hours.

At first, I was afraid that it was  just jumping on the bandwagon of the Diary of Wimpy Kid phenomenon.  But when I checked the release dates I found that the first Wimpy Kid came out in 2007 and so did this book.  We got a pre-released copy of the paperback edition (which is soon to be released in 2009) so no complaints about riding on coattails!  (Although, the online cartoon started in, I believe, 2005).

The book is about Tom Mayo, a junior in a high school set in the boonies of western Massachusetts.  The book details the ritual humiliations that come with being a wimp in high school.  There aren’t diary entries per se, but each page has a title and about a page worth of stuff that happened about that topic.  There’s also some rudimentary drawings (not as charming as Wimpy Kid’s, which is especially weird since Tom wanted to be in art class) that convey what happened in that “entry.” (more…)

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spokespokehcSOUNDTRACK: ISLANDS-Arm’s Way (2008).

islandsI enjoyed Islands’ first album (and, in a weirder way, their earlier band The Unicorns).  This album seems to have made a lot of 2008 Top Ten or at least Top Fifty lists. What’s so strange about the whole affair is that I absolutely love the first 8 songs on this disc, and based on those alone, I would put it on my top ten as well.

But after that….

Well, let’s put it this way, the eighth song “In the Rushes” is a wonderfully weird 7 minute song that ends with a direct quote/pseudo-parody of the Who’s “A Quick One, While He’s Away.”  The “tribute” comes in all of a sudden after five or so minutes, and ends with the lyrical change from The Who’s “You Are Forgiven” to their own “You Are Forgotten.”  But musically it’s spot on.  And I’ll tell you, that just feels like the end to me.  “A Quick One” ends The Who Sell Out, and so it should end this too.

And those last four songs, which actually totally about half an hour (!), I just can’t really enjoy for some reason.  Perhaps if they left them as a separate EP…?

But back to the rest of the disc.  The opening salvo of songs is just so fantastic. “The Arm” is catchy and weird with cool breaks and a bitchin’ chorus.  “Pieces of You,” not anything to do with Jewel, is another great catchy song.  The next three tracks are great little rockers with some thrashy parts and more off-kilter aspects.  “Kids Don’t Know Shit” starts mellow but has a cool string-filled chorus.  And then of course, you get to “In the Rushes.”  So these 8 tracks come in at 37 minutes, and I swear I’m just done with the disc.

Those next four songs are good (In fact, listening to samples of them right now, I do like the songs, and “To a Bond” is an especially good song, too). I guess I just feel like the album is done by then.  And when you think an album is done and there’s still 30 minutes to go, well, it’s just daunting.  Too bad, really, because it is a good disc.

[READ: March 17, 2009] English as She is Spoke

I bought the hardcover edition of this book many many years ago as soon as I heard of it…anything with a rave by Mark Twain must be worthwhile, right?  When I was looking for it again recently I couldn’t find it anywhere.  So, I saw that McSweeney’s were having another sale and I picked up the paperback edition.  The text is exactly the same; however, the introduction is slightly different and for that reason alone I’m glad I have the new copy too (I did find the hardcover a few days after I received the paperback, of course).

The paperback edition contains an update to the introduction.  The hardcover was rather popular and one of its readers–a UCLA linguist–wanted to absolve Fonesca of some of the blame for the book.  It appears that Fonesca had written a very good phrase book which Carolino basically used for his own purposes in creating this hilarious enterprise.  Rather than just plagiarizing Fonesca, Carolino gave him full credit, thereby giving him a lifetime of undeserved infamy.  So, thanks Paul Collins for setting the record straight.

As  to the book itself…. (more…)

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