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Boot & Saddle R.I.P. (2020)

Posted in Boot & Saddle, Philadelphia, PA, Union Transfer on November 10, 2020| Leave a Comment »

[CLOSED: November 11, 2020] Boot & Saddle

COVID-19 has officially closed one of my favorite clubs of all time.  I hoped beyond all reason that all of my favorite clubs could weather this storm.  And hope in the back of my mind that they are able to resurrect it somehow if this Pfizer vaccine comes to fruition.

The official word:

After seven years and 1,500+ shows, we are now forced to close Boot & Saddle.

With Covid-19 cases back on the rise in Philadelphia, Pennsylvania, and around the country, the thought of having 200 people standing shoulder-to-shoulder in our small indoor bar early next year has faded. After eight months without a show, and without a clear reopening date in sight, we no longer have the luxury of paying the bills and expenses for two closed venues. And so, we have made the difficult decision to close Boot & Saddle for good. We hope that this decision will assure that our sister venue, Union Transfer, can survive well into 2021.

We sincerely appreciate all the support over the years. From everyone who saw a show, had a drink, or played on our stage. We are proud of having provided a stage on which local Philadelphia artists can develop and grow alongside national and international touring acts.

It has been a fun and enjoyable experience from start to finish: transforming an old country & western bar, which was shuttered for eighteen years, into a bustling, live music venue with its iconic neon sign lighting up Broad Street. Boot & Saddle was where the likes of Lizzo and Sam Smith made their Philadelphia debuts. It is also where legendary icons like Thurston Moore and Psychic TV performed for intimate crowds. Where gigantic local bands like The War on Drugs, Circa Survive, and The Menzingers played unforgettable, secret shows. We like to think that over the last few years we helped contribute to the best music scene in the United States.

None of this would have been possible without all the hard work of our entire staff, past and present, especially Gina, Andy, and both Jeffs, who did an incredible job in making South Philadelphia’s first music venue in 30+ years into an incredible success.

In memoriam, we will be creating an R.I.P. Boot & Saddle Benefit T-shirt, if you feel inclined to support the venue one last time. Portions of the proceeds will go towards continuing to pay our full time staff’s health care during the pandemic, as well as keeping the lights on at Union Transfer (for which we very much intend to not have to make an R.I.P. Union Transfer Benefit T-shirt). Check our social media channels in the coming days for that!

We would like to take this final opportunity to remind everyone that local independent venues in our city and across the country are in grave danger. Live Music Venues were the first businesses to close and they will be the last to re-open. As other restaurants, bars and stadiums begin to re-open, our doors remain shut. We cannot sell you a contactless takeout or curbside delivery concert. Without some form of assistance, our local music scene right here in Philly, along with countless others across the country, may collapse. We will keep our socials active, so that we can from time to time pass along news and actions that you can take, to help ensure that the remaining venues in Philly stay open.

For the next week, we will keep the neon lights on at Broad Street to remind everyone of what was. Grab a pic while you can and tag us.

Thank you for the memories, and we hope to see you at Union Transfer.

– xo B&S

Here’s the shows I’ve seen there [with many more planned for 2020/2021, sigh]

11/7/2016 Dilly Dally
11/7/2016 Marge
11/7/2016 Palm
12/4/2016 Jason Anderson
12/4/2016 Strand of Oaks Winter Classic II
5/10/2017 Family Crest
5/10/2017 Oh Bree
9/28/2017 Torres
9/28/2017 Aphra
3/8/2018  Jessica Lea Mayfield
3/8/2018 Mal Blum and the Blums
3/12/2018 Active Bird Community
3/12/2018 We Were Promised Jetpacks
5/9/2018 Sloan
7/26/2018 Japandroids
7/26/2018 Mannequin Pussy
12/7/2018 Strand of Oaks Winter Classic IV
12/7/2018 Carl Broemel
12/7/2018 Joe Pug
2/1/2019 claud
2/1/2019 SOAK.
4/15/2019 Big Heet
4/15/2019 Gurr
4/15/2019 Priests
5/10/2019 Kevin Devine
5/10/2019 John K. Samson
5/10/2019 Shannon Moser
6/5/2019 Ages and Ages
11/18/2019 Blushing
11/18/2019 Lovelorn
11/18/2019 Ringo Deathstarr
12/12/2019 Strand of Oaks Winter Classic V
12/12/2019  Mike “Slo-Mo” Brenner
2/7/2020 Garcia Peoples
2/7/2020 Suffacox Mach 2
2/21/2020 Sloan: Navy Blues tour

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Diet Cig / Sad13 / Thin Lips (First Unitarian Church, Philadelphia, PA, November 4, 2020) [rescheduled date–POSTPONED]

Posted in Coronavirus, Diet Cig, First Unitarian Church, Philadelphia, PA, Philly Music Fest, Postponed, Quarantine, Sad13, Speedy Ortiz, Thin Lips, Union Transfer on November 4, 2020| Leave a Comment »

[POSTPONED: November 4, 2020] Diet Cig / Sad13 / Thin Lips [rescheduled from May 14 Union Transfer]

indexI was really bummed when this show was postponed.  I was even more bummed when it was moved to the Church. I really liked the venue when we first arrived, but by the end, I was hot and sweaty and crowded and worn out.

