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[ATTENDED: July 19, 2022] Phish

This was my thirteenth Phish show (thus making it the most I have seen any band).  Going to a show two nights in a row is tough (although I have done it many times).  But going to a show at the Mann Center two nights in a row is really tough.  Especially when it is very hot and I know I’ll be standing the whole time.

But Phish never disappoints at a two night Mann Center run.

This time I decided to stand on the concrete behind the seats for most of the set.  I snuck into the seated area a few times (and did managed to park it during intermission) but it’s such chaos down there that it was sometimes harder to see anything.

I wound up much of the night standing near a guy and his son.  It was the son’s first show and they were following the band onto Ohio for a run of three or four shows.  And the kid got a good show!

They opened with a perfect sing for such a hot night–a sultry, slow building “Steam.”  This was my third time seeing them play it and I feel like it may have been the best–it really sounded great (maybe because it opened the show?).  They changed things up with a bouncy “Runaway Jim.”

Then they blew my mind by tossing in a segment from “Colonel Forbin’s Ascent.”  From time to time they will play pieces of this ancient song cycle that Trey wrote as a youth.  I would love to see this whole thing performed live although I know I never will.  But to get snippets of it here and there is wonderful.  So here was “Tela” which leaves just a couple of songs left from The Man Who Stepped Into Yesterday.

The mellow “Tela” jumped into a song I don’t think about too often but which is a lot of fun live: “Kill Devil Falls.”  It’s bouncy and lively and just a big ball of summer fun.  They jammed that out for 11 minutes until it segued into the delightful “Theme from the Bottom.”  I really enjoy this song and there was some great soloing in it as well.

They followed it with “Birds of a Feather.”  Story of the Ghost was the first new album of Phish material that I got into back in the day and this song has always been a favorite, so I’m always thrilled to hear it live.  But as the song was ending I couldn’t help but notice that a tech guy was bringing what sure looked like a vacuum cleaner out to the stage.  No.  Frickin.  Way.

The three guys started an a capella “I Didn’t Know” and Trey announced “Ladies and gentlemen, he only breathes water, but he sucks air.  It’s Moses Brown, Moses Heaps, and Moses DeWitt” .  Paige and Mike played a jazzy melody while Trey played the drums and maple ample use of Fishman’s sample pad. While Fish played  the first vacuum solo I’ve seen in person!

They followed that with a “Funky Bitch,” a song I’ve seen a few times and which is always a blast to see live because they rock it hard.  They ended the set with “Split Open an Melt.”  I enjoy a good “S.O.A.M.” (and this was a good one) but I can’t believe I’ve seen this song five times and have yet to see a “Possum” which they have played at 200 MORE shows in their history.

But a stretched out 15 minute SOAM was certainly a fun set ender with its noisy, growly, echoey, dirty guitar sounds and Paige’s complementary synth noises taking everything down into the darkness (along with Chris Kuroda’s lights) until it pulled us all back out again.

They opened set two with “AC/DC Bag” a song that seems to be on every live record they’ve put out and which I couldn’t believe I hadn’t actually seen live myself before.  So it was fun to get the crowd energy of this old classic, especially when jammed out to ten minutes.

The song jumped right into “Soul Planet” a Try song that I didn’t know and hadn’t heard before but which rocked perfectly. and also stretched out for ten minutes.  It’s amazing how many songs these guys know.

The jam seemed like it was getting darker and darker buy they quickly pulled it out into a bright “Simple,” one of my favorite songs of theirs.  This jam was nearly 15 minutes long and had a weird middle part with warm washes of synths from Paige while Trey soloed away, creating a very unusual feel for a Phish song.  But it came out of that pretty quickly and returned to Trey’s new favorite raw, dirty guitar sound.

The groove then bounced into “Light,” an upbeat jaunty number that I’m rather fond of.  The jam bounced around a few different styles and ended up in a “Party Time”!  I’d never seen one live and the crowd completely got into the vibe.

Trey slowed things down for a mellow “Lonely Trip” after which Fish started the frenetic high hat that could only mean “David Bowie” was coming.  I love this song and this was only my second time hearing it.  It’s funny how Trey had a hard time with the formal parts of the songs yesterday but was (mostly) spot on for these more challenging ones today.

