Feeds:
Posts
Comments

[DID NOT ATTEND: April 14, 2022] Gustaf / Pedazo De Carne Con Ojo 

I saw Gustaf open for Idles and they were weird and wonderful and someone I definitely wanted to see live again–preferably headlining.  They have a very late 1980’s punk aesthetic with spoken words and random sounds.  Plus a lot of humor.  I was really excited for this show.  But by the tuime it came around, having misse da whole bunch of shows that I was really looking forward to, I wound up blowing off this one as well.

Shame, really.

Pedazo De Carne Con Ojo is the project of Steven Perez, a Philadelphia musician with sincere love for hip hop, poetry, punk and hardcore, pop, R&B, salsa, bachata, merengue, and even more. Perez has lived in Philly since 2016, writing, playing punk and indie, and he started releasing solo material under the Pedazo moniker in 2019 after years of struggling with doubts about sharing his own music.  Pedazo is a kaleidoscopic project, pinned on samples from past recordings of pop and merengue, salsa, bachata and other styles of Caribbean music, all of which Perez heard in his family’s home in Florida growing up.

[DID NOT ATTEND: April 13, 2022] Alt-J / Portugal. The Man / Cherry Glazerr

I was really looking forward to this show.  It was a summer highlight.

Alt-J is one of those bands that I kind of like and kind of don’t.  Their music is weird and unsettling.  Catchy and earwormy and annoying at the same time.  But their live show is supposed to be amazing.

I’ve wanted to see Portugal. The Man for a long time.  We saw an abbreviated set of theirs at Newport Folk Festival a while ago, and it just made me want to see the whole thing.

Cherry Glazerr is an indie rock band that plays incredibly catchy fuzzy pop rock.  I’d really like to see them in a smaller setting, but this would have been my first chance to see them.

Then we booked a vacation to D.C.  We were expecting to come home early this day, but our plans changed and we wound up getting home just about when the first band was supposed to go on.  I doubt I would have gone anyhow–it seems weird  to come back from vacation and go out, but I had held out hope for this show.

Alas.

But again, D.C. was a great mini-vacation and I’m really glad we went.

 

[DID NOT ATTEND: April 9, 2022] Otoboke Beaver [postponed to October 2, 2022]

I really like Pillow Queens, an Irish band, with four members–two of whom sing great harmony vocals.  They write clever songs about growing up queer in Irish Catholic Ireland, and their music totally rocks as well.

I would have definitely gone to this show, although somehow I missed hearing about it.  Duh.

Well, plus I was in D.C. this evening.  But next time they come around, I’ll be there.

Canadian musician Deanna Petcoff has a powerful voice and a fun bouncy song called “Devastatingly Mediocre.” I think they probably sounded great togther.

[DID NOT ATTEND: April 11 & 12, 2022] Yumi Zouma / NoSo

This show had been rescheduled four or five times. The final time was after the tour had been successful so far.  But at the last minute, they had to postpone the final two Philadelphia shows.

I vaguely recalled when Yumi Zouma came out because their name is so fun to say (this was back in 2014).  I didn’t realize they were from New Zealand.

I couldn’t even remember what their music sounded like or if I’d even liked it.  I wasn’t planning on going to this show since it was a such a busy week, but I was delighted to hear the name again.  And if they turne dout to be good, I would have gone if we weren’t in D.C.

NoSo was unknown to me.  Apparently they are an LA-based artist and guitar virtuoso who seems to write delicate pop songs.

 

[DID NOT ATTEND: April 11, 2022] Animals as Leaders / Intervals

Animals as Leaders is a trio that plays loud, complex progressive metal.

I saw them a few years ago and was blown away.  Although I didn’t like the crowd very much, and wanted to see them again at some point.

Of course, this show conflicted with two other shows the same night and then we went on vacation, so there was not a chance here.

Intervals is a Canadian progressive instrumental metal band. I’m sure I would have liked them as well.

Maybe some other time.

[DID NOT ATTEND: April 11 & 12, 2022] Waxahatchee / OHMME [rescheduled from April 14 and October 5, 2020 and May 16, 2021 and October 15, 2021]

This show had been rescheduled four or five times. The final time was after the tour had been successful so far.  But at the last minute, they had to postpone the final two Philadelphia shows.

