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Archive for the ‘Canadian Content’ Category

SOUNDTRACK: SKATING POLLY featuring LOUISE POST & NINA GORDON OF VERUCA SALT-New Trick EP (2017).

So Kelli (17) and Peyton (21) have added their brother Kurtis (20) on drums which allows the grrrls to focus on guitars and bass.  This EP, as the name states, was co-written with Louise and Nina of Veruca Salt

“Louder in Outer Space” is the catchiest thing they’ve done by far.  The harmonies are great and the chorus (and even the verse) has the clear impact of Veruca Salt.  The co-songwriting has upped their game in a number of ways too with interesting vocal harmonies.

“Hail Mary” has a real Nirvana feel in the chord choices and in Kelli’s vocal delivery.  The addition of Peyton’s backing vocals in the chorus are a wonderful detail.

There’s a simple bass and drum set up on “Black Sky.”  But when it gets going, it’s the most Veruca Salt of the three songs. It’s even more so when the song pauses and someone (even their voices intertwine) sings “the monster of a sky.”  Then end the song with the following section, the way the vocals (all four of them, I assume) swirl around is really great.  It’s such a terrifically catchy song.  And a dynamite EP.

[READ: December 17, 2017] “Lynch Law”

This story was constructed around what I assumed was a fabricated title but which is very much real: Mounted Police Life in Canada, A Record of Thirty-One Years’ Service by Superintendent Richard Burton Deane (you can see the whole book here).  I was willing to accept the “truth” of the book even if it was made up, but knowing that it was real makes this a more interesting (but not more enjoyable) story.

Basically what we have is Deane’s official transcript of events and then a woman’s explanation of the story from her point of view.

The story begins with quotes from the manuscript: (more…)

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SOUNDTRACK: AHI-Tiny Desk Concert #693 (January 16, 2018).

AHI is apparently, inexplicably pronounced “eye.”  He is an Ontario-based singer.  There’s nothing strikingly original about his sound, but his songs are pretty and thoughtful and his voice has a pleasing rough edge.

Bob says,

AHI’s gruff but sweet voice and openly honest words were my gateway to this young Ontario-based singer. AHI says he sings Sam Cooke’s “A Change Is Gonna Come,” at the end of every set with a sense of hope. It was powerfully moving, without a note that felt clichéd or overly nostalgic. At that moment, I knew he needed to play a Tiny Desk Concert.

With a tasteful band comprised of Frank Carter Rische on electric guitar, Robbie Crowell on bass guitar and Shawn Killaly (a man of a million faces) on drums, AHI put his heart into three songs in just about 11 minutes, all from his debut album We Made It Through The Wreckage, which came out a year ago this week.

“Alive Again” builds slowly, but by the time the chorus comes around and he adds some whoops, the song really moves. I’m quite intrigued at the constant soloing from guitarist Frank Carter Rische.  It’s virtually nonstop and really seems to propel the song along.  It’s a catchy and fun song the way each round seems to make the song bigger and bigger.

About “Closer (From a Distance)” he says, we all have relationships.  Some are good; some are bad and some are just awful.  You may care about someone with your whole heart only to realize that you care about that person more than they care about themselves.  No matter how strong you are your strengths may not be as strong as their weaknesses.  Sometimes the only way to save the relationship is to walk away–“maybe we’ll be closer from a distance.”   This is a really heartbreaking song.  The lyrics are clearly very personal and quite powerful.  And the soloing throughout the song is really quiet and beautiful.

“Ol’ Sweet Day” is bouncy and catchy with a propulsive acoustic guitar and lovely licks on the lead acoustic guitar.  The drums are fun on this song as Killaly plays the wall and uses his elbow to change the sound of the drum at the end of the song.

The burning question that is never addressed is way he is wearing a helmet –motorcycle? horse riding?  It stays on the whole time.  At one point he even seems to “tip” his hat.  How peculiar.

[READ: December 8, 2017] Glorious and or Free

The Beaverton is a satirical news source based in Canada.  It began as a website in 2010 and then added a TV Show in 2016 (now in its second season).  To celebrate 2017, the creators made this book.

