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SOUNDTRACK: XFM-It’s a Cool Cool Christmas (2000).

This is a long Christmas collection (about 72 minutes).  So it’s a bit hit and miss.  But the hits are pretty great.  The problem really is that the disc gets a little bogged down and slow in the back half.  The first half is bright and fun.  Either re-sequnce or add in some peppier songs!  There are a couple that just don’t belong on a Christmas collection.  Remove them, and you’ve got a good one.

GRANDADDY-“Alan Parsons In A Winter Wonderland”
I’ve loved this version of this song ever since I heard it here.  By making the simple substitution of Alan Parsons for Parson Brown (which doesn’t make any sense, really), they are able to make all kinds of weirdo jokes and musical changes to an otherwise completely faithful version of the song.  It’s terrific.

THE DANDY WARHOLS-“Little Drummer Boy”
Generally I don’t like this song.  It’s a little too ponderous and repetitive, but The Dandy Warhols totally rock it out.  It’s not crazy or anything, it’s just super catchy with a cool synth riff and great backing vocals on the “bum bum bum bums.”

THE WEBB BROTHERS-“Every Day is Christmas”
I feel like this compilation is the first I’d heard of this song, but since then I see that others have done it as well.  This version anyway is slow although it’s catchy–particularly the chorus.  I’m not sure I get exactly what the chorus is saying though: “every day is Christmas, if only tonight,”  What does that mean>

EELS-“Everything’s Gonna Be Cool This Christmas”
This is a poppy punky track that’s upbeat and fun.  Just before the solo E (the singer) even mutters, “Baby Jesus, born to rock.”

El VEZ-“Feliz Navi-nada”
One of my favorite Christmas songs–rocking and silly but with the spirit still in tact.

MORGAN-“Christmas In Waikiki” [NSFC]
This track opens with a Merry Christmas to the soldiers, in what sounds like Marilyn Monroe’s voice.  It then turns into a keyboard-heavy, almost reggae march through a wah wah instrumental.  Then there’s a quote from, I assume Richard Pryor, who jokes about a 300 pound honky.  This f-bomb dropping joke makes this not safe for Christmas.

DRUGSTORE-“Maybe At Christmas Time”
This a slow song filled with hope for Christmas.

BELLE AND SEBASTIAN-“O Come, O Come Emmanuel”
I have always been puzzled at the way they change the melody of the song–they sing the “and random captive” part without a pause, so the first line runs right through.  It feels rushed, but is anything but.  Once you get past that though the music sounds lovely with those gentle guitars and voices.”

GIANT SAND-“Thank You Dreaded Black Ice, Thank You” [NSFC]
This is kind of a dark song, spooky and whispered vocals.  Even if there is a happy message, it’s not really a very festive song.

THE FLAMING LIPS-“White Christmas” [NSFC]
Despite my love for The Lips, I never cared for this version.

SAINT ETIENNE-“My Christmas Prayer” [NSFC]
A pretty, moody piece of longing.  Not really anything I want to hear on Christmas.

DEPARTURE LOUNGE-“Christmas Downer” [NSFC]
This is surprisingly catchy for such a downer.  But it is indeed a downer.

SIX BY SEVEN-“I Believe In Father Christmas”
Things pick up with this version of the dark, but wonderful Greg Lake song.

SNOW PATROL-“When I Get Home For Christmas”
This seems like its kind of dark and mopey, bu the sentiment is actually quite nice.  Sounds a bit like Sebadoh.

TITÁN-“Spiritual Guidance” [NSFC]
Titán are a Mexican electronic band.  This instrumental samples a movie which has a guy telling a young woman to remove her panties.  It’s a shame it gets dark like that because the disco Jingle Bells in the middle is good fun.

BIG BOSS MAN-“Christmas Boogaloo”
This is a groovy, funky instrumental with random chants about Christmas.  Its good fun indeed.

TEENAGE FANCLUB-“Christmas Eve”
This is a beautiful guitar based mostly instrumental.  It’s a lovely piece and far too short at only 2 minutes.

CALEXICO-“Gift X-change”
Despite Calexico’s usually bright sound, this song is pretty sad, musically and lyrically.

GORKY’S ZYGOTIC MYNCI-“Hwiangerdd Mair”
This is a very pretty song which, if Google Translate is to be believed actually means Mary’s Halloween in Welsh.  But whatever.  Gorky’s always has a great way with a melody.