This show was not high on my list for scoring new songs to check off (although I did get a few), but it was a solid rocker from start to finish and a fully enjoyable one with some great songs thrown in.

Last night I left the show as quickly as possible.  On this night the parking was utter chaos with no one directing us anywhere.  I parked in a spot that was probably not even legal–in the circle, on the grass.  I also crept near the exit for the encore.

The encore was probably my favorite mellow Phish song.  “Waste.”  I love the sentiment of the chorus “come waste your time with me.”  It dates all the way back to 1996 but it still works.  I don’t love a mellow encore, so I was happy that there was one more tacked on.  A rollicking “Loving Cup.”   I never really gave this song much thought until I saw Phish play it live.  They have a lot of fun with it and the crowd really gets into it. It’s a solid encore and a good night ender.

That parking spot proved to be perfect because I didn’t have to merge with anyone.  I backed out successfully and was on the road leading out in no time at all.  They were the two most successful exits from the Mann center ever.  They almost made me want to go back.

Maybe next summer.

Maybe.

~~~~

The five and four timers club

  1. Mike’s Song [5]
  2. Weekapaug Groove [5]
  3. Split open and Melt [5]
  4. Roggae
  5. You Enjoy Myself
  6. 46 Days
  7. Slave to the Traffic Light
  8. Suzy Greenberg
  9. Wilson
  10. Everything’s Right (this Trey song is getting A LOT of play).

A Phish.net site lists every song that Phish has every played and when the last time it was played.  So I decided to make my own personal ultimate list of Phish songs I’d like to see.

According to that site, I have seen 123 different songs and there are 184 songs [not including the dozens of one-offs that they will not repeat] that I have not heard them play.

The completist in me would love to hear all 184 of those songs, (some they haven’t played in years, so that’s unlikely).  But given that enormous list, I have now selected the 36 or so songs that I want to hear live (the ones on the bottom are the rest of the Kasvot Voxt album and it would be cool to get the whole thing, but not essential).  These are in order of frequency of play (“Possum” is their second most frequently played song and I have not yet heard it live), which means likelihood I’ll hear them I guess.

The Gotta See List (Number in brackets is the number of times the band has played the song)

  1. Possum [548]  (Weekapaug Groove has been played 497 times and I’ve heard it 5 times)
  2. Golgi Apparatus [469]
  3. Cavern [467]
  4. Foam [349]
  5. Lizards [325]  (Split Open and Melt has been played 332 times and I have seen it 5 times)
  6. Maze [326]
  7. Sample in a Jar [298] [saw it TREY SOLO]
  8. Fee [283]    (Slave to the Traffic Light has been played 272 time and I have seen it 4 times)
  9. It’s Ice [243]
  10. Wolfman’s Brother [220]
  11. Silent in the Morning [185]
  12. Punch You in the Eye [161]
  13. Prince Caspian [165]
  14. Twist [160]
  15. Scent of a Mule [137]
  16. Guyute [132]
  17. Heavy Things [95] [TAB played it]
  18. Sleeping Monkey [94]
  19. Ocelot [94] [TAB played it]
  20. Stealing Time from the Faulty Plan [79]
  21. Farmhouse [82] [TREY played it]
  22. Joy [52]
  23. A Song I Heard the Ocean Sing [43]   (Everything’s Right has been played 42 times and i have seen it 4 times)
  24. Pebbles and Marbles [27]
  25. Weigh [44]
  26. Big Black Furry Creatures from Mars [131]
  27. Kung [38]
  28. Axilla (Part II) [46]
  29. Fuck Your Face [18]
  30. Mexican Cousin [15]
  31. Ass Handed [17]
  32. Colonel Forbin/Mockingbird
  33. *Stray Dog [Kasvot Växt] [4]
  34. *Everything is Hollow [Kasvot Växt] [3]
  35. *We Are Come to Outlive Our Brains [Kasvot Växt] [9]
  36. *Play By Play [Kasvot Växt] [3]

