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psbrosSOUNDTRACK: ACCEPT-“Final Journey” (2014).

blindI normally do kids music for kids books, but this book was so un-kid friendly that I decided to tack on a metal song for it.  This song was previewed on Viking’s Choice at NPR.

I loved Accept back in the 80s, but once lead singer Udo left I haven’t really followed them all that much.  New lead singer, Mark Tornillo formed TT Quick way back in the day and since I saw them not too long ago opening for King’s X, I thought I’d see what he sounded like with Accept now.

He doesn’t quite have the weird Teutonic sound that Udo had (how could he, being from New Jersey and all?), but his guttural voice is quite appropriate to the music.  But there’s something missing here with this music.  It sounds a little too generic, compared to the abrasive yet melodic sound that Accept brought to the scene way back when.  I think maybe if it wasn’t Accept I’d be inclined to like it more, because I have high expectations.

You should never read comments on public posts (you can read the few that I get here, of course, as they are usually pretty thoughtful), but one person commented on this song that the chorus sounds like Europe’s “The Final Countdown” which ruined the song for me, and now I have ruined it for you.  Sorry.  Of course the most noteworthy (get it?) thing is the guitar solo which is an extensive working Edward Greig’s “Morning Mood” (and not just a line or two, but the whole thing, pretty much–it actually sounds awesome).

So, this song isn’t going to bring me back to Accept, although I did like it more with each listen.  Nevertheless, it’s nice to know that they’re still rocking Germany.  I also love that they still have the same logo.

[READ: July 27, 2014] The PS Brothers

The cliché is that you can’t judge a book by its cover.  And that proves to be hugely true here.  Indeed, you can’t judge this book by its size (books of this size tend to be for younger readers), or even by its blurb.  The blurb ends with “but what they aren’t counting on is uncovering a crime that can bust apart a dream faster than a dog can sniff out a bone.”  Bear that in mind as I talk about this story (and yes give a spoiler or two by the end).

So this story (judging by the cover and the title) seems pretty darn funny.  Shawn and Russell really want a dog.  Russell has read every book in the library about dogs and Shawn bought a pooper scooper at a garage sale.  There’s a few logistical problems–they don’t live together, they don’t have any money, Shawn’s house is too small for a dog and Russell’s uncle hates dogs.  So what are they going to do?

Then one day they see that a guy is selling Rottweiler puppies for $200 a piece.  They want a big mean dog with a spiked collar who will protect them from bullies (I should have realized that this story might be darker than I expected, but who could have known?).  Shawn and Russell decide to become the PS Brothers, with the PS standing for Pooper Scooper.  They are going to use Shawn’s scooper to pick up neighborhood poop for 10 or 25 cents a poop.  And soon enough they will have the cash. Continue Reading »

[ATTENDED: August 9, 2014] Kiss

2014-08-09 21.41.30As I said, two years ago, I saw Kiss at this same venue and I marveled that Gene and Paul could still do all this while both in their mid 60s. But Paul’s voice sounded a little weak, and I wasn’t really sure that I wanted to see them again after that.

But here it is two years later, and I was back with my friend Matt and his family, and I’m going to say that the show was superb this year. Paul’s voice was in great form, the band seemed revitalized, even Gene seemed to enjoy himself.

Some changes were made on this tour.  I saw that in earlier shows in the tour they played some songs that I would have loved to hear–“King of the Nighttime World” especially, so I was a little bummed that they played a setlist that was pretty close (but not exact) to the last time.  What was surprising was what they left out–no “Shock Me” no guitar solo (I didn’t miss it) and no smoking guitar. So, “Ace” got short shrift, but there’s so much other spectacle that it wasn’t such a big deal. Continue Reading »

[ATTENDED: August 9, 2014] Def Leppard

Two years ago, Kiss had Motley Crue open for them.  Crue was one of those bands that I liked when they first came out and then, as they made poppier/sleazier music, I liked them less.  This year, the opener was Def Leppard.  Def Leppard was even more egregious in terms of going from a heavy metal band to a massive pop band.  And, heck, it worked for them.  But as a young metal head, who enjoyed most of High and Dry and some of Pyromania, Hysteria was just too far.  And I actively disliked a lot of those songs (perhaps more than I needed to) at the time.