LOW-“Just Like Christmas”
I actually thought this was Aimee Mann singing. Despite Low’s penchant for slow, broody songs, this one is upbeat, even if it wasn’t just like Christmas at all.  But the big thumping drums keep it moving along nicely.

LAUREN LAVERNE-“In The Bleak Midwinter”
This sounds like a children’s choir very far away.  I’d never heard of her before and I have learned: Lauren Cecilia Fisher, known professionally as Lauren Laverne, is an English radio DJ, model, television presenter, author, singer and comedian.  Wow.  This is pretty neat but could use a bit more oomph.

[READ: December 15, 2017] “The Copy Chief”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

I had to play catch up with these earlier stories because this collection arrived late (my fault, not theirs).  I put this one off because it was so long, and yet it turned out to be one of my favorite stories in the collection so far.

Not because of anything flashy or exciting, just because of good writing and compelling characters. (more…)

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SOUNDTRACK: SQUIRREL NUT ZIPPERS-Christmas Caravan (1998).

The Squirrel Nut Zippers Christmas album is pretty much what you’d expect.  Part swing, but far more old-timey sounding.  This disc is comprised of originals and some unfamiliar covers.  I really like the swinging parts, but some of the slower songs are a bit too slow for me.

“Winter Weather” is my favorite song on the disc, with the cool drawl of, I assume Katharine Whalen, and the neat horn accents.

“Indian Giver” is an original.  Despite the offensiveness of the premise of the song, it swings nicely.  “A Johnny Ace Christmas” is a bluesy original song, I rather like the guitar parts that sprinkle the verses.  “My Evergreen” is another original.  It’s a slow shuffle that kinds of drags the album a bit.

Things pick up with a ripping “Sleigh Ride” It’s all instrumental and features that great moment in the back half where things slow down and then they bring it back up really big.  Good fun.

“I’m Coming Home for Christmas” is a slow original full of longing.

“Carolina Christmas” picks things up again with a hopping shuffling number about Christmas in Carolina.  “Gift of the Magi” is a slow ballad.  It is a retelling of the O. Henry story, Gift of the Magi, told in verse.  It’s a rather clever retelling of the story.  The duet format is pretty effective for this number.

“Hot Christmas” is a horn-filled swinging instrumental (with occasional chants of “hot Christmas”).  It’s got some good swing and lots of horn solos.

“Hanging Up My Stockings” is a slow swing number.  It’s earnest and sweet.  After a small pause, the disc tacks in the the original version of the song bu Chester Church on a crackling vinyl platter.  It is sweet and unassuming just like the lyrics indicate: “I want to show old Santa Claus that I believe.”

[READ: December 1, 2017] “Edna in Rain”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

I loved this story as well.  Edna is walking down the street when the first one falls from the sky.  Kevin is the first one–he was the one who could do that amazing thing “where you flip the girl from the top to the bottom without letting go.”  She caught up with him a little and then she went on her way.

The Marisa fell out of the sky.  It was nice to see her but by now, they had both moved on.

Then came Brent and Rico. (more…)

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SOUNDTRACK: BRAVE COMBO-It’s Christmas, Man (1991).

This is one of my all time favorite Christmas records.

I love that it plays around with the styles and tempos of traditional songs and yet it remains very faithful to the spirit of the holidays

Brave Combo is a band who likes to have fun, and they certainly do that here.

This record may have been the first time I’d heard “Must Be Santa” (Polka) back in 1991, and their version is peppy and wild.  In my mind it is the accurate version.  There’s lots of fun percussion and crazy sounds.  It’s got a klezmer beat and a conga session at the end.

“Oh Christmas Tree” (Samba) is a 3 minute nearly all instrumental wild version. The vocals come in about 30 seconds from the end to zip through it.  “It’s Christmas” [Cha Cha] I love this song.  It is catchy and fun and is just the epitome of Christmas to me.

