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Archive for the ‘Blood Lemon’ Category

[ATTENDED: September 4, 2022] Built to Spill

I know that a Built to Spill show is going to be great.  But sometimes the crowd makes it hard to enjoy.  I was fairly sure this show would be poorly attended, and yet there were a lot of (drunk) people who knew Built to Spill very well.  Are they more popular than I realize?

I had seen them just four months earlier, but the opportunity to see them again at the reasonably close SteelStacks in Bethlehem meant that I was going to see them again.  I enjoyed his new lineup.  This is the third, possibly fourth lineup I’ve seen play with Doug.  Melanie Radford is now on bass (she also plays in Blood Lemon) and Teresa Esguerra on drums.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry.

I hadn’t really gotten to see Radford much during Blood Lemon, but she totally let loose with Built to Spill.  Her bass playing was great and her sound was outstanding.  She also seemed to create some of the second-guitar melodies (instead of the bass lines) to make the songs sound even fuller. And then she would jump back with her hair flying a smile on her face.

I had seen Esguerra with Prism Bitch, but she was even more impressive tackling songs that I knew.  She was fast and powerful and seemed to be the engine pushing the songs forward not just keeping pace with them. (more…)

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[ATTENDED: September 4, 2022] Wetface

When I realized that I was going to be late for this show, I hoped beyond reason that Wetface would go on first and I would miss his set instead of Blood Lemon.  I realize that Blood Lemon bassist Melanie Radford plays bass in this incarnation of Built to Spill and probably needs some downtime between sets, but I really did not want to sit through Wetface again.

I considered leaving the room and looking at merch or just going for a walk but I didn’t really want to lose my place.  Although, realistically, my place kinda sucked because the people around me were awful.  I should have stuck with my guts.

The drunken Bethlehem crowd absolutely loved Wetface.  And I’m going to say that I found him more entertaining at this venue than the first time.  Perhaps because my expectations were so low.

He had a lot of technical difficulties which he played up and which he had fun with.  I also got a kick out of him throwing his last three T-shirts (that’s all that left of my merch) into the crowd.  “But, hey, they are all smalls, so if you’re a big person and you just grabbed that shirt, I am happy for you that you got something free at a concert, but kindly give it to someone who will fit it).

He played a song and when it was done, someone requested that he play it again.  So he did.

I am quite aware that I need to lighten up at shows, but yes, I would have been very happy to have missed this set.

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[ATTENDED: September 4, 2022] Blood Lemon

I had seen this very lineup just a few months ago.  I assumed that seeing the show in May and then in September would be a different experience.   I was especially excited to see Blood Lemon again because I missed most of their set last time.

Unfortunately, the traffic into Bethlehem was terrible (there was a torrential downpour as well).  And between that and the loud, drunken crowd all pressing to get in, I missed half of Blood Lemon again.  The lighting was much better for this set, so it was nice actually seeing consisting of singer/guitarist Lisa Simpson, singer/bassist Melanie Radford and percussionist Lindsey Lloyd.

The sound seemed to be a little off.  Or, maybe it was just that there were some remarkably loud talkers at this show.  The last time we went to shows here, the crowds were good.  I’m guessing this was a college night/end of school year/loud rocking band kinda show.  Because this crowd was really shitty to be around.

They didn’t even seem to show much respect when Blood Lemon called Doug Martsch out on stage to jam with them on their last song.

The band was great again, and the few songs I heard made me really want to see them again–an actual full set even!

This show wasn’t even listed on setlist, so I’m just guessing their set was something like this.

  1. Master Manipulator ß
  2. High Tide
  3. Perfect Too
  4. The Stone Castle ß
  5. One More Time ß
  6. Her Shadow
  7. Burned ß
  8. Whistleblower ß

ß Blood Lemon (2021)

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[ATTENDED: May 11, 2022] Built to Spill [rescheduled from July 30, 2020]

I feel like I have seen Built to Spill a million times, but this was my fifth show.

The first time I saw him was at Union Transfer back in 2015 and he had a five piece band.  That was a couple of iterations ago and now he was back with a new band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford from openers Blood Lemon.