They have divided the history of Canada into 13 sections.  As with many satirical history books, you can learn a lot about a country or a time from the kinds of jokes made.  Obviously the joke of each article is fake, but they are all based in something.  Historical figures are accurate and their stereotypes and broadsides certainly give a picture of the person.

Some of the humor is dependent upon knowing at least a little about the topic, but some of the other articles are just broadly funny whether you know anything about it or not.

When we made this book our goal was to transport readers back to grade school to remember what they were taught n Canadian history class.  And so what if your teacher was hungover most of the time?

~30,000 Years of History in About Four Page (3,200,000,000 BCE – 1496)

“What the hell is that?”  –God after forgetting he made beavers. (more…)

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SOUNDTRACK: BIDINIBAND-The Carleton, Halifax, NS (February 13, 2015).

This is the most current solo show from anybody on the RheostaticsLive webpage.

Bidiniband’s third album came out in 2014 and this show chooses from it pretty heavily.

The show starts (Dave sounds either like he has a bit of a cold or he’s just worn out) with Dave saying “We’re going to start with a song about the cold, because it is.  Fucking snow, eh  Wow.”  “The Grey Wave” has great chord changes in the chorus.  It is a slow folkie song about cold and snow.  I like that he whispers “let’s go” before the buzzy but quiet solo.  The chorus comes out of that fairly rocking (a least for this set).

Dave continues, “I have some news.  Last night I was offered cocaine in the bathroom of the Alehouse.”  (Don, on drums, whispers, “in exchange for what?”).  Dave: “I think the guy just wanted to be my friend.  He was a bit of an asshole.  Cocaine is the one drug I think where when people offer it to you and when you say no, they apologize for having assumed you wanted any.”

Someone else notes: “I like that we’re the rock band from Toronto and we’re the ones shocked by all the drugs everyone is doing.  We were in BC and we were shocked at the big jug of MDMA being passed around.”

“Everyday Superstar” is a rocking, swinging song.  I love that the chorus is “I’m an animal out of control” but it’s kind of slow and mellow and at one point he says “its true.” And there’s this lyric: “When it’s hot, I’m gonna be Bon Scott you be Lita Ford.”  At the end of the song, someone asks, “Does everybody in the house know what bass face is?  You never know when Haddon is going to a picture of you with that face.”  Dave tells a story that Haddon Strong had a subscription to a magazine and it was addressed to Hardon Strong.

Introducing “My First Rock Concert” he says, “this is a song about music.  I bet you think it’s ‘Proud Mary’ but it’s not.  That was done last night.”  He sings it kind of whispering/spoken.   In the middle, Paul plays the riff to “Brown Eyed Girl” while Dave is singing “you’re either a mouse or Steven Page.”

“Take A Wild Ride” is s short song that segues at the same fast tempo into “The List” which is, again, almost spoken.  He throws in some other people who have made the list.  Jian Ghomeshi and Joel Plaskett (he was in Thrush Hermit) and at the end he says, “only kidding about Joel.”

“Big Men Go Fast On The Water” is a great-sounding song–in this version, the guitar riffs between verses sound like Boston.  They played this song last night at “Stolen from a Hockey Card” at the Spats Theater.  Dave was disappointed there were no spats there.  He says, “If I’ve over pattering, just tell me.”

We wrote this song “Bad Really Bad” about the Toronto Maple Leafs.  Three chords and the truth.

“In The Rock Hall” is about the Rock n Roll Hall of Fame in Cleveland from a poem written by Paul Quarrington  Once again he almost whispers, “C’mon Halifax, let’s rock.”   About “Ladies of Montreal,” he says, “I didn’t think there were enough songs in indie rock well, elderly indie rock, independent seniors, about beautiful women… boobs, you know.  It came in a dream.  I had to write it.”  Dave says it is sexist although I don’t exactly know what he’s saying with the French words.

Getting ready to play “The Motherland Part 1,” he asks, “Jerry you brought your flute, did you?  Oh fuck’s sake.  It’s okay. I think I told you last night but we were both pretty hammered.”  “The Fatherland” is “a heavy metal political song…political metal… politometal.”  It totally rocks and at the end Dave says “I don’t understand, the dancing girl left and we’re playing our most uptempo tunes.”  Before they complete the trilogy with “The Motherland Part 2” someone in the band asks, have you got the cocaine?–its pure MDMA.  Don rehashes the story about him throwing up at a party in the closet because of hot knives.  The middle of Part 2 really rocks.