SETLISTS

 

July 20, 2022 [Mann Center night 2 of 2] July 19, 2022 [Mann Center night 1 of 2]
SET ONE SET ONE
Steam (8:27) [3] Space Oddity [David Bowie] (5:27) (a cappella) (first time since 2017)
Runaway Jim (11:50) [2] Martian Monster (5:50) [2]
Tela (6:46) Halley’s Comet (17:03) [2] (Richard Wright cover)
Kill Devil Falls (10:59) [2] Stash (11:57)
Theme from the Bottom (7:51) [2] The Moma Dance (7:22) [3]
Birds of a Feather (6:16) [3] Gotta Jibboo (8:09) [2]
I Didn’t Know (4:36) [with vacuum solo] (Richard Wright) Shade (4:27) [saw Trey perform at Newport]
Funky Bitch (6:48) [3] (Son Seals) Old Home Place (3:27) (The Dillards)
Split Open and Melt (14:58) [5] Walls of the Cave (11:49) (3)
SET TWO SET TWO
AC/DC Bag (10:01) More (5:37) [3]
Soul Planet (9:51) [Trey song] Tweezer (15:54) [3]
Simple (14:50) [3] Cities (5:03) [Talking Heads]
Light (9:28) [3] Tweezer (4:53) [3]
Party Time (7:34) Passing Through [Kasvot Växt] (4:34)
Lonely Trip (7:34) [Trey song] Izabella (4:01) [2] (Jimi Hendrix)
David Bowie (13:10) [2] Tweezer (4:40) [3]
ENCORE Mercury (7:30) 
Waste (5:29) [2] Piper (13:59) [2]
Loving Cup (7:41) [2] (Rolling Stones) Tweezer (1:11) [3]
Also Sprach Zarathustra / 2001 (7:48) [2] (Richard Strauss cover)
Character Zero (7:26) [2]
ENCORE
Drift While You’re Sleeping [Ghosts of the Forest] (11:45)
Tweezer Reprise (3:37) [3]

 

August 15, 2021 [Atlantic City night 3 of 3] August 14, 2021 [Atlantic City night 2 of 3]
SET ONE SET ONE
The Landlady (6:08) Llama [slow version] (8:03)
Scents and Subtle Sounds (pt. 1) (1:59) Tube (7:56) [2]
The Moma Dance [slow] (14:06) Destiny Unbound (7:24)
The Final Hurrah [Kasvot Växt] (8:25) [2] Ya Mar (6:36)
Mike’s Song (9:30) [5] 46 Days (7:57) [4]
I am Hydrogen (2:56) [3] Reba [no whistle] (12:03) [2]
Weekapaug Groove (8:09) [5] Soul Shakedown Party (6:02)
The Sloth (4:32) Split Open and Melt (15:36) [4]
Roggae (8:18) [4] The Squirming Coil (9:57)
Back on the Train (5:23) [2]
You Enjoy Myself (20:02) [4]
SET TWO SET TWO
Carini (15:44) [3] I Never Needed You Like This Before (5:21)
Set Your Soul Free (10:49) [Trey Song] [2] Drowned (15:54)
Beneath a Sea of Starts (Part 1) [Ghosts of the Forest] (8:20) [2] Ghost [slow version] (11:47) [1 first slow version]
Piper (11:57) [a bit more Carini] Scents and Subtle Sounds (pt 2 only) (4:56)
Waves (6:33) Chalk Dust Torture (8:30) [2]
Simple (6:42) [2] No Quarter (8:06)
About to Run [Ghosts of the Forest song] (6:47) [2] Slave to the Traffic Light (10:15) [4]
First Tube (8:21) Suzy Greenberg (7:48) [4]
ENCORE
ENCORE A Life Beyond the Dream (7:46)
Fluffhead (15:01) Tweezer Reprise (3:38) [2]
Backwards Down the Number Line (8:45) [2]

 

December 30, 2019 Madison Square Garden [night 3 of 4] December 29, 2019 Madison Square Garden [night 2 of 4]
SET ONE
Wilson (4:49) (4) Turtle in the Clouds (7:51) [Kasvot Växt]
The Final Hurrah (7:37) [Kasvot Växt] The Moma Dance (7:54) (2)
46 Days (8:40)  (3) Kill Devil Falls (8:40)
The Ballad of Curtis Loew (5:02) [Lynyrd Skynyrd cover]  Yarmouth Road (7:12) [Mike song]
Blaze On (17:17) (3) The Wedge (7:41)
Corinna (5:32) [Taj Mahal cover] Beauty of a Broken Heart (5:28) [Page song]
Mike’s Song (6:24) (4) Fuego (9:16) (2)
Contact (6:13) My Friend, My Friend (5:25) (no Myfe ending)
Weekapaug Groove (4:59) (4) Birds of a Feather (5:42) (2)
About to Run (7:47) [Ghosts of the Forest song] While My Guitar Gently Weeps (7:12) [The Beatles cover] (first time since 2013)
More (8:18) (2) Walls of the Cave (11:07) (2)
SET TWO SET TWO
Tweezer (36:08) (2) [LONGEST SONG I’VE SEEN] Carini (13:52) (2)
Pan Story (3:25) Back on the Train (6:22)
Ruby Waves (13:23) [Ghosts of the Forest] (2) Bathtub Gin (15:44)
Steam (with Tweezer reprise and Ruby Waves reprise) (11:53) (2) Golden Age [TV on the Radio] (11:06) (2)
Slave to the Traffic Light (9:28) (3) Also Sprach Zarathustra / 2001 (8:16) [Richard Strauss cover]