“Corrido Navideño” [Ranchera]  This is a mellower song, sung in Spanish.  That’s an unexpected change, but Brave Combo celebrates all kinds of musical styles.  “The Christmas Song (Chestnuts)” [Ska] is upbeat and dancey and so much fun.  Although the vocals at the end are a bit understated for the rhythm.
“Christmas In July” They have some fun with the lyrics: “bells on the ice cream truck” “Rudolph the sunburned reindeer.”  “Have yourself a merry, steamy Christmas.”  It’s fun, fast and dancey.  “Please Come Home For Christmas” is a bluesy song.
“Hanukkah, Oh Hanukkah” [Hora]  This is fast and punky and a wonderfully jazzy version.
“Frosty The Snowman”  This is a short jazzy version of the song with horns taking the vocal melody.
“The Little Drummer Boy” [Guaguanco]  I love the various styles of drums which makes this song more vibrant to me than many other versions.  It feels calypso to me.  “Santa’s Polka” [Polka] This song is outstanding, funny and sweet.
“Feliz Navidad” [Cumbia] The album kind of slows down a bit at this point.  This is a little too slow for my tastes, especially given the wonderful faster versions that are out there.  It’s not bad it just sounds like it’s designed for older people.
“Ave Maria”  This is a pretty operatic version of the song.  It is just acoustic guitars and the singer’s lovely operatic voice.  It is completely out of place on this disc.  If anything it should have gone last, right?
“Buon Natale” [Waltz]  I never realized how strange this song is until I listened closely to this fun, upbeat waltz.
Far away across the sea
In sunny Italy
There’s a quaint little town
Not a clock has been wound
For over a century
They don’t know the time or year
And no one seems to care
And this is the reason
The Christmas season
Is celebrated all year
“Jingle Bells” is only 45 seconds long and it is zippy and minor key in a klezmer sort of way.  A jolly fun way to end the disc.

[READ: December 1, 2017] “Dogs of Cuba”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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SOUNDTRACK: MAYBE THIS CHRISTMAS TREE? (2003).

 I really didn’t like the second volume of this series.  But this third volume is back to form.  Nearly everything on this record is great.  There’s a few songs where they have chosen to take all of the joy out of the Christmas song.  This is a valid choice, sure, but it doesn’t work when a collection mixes it up with happy Christmas songs.

But by far, this album is far more positive than mopey.

THE POLYPHONIC SPREE-“Happy Christmas (War is Over)”
I don’t really like this song, but this version is fun.  I think the full choir overwhelms what i don’t like about the song.

THE RAVONETTES-“The Christmas Song”
I don’t really know The Ravonettes, but I love this version of this song  The whispered vocals, the plinky guitar, the general rocking shuffle–it’s all good to me.

DEATH CAB FOR CUTIE-“Christmas (Baby Please Come Home)”
It would take a lot for Death Cab for Cutie to mess this up.  This is a terrific version of this song.

PEDRO THE LION-“I Heard the Bells on Christmas Day”
This is a slow piano ballad.  I actually thought it might be Coldplay.  It’s too slow, especially given the other songs so far.

BELSANA-“Bittersweet Eve”
This is a catchy folk song although it leans towards the mopey in the vocal delivery.  And technically it’s about New Year’s Eve.

IVY-“Christmas Time is Here”
I love Ivy.  Her voice is so great in general.  This version of the song sounds really compressed, almost like a music box, which makes its sound even prettier.

ROYAL CROWN REVUE AND VICKY TAFOYA-“Baby It’s Cold Outside”
I don’t know if Royal Crown Revue is typically a retro sounding band, but man, this song is perfectly retro.  It sounds like it could have been recorded a long time ago, right down to the vocal styling.

TOM McRAE-“Wonderful Christmastime”
I don’t understand why you would take this song and make it a downbeat ballad.

PILATE-“Fairytale of New York”
I love the original of this song so much.  Musically, this version is pretty good, but there’s something vocally about it that falls flat for me.  It may just be that it’s close but not exactly right so it feels off to me.

LISA LOEB-“Jingle Bells”
It sounds like she’s smiling entirely through this song, which is exactly as it should be–even with a somewhat breathy version like this.

JARS OF CLAY-“Christmas for Cowboys”
This is a John Denver song that I didn’t know before.  It’s kind of a country song, but it doesn’t really feel like it in this version.  I like the cowboy whistle.

COPELAND-“Do You Hear What I Hear?”
Because of the autotune, this version grates.  And yet, I find it strangely compelling add well.   The guitar chorus and synth voices are great, but when it gets into the auto tune it goes too far until it goes way too fast and actuate sounds interesting again..

[READ: December 12, 2017] “Kings”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

I really enjoyed this story, which was designed as a Crowdfunding request to do exactly what the title asks.

We see that the person’s goal is $5,229 and that she has received $1,395 with 28 days to go.

That all seems reasonable except for the whole Land of the Dead business. (more…)

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SOUNDTRACK: MAYBE THIS CHRISTMAS TOO? (2003).

This second installment of this Nettwerk Christmas series is much darker than the first.  Perhaps this is indicated by the tree being on fire.  In fact, of the three it’s the one I listen to the least, despite the fact that it has a couple of my favorite Christmas songs on it.  The downer songs are labelled [NSFC] Not Safe for Christmas.

