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Archive for the ‘Cities’ Category

[ATTENDED: June 7, 2023] Post Animal

I hadn’t heard of Post Animal, but when I read about them, I was really interested in checking them out.

They came out on stage–all five of them–and proceeded to blow me away with a fusion of what I heard as Rush meets King Gizzard.

The Rush component came in some of their extended, prog-like songs that ended in chord patterns that were very much Rush adjacent.  The King Gizzard part came from some of the frenetic guitar soloing.  And what was really really fun about them was that every song was really different.

Some were straight up riff rockers.   Some had multiple parts.  Indeed, I didn’t actually know how many songs they played before they spoke.  I thought it might be one fifteen minute song, but i believe it was actually three shorter songs.

They had four different vocalists (some who switched off during one song, I believe). (more…)

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[DID NOT ATTEND: June 5, 2023] Pierce the Veil / The Used / Don Broco / DeathbyRomy

My son has been into Pierce the Veil for a while.  When they announced a show last year we were going to go, but they weren’t the headliners, and it seemed like a lot for just 45 minutes of music.

So here they were, possibly headlining (certainly co-headlining) this Creative Control tour with The Used.

There were literally FIVE shows that we could have gotten to for this tour.

This was the first one.  And the least likely for us to attend.  A Monday night show on the Rooftop at Pier 17, thank you, but no.

The second one was at the Skyline Stage at the Mann Center.  Not a great venue to drag to on a Friday night (we would’ve certainly missed at least one band).  But I already had tickets to see Pixies.  I would have given those up for this show, but was happy I didn’t have to.

The third show was at the Stone Pony and that’s what we got tickets for. (more…)

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[DID NOT ATTEND: June 4, 2023] Grandson / K. Flay / Jack Kays

Last year my son and I saw grandson and he was great.  It was a stellar show.  So when he announced a new tour this year I grabbed us both a ticket.

Last year I know he was really into the grandson album, but I hadn’t heard him talk much about the music this year.  He had seemed excited about the show when I told him about it, but as it drew close I felt like maybe he didn’t fell like going.

It turns out that the school was going to Great Adventure the next day and he didn’t want to be tired for it.  Which is fair. I happened to do a ton of yard work during the day and the last thing I wanted to do was stand for three hours in Franklin Music Hall.

Even though I’m sure grandson kicked ass.  And maybe if I liked his openers more next time I’d see him again.

Jack Kays is a 22-year-old musician from Cincinnati, Ohio, here to raise awareness for mental health, drug addiction, and redemption—situations and obstacles he personally has faced, gone through, and overcame. Blending the genres of hip-hop, alternative, and folk, Jack carves his own unique lane and sound, while touching the masses with his remarkable story.

The one song I listened to was all acoustic guitar and intensity.  I rather liked it.  He’s also apparently a trained chef!

K. Flay (full name Kristine Meredith Flaherty), is an American singer, musician, songwriter, and rapper. Her debut album Life as a Dog was released in 2014.

Her singing style reminds me a lot of grandson’s actually.  They seem like a perfect fit.  In fact, when the tour was announced I wasn’t sure if the two of them would be performing together or separately.  I mean, the official tour name was Grandson & K.Flay Present: I Love You, I’m Trying Tour.

I wish we were more up for going.

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[DID NOT ATTEND: June 2, 2023] Panchiko / Horse Jumper of Love / LSD and the Search for God

The story of Panchiko is absurd.

The band first received public attention in 2016 when their 2000 demo EP D>E>A>T>H>M>E>T>A>L was discovered by a 4chan user in a charity shop in Sherwood, Nottingham and shared online. The EP’s status as lost media led to a dedicated cult following and a community devoted to tracking down its band members. This was unbeknownst to the band until 2020, when Davies was found and contacted by a fan through Facebook.

Panchiko has since released two compilation albums remastering their older music: a reissue of D>E>A>T>H>M>E>T>A>L combining their first two EPs and Ferric Oxide (Demos 1997-2001). In December 2021, the band performed their first show in over twenty years in their hometown of Nottingham, after which they embarked on their first tour in the United States.  In November 2021, they amassed over 10 million streams on Spotify.

I mean, not to mention that the word they are talking about is actually Pachinko.  But whatever.  I listened to the EP back in 2019 or so and liked it.  I considered seeing them when they came around in 2022, but it fell through for some reason.

I didn’t actually hear about this show until a few days ago and it was too late to make plans to go. I haven’t even really listened to the new music to know if I wanted to go, so no big deal.

Back in 2021, when I looked up Horse Jumper of Love, I discovered

They play downbeat, rather depressing mope rock.  With occasional flares of noise attached.  I’d hope they’d be more lively in concert.  But I doubt it somehow.

LSD and the Search for God are pretty interesting.  I listened to a few of their songs and really liked them. And then, just as quickly, I got tired of them.  Drugs, huh?