“Last Of The Dead Wrong Things” is quieter for sure but the chorus and backing vocals are great.  Where there’s usually a drum solo there’s a kind of quiet freak out.

He says, “we’re going to do one more” (boo) …well how many more do you deserve?  Seventeen, eh, you have a very inflated view of yourself.”

“We’ll do ‘Fat,’ (a song “by Rheostatics band”), it has similar chord shapes don’t hold that against us.  Did I tell you we were playing this one?”  “Would it matter?” Let’s have a round of applause for Kevin Lacroix on the bass and Don Kerr on the drums.  Paul Linklater on guitar.

“We played with Corb Lund yesterday, from Alberta.  He’s very handsome and very accomplished.  “Really really handsome.”  Kevin: “I made out with him.”  Dave: “I made out with a guy who I thought was Corb but who was really the cleaning guy for the hotel….  Last night on this very stage he intoned, he evoked the name of Washboard Hank Fisher….  You’re not going are you, it’s going to be a good song.”  They have Lots of fun with “The Midnight Ride Of Red Dog Ray”  with over the top backing vocals.  And in the solo, we get Paul Linklater, one more time pickin’ and grinnin.’

Before the next song Dave says, “What are you guys laughing at?  I can see you in the mirror, you know.  This is my favorite club coz I can watch my rock moves, they’re top ranked.”  Don:  “That’s actually Dave’s mirror, he brings it to every club and says that.  It’s embarrassing.”  Dave mentions a famous story (doesn’t know who it’s about) about a heavy metal singer who was hammered and he saw the guy in the mirror and thought he was mocking him.  So he challenged him to a fight.  That’s rock n roll.”

“You got a weak bladder Jerry?  I’ve got a weak bladder, too.  I’ve peed myself twice during this set.”

This is an album by Bidiniband called The Motherland.  It’s a delicious record and I’d like you to buy it.  All of you.  It’s only $10.  Produced in Toronto in a studio  … by professionals.  Trained professional sounds.  Nothing like what you’re hearing tonight.

There’s a great buzzy bass sound on “Desert Island Poem” which is “a funny song about cannibalism.”  Dave gets pretty crazy at the end.

It segues into a wonderful surprise of them playing”Queer.”  And then a terrific version of “I Wanna Go To Yemen” with a fun wild sliding solo.

He wishes everyone a good night and they leave for a few seconds.  “If we take a break we probably won’t play anymore.  But that was break…  We probably should have taken a longer break and milked it more… but we didn’t.”

“Do people who come to lean along the bar are they into the music?”  Kevin: “Those are some of the best people in Halifax…but the creme d la creme starts right here.”

Jerry didn’t find his flute did he?  Dave asks for a hand for the opening act, Communism Music, look them up

The first encore is the hilariously offensive song “Take A Bath Hippie.”   Sample verses:  “This ain’t the 1960s / These are brand new modern times / everyone is equal and everyone is doing fine,”  “Your revolution ended the day Trudeau retired.  A land of Stephen Harper… we got the country we desired.”   He asks, “You guys got hippies out here?  Probably not. You got Buddhists.  That’s just as bad.  They lie around in their robes  eating flowers.  Shaving each other’s heads.  Sacrificing a goat here and there.”

 We’re all getting G&Ts?  Thank you people of the night.  Kevin: “Treating us all equally?  Like my parents.  My parents would bring us all something she wouldn’t bring me a G&T without bringing one to my sister.”  Dave: They were saints.

FYI, tomorrow, there is Hockey Day in Canada–a ton of games on and footage from the concert last night with Theoren Fleury, Rich Aucoin, Buck 65, Miranda Mulholland, and the ever handsome Corb “The Boner” Lund and The Barra MacNeils.  Dave did a short movie about John Brophy, that’s gonna be on.  “Fuck, it’s Saturday… just sit at home and watch hockey.  It’s what we are supposed to do.  If you don’t, Stephen Harper will have your ass.  But I’ll save you because I’m the hockey guardian.  No I’m not, I’m just tired.”

