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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: May 18, 2022] Deftones / Gojira / VOWWS [rescheduled from August 22, 2020 and August 27, 2021]

I was pretty excited to see this Deftones show.  But I was even more excited when my son said he wanted to go to the show with me.  Well, it had sold out a long time ago and I couldn’t get a Pit ticket for a reasonable price.  I didn’t want my son to be in the balcony while I was in the pit.  But I also didn’t want the reverse.

But then, what happened was that I got a ticket to see Beach Bunny across town on the same night.  And so, my daughter and I went to the Beach Bunny show and I gave my son the Deftones ticket.  Yes, he would be by himself in the pit.

The timing actually worked out just fine, because while Wednesday bailed on our show, VOWWS bailed on their show.  This meant I had to do some mathematical time keeping to see if I’d have to leave Beach Bunny early to get him so he wasn’t hanging around on the streets of Philadelphia.

But it turned out that his show ended almost exactly the same time as our show.  Since our show was only ten minutes away, there was still plenty of foot traffic when I went to go get him.

He said the show was great. And Markit Aneight kindly recorded the entire Deftones set.

 

 

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I was pretty excited to see this show this summer. It turned out, however, that the show was the night that we returned home from vacation.  Ie, it would have been a pretty exhausting day.  So, the fact that Deftones decided to postponed until May was fine with me.