And what I learned is that even after all these years, while I could “forgive” some bands and actually enjoy their sets, I could not forgive Def Leppard for all of the songs that I really disliked.

But first…how ballsy is it to have your intro music be The Who’s “Won’t Get Fooled Again,” and then after the big scream near the end, have your banner drop and you finish the song.  I was pretty surprised.  But they sounded quite good, loud and brash.  And then they opened with “Let It Go,” a pretty heavy (for them) track from High and Dry which I had forgotten about but which rocked really well.  And I thought, hey, any chance they’re just going to play the heavy songs?

But no.  They moved into “Animal,” one of 6 songs from Hysteria.  Of course, it wasn’t all Hysteria.  They did play “Foolin'” which really didn’t do it for me as much as I thought it would-perhaps I was bitter about the Hysteria.  Continue Reading »

[ATTENDED: August 9, 2014] Dead Daisies

daisiesTwo years ago, I went to see Kiss in Scranton.  I had seen them a few times by then, and since Paul’s voice sounded pretty bad, I didn’t think I’d go again.  But I love hanging out with my friend Matt and don’t get to see him enough, so when he invited me up for this year’s extravaganza, I decided what the hell.  And it turned out to be a very good show indeed.

The first opening act was a band called Dead Daisies.  Last time, they had an opening act that I didn’t investigate at all.  But this year, I had my phone out and figured that Dead Daisies was a local Scranton band, and I’d see if I could find anything about them.

Well, it turns out that Dead Daisies is from Australia and that the lead singer, Jon Stevens, was the guy who sang for INXS after Michael Hutchence killed himself (but before they did the reality show to find a new singer).  I never heard INXS in that version, but the way he was singing for this band, I can’t even begin to imagine him as a good fit.  Because he has a big old powerful voice and sings in a very un-Hutchence way.

When they first came out I was kind of unimpressed.  The first song sounded a ton like AC/DC.  And the second song sounded like Bad Company.  As it turns out the band is a kind of retro rock band, with connections to Guns N Roses (guitarist Richard Fortus has played with GnR and Dizzy Reed plays keyboards for GnR).  And it turns out that Slash co-wrote their song “Lock ‘n’ Load.”  The other guys in the band are Marco Mendoza on bass (he’s played with Thin Lizzy, Whitesnake and many others) and David Lowy on guitar.  Continue Reading »

tpk6SOUNDTRACK: BOREDOMS (various).

borepageBoredoms are an experimental noisy band from Japan.  I am completely unqualified to talk about them as I only know snippets of their output.  But I have always been intrigued by them.  Lead dude Yamataka Eye has been the main impetus behind the band.  And it seems like exactly the kind of noise/music one might play if one were horribly bored.

Yoshimi P-We is the longest serving drummer with the Boredoms.  She is the “Yoshimi” in the title of The Flaming Lips’ album Yoshimi Battles the Pink Robots.

Over the years they have gone from outright nose (listen to the track “Bubblebop Shot” from Soul Discharge or “We Never Sleep” from Onanie Bomb Meets the Sex Pistols which is mostly screams and drums) to a more ambient (but still noisy) style. They performed a live show with 77 drummers  on 7/7/07.

They’ve even changed their name to V∞redoms.

Here’s an interesting clip of the band from All Tomorrow’s Parties in 2012, being a lot less noisy but still pretty weird.

[READ: August 11, 2014] Pale Summer Week 5 (§27-§34)

There were a few things in this week’s reading that seemed to contradict other things in the reading.  This is not surprising as Pietsch says that there were things that he knew DFW would eventually change.  The notes at the back of the book (yes, I peeked, bit no spoiler here) say that there were different possible plotlines for some of the characters and even a duplication of a weird character trait.   But it’s funny to see it evolving in front of you.