RUFUS WAINWRIGHT-“Spotlight on Christmas”  I love this song.  It’s actually quite sad and stands up for poor little rich people at Christmas, but the chorus is so pretty.  And i really love Rufus’ voice.

EISLEY-“The Winter Song”
I’ve never heard of this band outside of this song (they are still active).  The song is terrific and their voices and harmonies are really wonderful.

AVRIL LAVIGNRE & CHANTAL KREVIAZUK-“O Holy Night”
This version of the song has stuck with me for years.  I simply cannot decide if Avril has the most pure and unmodified voice when singing his song or if she is just totally flat (which I don’t think she is).  I find her delivery is haunting in a very strange way.  Krevizauk, on the other hand has and absolutely incredible voice and her parts are amazing.

RILO KILEY-“Xmas Cake” [NSFC]
This is the first of many depressing songs.  Five and a half minutes of bad news and sad tidings.  Good grief.  The melody is nice and maybe in another context it would be powerful, but holy crap, no one want to hear this at Christmas.

DAMIEN RICE & LISA HANNIGAN-“Silent Night” [NSFC]
This is a really dark song that turns Silent Night from a song of hope to one of despair.

GUSTER-“Donde Esta Santa Claus?”
This is perhaps my favorite Christmas song, ever.  It’s fun and lighthearted and super catchy.  I can’t believe it is wedged in between these really dark songs that I always skip.

THE BE GOOD TANYAS-“Rudy” [NSFC]
This is a sweet, catchy song until you hear the words and that its about a red-nosed wino who dies.  Good grief.

DAVE MATTHEWS BAND-“Christmas Song” [NSFC]
This song has a pretty decent melody but Matthews sings it really quietly and, man, it just never goes anywhere. It’s five and a half minutes long and has no energy.  Gah.

OH SUSANNA-“Go Tell It on the Mountain”
I always forget that this is a Christmas song, but it certainly is.  It’s full of gospel tinges, as it should be.  Apparently new lyrics have been added but I don’t know all the words so it was news to me.

BARENAKED LADIES-“Green Christmas”
BNL has recorded three versions of this song.  It was written for the 2000 film How the Grinch Stole Christmas and appeared on the soundtrack.  It also appears on Barenaked for the Holidays.  Each of those versions is different and they both differ from this one.  It’s a bit of a downer but only as much as BNL can be downers.

MARTINA SORBARA-“It’s the Most Wonderful Time of the Year” [NSFC]
Never has anything wonderful felt so sad and mopey.  This bluesy version is kind of interesting but man is it ever at odds with the meaning of the song.

BADLY DRAWN BOY-“Donna & Blitzen”
This is another terrific song.  Its got a  great melody, some terrific piano and a super catchy chorus.  Its not exactly Christmas although it sort of is and certainly works for the Christmas season

THE FLAMING LIPS-“White Chritsmas” [NSFC]
Despite my love for the Lips I really don’t like this version of the song at all.  It’s subtitled that it is a demo for Tom Waits which might explain why it is sung in such a crazy way, but Waits would do it so much better.  He just sounds mocking all the way through.

SIXPENCE NONE THE RICHER-“It Came Upon A Midnight Clear”
This band used to be pretty huge back in the day.  This song is very pretty–played on a kind of Spanish-sounding guitar with some neat and kind of spooky keys playing single notes at the end of each verse.  It’s a really cool version and ends the disc on a good note.

[READ: December 12, 2017] “Kings”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

This is a story about D.H. Lawrence and his life in Kandy, Ceylon in 1922.  I don’t know anything about Lawrence, so I assume this is all based on research.  As with most fictionalizations of real people’s lives, I don’t get why it was written.  But it was quite interesting and enjoyable, so maybe that’s why.

He and his German wife had exiled themselves from England immediately after the war.  They met an American, Brewster, who invited them to Kandy, nicknamed Little England.  But it was a sad trick, that name, for it was all jungle.  Lawrence suffered from tuberculosis and the jungle heat did not help. (more…)

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SOUNDTRACK: MAYBE THIS CHRISTMAS (2010).

This is one of my favorite Christmas discs.  There’s not a lot of traditional Christmas music on it, but the originals are all either spot-on Christmas songs or at least work nicely for this time of year.  The only song that doesn’t fit is Ben Folds’ which is funny and vulgar.  It is not safe for Christmas and should be skipped in a family setting and saved for the drunken debauchery part of the night.