The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry. (more…)

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[ATTENDED: May 11, 2022] Wetface

Wetface is the one-man-band project of Montreal based songwriter Jordan Minkoff.   He writes and plays on a mid 80’s Yamaha organ, douses “bright and ambitiously crafted pop music with layers of wonky digital strings and orchestration.”  That’s according to his label.

According to me he is a tedious, goofy in a bad way singer who is very good at playing the keyboard.  There didn’t seem to be anything ambitious about his songs which were very far from pop.  He sang often in a crazy falsetto.  It’s possible he was making things up as he went along.  The sound (’80s Yamaha) was so cheesy most of the time that I had to assume he was joking, but that the joke just wasn’t all that funny because the sound was so pervasive.

I wanted to see if I was alone in really disliking this set.  I see that the reviewer from White Eagle Hall (the show I had tickets to two nights later but which I did not go to) loved him.  Thought he was hilarious both in his song craft and his banter.

Turns out that Jordan Minkoff created some of Built to Spill’s recent videos and Doug Martsch is a big fan (he also really liked Daniel Johnston, so…).  Martsch called Wetface up on stage to sing with them in Jersey City.  Maybe that would have made me like him more.  But honestly I couldn’t wait for his set to be over.

 

 

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[DID NOT ATTEND: May 12, 2022] Built to Spill / Wetface / Blood Lemon [rescheduled from July 31, 2020]

I saw Built to Spill the night before in Union Transfer.  Originally I was more excited  to see them at white Eagle Hall, but I had a Sinead O’Connor concert conflict (which of course didn’t happen, but just in case).

Since I had just seen them the night before, it didn’t see worth going out the following night for what would have been largely the same show (good as it was).

I also really didn’t like Wetface and didn’t want to sit through that set while waiting for Built to Spill.

I did really enjoy Blood Lemon though and would happily see them again, especially since I arrived a little late and missed some of their set.

For ease of searching, I include: Le Almeida (drums), Joao Casaes (bass) and Joao Luiz (guitar), Transfusao Noise Records, Orua.

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[ATTENDED: May 11, 2022] Blood Lemon

When Built to Spill announced a new tour, I was pretty excited.  I mean, a Built to Spill tour is always exciting.  But this one was particularly interesting because he had an entirely new touring band with him.  So I bought tickets for two shows sort of back to back in May.  I wound up not going to the White Eagle Hall show, but I did make the Union Transfer show.

It was my first introduction to Blood Lemon.

Blood Lemon are a trio from Boise (just like Built to Spill) consisting of singer/guitarist Lisa Simpson, singer/bassist Melanie Radford and percussionist Lindsey Lloyd. They were described as having an alt 90’s sound with some heavy riffage.  I arrived a little ate for the show and walked in during the first of second song.

Whatever song it was, I was blown away by how much they rocked.  Radford had (more…)

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[DID NOT ATTEND: April 28, 2023] Built to Spill / Prism Bitch / Itchy Kitty

I saw Built to Spill twice last year.  I was surprised to see that they were touring again so soon, but it had been all of seven months.

This was supposed to have been a very busy concert week for me.  But after doing so much tree cutting and hauling this week, I was too tired to go even to see Doug and his band.

For the previous shows, the opening band was Blood Lemon which featured BTS bass player Melanie Radford. This time, one of the opening bands was Prism Bitch which BTS featured drummer Teresa Esguerra.

Prism Bitch was fantastic back in 2019.  They’d have been great to see live again.

The second opening band was Itchy Kitty.  Itchy Kitty are a band from Spokane, Wa. They specialize in a hyperkinetic blend of punk traditionalism and a sort of mangled glam rock pageantry. Their music careens from whiplash inducing riffage to flash delirium freak outs.  Originally, they were a cat-centered band with songs about cats and (if photos are correct) the drummer wearing a cat mask.  But now they just rock and scream and rawk.

I’m a little bummed about missing this, but I’m sure I’ll see them again.

 

 

The first time I saw him was at Union Transfer back in 2015 and he had a five piece band.  That was a couple of iterations ago and now he was back with a new band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford from openers Blood Lemon.

The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry. (more…)

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