We’ll try to do one last song.  Have we done “Take a Bath Hippie?”  We’ll save it for next time.  I’m trying to not do a typical show closer tune.

Last gig Kevin played with this band he was playing drums.   I guess it didn’t go well because he’s been demoted to bass. (ha ha).  Dave: “You’ve got the best bass player joke about what happened to Gordie Johnson.”  Kevin: “oh no that’s just nasty.”  Dave “You’re right, its for later in the washroom when were doing coke.”

They play a surprising “Stolen Car.”  It’s so weird to hear Dave sing this song (which he wrote)–he whisper sings it (and can’t really hit the notes).  It segues into a folkie
“Legal Age Life -> Do You Wanna Dance -> Legal Age Life” with them singing, “Oh yeah music is fun.  Friends are fun.  Rock n roll is fun.  Sloppy and fun.”  They end with a Johnny Cash line get rhythm when you get the blues.

Who would have guessed that just seven months later Rheostatics would reunite?

[READ: November, December 2017 & January 2018] West End Phoenix

West End Phoenix is a newly created newspaper.  It was inspired by Dave Bidini.

I have loved just about all of the music that Bidini has created (with Rheostatics and Bigdiniband) and I have loved just about all of the books he has written.  So why wouldn’t I love a newspaper created by him?  Well, possibly because it serves a community that I do not live in and have very likely never visited.  That’s right, this is a community newspaper for a community that isn’t even in my country.

And it is terrific.

But why on earth would I want to read it?  Can I really like Bidini that much? (more…)

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SOUNDTRACK: HANSON FOR THE HOLIDAYS-Tiny Desk Concert #686 (December 18, 2017).

The Hanson Tiny Desk Concert back in October ended with them saying “See you for Christmas everybody.”  And, lo, here they are.

But it turns out that Christmas was in October this year.

During the break, the NPR crew set up the Tiny Desk to look like Christmas.  Two of the three (why not all three?) brothers even wear Christmas sweaters.

They play three Christmas songs.  Two originals and one “traditional” medley.

The two originals are rocking, very piano heavy (the pianist does a LOT of sliding down the keyboard as they rock n toll out).

“Finally, It’s Christmas” is fun and bouncy song that I imagine we’ll hear a lot next year.

“To New Year’s Night” is a very conventional rock n roll song about a North Pole Party.  The guitarist with his gruffer voice (and no sweater) sings this song about needing a toddy for hid body (since I think of Hasnon as being 8-12 years old (although they obviously aren’t), it’s weird to hear them singing about drinking.  It’s a pretty standard rocker, they even quote “da do ron ron.”  After rocking out, they comment “Can anyone saw ‘sweat”ers.”  Since it is obviously not Christmastime.

It has been 20 years since their first Christmas record.  So they decided it was time to do a new one.  While they are talking Bob starts blowing snow all over them.  This leads to them singing “Joy to the Mountain” an a capella mash up of “Joy to the World” and “Go Tell It On the Mountain.”  They sin the melody in a non traditional way.  Their harmonies are really good even if I don’t care for their delivery.

2017 has been a pretty strange (mostly bad) year.  I never would have guessed I’d be watching two Tiny Desk Concerts with Hanson (and more or less enjoying both of them).

[READ: December 25, 2017] “A Chaparral Christmas Gift”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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SOUNDTRACK: A VERY SPECIAL CHRISTMAS 3 (1997).

Sarah had this album on cassette, so I recently upgraded it to CD for her.  There are some good songs on here, but the end kind of degenerates into unpleasantness.  Looking at the track listing of the rest of the Very Special Christmas releases I can;t imagine ever getting (or even listening to) another one.

STING-“I Saw Three Ships”
Sting is back.  Compared to the previous song, this is a delightfully spare version of this song.  And it’s quite nice (and short).

THE SMASHING PUMPKINS-“Christmastime”
I’ve recently realized how much I dislike Corgan’s voice, but I do like his arranging.  This song is quite pretty and his voice is kind of submerged a bit so that’s good, too.

NATALIE MERCHANT-“Children Go Where I Send Thee”
O good Lord.  Sarah and I both like Natalie, but jeez this song is so repetitive and so freaking long.  One verse would have been fine.  But five? Hold crap.  I do like the “one for the little bitty baby” line, though.