ENCORE Sneakin’ Sally Through the Alley (5:12) [Lee Dorsey cover]
Rock & Roll (7:19) [Velvet Underground cover] Chalk Dust Torture (5:19)
Harry Hood (18:53)
ENCORE
Show of Life (5:35) [Trey song] (2)
Run Like an Antelope (9:08)

 

Camden, June 29, 2019
December 30, 2018 Madison Square Garden [night 3 of 4]
SET ONE SET ONE
Mike’s Song (9:12) (3) Alumni Blues (5:14)
I Am Hydrogen (3:02) (2) Letter to Jimmy Page > Alumni Blues (1:53)
Weekapaug Groove (8:01) (3) Mike’s Song (9:14) (2)
Divided Sky (15:48) Glide II (4:03) (first since 1995)
Everything’s Right (9:50) [Trey song] (4) Weekapaug Groove (12:38) (2)
Guelah Papyrus (5:22) Crosseyed and Painless (8:50)
Sparkle (3:51) (3) Bliss (1:39)
Roggae (7:59) (3) Billy Breathes (5:35) (2)
46 Days (10:31) (2) No Men in No Man’s Land (7:50) (3)
SET TWO Tube > Weekapaug Groove > Tube (10:02)
Blaze On (9:23) (2) More (6:23)
NICU (4:57)  SET TWO
Golden Age (8:27) [TV on the Radio] Cool Amber and Mercury (9:35) [Kasvot Växt]
Ruby Waves (13:38)[Ghosts of the Forest] Everything’s Right (15:30) [Trey song] (3)
Death Don’t Hurt Very Long (2:57) [Kasvot Växt] Plasma (9:09)
Rift (6:11) (3) Light (20:01) (2)
Beneath a Sea of Stars Part 1 (8:10) [Ghosts of the Forest] [debut] Wading in the Velvet Sea (5:25)
Waiting All Night (4:59) Split Open and Melt (18:26) (3)
Ghost (8:17) ENCORE
Say It to Me S.A.N.T.O.S (6:42) [Kasvot Växt] Funky Bitch (5:33) (2) (Son Seals)
ENCORE Wilson (4:10) (3)
You Enjoy Myself (19:50) (3) Rocky Top (2:40)
Grind (1:51) (a capella) Cavern (4:45)

 

Camden August 8, 2018
Camden, August 7, 2018
SET ONE SET ONE
The Moma Dance (9:34) Crowd Control (5:20)
Free (8:03)  No Men in No Man’s Land (7:34) (2)
Undermind (8:27) Blaze On (11:22)
Theme From the Bottom (8:23) Lawn Boy (4:16)
My Sweet One (2:09) Infinite (9:26)
Steam (8:38) Wilson (4:08) (2)
Train Song (3:09) Roggae (9:29) (2)
Halley’s Comet (6:29) Rift (6:08) (2)
Everything’s Right [Trey song] (16:41) (2) 46 Days (9:41) [with Theme from S.W.A.T. tease]
SET TWO Sparkle (3:34) (2)
Julius (8:06) David Bowie (11:27)
Carini (11:49) SET TWO
Set Your Soul Free (10:52) [Trey song] Down with Disease (24:28) [3rd LONGEST SONG I’VE SEEN]
Wingsuit (9:05) Backwards Down the Number Line (8:28)
Scents and Subtle Sounds (12:04) I Always Wanted It That Way (8:45)
Waste (6:20) Miss You (6:25)
Split Open and Melt (11:59) (2) Light (16:30)
Character Zero (8:47) Mike’s Song (7:32)
ENCORE I Am Hydrogen (3:08)
Suzy Greenberg (6:33) (3) Weekapaug Groove (8:46)
ENCORE
Show of Life (Trey song) (6:02)

 

2017 Bakers Dozen Night 13 [Glazed]
2017 Bakers Dozen Night 1 [Coconut]
SET ONE SET ONE
Dogs Stole Things (4:57) Shake Your Coconuts (3:37) [Junior Senior cover]
Rift (6:25) Martian Monster (6:02)
Ha Ha Ha (1:36) Timber ho! (8:29) [Josh White cover] (2)
Camel Walk (6:20) 555 (7:30)
Crazy Sometimes (7:38) [Mike song] Pigtail (8:00) [Trey song]
Saw It Again (6:08) Halfway to the Moon (8:44)
Sanity (5:32) Reba (12:53) (no whistling end)
Bouncing Around the Room (4:01) Moonage Daydream (6:07) [David Bowie cover]
Most Events Aren’t Planned (11:38) [Vida Blue song] Walls of the Cave (11:45)
Bug (7:05) SET TWO
I Been Around (3:55) Tweezer (16:12)
Izabella (6:42) [Jimi Hendrix song] Seven Below (13:10)
SET TWO Billy Breathes (5:27)
Simple (25:58) [2nd LONGEST SONG I’VE SEEN] Sparkle (4:08)
Rise/Come Together (7:28) [Trey song] Everything’s Right (11:42) [Trey song]
Starman (5:27) [David Bowie song] Slave to the Traffic Light (9:23) (2)
You Enjoy Myself (24:01) (2) [4th LONGEST SONG I’VE SEEN] Suzy Greenberg (8:09) (2)
Loving Cup (7:48) [The Rolling Stones song] Coconut (3:18) (a capella) [Harry Nilsson cover]
ENCORE ENCORE
On the Road Again (2:32) [Willie Nelson cover] The Mango Song (7:42)
Lawn Boy Reprise (1:28) Good Times, Bad Times (5:44) [Led Zeppelin cover]
Bass Solo (0:30)
Tweezer Reprise (3:56)

 

2016 Mann Center
SET ONE