LSD and the Search for God hit the Northern California coast in 2005–seemingly from another space and time–dosing San Francisco’s underground psychedelic music community with hypnotic live shows built upon swirling guitars, otherworldly drones, fuzzed-out pop hooks, and youthfully flirtatious male/female vocals.

I suspect they’d be very good live.

 

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[DID NOT ATTEND: June 2, 2023] Mike’s Dead / The Haunt / Crucial Device / Death Valley Dreams

The only reason I know about this show is because my friend Ryan Williams is in Death Valley Dreams.  He’s a great guitar player who has been bouncing around with bands for a while.  I’ve never actually seen him play live, and this was one where I thought I might be able to make the show.

But a Friday night show one very short notice (I found out two days ago) was really hard to secure.  So it didn’t happen.

I have never heard of Mike’s Dead.  His bio says:

Combining elements of legendary industrial/ hard rock groups such as Rammstein, Nine Inch Nails, & Limp Bizkit with modern trap/ electronic elements,  American rapper & producer, Mike’s Dead, has paved his own lane as a multifaceted artist.

Had I gone to this show, I probably would have left during this set.  Or, maybe he pulled it all together in a way I might have liked.

I have seen The Haunt open for The Hu and frankly I’m surprised that they weren’t the headliners.  But maybe they’re not that famous.  About that 2021 show,  I wrote

The Haunt, formerly known as AnastasiaMax are from South Florida. The band consists of siblings, Anastasia Grace Haunt (lead vocals), and Maxamillion Haunt (vocals, guitar and production).

Anastasia has an amazing voice–really power and diversity.  Max sang lead and harmony vocals and their voices sounded fantastic together.  The set was great and I felt like they really won over the audience.

Crucial Device is a ‘synth-punk’ band formed in 2022 by Steve Saputelli, leader of the 90’s industrial-cyberpunk originators Punch Drunk.  According to his bio, he is an active multi-instrumentalist and production enthusiast, he also built and performed with his own animatronic, signal controlled band members!

I’d totally want to see them if t here were animatronic players!

I only found out that Ryan was in Death Valley Dreams a few days ago.  I hadn’t even heard of the band before that.  Their bio (from before Ryan joined–I think he’s just a touring keyboard player at  the moemnt) says

Death Valley Dreams combines haunting guitar textures, infectious melodies, dark and thought-provoking lyrics, pulsing grooves, and almost nostalgic-sounding synth atmospheres. As one fan described, “It’s as if The Cars got David Bowie to sing and played something that could have been on The Lost Boys soundtrack.” The sound is familiar yet fresh and unique.

That Cars/Bowie thing is pretty accurate actually.

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[DID NOT ATTEND: June 2, 2023] Silversun Pickups / The Backfires

Silversun Pickups were doing a four date mini-tour and I was sure I could finally get to see them.

I’d have preferred to see Silversun Pickups at Parx (even though I’ve had some really bad experiences there lately) because it is easier to get to.  But tickets there were $30 more than at Starland.  So the hell with that.

Anyhow, I have thought about seeing Silversun Pickups a few times and it never materialized.  They have two songs that I love and a few others that I like quite a lot.

I bought a ticket for NJ so I wasn’t likley to go to Parx as well.  Even when I didn’t go to Starland.  Alas.

The Backfires are a band from New York (and the lead guy lived in London for a few years).  They are a rocking alternative band in the Arctic Monkeys vein.  I enjoyed most of their recently released EP.  Word has it that they are going to be the next big thing.  Let’s find out.

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[DID NOT ATTEND: June 1, 2023] Silversun Pickups / The Backfires

I tend to dislike Starland Ballroom, primarily because it can take forever to get into the building.  I missed an entire opening act while waiting online outside.   I’d have preferred to see Silversun Pickups at Parx (even though I’ve had some really bad experiences there lately) because it is easier to get to.  But tickets there were $30 more than at Starland.  So the hell with that.

Starland has acknowledged their shitty check in process by now instituting a $15 VIP/skip the line ticket.  So, reward them for being shitty at their jobs.  No thanks.

Anyhow, I have thought about seeing Silversun Pickups a few times and it never materialized.  They have two songs that I love and a few others that I like quite a lot.

This show was during a week that I had no other shows and during which nothing big was going on.  And, my friend Brendan was going to be there.  So I waited until the day before the show to buy a ticket.

Then I got home and life caught up with me and I had things to do and couldn’t go.  Alas.

The Backfires are a band from New York (and the lead guy lived in London for a few years).  They are a rocking alternative band in the Arctic Monkeys vein.  I enjoyed most of their recently released EP.  Word has it that they are going to be the next big thing.  Let’s find out.