Then back in September, the venue sent out this message

We that brief note of optimism, now for the bad news: The rescheduled show w/ Diet Cig has now been officially “canceled”. When we rescheduled this show a few months back, we thought we would be in a much different place than where we are currently.

Exactly NOT what I wanted to experience in a club.  So this postponed makes sense to me.  Maybe next time they’ll move them back to a bigger venue.

I have wanted to see Diet Cig ever since I saw them on a Tiny Desk Concert–they are a bundle of energy and the duo play super catchy pop punk.  I wanted to see them before they lost their energy.

I missed them the first time they came around and last time around they played at the First Unitarian Church, a venue I dislike.  So when they announced this show at Union Transfer I was so excited.  This cancellation was a major bummer for me.

Especially since now that they rescheduled it is apparently being moved to the Church again (does this mean sales are really poor?)

Sad13 is the solo moniker of Sadie Dupuis the singer of Speedy Ortiz.  They were wonderful live (and I was right in front of Sadie to watch her terrific guitar work).  I don’t really know much about the Sad13 songs but I assume they will be great if she is behind them.

I saw Thin Lips at the Philly Music Fest and they were absolutely fantastic.  I loved them and was looking forward to seeing them again.  They play catchy pop punk with pointed lyrics.  Outstanding.

So, I sure hope all three can come around for the postponed date (and I hope it sells better and has to get moved out of the Church into a bigger venue).

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Einstürzende Neubauten: The Year of the Rat Tour (Union Transfer, Philadelphia, PA, October 31, 2020) [CANCELLED]

Posted in 2manydjs, Cancelled, Coronavirus, Einstürzende Neubauten, Philadelphia, PA, Quarantine, Union Transfer on October 31, 2020| Leave a Comment »

[CANCELLED: October 31, 2020] Einstürzende Neubauten

indexEinstürzende Neubauten are infamous–they have been making noise (their name means collapsing new buildings) for forty years.

It never even occurred to me that you might be able to see them live.  Apparently,

The last time the Berlin-based band attempted a tour across the Atlantic was back in 2010.

Unfortunately, Blixa Bargeld and Co experienced heavy losses when their ten date 30th-anniversary tour of the US was held up by bureaucratic red tape.

Neubauten had two cancel the tour just two days before the first gig at the Fonda Theatre in Los Angeles, at the time stating:

“While the US Department of Homeland Security did issue approvals for the band’s visas, it was not done in time to secure the appointments at the overseas embassies and consulates that represent the necessary final step in the process.”

Their earliest music was largely noise and mechanical sounds. They have morphed over the years (Blixa Bargeld played with Nick Cave for many years).

What began in 1980 in the Berlin Wall City in impetuous noise constructions went through countless metamorphoses and can still be called the avant-garde today. To avoid the impressive work outstripping the band, Blixa Bargeld, NU Unruh, Alexander Hacke, Jochen Arbeit and Rudolf Moser always set new artistic goals.

I wonder who was going to open for them.

I would really enjoy seeing them live. However, I would never be going to a show on Halloween night–I have kids after all.

It’s a shame that this whole tour was cancelled–I would imagine they would never try coming back to the States. But if they do, I will certainly try to get there.

eineilish

 

 

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Roddy Doyle–“Life Without Children” (New Yorker, October 19, 2020)

Posted in Black Sabbath, Coronavirus, Dublin, Ireland, Goblin Cock, Hawaii Five-0, Irish Writer, Marriage Trouble, New Yorker, Ozzy Osbourne, Parenting, Pinback, Roddy Doyle, Short Story, Slayer, Soundgarden, Technology, Tool, XTC on October 31, 2020| Leave a Comment »

SOUNDTRACK: GOBLIN COCK-Necronomidonkeykongimicon (2016).

Goblin Cock is the hilariously inappropriate name of a heavy metal side project from Rob Crow of the band Pinback.  The album sounds very literally like a heavy cousin to Pinback with a similar (just much heavier) songwriting style.