In §27, Sylvanshine seems to be able to control his Random Fact Inference somewhat–and he seems to be using it rather than being inflicted by it.  This is either a big change or a cool development in Claude’s life.

There is also what I think is an actual mistake: two people have the same number: 907313433 (see §30).

In another “unfinished” issue, the surveillance in §29 is one of those situations that would certainly have been explained in greater detail (or had another scene about it).  I initially assumed they were doing surveillance for deadbeat companies (maybe for new vehicles), but there are indications (in later sections) that perhaps something else is going on, maybe to do with the Glendenning/Lehrl issue that Reynolds and Sylvanshine are talking about in §30.

One thing that I hadn’t explicitly noticed earlier, but which comes out in Cusk’s section below is the idea that “more information is not better.”  While this seems to be very true for their job, it can certainly be a debilitating world view and I wonder if that is at play as well. Continue Reading »

tokenSOUNDTRACK: “WEIRD AL” YANKOVIC-“Inactive” (2014).

alAs I mentioned, there are only four songs from Al’s new album that he didn’t make videos for.  The biggest surprise to me is that one of the songs is this parody of Imagine Dragons’ “Radioactive” (a song that, I’m not supposed to like but which I do).  Al’s parody is fantastic, but, given that it’s about being inactive (and is kind of gross) it would probably make for a very disturbing video.

The song begins sounding just like the original (of course) and we soon learn that the protagonist is, well, really inactive, (it makes me laugh that this song about inactivity is so upbeat and anthemic, although I think their “Woah oh ohs” are a bit more lethargic than the original.  I love how he spoofed the breathing-in section by saying he’s using his inhaler.

And then as with many of Al’s couch potato songs, this one gets into some funny details–he hates the show he’s watching but can’t reach the remote control, he’s growing cobwebs on his feet, etc.

The song ends “really inactive, not so attractive.”  It’s actually quite a depressing song, but strangely funny.  It’s also one of my favorite songs on a disc filled with favorites.

[READ: August 2, 2014] Token

Token was the final Minx book I read.  it was also coincidentally the final Minx book published.  I read it last because it was the hardest one to find (my library didn’t have it).  And that is a shame because it was easily the best book of the series.  I had complained earlier that there weren’t that many female authors in this series, so it was nice to see a female author and artist in this book.

Token is about Shira, a 15-year-old Jewish girl living in Miami Beach.  She is nerdy, she is overdeveloped (double D?) and yet unpopular.  The hot blonde girls make fun of her and she spends most of her time with her grandma and Aunt Minerva.  The popular girls even make a big point of disinviting her to their sweet 16s.  Shira’s 16th birthday is coming up, and it seems unlikely that she will have a big party at all.

Shira doesn’t mind all that much, because her dad is always kind to her and she and her old lady friends watch movies together and make her feel better about herself.   Although really that’s not a replacement for the kind of friends she wants.

Speaking of replacements. her father, a high-powered lawyer, has just started dating his secretary Linda (Shira’s mom is dead).  Shira and her dad have always been close, and she is suspicious of this new fling–she doesn’t understand the appeal of Linda (although Linda seems very nice).   Shira starts acting out a little which her father takes very badly.  But her father also starts breaking rules–encouraging Shira to eat an un-Kosher meal that Linda has made, for instance. Continue Reading »

[ATTENDED: August 7, 2014] Modest Mouse

It’s terribly frustrating when you think you’re getting good pictures but your phone’s viewscreen is evidently ten times better than its aperture.

I have liked Modest Mouse for a pretty long time.  I think I first heard them with The Moon & Antarctica, but I also really loved This is a Long Drive for Someone with Nothing to Think About (and I recall listening to it a lot while driving from New Jersey to Boston).  But I hadn’t realized that they hadn’t put out a new album in years.  They had an EP in 2009, but their last full length, We Were Dead Before the Ship Even Sank was in 2007.