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[ATTENDED: May 27, 2023] Le Tigre

Le Tigre’s song “Deceptacon” became a huge viral Tik Tok sensation last year.  I remembered the song from the 90s.  I was interested in Le Tigre because Bikini Kill’s Kathleen Hanna was involved.

I liked it enough, but I found it so simplistic and repetitive that I didn’t really enjoy the album all that much.  I grabbed their second album, but didn’t follow through with them after that.  They put out one more album and then broke up.

Then they announced a reunion tour.  My daughter really wanted to see them.  The first date was at Union Transfer and then they were going to Europe.

I snagged two tickets as soon as I could and, amazingly, we would see Kathleen Hannah twice in two months.  (more…)

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[ATTENDED: May 27, 2023] Shamir

I was supposed to see Shamir on several different occasions, but it never happened.

So I was really quite pleased to see that they were announced as the opening act for this Le Tigre show.

Shamir is a Philly based singer songwriter.  When they first released “On My Own” I was so intrigued by the song.  Shamir’s voice soars to really high notes.  The song is very poppy, but with some great rocking guitars and full-on band.

Later Shamir released an album called Heterosexuality which explored personal issues with songs like “Gay Agenda” and “Cisgender.”

When Shamir came out, the crowd was immediately supportive.  When they asked who here is gay?  90% of the crowd waved their hands.  Which was good because the first song “Gay Agenda.”

Shamir’s band was great.  Rhea on drums and Grant on bass added a ton of accompaniment to Shamir’s relatively quite guitar playing.

The album has a lot more synthy sounds that fill in the songs.  Live, it was just the three of them with Grant’s basswork really shining.  And the songs rocked a lot harder with Rhea really smashing the drums.

I was pleased that they sang “On Mu Own” especially now that I see that Heterosexuality is their eighth album!  It sounded pretty different, a bit more gritty.  Shamir said it was an introverts anthem and when someone guessed that it was an asexual anthem, well, Shamir was fine with that.

They played the first single from the soon to be released album on Kill Rock Stars called “Oversized Sweater.”  I’m curious to hear what this new phase of Shamir’s career will bring.

On a few songs Shamir’s voice dipped into a low growl which was especially effective on “Other Side” –the “metal portion of the show.”

As the set neared the end, Shamir busted out an amazing version of “Cisgender.”  It was full of so much rawness–much more powerful than the recorded version.

And the set ended with “Our Song” (not the Taylor Swift song).  It’s about a couple who lives above a record store (based on a show he saw in England).  It was a great ending.

Shamir’s voice is pretty incredible and they can hold a note like few singers I know.

  1. Gay Agenda ⊕
  2. Reproductive ⊕
  3. On My Own §
  4. Oversized Sweater £ (first time played)
  5. Other Side §
  6. Appetizer
  7. TEARS
  8. Cisgender ⊕
  9. Our Song £

£ New album (2023)
⊕ Heterosexuality (2022)
§ Shamir

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[DID NOT ATTEND: May 26, 2023] Avatar / Veil of Maya / Orbit Culture

I’ve seen Avatar twice.  The last time was about a year and a half ago.  They always put on a good show with lots of spectacle.

I thought my son would enjoy going to see them with me so I got us both tickets.  I tend to forget that there’s a lot of growling and unclean vocals in Avatar because the parts I remember are more theatrical and campy/circusy.

This tour was for their new album which I didn’t know all that well.  But it turns out they were playing from throughout their career and it seems like they played for two hours.

We were both feeling pretty exhausted this week, and were both kind of hoping the other didn’t want to go.  So when he asked if he could bail, that was fine with me.  Especially since the show wound up with some things I wasn’t that excited about.

The opening band was changed so they would go on at 6:30, which would be fine if I was leaving from work, but a real pain to get home and then drive back to Philly.  On the positive side, this mean the show would end kind of early, but that was a small comfort.

I was intrigued by the opener Orbit Culture, a Swedish melodic death metal band.  They are heavy and brutal and yet there’s something about them (maybe because they are Swedish) that I liked better than most of this kind of music.  Plus you could actually understand the unclean vocals and when Niklas Karlsson sings cleanly he has a great powerful voice.

Veil of Maya is a metalcore band from Illinois.  I think of all of the subgenres of metal, metalcore if probably my least favorite.  This band has a lot going on with different vocals styles, lots of sound effects and some progressive metal time changes.  Frankly, it sounded exhausting on a night when I was tired.

So, I knew I wasn’t going to make Orbit Culture.  If I wanted to Make Veil of Maya, I would have to leave shortly after I got home and I wasn’t prepared for that.

As the time I’d have to leave to make Avatar rolled around, I thought about TLA.  It’s a pain to park there most times.  But a Friday night, arriving after 8PM?  It just seemed like far too much work for only one band.  So I was fine with blowing this show off.  And if I they come back around I can always see them again if I want to.

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