The band members are: Lord Phallus (Rob Crow)-guitar and vocals; Lick Myheart-guitar; Tinnitus Island-bass; Mylar Grinninstein-drums.  (Probably pseudonyms).

Necronomidonkeykongimicon was the band’s first album in almost ten years after two albums in the early 2000s.  And Joyful Noise records had this to say about it:

Goblin Cock is a band from beyond time, beyond space, beyond your naive concept of dimension in METAL. Since before your pathetic “god” had supposedly “created” you and your kind, Lord Phallus was hunkered in a cybertimeship/fun-dungeon skating the layers of what was considered “true metal” in all societies and in all generations. Eventually His Majesty realized that he really didn’t care and launched a full-scale war against bland metal with an emphasis on ACTUALLY HAVING A GOOD TIME!

The album has 13 songs in 36 minutes–this is not an epic recording or anything.  But despite their brevity, these aren’t blistering punk songs either.  Rather, the songs work primarily in some of the heaviest metal styles (Slayer comes to mind) but also add some really alt-metal sounds (like Tool) in the bridges and choruses.

The first song, “Something Haunted” starts with a classic doom sound.  A distorted, vibrating series of notes–old school metal, including a heavy chugging riff. When he starts singing he sound a bit like Ozzy, but more like an alt-rock Ozzy (with a better voice).  When the bridge comes in, it feels more like Tool than dark metal.  The chorus soars to unexpected alt rock highs and somehow segues tightly back to that opening heavy riffage.  The song is three and a half minutes and is one of the longest songs on the album.

The second song, “Montrossor” starts so quickly, I initially thought it was still part of the first song.  It opens with fast double bass drums and equally fast riffage.  The bridge is a super fast followed by a slower melody (complete with crashing cymbals) that ends abruptly after two and a half minutes.  It ends abruptly and shifts gears into “Stewpot’s Package” which has that same old school style heavy deep opening riffs.  But again, it’s followed by a shift to more Tool-like sound for the bridge.  The chorus shifts gears and sounds almost like an XTC chorus.

“Youth Pastoral” is an instrumental with a practically heavy jazz riff.  The middle grooves all over the place as it shifts gears and style but fits perfectly together.

“Flume” opens with a slow menacing riff and Crow’s clipped singing until the much heavier chorus.  But, really, the most amazing thing about this song is that at the 1 minute mark, he sings the word “hey” for a full twenty-six seconds. It’s astonishing how long he holds that note.  The rest of the song is sung much more quietly, which seems fitting.

“Bothered” is heavy grooving with some excellent back and forth on the guitar parts. A shouting chorus is followed by a kind of guitar solo (more like an instrumental break than a solo proper).  A slow, heavy Soundgarden-esque riff opens “Your Watch.”  The chorus stays in that style, which never sounds like a Soundgarden song (the vocals are very different), but would fit comfortably on their playlist.  It’s followed by “The Undeer” a fast heavy chugging song that’s over in 90 seconds but only after a kind of mocking “la la la” vocal in the middle.

“Struth” opens with a slow drum fill followed by a n old school Black Sabbath-y riff.  The quietest part of the record occurs near the end of this song with a cool-sounding guitar melody (and effects) as the song slows to a pretty end.  But “The Dorse” resumes the heaviness with some intense double bass drum and pummelling guitars. This is another instrumental, but much heavier with some relentless pounding guitar and bass and an almost victorious guitar melody on top.

“World is Moving” is a quiet song that almost doesn’t fit on this record.  It opens with a complex guitar melody and some off-kilter time signatures.  The vocals are quiet and hushed for most of the song until it starts building up by the end.

“Island, Island” returns to the heaviness with a an intense riff and loud crashing drums.  It’s li e classic metal song with lots of drums taking the fore. There’s a catchy melodic middle that is bookended by ferociously heavy chugging guitars.  The middle of the song is about as heavy as this album gets with the thumping guitars and drums all in double time.

“Buck” ends the disc with the longest song–almost four minutes.  It’s slow and grooving and has a feeling of an 80’s sci fi film as the end adds a swirling synth sound.

Despite the band’s name, which will certainly turn off some, this album isn’t silly or overly vulgar.  It’s just some great songwriting in a bunch of heavier styles.

[READ: October 20, 2020] “Life Without Children”

Here’s the third story about COVID that I’ve read.  I’m not going to continue keeping track, but I am marvelling at how many have been published already.

This one is from a different perspective than I’m used to.

In it, Alan, an Irish man in his sixties, is in England on business.  His wife back home in Dublin tells him about all of the quarantining going on in Ireland.