REV RUN & THE CHRISTMAS ALL STARS FEATURING MASE, PUFF DADDY, SNOOP DOGGY DOGG, SALT-N-PEPA, ONYX & KEITH MURRAY-“Santa Baby” [NSFC]
Oh boy is this terrible.  A horrible update to a horrible song.  The original is kind of funny, but this is just excessive greed.  At least it mentions a ’98 benz so it is so dated that no one plays it anymore.

NO DOUBT-“Oi to the World”
Gotta say that I love this song.  It’s funny and fun and I would totally put this on a Christmas playlist.  This is back when I used to like Gwen Steafani.

SHERYL CROW-“Blue Christmas”
I don’t like this song and I’m mixed on Sheryl Crow, but this version works pretty well somehow.

BLUES TRAVELER-“Christmas”
I only know Blues Traveler from that one song with the long harmonica solo (I hate that harmonica sound).  But I love this song.  It actually reminds me a ton of Tenacious D (can t you just hear Jack Black singing this?)  It’s fun and really catchy.  I wonder if I need to listen to other Blues Traveler songs.

ENYA-“Oíche Chiún (Silent Night)”
This song is very pretty and I have the single for it.

HOOTIE & THE BLOWFISH-“The Christmas Song”
Darius Rucker does have a good voice, but what the hell is going on in this cheesy phoned-in version?

CHRIS CORNELL WITH ELEVEN-“Ave Maria”
This is a nice (if not over the top–but is any version not over the top?).  But for heaven’s sake why is it 6 minutes long?

MARY J. BLIGE FEATURING ANGIE MARTINEZ-“Christmas in the City”
This is pretty much everything I hate in one Christmas song.  Cheesy beats, rambling verses, whiny choruses.

JONNY LANG-“Santa Claus Is Back in Town”
This is pretty close to everything else I hate in one Christmas song.  A blues song that feels like it goes on for 6 minutes.  Good grief.

DAVE MATTHEWS & TIM REYNOLDS-“Christmas Song”
This live version sounds better than the studio version I have elsewhere, but it’s still way too slow and mumbly and way way too long.

STEVE WINWOOD-“Christmas Is Now Drawing Near at Hand”
No one knows this “traditional” song, I’m sure.  It’s a slow English ballad, with no real melody.  I thought it was Peter Gabriel.  I kind of like it.

TRACY CHAPMAN-“O Holy Night”
This is an enjoyable version, understated and kind of weary-sounding.

PATTI SMITH-“We Three Kings”
My daughter rightly said that this version was very weird.  Patti is at her most Patti.  There’s  aton of mumbled spoken word competing with the song.  Even the chorus, which is so wonderfully catchy, is played like a dirge.  And like everything else bad on this record, it goes on for nearly 6 minutes.  CDs were bad for allowing people to sing for too long.

[READ: December 24, 2017] “Tripping Sunny Chaudhry”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

This story actually takes place on Christmas Eve!

The narrator and her husband head back to New Jersey for the holidays.  Back when she was younger, all the kids would head out to the woods for beers and a bonfire.

(more…)

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SOUNDTRACK: A VERY SPECIAL CHRISTMAS (1987).

I remember when this album came out.  I think it was one of the first Christmas albums in which a lot of very popular musicians contributed to it. Of course proceeds went to charity.  By now, 30 years later, many of these songs are deemed classic enough that you will hear them regularly at Christmas.

Suffice it to say I hated this when it came out.  Now, I have grown to appreciate (some of it) it more.

THE POINTER SISTERS-“Santa Claus Is Coming to Town”
I really didn’t like this song back then.  I think it has grown on me enough that I just don’t mind it any more and it is certainly a staple.

EURYHTMICS-“Winter Wonderland”
I really like Annie Lennox’s own Christmas album.  This song is fine, it’s a little too 80s sounding, but over all its enjoyable.

WHITNEY HOUSTON-“Do You Hear What I Hear?”
People really like to overdo this song.  This version is okay.

BRUCE SPRINGSTEEN AND THE E. STREET BAND-“Merry Christmas Baby”
This is a classic Christmas song by this point, but boy do I dislike the sax.