PHANTOM PLANET-“Winter Wonderland” Back in 2010, Phantom Planet was a kind of buzzy, talked about band (you’ll have to look up why).  But this is a great version of the song, I especially love that it’s kind of rocky and slightly dissonant but still really pretty.

RON SEXSMITH-Maybe This Christmas.
It’s a shame that this series of records is named after this song, which is so forgettable.  I usually like Sexsmith’s stuff, but I can’t keep this song in my head at all.

COLDPLAY-“Have Yourself a Merry Little Christmas”
Unlike Phantom Planet which was all buzzy when this was recorded, Coldplay had yet to take off and had a small hit with “Yellow.”  It’s interesting to hear this spare version (just Chris Martin singing and playing piano) and how he modifies the words in small ways.

VANESSA CARLTON-“Greensleeves”  This is a lovely version of this song, even if Carlton’s voice is a bit affected (and its technically not a Christmas song in this lyrical version).

BRIGHT EYES-Blue Christmas
This is a nice version of this song, mellow and catchy.

SENSE FIELD-“Happy Christmas (War Is Over)” The more I listen to this song, the more I think it’s really weird.  “The yellow and red ones” (?).

JIMMY EAT WORLD-“12/23/95”
This is a very catchy Jimmy Eat World song (once again, before they got huge for a time).  It’s hard to realize its Christmas-related until late in the song when they mention the holiday.

JACK JOHNSON-“Rudolph”
I love this version of “Rudolph” so much because Johnson tacks on an ending where the other reindeer feel bad of making fun of Rudolph.  And Johnson’s vibe is just always so mellow and chill.

BARENAKED LADIES & SARAH McLACHLAN-“God Rest Ye Merry Gentlemen”
This recording is quite old–from 1996.  The artists work very well together and Sarah’s voice sounds great.

BEN FOLDS-“Bizarre Christmas Incident” [NSFC]
Ben played all of the parts himself on this song.  I love Ben and I love when he is funny and vulgar.  But this song which is very vulgar and mildly funny is so out of place on this disc.  You can’t play this for the kids, whereas everything else is totally fine. I might like it on a vulgar CD collection bu I dislike it a lot here.

DAN WILSON-“What a Year for a New Year”
Dan Wilson always writes pretty, catchy songs.  This is a lovely song that seems (possibly) even more appropriate in 2017 than it did in 2002 when he wrote it.

NEIL FINN-“Sweet Secret Peace”
This is a very pretty, delicate song with a wonderful chorus.  It’s not necessarily a Christmas song, but it works at this time of year.

LOREENA MCKENNIT-“Snow”
McKennit’s voice is amazing, and this song is hauntingly beautiful.  It’s a stark and lovely ending to this disc.

[READ: December 14, 2017] “Lady with Invisible Dog”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived I’ve decided to post about every story on each day.

This story was pretty bizarre and really wonderful.

There’s so much going on.  And much of it is pretty weird.  The story is set in 1995.  The narrator, Edwin, has had a run-in with a man called “The Narrator.”  And that has set all of the action of the story in motion. (more…)

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SOUNDTRACKENYA-Oiche Chuin (1995).

I bought this 3-song single back in 1995.  A few years later Enya released a Christmas EP with five songs on it.  It contains the first and third songs from this single and then a few songs from her other records.

“Oiche Chuin” is Irish for Silent Night.  Her version of the song is beautiful and haunting.  The melody is the same, but it has all of Enya’s trademark sounds on it which makes it even more ethereal.  Having it in Irish in no way removes the power of the song, unless of you course you just listen for the lyrics.

“Oriel Window” is a pretty piano instrumental–very different from her multi-tracked productions.

‘S Fagaim Mo Bhaile” is a lovely Enya track.  Not Christmassey, but it’s in Irish so it doesn’t really matter what it’s about.  It translates as “And I Leave My Home,” so it is full of sorrow and yearning.

So not a full Christmas album but the version of “Silent Night” is wonderful.

[READ: December 12, 2017] “Souterrain”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

I didn’t expect that these advent stories would be all sweet and full of Christmas, but I also didn’t expect to read about bodies being torn in half and flattened by tanks.

I have enjoyed a few stories from Boyko in the past.  However, this story is, as you can tell from the title, a military story.

What happens in military stories?  Somebody (sometimes everybody) gets killed.  And the rest of the time everyone else is more or less waiting to get killed.  Either you wipe out the enemy or they kill you.  It is a torturous time where any diversion is welcome.