I don’t recall what was going on in my life at the the time, but I was happy about the postponement and wrote

This one worked in my favor.  And I’m looking forward to that rescheduled show next year.

Of course, the Fuzz show was scheduled for the same day and I hadn’t seen Fuzz before so I was planning on going to that show instead.

But then we went on vacation, so the whole debate was moot.

Originally support was from OHMME, then Katy Kirby.  This time it was from Madi Diaz who is a folk singer I know of, but not very well.

 

wxa

[DID NOT ATTEND: April 11, 2022] Fuzz / Electric Candlelight

This week was supposed to be an intense week of concerts for me.  I don’t really like when they all line up in one week. but what can you do?

Then we decided to go on vacation (it was Spring Break), so I blew off all of these shows.

This second show was with Fuzz.  Fuzz is one of Ty Segall’s bands.  He plays drums in this one and, as their name suggests, they play fuzzy psychedelic music.  I thought  this would be a fun show even though I didn’t know the band all that well.

Besides, I had tickets to Ty Segall later in the summer as well.

Electric Candlelight is a Philly-based band who sound right up my alley.  Here’s a brief write up:

Electric Candlelight — the newly minted four-piece is led by singer Owen Stewart from Ruby The Hatchet and guitarist Justin Pittney, formerly of Residuels and Moon Women. The heavy psychedelic band is rounded out by Max Jonas from Tough Shits on bass, Joshua Aaron from The Lawsuits band on drums, and Ali Awan on guitar. The group made its debut this week with a single called “Another Year Gone By,” a six-minute-long thrasher with ample guitar melodies and the drive of Stewart’s raspy, Credence-esque vocals that offer an element of Ruby The Hatchet’s psychedelic hard rock.

Sounds like it would have been a trippy, fun show.

But D.C. was a wonderful trip, so no regrets.

And Markit Aneight has a video of the whole show from Fuzz

And from Electric Candlelight too!

[DID NOT ATTEND: December 12, 2021] Mono / Bing & Ruth

This week was supposed to be an intense week of concerts for me.  I don’t really like when they all line up in one week. but what can you do?

Then we decided to go on vacation (it was Spring Break), so I blew off all of these shows.

I am really looking forward to seeing Mono again.  I saw them once and their epic post rock blew me away.

Bing & Ruth I hadn’t heard of, but they are a NY-based band and sound similar: “minimalist ensemble music with a certain filmic sensitivity.”

Would have been a lovely show I’m sure.

But D.C. was a wonderful trip, so no regrets.

[POSTPONED: April 9, 2022] Otoboke Beaver [postponed to October 2, 2022]

I’m not sure if this was a COVID-related postponement, but it came at a good time for me, because we had booked a vacation for the following day and it would have been hard to justify going out to see a band the night before a long drive.

I am very excited about seeing Otoboke Beaver.

 

[ATTENDED: April 6, 2022] Mogwai

Back in 1997, my friend Lar was living in Ireland and we would send each other CDs of songs we liked.  He even sent me a couple of UK (etc) only Mogwai singles.

I’m fairly certain he had seen them around this time.  Or at the very least he was aware of their live shows being raucous and loud with endless versions of songs like “Like Herod” where the feedback roared on for twenty minutes.

Well, here it is 25 years later and I still hadn’t seen them live, but they were still going strong.  Actually, I have a ticket stub for them in 2001, but I have no recollection of the show.  I was also supposed to see them in 2017, but a freak snowstorm kept me home.  It was probably the right decision, but I hadn’t forgotten it in five years.  [Either way according to setlist, at neither of those shows did they play “Like Herod”].

And the band did actually wait the 55 minutes to start at 10PM.  Good heavens.  It was so long that the guy next to me passed out (this is the fourth show that I’ve been to where someone has passed out).  He was fine and they walked over to the door to get him so air.

I was right up front (2nd from the fence) and had a perfect view of center stage.  Which was only a shame that Stuart Braithwaite, the defacto leader of the band set up shop on the side of the stage.  Between me and he was a very tall man with a lot of hair.   Bummer. Continue Reading »