I’m bummed that Poppy is no longer part of the tour because I’d really like to see her.  But she is now headlining her own tour–which I don’t really want to see.  I’m not sure a full show of hers would be that much fun.  But hey, maybe she’ll be back on board

~~~

I saw Deftones at a lousy location (Sands Bethlehem hall), but it was one of my favorite shows that year.  The crowd was pushy and shovey, but Chino came within five feet of me and the energy was amazing.

Plus at the end of the show, when a roadie threw out a drumstick, I actually got it.

I knew I’d want to see them at least one more time, but wow was I surprised to see that they were going to play The Met in Philly, which I think of as a more “delicate” hall.  I’d be slightly afraid for the seats at a Deftones show.

The opening acts were really intriguing as well.

Gojira area French heavy metal band whose 2012 album I loved.  Heavy and very technical I’d imagine they put on a great show.

Poppy is an absolute mystery.  She’s an internet creation whose every song is is a different genre.  Her latest album was really really heavy but with that fake internet sheen on it (in a Babymetal kind of way but less sincere, if that’s possible).  I’ve been intrigued by here since I first heard about her, but I wouldn’t want to see her show if she was headlining.  This seemed like a great way to experience her weirdness.  I hope that she is still on the bill next year and that she is still into metal, otherwise it could be kind of awkward.

I really thought that this show at the end of August might go on but on May 19, they sent this note.

Due to the current regulations, and uncertainty surrounding COVID-19, we must reschedule our North American summer tour dates with special guests, Gojira and Poppy. We’re currently rescheduling the dates for 2021, and you’ll be the first to know once they are confirmed. All tickets will be honored or refunded upon our next announcement regarding the tour.

I’m glad they are promising to come back  And by then, their new album (due in September) will be familiar to all of us.

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[DID NOT ATTEND: May 15, 2022] DAVE / DJ opener

I know of DAVE from a Tiny Desk Concert.

I have complained before about one-named singers.  But usually, they have somewhat unique names to trade on.  But Dave?  Really?  Especially since the Dave Matthews people call him just Dave most of the time.  How does a British rapper succeed when he is called DAVE?

Pretty well, apparently since he did three nights in New York (the poster is before new dates were added).

He also played TLA.  I have never been to an exclusively rap concert.  But I thought that I’d like to see DAVE, because I really like his tone (and his accent is neat).

I think the show sold out, but it turned out that I had tickets to see Crash Test Dummies that night, so DAVE was never really on the table.

I don’t know what the opening set was like.  According to the Brooklyn Vegan review of one of the New York shows,

The crowd was already hyped up thanks to Hot 97’s DJ Kast One warming things up with a hits-filled DJ set, but when Dave walked out on that stage, the already-packed crowd packed in even tighter, with people storming towards the stage, a sea of phones in the air, and almost the entire crowd rapping along to every word to show-opener “Verdansk” right off the bat. (At one point, Dave stopped the show to ask everyone to move back and check on people in the front row.)  For a good chunk of the show, there was nothing on stage except Dave and a hazy light show, and that’s all he needed to keep the energy level at a 10/10 song after song. He’s not only a great storyteller but a great performer, and he won over the entire room off the strengths of his raps alone.

Maybe when he comes back I’ll be able to check him out.

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[DID NOT ATTEND: May 14, 2022] Sunflower Bean / Hello Mary

I’ve seen Sunflower bean twice.  The first time I was blown away by them.  The second time, they had changed their sound a bit and, while I liked them, I didn’t really love the new direction quite as much.

Sunflower Bean had cancelled a few shows earlier this month due to singer Julia Cumming’s injury. This show did happen, but if I was going out this night it was to see The Dead Milkmen.

Although now that I know about Hello Mary, that might have changed.

Hello Mary is a band I hadn’t heard of.  Why hadn’t I heard of them?  Well, because this article from November 2022 (yes, out of chronology, but it shows just how unknown they were back in May) explains

The New York trio’s self-titled full-length debut, out March 3, is a blast of distorted chords, sunny harmonies, and all-consuming angst that will renew your faith in the hopelessly dated and/or timelessly classic sounds of alternative rock. Hello Mary is an instant contender for 2023’s most bracing entrance to the stage, sharp and self-assured. Oh yeah, and the band’s two founders — singer-guitarist Helena Straight and bass player Mikaela Oppenheimer, both 18 — just graduated from high school this summer.

So at the time of the show they were still in high school.  That would have been wild to see them.  I have since listened to the album and I love it.  I sure hope the tour soon.

 

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[DID NOT ATTEND: May 13, 2022] The Lemon Twigs / Tchotchke [rescheduled from May 16, 2020]

I discovered The Lemon Twigs a few years ago and really enjoyed their glam rock sound and I imagined that they would be a ton of fun live.  The band is technically a duo, although I don’t know if they have more people on stage with them.

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.  Since then they have put out a few albums, and I have enjoyed them.

I have rather wanted to see them–this new tour, which was playing at TWO locations really close to me seemed to be an easy way to catch them.

We had a school day scheduled for this day and it ran much longer than I imagined, so even though I had tickets, there was no way to get to the show.

Tchotchke is a band from New York comprised of Anastasia Sanchez, Eva Chambers and Emily Tooraen.  They used to be called Pinky Pinky which I think is a much more apt name for the style of music they play–it’s a kind of an updated doo-wop, pop sheen aesthetic.

Really not my thing, although I heard that if you went to their merch booth after the show they handed out a tchotchke to each person.

 

 

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[ATTENDED: May 11, 2022] Built to Spill [rescheduled from July 30, 2020]

I feel like I have seen Built to Spill a million times, but this was my fifth show.

The first time I saw him was at Union Transfer back in 2015 and he had a five piece band.  That was a couple of iterations ago and now he was back with a new band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford from openers Blood Lemon.

