SOUNDTRACK: MOUNTAIN MAN-3 songs from Tiny Desk Family Hour (March 12, 2019).
These next few shows were recorded at NPR’s SXSW Showcase.
Mountain Man have been all over NPR the last couple of months. And here they are again, showing off their beautiful voices in a church.
When Mountain Man began a decade ago, it consisted of three close friends arraying their voices in a resplendent blend, often without so much as an acoustic guitar for adornment. Today, the configuration remains exactly the same, except that all three members — Alexandra Sauser-Monnig, Molly Sarlé and Amelia Meath — have developed strong solo identities along the way. Sauser-Monnig also records wonderful folk-pop songs under the name Daughter of Swords, Molly Sarlé released a magnificent single under her own name earlier this year, and Meath is the singing, dancing half of the transcendent synth-pop powerhouse Sylvan Esso. So when Mountain Man showed up for a softly joyful set at NPR Music’s Tiny Desk Family Hour — recorded live at Austin’s Central Presbyterian Church during SXSW on Tuesday night — it was almost like seeing four acts at once: three solo, one collective. Choosing a single excerpt was a fool’s errand, so here are three: the breezy a cappella “AGT,” from 2018’s Magic Ship, as well as Mountain Man arrangements of Sarlé’s “Human” and Daughter of Swords’ “Grasses.”
The opening song is a capella. It is started by Alexandra with first Molly and then Amelia all joining in to make their gorgeous harmonies. After the first round through the song, they start singing faster and faster. To a frankly impressively rapid speed by the end.
The second song is by Molly Sarlé. She says it’s about how “unfortunately easy it is to talk to god like he’s a man.” Molly sings the main body while gently strumming her guitar. Amelia and Alexandra provide the lovely backing vocals. (I love that Amelia seems to be cracking up a lot through the show, but is always pitch perfect).
Alexandra Sauser-Monnig’s Daughter of Swords song “Grasses” is up next. The guitar is more picked than strummed, but it is still a very quiet, gentle song. I really like Molly’s voice as a backing vocalist.
They’ll be performing at Newport Folk Festival and I’m intrigued to see them.
[READ: March 18, 2019] “Color and Light”
I assumed that this story is set in Ireland, although there was nothing explicitly stated about the location–except that it is by the water.
The main character Aidan, has an older brother Declan (could be Ireland or just America). When we first meet them, they are in Declan’s car and he is driving a woman, Pauline. Pauline is bold and flirtatious. She is a screenwriter. Declan doesn’t say much and Aidan is very shy. So that leaves Pauline to make all of the comments. She learns that Aidan works in the hotel. And at one point she stares at him for a couple of minutes while he puzzles out what she’s after.
A few weeks later Pauline comes to the hotel restaurant with an entourage. Aidan is surprised at how deferential everyone is to her. She sort of recognizes him at first and when he explains who he is she seems happy to see him. When she leaves with her crew she invites him along but he refuses.
A few nights later Declan picks up Aidan from work and a drunk Pauline is in the back seat. She is feistier than usual and asks Aidan all sots of personal questions–like has he ever slept with a guest at the hotel. Declan yells that she is flirting with him. And when Aidan turns around to look at her, sprawled on the backseat, Declan punches him. By the time Declan drops them off, Aidan can’t tell if Declan is mad at him or at her. (more…)
After releasing five new albums in 2017, KGATLW spent 2018 re-releasing their first five releases. These were out of print and hard to find. And now they’re back.