But these frightening episodes don’t really make for compelling stories–especially if the person you care about is going to die.

So you can only read for the details of each story and hope they are effective..

The one nice change for this story was that most of the soldiers were women.

I guess these are actually five episodes within the story:

“High Ground” is about choosing the safest place from which to attack some one.

“Six Inches” has the soldiers talking about death (if she had been six inches to the left she would be dead.  And then they were all attacked.

“Mail Call” looks at what happens to the package of a dead solider.

“Still Alive” deals with a soldier’s fear of the dead and how to cope with it–by exposing herself to more dead bodies.

“The Cook Up” finally shows some leisure.  The soldiers are allowed to scrounge for something other than the lousy food ratios.  It’s nice to see them enjoying themselves for a few hours before they all die.

Being a soldier really must suck.

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SOUNDTRACK: PUNK ROCK XMAS (1995).

Long before it was cool to make “punk” things for mass consumption, Rhino released this Christmas album.  I bought it because I was pretty tired of Christmas songs back in 1995 and this was a pretty good antidote.

Listening to it twenty years after it came out, I was surprised to hear how many songs would fit pretty nicely in a contemporary rocking playlist.  Although in the true spirit of punk, there are a number of songs that wouldn’t fit at all, either because of the very anti-Christmas sentiment or the bad language.  I have labelled those [NSFC] Not Safe for Christmas.

THE RAVERS-(It’s Gonna Be A) Punk Rock Christmas
This song is actually quite fun.  Santas’s gonna be a Sex Pistol for a Day and Farrah Fawcett is going to change her hair.
THE DICKIES-Silent Night
This is a fairly faithful rendition of the song, just done as a surf punk song with the nasal vocal delivery of The Dickies.  I’ve know this song for decades and have rocked out to it on many a non holiday eve.
SLOPPY SECONDS-Hooray For Santa Claus Theme From ‘Santa Claus Conquers the Martians’
This is a rocking cover of the hilarious song from Santa Claus Conquers the Martians.  I can’t even imagine how they know it as I only know the movie from MST3K.
FEAR-Fuck Christmas [NSFC]
This song starts off like a slow ponderous song and then it ends abruptly with a hardcore chant of the title.
THE GREEDIES-A Merry Christmas
This is a fairly straight punkish blend of Christmas songs, puts some pep in your ho ho ho.
THE DAMNED-There Ain’t No Sanity Claus
This song is just great, Christmas themes or no.  In fact I don’t even know what the rest of the words are and it could easily NOT be a Christmas song–except for Santa Ho Ho Hoing at the end.
PANSY DIVISION-Homo Christmas [NSFC]
Kudos to Rhino for adding this aggressively queer song to the mix.  But it is quite explicit.  Also, I never noticed before but the opening chords could easily have the harmonica solo form Blues Traveler’s big hit fit in there very nicely (and wouldn’t that be a hoot).
BOUQUET OF VEAL-It’s Christmas [NSFC]
This is a mildly inappropriate song about sex and drugs but it’s catchy and short.  You could probably slip it in without people noticing.  (That’s what she said).
THE CELIBATE RIFLES-Merry Xmas Blues
The Celibate Rifles were an Australian punk band.  I don’t really know them at all.  The verses of the song are fast and hard to understand but they’re darkly comic and the chorus is just a punk version of “We Wish You A Merry Christmas.”  The end is a fairly straight blues riff.  A fun addition to a party.
RAMONES-Merry Christmas (I Don’t Wanna Fight Tonight)
This song is pretty widely accepted as a classic Christmas song now.  Listening to it amid these other punk songs, it made me realize just how far the Ramones drifted away from their punk sound and into a more metal feel.
METAL MIKE, ALISON AND JULIA-Deck The Halls
This is a pretty goofy, sloppy, slurry version of the song.  There’s mention of a helicopter.  It’s a minute of fun.
EL VEZ-Feliz Navinada
This is one of my favorite Christmas songs.  A wildly buzzy guitar, fast chanting of Feliz Navidad and some serious Public Image Limited love thrown in.
HUMPERS-Run, Run Rudolph [NSFC]
This would be a pretty straight punk version of this Christmas song, fun for all, except for the “Check this shit out” comment before the solo.
TVTV$-Daddy Drank Our Xmas Money [NSFC]
This is a sad (funny) drunken tale of a drunk dad spending all of the Christmas money.  It starts out with a slow intro and then a fast punk conclusion.
THE FROGS-Here Comes Santa’s Pussy [NSFC]
 This is a slow creepy song that feels like it’s meant to be really naughty, but it’s just kind of dumb.
MOJO NIXON-Christmas Christmas [NSFC]
I just don’t really like Mojo Nixon (my store could use some fixin’).  I do, however, enjoy the idea that the chorus is done in the style of “Louie Louie.”  But the verses are a bit beyond the pale.
D.I.-Mr. Grinch [NSFC]
The song starts with the melody form the song “Black Sabbath,” but it soon becomes a more standard punk version of the song.  The biggest problem with the song is that it’s nearly 4 minutes long.  People will clamor for the original, which is more fun anyway.
STIFF LITTLE FINGERS-White Christmas
This is a sloppy but faithfully punk version of the song for the first verse.  The second time around is blistering sloppy noise punk.