The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry. (more…)

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[CANCELLED: May 13, 2022] Sinéad O’Connor [rescheduled from April 5, 2020 and September 18, 2021]

Lots has been going on in Sinéad O’Connor’s world in the last, oh, decade or so.  It’s no real surprise that this show was postponed or cancelled or whatever it is.  In addition to inner turmoil, she also suffered the death of her son.  And she announced she will not be performing live in 2022 “due to continuing grief over the tragic loss of her beloved son Shane”

On March 24, City Winery sent out this message:

Dear Ticket Holders,

Due to circumstances beyond our control, City Winery is forced to reschedule Sinead OConnor‘s performances in NYC, Boston, Philadelphia and Chicago.

Many of you have been holding onto tickets since 2019, and we are grateful for your patience and support.  We’ve had to navigate multiple reschedulings due to the pandemic, Sinead‘s personal tragedy, and travel restrictions. We understand the disappointment and don’t want you to wait any longer for a refund.

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I have seen Sinéad O’Connor four times. although the last time was in 1998.

(more…)

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[DID NOT ATTEND: May 13, 2022] The Menzingers / oso oso / Sincere Engineer

I have seen The Menzingers twice.  The first time I missed most of their set.  The second time I was in a terrible location and the sound was dismal.  I told myself that I really wanted to see one good set with them.

They play Philly all the time, but I think I might just be over seeing them.  I feel like I’ve been shut out of seeing them enough (and I’ve got a bad taste in my mouth from the crowd last time), that maybe I don’t need to see this mythical third show anymore

Especially if Oso Oso is the support band.

I saw them open for The Front Bottoms and said

I’m not sure if I was annoyed by the crowd (SO CROWDED) or what but I found oso oso to be one the most meh band I’ve seen on a long time.  I really felt nothing for them. …

Their music was fine–occasionally catchy but not really memorable and I found that I really didn’t like the lead singer’s voice.  It wasn’t bad or awful, it just didn’t seem to fit the music and I found myself enjoying their instrumental sections a ton more.

Someone near me said that they thought he was so stoned he couldn’t sing right.  He did seem like he was a little off, including his weird between song banter and chants.  But maybe he’s just a weird guy.

I haven’t heard of Sincere Engineer, but listening to her now I’m blown away.  I love her/their stuff.  The band is from Chicago and the blurb says

Deanna Belos has been a fixture in the Chicago punk scene since she was in Junior High, attending shows, singing along, and raising hell in general. But she was more than just a face in the crowd, Deanna was a radiant friend to all, and at some point she picked up a guitar and made a different contribution to the Chicago underground scene: her own music under the name Sincere Engineer. Over the last couple years we’ve encouraged her to keep writing songs and she surprised us all by assembling a great band and recording an impressive album. Her debut, “Rhombithian”, was produced by Matt Jordan (You Blew It!, Dowsing, etc.) and pairs the sounds of Chicago punk and the youthful Midwest “emo revival” movement. No one is more excited about music than Sincere Engineer, and Deanna plans to play a lot of shows and bring her infectious energy to the rest of the planet in support of “Rhombithian”.

She plays grungey emo pop punk stuff.  With a heavy grungey guitar.  But what sets Sincere Engineer apart is Deanna’s voice–a snarl that doesn’t detract from her natural melody.  It’s the perfect voice for these songs.  Plus she has a song called “Corn Dog Sonnet No.7”

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[ATTENDED: May 11, 2022] Wetface

Wetface is the one-man-band project of Montreal based songwriter Jordan Minkoff.   He writes and plays on a mid 80’s Yamaha organ, douses “bright and ambitiously crafted pop music with layers of wonky digital strings and orchestration.”  That’s according to his label.

According to me he is a tedious, goofy in a bad way singer who is very good at playing the keyboard.  There didn’t seem to be anything ambitious about his songs which were very far from pop.  He sang often in a crazy falsetto.  It’s possible he was making things up as he went along.  The sound (’80s Yamaha) was so cheesy most of the time that I had to assume he was joking, but that the joke just wasn’t all that funny because the sound was so pervasive.

I wanted to see if I was alone in really disliking this set.  I see that the reviewer from White Eagle Hall (the show I had tickets to two nights later but which I did not go to) loved him.  Thought he was hilarious both in his song craft and his banter.

Turns out that Jordan Minkoff created some of Built to Spill’s recent videos and Doug Martsch is a big fan (he also really liked Daniel Johnston, so…).  Martsch called Wetface up on stage to sing with them in Jersey City.  Maybe that would have made me like him more.  But honestly I couldn’t wait for his set to be over.

 

 

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[ATTENDED: May 11, 2022] Blood Lemon

When Built to Spill announced a new tour, I was pretty excited.  I mean, a Built to Spill tour is always exciting.  But this one was particularly interesting because he had an entirely new touring band with him.  So I bought tickets for two shows sort of back to back in May.  I wound up not going to the White Eagle Hall show, but I did make the Union Transfer show.

It was my first introduction to Blood Lemon.

Blood Lemon are a trio from Boise (just like Built to Spill) consisting of singer/guitarist Lisa Simpson, singer/bassist Melanie Radford and percussionist Lindsey Lloyd. They were described as having an alt 90’s sound with some heavy riffage.  I arrived a little ate for the show and walked in during the first of second song.

Whatever song it was, I was blown away by how much they rocked.  Radford had (more…)

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[DID NOT ATTEND: March 29, 2023] Barrie / Rentboy

Barrie is a singer that I know exclusively from NPR Music.  I enjoyed a song or two from her, but it seems very unlikely that I would have gone to this show.   I’m a little surpirsed I included it in my list of shows to check out.

Rentboy is a Philadelphia based disco collective whose last album, Memory Forever, is a meditation on body memory and queer musical history.  They seem a little too disco for Barrie’s gentler sound.

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