Wilson (5:09)
Funky Bitch (6:14) [Son Seals cover]
No Men in No Man’s Land (8:16)
Roggae (9:46)
Nellie Kane (2:59) [Hot Rize cover]
Gumbo (6:21)
Birds of a Feather (7:35)
Sleep Again (6:05) [Trey song]
Things People Do (2:49)
Limb By Limb (7:19)
Split Open and Melt (10:18)
The Oh Kee Pa Ceremony (1:43)
Suzy Greenberg (6:40)
SET TWO
Fuego (16:04)
Runaway Jim (7:52)
Gotta Jibboo (8:51)
Breath and Burning (9:34)
Timber ho! (5:36) [Josh White cover]
Slave to the Traffic Light (9:36)
You Enjoy Myself (18:43)
ENCORE
Quinn the Eskimo (4:49) [Bob Dylan cover]

 

TREY ANASTASIO BAND SETLISTS FOR ADDITION

 

TREY ANASTASIO BAND Fillmore 2016
TREY ANASTASIO solo Newport Folk Fest 2019
SET ONE Sample in a Jar [PHISH] 
Sand (11:18) [PHISH] Blaze On [PHISH]
Sometime After Sunset (5:39) Brian and Robert [PHISH]
Mozambique (3:43) The Inlaw Josie Wales [PHISH]
Magilla (2:59) [PHISH] Set Your Soul Free
Gotta Jibboo (10:25) Back on the Train [PHISH]
Pigtail (6:29) Farmhouse [PHISH]
Curlew’s Call (9:38) Rise/Come Together [TAB]
Cayman Review (7:30) Shade [PHISH]
Ocelot (9:12) [PHISH] Summer of ’89 [PHISH]
Valentine (6:06) Sand [PHISH]
Tuesday (5:50) Snowflakes in the Sand [TAB]
SET TWO Steam [PHISH]
Drifting (7:39) More [PHISH]
Night Speaks to a Woman (10:21)
Delta Lady (4:29) [Leon Russel]
Simple Twist Up Dave (9:30)
The Song (5:06)
Feel It Still (3:11) [Portugal, The Man]
49 Bye-Byes (4:42) [Crosby, Stills & Nash]
Last Tube (10:40)
Architect (7:18)
Clint Eastwood (7:43) [Gorillaz]
Black Dog (8:35) [Led Zeppelin]
ENCORE
The Parting Glass (3:02) [traditional]
Heavy Things (5:08) [PHISH]
Push On ‘Til The Day (10:23)

 

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[ATTENDED: July 19, 2022] Phish

This was my twelfth Phish show (thus making it the most I have seen any band).  I usually don’t mind going t o see bands by myself but Phish shows are the weird outlier because I never get good seats (it’s always lawn) and because everyone seems to be with a bunch of people and I don’t want to gate crash.  Phish fans are pretty friendly but can also be a bit much, so it’s risky to tie yourself to a group for an evening.

The Mann is a pain in the ass to get to for me, but their new policy of free parking s a godsend.  I arrived in plenty of time to get a poster (outset the venue) and to get it back to my car and then to get a spot mid lawn as the guys came out an started an acapella “wawawawawah” which was a little odd until Trey started singing “Ground control to Major Tom.”  Yes, an acapella “Space Oddity.”  It was insane and wonderful.  I love that Trey did the guitar soo with his mouth and while I’m usually cranky when people sing over the band (especially the a capella songs, it was hard not to sing along to this classic sing along song).

The guys moved to their instruments and Paige played the opening narration to “Martian Monster” with the repeated samples of “Your trip is short.”  I’ve only heard this once before and it’s a fun groove.  After a brief pause, Mike started the bass vocal intro to “Halley’s Comet.”  I’ve also only seen this live once before.  It’s an old song that I know well and that’s a crowd favorite.  The regular parts of the song were a little clunky but the jamming was really smooth.  It mellowed out nicely and stretched out to over 17 minutes of trippy chill out.

As the song ended Trey played a riff that sounded familiar, but I think it was wrong…  “Stash” played on the wrong fret, perhaps.  [As the reviewer for “Live for Live Music put it: “Trey had a touch of cheesesteak fingers for chunks of the composed section of “Stash”, briefly bringing the energy down for the initial drop into the jam.”]  But it was almost like a segue into the song proper.  And man was I psyched because this was my first ever live Stash, a song that I love–the guitar line is just so lovely (boy is it a shame he flubbed it so badly later in song).  But it was still fun to clap and sing along to.  Paige was also throwing in cow sounds throughout the show which was fun. (more…)