[READ: December 12, 2017] “The Face”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

This story is told in an interesting way.  It begins with a boy raking leaves in an old couple’s front yard. He’s making money and having some fun (he leaps in the pile and wrestles with the bags once they are full).  Then he sets the pile on fire.

While he’s watching it burn, the homeowner, an 80 year old man comes over to talk to him.  Mr Aurelius asks if was true that the boy had been to Hong Kong.  He had and he told the man some things he saw there (most of what he saw was ferries and dead animals). (more…)

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SOUNDTRACKPHISH-sets one and three (MGM Grand Garden Arena, Friday 10 31, 2014).

The previous Ghost Box posts explored Phish’s Set two of their 2014 Halloween show.  But the rest of the night was perfectly suited to Halloween as well.

The band wore white tuxedos and white face paint.

Phish played a night of songs perfectly suited to Halloween.  A rousing spirited “Buried Alive” is followed by a slow moody “Ghost.”  “Ghost” had a lot of fuzzy dirty clavinet in the middle section.  It was followed by “Scent Of A Mule,” which features the Halloween related lyric:

She said, “I hate laser beams
And you never done see me askin’
For a UFO
In Tomahawk County”

A little guy from the UFO
Came on out and said his name was Joe
She said, “Come on over for some lemonade

There’s some wild piano soloing and then

an interesting “Mule Duel” segment spotlighting Mike and Trey. Mike utilized a synth effect, which drove the crowd wild, while Trey threw in dark and droning notes of his own. The interesting section of the Mule Duel climaxed with Mike and Trey holding their instruments in the air and rubbing them against each other, which made for quite a wild scene.

There’s some sci-fi sounding menace which seems to migrate into a kind of Yiddish melody until the song returns to the main melody again.

It as followed by a quick and fun “Sample In A Jar” which segues into a 12-minute “Reba” (a perfect Halloween song, indeed).  There’s a wailing solo just before the whistling coda.   It was followed by an intense “46 Days” (Taste the fear/For the devil’s drawing near) with some great mid-song soloing.  And then the perfect Halloween song: “Big Black Furry Creatures From Mars.”  The verses were really heavy and chaotic (musical nonsense from everyone as the noise crescendoed).  The song was particularly long at almost 3 and a half minutes.

Page then showed off lounge skills with a fun “Lawn Boy.”  He  took the lead mic and wished everyone a Happy Halloween and praised the great costumes.  Then after giving Mike a quick solo he had Fish do a very quick drum solo (he didn’t seem like he wanted to).  Next came another great Halloween song: “I Saw It Again”

When I wake in the night
(when I wake up in the night I’m pulled from my dreams)
Well, when something’s not right
I try not to look
(but the curtains pull open its breathing I hear)
For there is the shape
That I fear
And I’m fully woken
I saw it again

It had a great menacing feel to it with Trey’s wah wah adding extra sounds and the guys adding screams and cries during the choruses.  A funky “Tube” was next [You’re a portrait of your past / There’s a mummy in the cabinet / Are there no more arrows left?].  The set ended with a sprightly “Wolfman’s Brother.”  That opening piano note really snapped the darkness out of that previous ending.

Set two, was, of course the Chilling, Thrilling Sounds Of The Haunted House [narration by Laura Olsher; Sound Effects by Walt Disney Sound Effects Group].

The third set pretty much eschews the Halloween motif.  “Punch You In The Eye” kicked it off with a 9 minute jam.  Then came a jaunty cover of TV on the Radio’s “Golden Age.”  Midway through, Page jumped over to his Wurlitzer electric piano as Fish altered his beat ever so slightly over the course of the 11-minute song.  There were a few times when it seemed the jam had petered out, but Page kept the keys going until Trey played the opening riff of “Tweezer.”  “Tweezer” was only 10 minutes long, but mid song they made a turn towards a bright, dreamy chord progression and eventually landed on a bright “Heavy Things.”