PRETENDERS-“Have Yourself a Merry Little Christmas”
This version I don;t thin I hear too much.  Probably because it’s understated and quite nice.

JOHN COUGAR MELLENCAMP-“I Saw Mommy Kissing Santa Claus”
I don’t particularly like this song.  I love the musical style that JCM plays, although I don’t like the way he sings it.

STING-“Gabriel’s Message”
I don’t know this at all, I guess everyone skips it.  It’s rather pretty if you can get past the fact that it’s Sting at his more pretentious.

RUN-D.M.C.-“Christmas in Hollis”
This is an all time favorite.  The song is fantastic and must be heard every year.  I live that I write a Christmas card that goes to someone in Hollis.

U2-“Christmas (Baby Please Come Home)”
I’ve heard this a million times.  I don’t particularly like this song, but I do like this version.

MADONNA-“Santa Baby”
My most hated Christmas song, done by Madonna at her most grating.  Ugh.

BOB SEGER & THE SILVER BULLET BAND-“The Little Drummer Boy”
Can Bob Seger ever do anything that doesn’t sound like him?  I don’t really like this song, but this version is kind of fun given how over the top it is.

BRYAN ADAMS-“Run Rudolph Run”
Never liked this song either.  It’s a lame lyrics to make into a rock n roll Christmas song.  All versions sound basically the same to me.

BON JOVI-“Back Door Santa”
I do not know this song at all.  Is it always skipped because it’s so bad?  Man the synths are awful.  Although it makes me realize just how unfair it was to both Bon Jovi and heavy metal that they were lumped into the same category.

ALISON MOYET-“The Coventry Carol”
I think Alison Moyet is the only artist here who most people probably don’t know today.  Her voice is really great though and this song is very cool.  Not exactly my favorite here, but certainly the most interesting.

STEVIE NICKS-“Silent Night”
It’s entirely possible that Stevie Nicks forgot how to sing on this song.  She seems really flat and then doesn’t even do most of the lead vocals half way through the song.  The “grace notes” are appalling too.

So it seems that the songs that were pretty good have stayed with us, the rest have faded away.  And there are a couple that need to be brought into rotation again.

[READ: December 23, 2017] “How to Be a Slut”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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SOUNDTRACK: ‘TIS THE SEASON: Praise and Worship Christmas: A Collection of Inspirational Holiday Classics (2001).

s-l500This Christmas Collection came from Sarah.  As you can tell from the title and subtitle and sub-subtitle, this is a religious disc.  And as you can tell from the title and subtitles, they have gone way over the top.

The group consists of a bunch of performers and a choir from something called The Evergreen Community Church/The Rock.  Presumably not the actor The Rock, although that would be pretty cool.

As with a lot of contempo-Christian music, they’ve decided to add a rock flair to it.  So these are 13 songs sung very passionately and with little restraint.  Because if you can have an echo pedal, you should use it.  And for some reason, nothing says Christmas like alto saxophone.

“O Come All Ye Faithful” features that sax prominently.  Up next, I was pretty surprised to hear a rocking harmonica solo on “Joy to the World.”  For the most part the folkiness was okay until the choir at the end.

“Do You Hear What I Hear” has a solid drum machine and an excess of R&B vocals.  Up next, the music for “What Child is This?” is understated and pleasant.  Shame that the singer is shooting for the rafters.  Their version of “Go Tell It On the Mountain” is not gospel-tinged and, stranger yet, they changes the stress of the chorus to the “ow” of mountain.

“Angels We Have Heard on High” brings that saxophone back and back and back.   “O, Little Town of Bethlehem” has a quiet piano motif, but once again, it is oversung.

“We Wish You A Merry Christmas” makes excessive use of that echo pedal on the vocals.  “Hark! The Herald Angels Sing” was pretty good.  No complaints.

But try to imagine just how over the top and ponderous you could make an a capella (plus echo) version of “O Come, O Come Emmanuel.”

“Silent Night” loses all of its power in this folkie rendition.  I’m noticing the fretless bass and cheesey sax rather that the echoed vocals.  Amazingly, “Amazing Grace” is understated musically with just an acoustic guitar but the singer overcompensates.