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[ATTENDED: July 17, 2022] Fucked Up [moved from January 23, 2021]

I’ve been intrigued by Canadian band Fucked Up since I first heard of them. Obviously they had no intention of getting mainstream success with a name like that.  And yet, their music has turned heads.

Which is also a bit of a puzzle because, while it can be very, very catchy, lead singer Pink Eyes screams like the lyrics are comic from the pit of his soul (although you can actually understand most of what he says, which is a neat trick).

Pink Eyes is Damian Abraham who had led the band since 2001.

Fascinatingly, the band won the Polaris Prize in 2009 (for an album with mostly guest vocalists).  They followed up that album with david Comes to Life in 2011–a rock opera set in 1970s and 1980s England. The story involves unreliable narrators and meta-narrative plot devices.

And so it was that in 2021, they were going to do a ten year anniversary and pay the album front to back.  It was postponed, but, undaunted, they pressed on in 2022.

I had never seen Fucked Up before, but had a pretty good idea what to expect.  And yet they exceeded any expectation.

The band came out on stage while a projection of the band with their logo was on the screen behind them.  They played the opening song (an instrumental) and then Damian came out in sweatpants, and a black vinyl glove (he later revealed that he had cut his hand and this was protecting his from getting blood everywhere).  He proceeded to do his screaming thing. (more…)

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[ATTENDED: July 17, 2022] Pony [moved from January 23, 2021]

I had not heard of Pony before this show.  I was interested in hearing the original opening band, Empath, who are a Philly band that play a kind of noise punk.  Rolling Stone says “They sound like four people who sat in a room flexing their own freaky styles until — before they realized their interests might be wholly incompatible — the chaos created its own logic.”  They sound pretty great.

But Pony are a pop punk band from Toronto and they were fantastic.

Pony is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).

For a couple of songs at the end Sam didn’t play guitar she just sang and dominated the stage, stomping around in Doc Martins and a plaid skirt. (more…)

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[ATTENDED: July 13, 2022] Home is Where

I saw Foxing three years ago without knowing much about them.  Their live show blew me away.  So when it was announced that they were playing Philly again, I had a choice. Go to the Bikini Kill show that I’ve had tickets to for years or go to the Kevin Devine show which I had gotten tickets for just in case it sold out, or blow off them both and go to Foxing.

Well, Bikini Kill was postponed (again) and Kevin Devine was a solo show (which is good, but I’ve seen him solo twice already), so I decided to go to Foxing without having a ticket.  Traffic was light, I got free parking (well, technically it cost 68 cents) and bought a ticket in cash with no handling fees!

I went downstairs and was kind of surprised at how young the audience was.  I was also surprised by how well people seem to know the opening band Home is Where who hail from Florida.

The band is a four piece: josiah gardella – drums ; trace george – guitar ; brandon macdonald – tantrum, harmonica, singing saw ; connor “fat slaps” o’brien – bass. (more…)

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[ATTENDED: July 13, 2022] Greet Death

After the wildness of Home is Where, I wasn’t really sure what to expect from Greet Death.  I assumed they had gotten their name from Explosions In the Sky who have a song called that.  Which meant that they would probably be instrumental post-rock.