The expertly executed segue between the two is well worth the re-listen.

The 11 minute “Guyute” seems a but slow, but the end riffing part is really fast and intense and the slow last verse is quite menacing.  Although it comes out of that song bouncy once again and sets the stage for an 18 minute “Sand.”  There’s some great soloing from Trey and some cool funky keys from Page.

Just when “Sand” had hit its peak, the band pulled back and embarked on a second jam. McConnell took the lead on “Sand”s second jam as it seemed the band never wanted to stop playing the song. As Page milked the clavinet, Trey delivered thick, dirty riffs.

There were a few funk breaks (with Mike’s watery bass) and at each pause the crowd responded with a “whoo!”  Near the end of the song, the band started rocking out some heavy chords (with whooos as needed).  And while the band jammed those chords, Trey started playing a riff that sounded suspiciously like “Tweezer Reprise.”  I love when the band is playing basically two songs at once.  Eventually they all joined in for a spirited run through of the song.

The roof nearly came off the MGM Grand Arena by the time “Tweezer Reprise” came to a close as the clock approached 1 a.m. local time.

For the encore, they played Leonard Cohen’s “Is This What You Wanted,” sung by Mike.  It’s interesting to hear this done not but Cohen whose voice is so distinctive.  The song contains the lines “And is this what you wanted, To live in a house that is haunted, By the ghost of you and me?” which fits the haunted house theme perfectly.  Despite thematic choice, it’s not an especially rousing encore.  Which is why the band had one more Halloween song in mind.

Page came out with his keytar, [“which once was owned by James Brown,”] for The Edgar Winter Group’s  “Frankenstein.”  It sounded great and Page’s keytar had some fantastic old-school sounds that fit the Halloween theme perfectly.

The band played for almost four hours that night.  Now that is a treat!

[READ: October 26, 2017] “Hallowe’en in a Suburb”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

Tucked into the bottom of the box is an orange rectangle with the poem “Hallowe’en in a Suburb” by H.P. Lovecraft.

Typically I don’t find poems to be particularly scary.  It’s hard to make rhymes scary.  But Lovecraft does his creepiness pretty well.  This one is written in English Quintain style (A-B-A-B-B).

This poem is more a disturbingly supernatural description of the suburbs around Halloween. (more…)

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SOUNDTRACKPHISH-“Martian Monster” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

“Martian Monster” is the final song in the Phish Halloween set.  It’s a funky clavinet-fueled rocker and the longest track at 14 plus minutes.  Page is having a lot of fun on this song, both playing the riffs and sampling portions of the narration.

The song is meant to be a trip to Mars.  Because of the speed of your rocket, your trip is short.  It as described as

a filthy, original Phish groove mixed with spoken word quotes, sound effects and vocal warbles as actors performed zombie-fied dances in the space surrounding the haunted house. McConnell’s funky clavinet leads were at the forefront of the deliciously weird “Martian Monster.”

There are dozens of samples of “your trip is short.”  By the middle of the song, Trey starts reciting “your trip is short” which is getting manipulated crazily.  They are processed and robotic as we hear the Martian chewing and chewing (chewing you, obviously).

The song builds and builds and builds to a big blast off climax and then it returns to the funky keys and lots of “your trip is short.”

It’s a great ending to this surprising original set.

[READ: October 25, 2017] “Shadetree”

Just in time for Halloween. from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  Lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no “order” to these books, so I’m reading them in what I think was the order they were boxed (or at least the order I last put them back in the box).

This is the final book in the box and it’s a doozy.

There was a lot of this story that made me really angry and I’m trying to decide if it’s a misogynist story or just a powerful story where a woman is the victim (subtle distinction, I know).

The story is about a girl named Colly Sue and a boy named Shadetree.  They enjoyed listening to the stories that Shadetree’s great-uncle would tell.  They were spooky supernatural stories about ghosts, witches and haunts.  He had a dry whispery voice and it made the stories seem very real. Colly Sue was frightened but never stopped coming to hear.  Shadetree enjoyed spooking Colly Sue.  He would grab her during the story or claim that he was a spook or a haunt.  One day he told Colly Sue that he was a swapchild–a small haunt that was exchanged for a human being.  And Colly Sue didn’t doubt it.  Shadetree asserted, “I’d never hurt you, Colly Sue.” (more…)

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