Social distancing is a phrase that everyone understands. It’s like gender fluidity and sustainable development.  They’re using the words as if they’d been translated from Irish, in the air since before the English invaded.

Where he is in Newcastle, it’s like nothing has happened.  He is very careful about what he touches.  He cleans everything.  He envisions the particles floating in the air between the drunk men in the Hawaii-Five-0 shirts.   (more…)

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Lotus Land (Steel Stacks, Bethlehem, PA, October 30, 2020) [rescheduled date–POSTPONED]

Posted in Bethlehem, PA, Coronavirus, Lotus Land, Postponed, Quarantine, Rush, Steelstacks on October 30, 2020| Leave a Comment »

[POSTPONED: October 30, 2020] Lotus Land [rescheduled from April 20; moved to October 30, 2021]

indexIt seemed like as things started to open up that smaller venues like this might have shows.  of course, the concern was–is a smaller venue better since you’ll be so much closer to everyone.  I thought maybe they could have this outside–even in October.  I guess not.

I have no interest in seeing tribute bands.  If I can’t get the real thing, then I won’t get it at all.

However, this Rush tribute band intrigues me because in the pictures they both use doubleneck instruments and their ads say they play mostly late 70 and early 80s Rush.  This is a period I’ve never seen live and I think it might be fun.  Plus they are very highly praised in their reviews.

I put this on my calendar as a show to see if there weren’t much else going on at the time. Well, it turned out to be a hugely busy concert month so I probably wouldn’t have gone.

However, Lotus Land seem to tour up and down the East Coast pretty much constantly, including this rescheduled show in October.  I suspect I’ll be able to see them some time in the not too distant future.

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Five Finger Death Punch / Ice Nine Kills / I Prevail / Papa Roach (Prudential Center, Newark, NJ, October 28, 2020) [rescheduled date–CANCELLED]

Posted in Cancelled, Five Finger Death Punch, I Prevail, Ice Nine Kills, Newark, NJ, Papa Roach, Postponed, Prudential Center on October 28, 2020| Leave a Comment »

[CANCELLED: October 28, 2020] Five Finger Death Punch / Ice Nine Kills / I Prevail / Papa Roach [moved to May 6]

indexAs they started to say people could gather in smaller groups, the likelihood of huge arena shows like this seemed in doubt.  We can all hope that as things get better, new shows will be on the horizon.

At some point (I don’t know when exactly), the band posted this message

Message from the band: We were really looking forward to getting the green light for hitting the road in 2020.

As it stands – and probably as no surprise to you – our Fall tour with Papa Roach, I Prevail and Ice Nine Kills, unfortunately, has to be canceled. Rest assured, we are watching the situation very closely and we will be back on the road the moment it becomes possible 👊🏼💥 We hope to see you guys soon and in the meantime, follow us on social media for news, new music, special announcements, giveaways and all kinds of surprises. 👊💥

(more…)

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Half Waif / Ian Chang (Johnny Brenda’s, Philadelphia, PA, October 24, 2020) [rescheduled date–CANCELLED]

Posted in Cancelled, Coronavirus, Half Waif, Ian Chang, Johnny Brenda's, Philadelphia, PA, Pinegrove, Postponed, Quarantine, Son Lux on October 24, 2020| Leave a Comment »

[CANCELLED: October 24, 2020] Half Waif / Ian Chang [rescheduled from May 13]

indexIt sure seemed like five months of lockdown would be enough time to beat this thing.  The experts said it wasn’t long enough for live music.  And they were right.

I looked up this concert recently and there was no mention of it on the venue website. I wrote to Nandi Rose (thanks Instagram) and this is what she wrote back

yes I had a tour planned for this fall but with touring off the table for the foreseeable future, all shows are on hold 😦 We are still waiting to see when will be the right time to reschedule and perform safely. Thanks for your patience, can’t wait to come back to Philly.

(more…)

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Nicole Krauss–“Switzerland” (New Yorker, September 21, 2020)

Posted in Geneva, Switzerland, Hotels, Humiliation, New Yorker, Nicole Krauss, Set at School, Sex, Short Story, Switzerland, The Last Bison, Violence on October 24, 2020| Leave a Comment »

SOUNDTRACK: THE LAST BISON-“Switzerland” (2011).

The Last Bison is a band based out of Virginia.  They seemed to ride the wave of aggressive folk rock that came out with Mumford and the Lumineers.  They described their sound as “mountain-top chamber music” as they added classical elements (strings mostly) to their alt-folk.

This was the the first song I’d heard by them and I found it really compelling.