Recently on the show At Midnight, Tom Lennon, made a great joke about Modest Mouse.  The setup was Portland Pranks, and his joke was that people replaced all of the early Modest Mouse albums with their new ones.  This made me laugh because it’s very funny, but when I thought about it (and how often I’ve heard it), it made me laugh because Modest Mouse have 5 full length albums out.  And I think the first three are deemed classic.  But I’m also guilty of liking their early stuff more too.  (Although “Float On,” for all of its poppiness is a pretty fantastic song (so of course they didn’t play it)).

But man, did they play a wide variety of music.  Starting with a song from Lonesome Crowded West (the first of 3) and then playing a song from Moon & Antarctica (the first of 4), before playing something from We Were Dead (the first of four as well).  I had wondered why they were touring now since they don’t have a new release out.  But they played four new unreleased songs and, man were they different. Continue Reading »

[ATTENDED: August 7, 2014] Mimicking Birds

I was excited to get tickets for Modest Mouse, a band I have liked for years but had never seen.  And I was pleased to see that Mimicking Birds was opening.  They’re a band I knew a little (I liked one song and had listened to their albums online).  I liked their newer album more than the first, which was a little generic folkie to me.

We had just come home from vacation, and I had the 45 min drive to Sayreville ahead of me.  So I called the theater and they told me Mimicking Birds would go on at 8:15.  Last time, they estimated very early, so I left late, figured I’d get there at 8:15 and waltz in to see my friend Jay who I haven’t seen since we left the same job almost 2 years ago.

Well, a little detour on the way down delayed me somewhat, but nothing prepared me for the huge line waiting outside the place.  It seems that will-call is the more sensible way to go than actually bringing your tickets, as you don’t have to wait in line–weird.  So, I wound up missing half of their set and then spent the first song I heard looking for Jay.  When we finally met, I was able to hear the very end of their set, including singing a happy birthday to the bassist. Continue Reading »

mewanSOUNDTRACK: “WEIRD AL” YANKOVIC-Mandatory Fun #1 (2014).

way1So, yeah I’ve spent the last few weeks talking about the songs from Mandatory Fun.  What could I possibly have left to say?

Well, only that I think it’s pretty awesome that Al’s viral campaign worked and that his album made it to #1 on the Billboard charts.  (Of course, I have my disclaimer that I really don’t care about charts and usually have no idea what is number one, but I’m always pleased when a band I like can get that honor).  I think it’s pretty cool that he’s been doing this forever (and I’ve liked him since “Another One Rides the Bus”), and that he is not only still successful, but is even more successful than ever.

I’ve also enjoyed seeing him all over the media lately.  It’s interesting to see how smartly he deals with stupid interviewers and how much he enjoys the intelligent interviewers.  I met Al once and he was a very nice  person (as far as celebrities go).  He seems to genuinely appreciate his fans, and so I’m glad he’s collecting more fans.

Clearly, the album sales will plummet after this #1 accomplishment (it’s not like people are going to start buying the album as if they were unfamiliar with it), but while it lasted, it was pretty cool.  And this scene on the Tom Green Show (who even knew he had another show?) when he was presented with this plaque was quite touching.

[READ: July 29, 2014] Meanwhile

This book is like a culmination of cleverness from Jason Shiga.  As the cover states: Pick Any Path.  3,856 Story Possibilities.  And while I did not count them all, I did run through all the possibilities.  And it is a crazy, time bending, mind-swapping fun ride.

And is it really a choose your own adventure?  Indeed it is.  Each page has a tab and each panel in each cartoon has a tube. The tube runs from one panel to another, sometimes going to a tab so you go to another page.  The author’s note at the beginning of the book says it began as a series of 7 increasingly complex flowcharts, then he used an algorithm to determine the most efficient way to make each story line.  And wow, what a doozy.