The disc ends on a high note (not literally).  On “Joy to the World” the folkie harmonica and guitar work nicely.

[READ: December 22, 2017] “The Christmas Banquet”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

Read Full Post »

SOUNDTRACKHOLIDAYS RULE (2012).

This collection is fairly new (a second volume has just come out this year).  It was curated by Chris Funk from The Decemberists.  It’s a nice mix of contemporary bands and classic songs.  The disc is mostly fun–it gets a little bogged down in the middle–and upbeat.

FUN-“Sleigh Ride”
The first time I heard this  had no idea who it was (I didn’t look at the disc).  I actually thought it was a female pop singer.  After listening a few times I’m mixed but favorable on it.  I love the sound effects in the background.  It’s fun, even with the autotune.

THE SHINS-“Wonderful Christmastime”
This is one of my least favorite Christmas songs, but I like this version better than Pauls’s.  It doesn’t sound especially like The Shins to me though.

RUFUS WAINWRIGHT AND SHARON VAN ETTEN-“Baby, It’s Cold Outside”
I love Rufus’ distinctive voice–he does louche so well.  Sharon is somewhat indistinct here but she is well-matched with him.

PAUL McCARTNEY-“The Christmas Song (Chestnuts Roasting On An Open Fire)”
This might be the only disc I have where someone covers a song by an artist on the disc.  His version of this is way too slow.  But I am intrigued that he says “some holly and some mistletoe” (Because he’s vegetarian).

BLACK PRAIRIE featuring SALLIE FORD-“(Everybody’s Waitin’ for) The Man with the Bag”
I typically don’t care for this song, but I love this bluegrassy version.  It’s stomping and fun (and Chris Funk plays on it).

THE CIVIL WARS-“I Heard the Bells on Christmas Day”
The Civil Wars are downbeat folk artists but, man, their voices together are so lovely.  Their harmonies make this song essential despite the less than upbeat rhythms.

CALEXICO-“Green Grows the Holly”
This song sounds so wonderfully Calexico.  I love it and would even have assumed it was an original of theirs if I didn’t know better,

AGESANDAGES-“We Need A Little Christmas”
I’m torn about this song.  They modify the delivery and I think I like it.  It’s also pretty infrequently played so it gets extra points.  But it feels like a real downer when you can hear the lyrics so clearly.

HOLLY GOLIGHTLY-“That’s What I Want for Christmas”
I don’t know who this is. And I don’t really care for this song which is kind of slow and ponderous even if the message is a good one.

IRMA THOMAS WITH PRESERVATION HALL JAZZ BAND-“May Ev’ry Day be Christmas”
This is big brassy version of the song which sounds like it could be quite old with Thomas’ husky voice.

HEARTLESS BASTARDS-“Blue Christmas”
I dislike this song to begin with, so making a countryish version certainly doesn’t help.

ELEANOR FRIEDBERGER-“Santa, Bring My Baby Back to Me”
So this song is interesting with its strange chord choices and themes.  And it would be great if it were like 2 minutes long.  It seems to end quite naturally at that time, but then some vibes come in and the song gets all slinky.  That would be fine except it just repeats the same line and vibes section for 3 minutes!  WTF Eleanor?

FRUIT BATS-“It’s Beginning to Look Like Christmas”
It drives me nuts the way this guys says Creeesmas.  Why does he say it like that?  It’s crazy.  And I can’t get past it because he says it a bunch.

Y LA BAMBA-“Señor Santa”
This song is more or less “Mister Sandman” but sung with the lyrics of Mister Santa.  There’s a wheezy accordion and the great accented voice of the lead singer Luz Elena Mendoza.  I love this and more artists should invent songs like this for the holidays.

PUNCH BROTHERS-“O come, O come, Emmanuel”
The Punch Brothers are awesome and this version of this song terrific.  Chris Thile sings wonderfully as he gets that mandolin worked up.  I love that they turn it into an opportunity to stretch out some, too.

THE HEAD AND THE HEART-“What Are You Doing New Year’s Eve?”
A terrific duet with the unmistakable voice of Charity Rose Thielen.  This is a sprightly and fun song and they do a great job.  I love the way she sings “maybe I’m crazy” and the vamping at the end is fantastic.