The song opens with a quiet melody played on an acoustic guitar or mandolin.  It feels pastoral and I loved that the melody was accented with a percussive banjo or guitar strum.

The vocals are high and rustic with nice harmonies.  After the introduction, a quick acoustic guitar propels the verse (in which singer Ben Hardesty sings high enough to be almost out of his range).

About half way through, tehs ong shifts gears to a minor chord and the heavy strings come in–deep cello and a soaring violin solo.  The song slows down to gentle strums and vocals as he sings the chorus once more before everything builds up one more time.

In 2018, The Last Bison released a new album with a new lineup and a reinvented sound with more keyboards and percussion.

[READ: October 20, 2020] “Switzerland”

The narrator’s family moved to Switzerland when she was 13. Her father was a doctor who wanted to specialize in trauma and Switzerland had the best hospital for trauma study (which was ironic given that Switzerland “is neutral, alpine, orderly”).  She was too young to live on campus, so she resided with her English tutor, a Mrs Elderfield.

Two other girls, both eighteen, were also staying there. The girls were Marie who came from Bangkok via Boston and Saroya who came from Tehran via Paris.  The older girls laughed at her naivete but they were always kind to her.

Marie and Saroya were sent to Switzerland because of their troubled past–sex, stimulants, and a refusal to comply.  Their parents hoped the school would “finish” them, but the schools knew they were finished already. (more…)

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King Gizzard and the Lizard Wizard / Leah Senior (Franklin Music Hall, Philadelphia, PA, October 22, 2020) [rescheduled date–POSTPONED]

Posted in Australia, Coronavirus, Franklin Music Hall, King Gizzard and the Lizard Wizard, Philadelphia, PA, Postponed, Quarantine on October 22, 2020| Leave a Comment »

[POSTPONED: October 22, 2020] King Gizzard and the Lizard Wizard / Leah Senior [rescheduled from May 22; moved to October 23, 2021]

indexI was bummed when KGATLW had to postpone a show in May. I mean, come on, Coronavirus, would certainly be over by May, right?  Well, now it’s October and things are still crazy.  I really hope they can do this again next year.

Of course, knowing them, they’ll have three more albums out by then.

I have become a huge fan of King Gizzard and the Lizard Wizard (are there any other kinds of fans of them?) since I first heard about them a few years ago.

I’m sad that I missed them on the tour just before the first time I saw them (at a smaller venue when newbies like me hadn’t heard of them yet), but I have seen them twice since.

In both cases, the band overcame somewhat unpleasant (to me) situations (obnoxious capacity crowds and unreasonable heat) to change my mind from swearing I’d never bother seeing them again (before the show), to hoping they’d come back really soon (after the show).

I’m not at all surprised that this show was postponed and they have already rescheduled the new date.  So we’re all good.  I just hope the damned air-conditioner works next time.

The last time I saw KGATLW, the two opening bands were kind of doom/psychedelic–perfect matches for KGATLW’s more recent sound.  This year’s opener is a singer named Leah Senior.

Leah Senior did the narration on KGATLW’s Murder of the Universe album.  But her music is a completely other thing.  She sings gentle folk songs with delicate guitar playing and her beautiful soft voice.

I can;t imagine how well she would go over with a rowdy KGATLW crowd and I also wonder if that means that KGATLW would play their more mellow stuff?  Nah.

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Mountain Goats (John Darnielle solo) (Musikfest Cafe, Steel Stacks, Bethlehem, PA, October 12, 2020) [rescheduled date–POSTPONED]

Posted in Bethlehem, PA, Coronavirus, John Darnielle, Musikfest Cafe, Postponed, Quarantine, Steelstacks, The Mountain Goats on October 12, 2020| Leave a Comment »

[POSTPONED: October 12, 2020] Mountain Goats (solo) [rescheduled from June 4; moved to June 27, 2021]

indexWhen this show was rescheduled there were still a few chairs left. Musikfest Cafe seems like  a pretty safe venue–lots of distancing available.  But I wasn’t sure if I wanted to go to a show yet.  Having it postponed, made the decision for me.

I like The Mountain Goats quite a lot.  I think John Darnielle is a great songwriter.

I’ve never seen them (or him) live and I’ve often thought it would be an enjoyable night, but they’re usually just under my radar.

I’d usually prefer to see a band rather than its lead singer solo, but in this case, I don’t know if it would make that much of a difference to me.  Seeing him at the Musikfest Cafe would be pretty fantastic–a great venue with excellent acoustics.

The biggest surprise to me is how quickly his shows sell out.  If this one hadn;t sold it, it was very close, by the time it was postponed.

2425316-1591535737

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