But they aren’t.

They are a four-piece from Detroit with two lead singers.   When I saw them I was in front of Samuel Boyhtari who has a more pleasant singing style.  On the other side of the stage was Logan Gaval who is more of the mouthpiece of the band, I’m guessing. (more…)

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[ATTENDED: July 13, 2022] Foxing

I saw Foxing three years ago without knowing much about them.  Their live show blew me away.  So when it was announced that they were playing Philly again, I had a choice. Go tothe Bikini Kill show that I’ve had tickets to for years or go to the Kevin Devine show which I had gotten tickets for just in case it sold out, or blow off them both and go to Foxing.

Well, Bikini Kill was postponed (again) and Kevin Devine was a solo show (which is good, but I’ve seen him solo twice already), so I decided to go to Foxing without having a ticket.  Traffic was light, I got free parking (well, technically it cost 68 cents) and bought a ticket in cash with no handling fees!

The two opening acts were really good and I settled in for Foxing.  They had just announced a new live album that you could get online or you could get (autographed) at the shows.  I bought the LP before the show (only 20 were sold each night) and was stuck holding it the whole time (next time bring a bag).

The lights went down and a recorded song played while fireworks were projected on the screen behind the stage.  Then the band came out.  For some reason I thought there were more of them, but there were only five.  And they were loud enough that they could have been ten.

Foxing released a new album last year and this was the tour for it, so there were lots of “new” songs.  But the fans knew them all (I mean the record has been out almost a year).

Singer Conor Murphy is a dynamic frontman.  He moves around, he jumps, he screams, he engages with the audience.  It’s like every note he sings is personally connected to him.  He has a delicate falsetto (not unlike TV on the Radio) but he can scream, like really roar, with the best of them.

And the way the band jumps from quiet to HUGE is really impressive. (more…)

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[DID NOT ATTEND: July 13, 2022] Kevin Devine / Anika Pyle

The embarrassment of riches continued on July 13.  Initially the Bikini Kill show was rescheduled for this date–but it was postponed again.

I’ve been a fan of Kevin Devine for a few years.  I feel like I’ve seen him a bunch because he so often plays around here.  And yet I have only seen him three time (twice solo and once with his Goddamn Band).  I would love to see him again and would absolutely gone to see this show except that Foxing, a band I saw once who were amazing live were playing the same night.

I actually had tickets for this show but decided kind of last minute to see Foxing instead–it hadn’t sold out so I got a ticket at the box office.

I feel like it is far more likely that I’ll see Kevin Devine again soon.

Anika Pyle has written her own bio on he site:

Many know me as the front person in the short-lived but well-loved Chumped or the feminine exploration power pop project katie ellen. In February of 2021, I released my first solo record – Wild River  – a mix of song and spoken word poetry paying homage to my late father who died suddenly in 2019. The record explores failure, shame resilience, intergenerational trauma, and how to find hope after grief.

I hadn’t heard of her.  The few clips I’ve heard make it seem like her music is slow and moody.  Not my favorite mix.

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[POSTPONED: July 13, 2022] Bikini Kill / Brontez Purnell [rescheduled from November 22, 2020 and October 2, 2021; moved to April 7, 2023]