ANDREW BIRD-“Auld Lang Syne”
Andrew plays some high-spirited violin and sings briskly.  There’s a kind of countryish feel to it, which is quite different for this song.

Overall this is a good collection to add.  Nothing offensive or off-putting and maybe just one or two duds.

[READ: December 21, 2017] “The First Day of Winter”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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SOUNDTRACK: THE LEEVEES-Hanukkah Rocks (2005).

The collection of Hanukkah songs is fantastic. I love this album more than a guy who doesn’t celebrate Hanukkah should.

The LeeVees are Adam Gardener from Guster and Dave Schneider  from The Zambonis (with help from The Time Share Choir).  Dave and Adam write super catchy poppy-but-rocking songs all about the holiday.  Most of them are funny or have a humorous aspect, but the songs all rock and stand up to repeated listens.

“Latke Clan” begins as a sweet ode to everyone’s favorite potato pancake  “Santa is cool but Hanukkah Harry’s the man, come and join of Latke Clan.”

“Applesauce vs Sour Cream” is the perennial decision you have to make with your latkes.  “just tell you mom to fry, not bake.”

“Goyim Friends” Goyim friends make lists and get snowboards and paintball guns, but “we will march on, six pairs of socks from each other’s mom.”

“At the Timeshare” is a hilarious, catchy song.  It’s swinging and loungey and is all about their parents wanting to live down at the time share in Boca or was it Boynton.  Or Daytona. Or Talahassee (There’s no Jews there).

“How do you spell Channukkahh?” is a hilarious goof on the spelling of this holiday and it totally rocks.

“Kugel” is a sweet mournful song about how times change–“you were once sweet and creamy, no you’re low-fat.”

“Jewish Girls”  Go to the mitzvah Ball, you may be surprised to find who is in the tribe.

“Gelt Melts”  This punky number says what everyone knows–if you keep the gelt in your pocket, you’ll be sorry.  “If goys can eat an Easter Bunny, why can’t we eat chocolate money.”

“Nun, Gimmel Heh Shin”  Yup, a dreidel song without the music from the dreidel song.

“There’s” also a bonus track called “Holiday,” a simple acoustic guitar song with the two guys singing about a lovely relaxing holiday.

[READ: December 20, 2017] “The Game of Smash and Recovery”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

This was one of those stories where the character and setting are otherworldly–completely alien.  The main characters have a full story arc, and yet we are never provided any kind of context for where or even what they are.

The question is, of course, does it matter.

In some respects, no, and yet it is so frustrating to read this whole thing and have so many fundamental questions unanswered.

The main character is Anat.  She loves Oscar, her brother, who has raised her practically from childhood.  Their parents have been absent for as long as she can remember.  They left when they realized that Anat was different–what was she? (more…)

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SOUNDTRACK: ESQUIVEL-Merry X-mas From the Space-Age Bachelor Pad (1996).

Esquivel was a master of the Space-Age Lounge/jazz music.  He combined groovy chill lounge music but he added zipping steel guitar sounds and backing vocals like “Zoo zoop!  Pow!”

And of course, his records were mixed as stereo masterpieces for kick ass hi-fi equipment.  He flourished in the late 50s but had a resurgence in the 1990s, when this collection was released.  All of these songs were recorded in the late 1950s.

Esquivel himself doesn’t sing on these tracks (he does provide the spoken intro (with music by Combustible Edison)) on a terrific “Jingle Bells” (zoo zoo zwee).  The rest of the songs feel delightfully loungey with fun accents from the insturmets and vocals.  Xylophones, keybaords and great use of strings.

It feels cheesey, and it kind of is, but the musicianship and experimentation are very cool.  This is great addition to anyone’s Christmas collection.  Sprinkle a few of these songs into a mix and see if people zu zu zoom along.

Jingle Bells
White Christmas
Here Comes Santa Claus
Parade of the Wooden Soldiers
The Christmas Song
Frosty the Snowman
Snowfall
Sun Valley Ski Run
Blue Christmas
Santa Claus Is Comin’ to Town
Auld Lang Syne (Adios from Esquivel!)

[READ: December 19, 2017] “The Friend”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

Read Full Post »

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