SOUNDTRACK: THE SALTEENS-“Frequency” (2010).
I immediately enjoyed the poppy sensibilities of The Salteens. And I knew I’d want to listen to them on CBC Radio 3 again. There are quite a few tracks available online there.
This one comes from their new EP, Moths. A little research shows that they’ve actually been around for quite awhile and even appeared on Yo Gabba Gabba! (early 21st century’s badge of coolness). It is very poppy, features male/female duet vocals and is immensely catchy.
It’s so catchy, in fact that I played their CBC radio songs over and over. While I liked some better than others (I wasn’t too keen on “Sunnyside Street”), their twee pop was so joyful that I found myself singing along. They are definitely twee, but not treacly, and in that respect that are very indie sounding (like a less bummed out Death Cab for Cutie or an early Cardigans).
Their arrangements are always pretty simple, but they range from guitars to keyboard to horns (“Nice Day” is almost all drums with the simplest piano and occasional horns). And it contains the humorous couplet: “I know you think that I’m gay, but I just play the part”
[READ: July 5, 2010] “Lenny Hearts Eunice”
I’ve really enjoyed Shteyngart’s novels, so I was pleased to see him included in 20 Under 40. This short story is set in another of his future dystopia, complete with a shlubby main character.
It opens with the obvious (yet very satisfying in this case) technique of a diary entry. This works really well because the narrator is so strong (not physically) and quirky. Lenny begins this diary because he is in love with Eunice Park, a young Korean woman with whom he shared a moment (and later an intimacy). And he intends to win her over.
Lenny is a Research Coordinator of the Post-Human Services Division of the Staatling-Wapachung Corporation, a corporation bent on making everyone (especially its employees) immortal. Of course, since Lenny is an older, out of shape nebbish, who has just spent a year in Rome gorging on carbs, his future looks bleak. Rome is where he met Eunice by the way. (more…)

SOUNDTRACK: SELF-“Trunk Fulla Amps” (2000).
I bought an album by Self many years ago. They had since released several other discs, but I hadn’t heard any of them. Then, they came out with this fantastic and very vulgar song. It reeks of one-hit wonder status and yet it is super catchy (and rather funny).
SOUNDTRACK: ROB SZABO-“If I Could Do It All Again” (2003).
We’d seen ads for this show (who hasn’t?) but we weren’t that interested. It’s on Starz for crying out loud, and it’s a summer fill in show. Then we found out the credentials of the show: The auteur behind the much missed Veronica Mars (Rob Thomas) is a producer/writer/creator. (As is Paul Rudd! And Dan Etheridge (who has worked with Kevin Smith quite a lot).
The show stars a number of great actors: Ken Marino, Jane Lynch!, Ryan Hansen (Dick Casablancas from Veronica Mars), Martin Starr (playing a major jerk), and two actors who get pretty high billing that I didn’t know: Adam Scott and Lizzy Caplan.
I’m very late to this show, I know. But then I have an excuse: I don’t like watching TV/movies/etc on my computer. So, even when I watched the awesome Dr Horrible, and the commentary told me all about Felicia Day’s online show, I didn’t investigate.
SOUNDTRACK: DANGER MOUSE AND SPARKLEHORSE present: Dark Night of the Soul (2010).
Seems like most things that Danger Mouse touches involve lawsuits. I’m not entirely sure why this disc had such a hard time seeing the light of day. But it is due for a proper release in July. Although by now, surely everyone has obtained a copy of the music, so why would anyone give EMI any money for the disc (since they hid it away in the first place).
SOUNDTRACK: BEATLES-Rubber Soul (1965).
After the breakthrough of Help!, the Beatles followed up with their first proper album that is full of all original songs and which really pushes the envelope.
There’s a new (reasonably) new show called “Minute to Win It.” The premise was so delightful, so “I want to do that” that I of course set up a TiVo Season Pass for it.
SOUNDTRACK: LED ZEPPELIN-The Song Remains the Same (1978).
I don’t normally try to have my soundtracks correspond to the book. But since Andrew
SOUNDTRACK: FRIGHTENED RABBIT-The Winter of Mixed Drinks (2010).
I enjoyed Frightened Rabbit’s previous disc ever so much: a twisted blend of rocking folk music and very dark lyrics. The fact that a number of these songs were used in Chuck was a treat for me.