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About a week before this show was supposed to happen we got another update that the show was postponed yet again.

I like to note that I bought ticket to this show on November 10, 2019.

The reunited riot grrrl stars were originally set to play a host of North American shows across June and July this year, but had to postpone them due to a positive COVID case in their touring party.

Original support act Alice Bag is long gone replaced by Brontez Purnell who is still slotted to support next year.

Brontez Purnell is an American writer, musician, dancer, and director based out of Oakland, California. He is the author of several books, including Since I Laid My Burden Down, and the zine Fag School; frontman for the punk band The Younger Lovers; and founder of the Brontez Purnell Dance Company.

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(more…)

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[DID NOT ATTEND: July 12, 2022] Barenaked Ladies / Toad the Wet Sprocket / Gin Blossoms [rescheduled from July 14, 2020 and July 13, 2021]

I haven’t seen Barenaked Ladies in a while.  They always put on a good show, although i feel like I’ve enjoyed the last few a little bit less than the previous ones.

I always consider going to their Last Summer on Earth tours, but i typically dislike the other bands that are playing with them–usually 90s bands that I assumed were broken up. Which doesn’t really speak all that well of BNL (unless it speaks well of them trying to boost old bands).

I never liked Gin Blossoms.

I liked Toad the Wet Sprocket for their name (which comes from Monty Python) but couldn’t tell you a single song they sang.

So, it was very unlikley that I was going to this one.  And I didn’t.

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As recent as mid-May this concert was still listed as happening in 2021, but when you clicked to buy tickets, the ticket pages said 2022.

I know that the whole “Last Summer on Earth” thing is a joke, but it’s getting a little creepy now.

I was kind of hoping they’d switch opening bands by now but, instead of this show, I think I’ll be seeing them at the Festival of Ballooning on July 24th instead.

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I have seen Barenaked Ladies almost more than any other band.  I’ve seen them from way back in the early days to a few times in the last few years.  They are reliably solid live (if not a bit predictable with their setlists).

We didn’t see them for last year’s “Last Summer on Earth” tour.  They have been using that name for the last several years, it may be time to think of a new name, especially given the current state of the world.  I wasn’t planning on going to this show mostly because I don’t really like the opening acts.  And, honestly, unless the show was something special and different, it would entirely depend on the opening acts whether I went or not. Maybe they’ll mix them up for next year.

Toad the Wet Sprocket got their name from a Monty Python skit which immediately made me like them.  I think I ha a cassette of their first album, maybe.  I haven’t really thought of them in years and remember them being kind of inoffensive.  Oh, wait, they had a pretty big hit with “All I Want,” a sweet slightly alt folk rock song.  I’ll bet there would be lots of lighters up for that song.

I really hated Gin Blossoms back in the 90s.  They were so overplayed and hardly qualified as alternative or college rock, but they were lumped in that category.  They had a number of songs that I probably know all the words to even though I never listened to them on purpose.

With a lineup change I’d consider seeing them next summer, especially if they changed the name of the tour.

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