The story starts simply enough with the main character getting an ice cream.  And your choices are chocolate or vanilla.  The choices lead down a series of deepening paths, bringing you to a scientist who has created the Killitron 2000 (which does what it says), the SQUID (which transfers memories between people) and a time machine.  As you can imagine each of these thing leads to very different results. Continue Reading »

oloveSOUNDTRACK: “WEIRD AL” YANKOVIC-“Jackson Park Express” (2014).

jpaThe final song on Mandatory Fun is a nearly 9 minute epic which is a parody of Cat Stevens’ style of music.  I would never have guessed that without having read this information online.  However, on listening to it more and more I can hear a lot of Cat Stevens-isms (piano lines and style of chord progressions, although definitely not in the singing style).  I also don’t know if the content is meant to be in reference to the Cat (well, a twisted version of the Cat, of course).

I typically love Al’s longer epic songs, but this one didn’t grab me at first.  Yet after a few listens, I’ve really come to appreciate the twisted humor going on here.   The song starts with some simple pretty acoustic guitars but quickly turns epic with swelling strings and backing vocalists.

The story is about two people on the Jackson Park Express bus in Chicago.  The entire relationship that unfolds is entirely in the narrator’s head.  He bases everything that happens upon the looks she gives him and implies everything through his own looks to her.  As with many Al songs, it starts not just mundanely, but actually sweetly.

I was riding to work on the
Jackson Park Express
Seemed like any other day
Then my whole world changed
In a way I never could have guessed
Cause she walked in
Took the seat right across the aisle
I knew we had a special connection
The second I saw her smile

Pretty nice, right?  And so we see the two communicate (in his mind) nonverbally

She smiled as if to say
“Hello, Haven’t seen you on this bus before”
I gave her a look that said
“Huh, Life is funny, you never know what’s in store
By the way, your hair is beautiful

Again, pretty sweet, until we get to the first wonderfully odd Al line (about her hair)

“I bet it smells like raisins”

And it just gets funnier as it goes on:

Then, she let out a long sigh
Which, I took to mean, “Uh”
“Mama, What is that deodorant you’re wearing?
It’s intoxicating
Why don’t we drive out to the country sometime?
And collect deer ticks in a zip-lock baggie”
I also really enjoyed this punchline:
I gave her a penetrating stare
Which could only mean
“You are my answer, my answer to everything
Which is why, I’ll probably do very poorly
On the written part of my driver’s test”

The song gets really dark and creepy, with (hilarious) lines like:

I gave her a look, that said
“I would make any sacrifice for your love–
Goat, chicken, whatever

And the far more creepy:

Whoa-o-Oh, “I’d like to rip you wide open
And french-kiss every single one of your internal organs
Oh, I’d like to remove all your skin, and wear your skin, over my own skin–
But not in a creepy way”

This is also Al’s most “sexual” song ever, with a line about french kissing (true, it is her organs, but whatever), and this hilarious dramatic pause:

Then, I glanced down, at her shirt, for a second
In a way that clearly implied–
“I like your boobs”

and this other hilarious dramatic pause:

I want you inside me…
oh, like a tapeworm”

But the romance was not to be.  She leaves the bus, despite his nonverbal pleading

Think of the beautiful children we could have someday
We could school them at home, Raise them up the right way
And protect them from the evils of the world
Like Trigonometry and Prime Numbers, oh no
Baby, please don’t go”

There is to be no romance on this bus line.

This is truly a love it or hate it song, but as with most of Al’s epic songs, the more I hear it, the more I love it.  And I can’t wait to see if he plays it live.

[READ: August 3, 2014] On Loving Women

This book is a collection of brief stories about women’s first crushes on other women.  I don’t know how the collection was compiled exactly, but it appears that various women told Obomsawin their stories and she made these fun little comic strip panels out of them.  (Helge Dascher translated them into English–she also did Pascal Girard’s book, that I posted about yesterday).

Each story is named (presumably) after the woman who related it to her.  And each one becomes a simple (but not overly simple) version of the attraction.

Mathilde is obsessed with horses and falls for girls with horse faces (the drawing that accompany this are funny because Mathilda is drawn like a kangaroo or something and the girls she likes are horses.  The ending of this one, about how she learns sign language was very touching.

Indeed, in all of the stories, the women have animal heads and human bodies (but not weird hybrid creatures, just cute cartoony creatures). Continue Reading »