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irl  SOUNDTRACK: THE DUCKWORTH LEWIS METHOD-Sticky Wickets (2013).

stickyThe cricket-loving songwriters are back with their second disc.  Although I bought their first disc because I love Neil Hannon, I found myself enjoying the songs by Pugwash’s Thomas Walsh even more.  (Which led me to get some discs by Pugwash, a great, sadly unknown band).

I’m inclined to say I like Walsh’s songs better on this disc as well–his title track has a groovy classic ELO-inspired guitar riff and Walsh’s great falsetto vocals.  But I also love the bouncy fun of “Boom Boom Afridi” (written by Neil Hannon). So maybe I just like the two of them together.

These are followed by the amusing “It’s Just Not Cricket” which features a group of rowdy indignant cricket fans singing along. See the awesome accompanying picture below which shows the kind of sort of naughty but not really way the sport is portrayed on the disc.  cricket“The Umpire” gives some real sympathy to the Cricket umpire (who eats his eggs and soldiers) as his position is taken over by machines.

I don’t know much about cricket, so I don’t claim understand what most of these songs are about, but the awesomely bouncy and catchy “Third Man” is a total mystery to me.  But that doesn’t stop me from singing along. It’s like a classic lost Pugwash song.  It even has a (weird) narration from Daniel Radcliffe.  “Chin Music” is a pretty, carnivalesque instrumental.

“Out in the Middle” is a slower Walsh song which is also very pretty.  “Line and Length” is a silly song which (in spoken word) explains how line and length are used in cricket. It has a very discoey chorus which differs nicely from the formality of the verse. “The Laughing Cavaliers” is a march with a big choral vocal line. “Judd’s Paradox” has a lengthy spoken section by Stephen Fry (at his most formal). It’s a very enjoyable song with an interesting perspective on cricket and history.

“Mystery Man” is a pretty, sixties-sounding song with bouncy jaunty keyboards and a catchy chorus–except that the verses are all about how he’s a tough bowler.  It’s also got a hilarious spoken word section read by Matt Berry “trod on wicket.”

“Nudging and Nurdling” ends the disc and is more or less 5 minutes of people saying the words “Nudging and Nurdling” set to a boppy silly melody.  The list of contributors is extensive, although I’ve only heard of Daniel Radcliffe, Neil Finn, Joe Elliott, Matt Berry, Graham Linehan, an Michael Penn (!) who sounds so American. I love they way they build something so simple (and kinda dumb) into such a big song by the end.

Hannon and Walsh know how to write gorgeous songs (even if they can be rather silly).  This is a great collection–even if you don’t know anything about cricket.  You too will soon be shouting along with the Laughing Cavaliers.

[READ: November 9, 2014] In Real Life

I was pretty excited when I saw this book.  I really like Cory Doctorow and here was a comic of his published by First Second, one of my favorite graphic novel publishers (I need to make a category for them…there, done).  I didn’t know Jen Wang’s artwork, but that hardly mattered as the cover was gorgeous.

So the story is an interesting one.  It begins simply enough with Anda, a young girl who has moved from San Diego to Flagstaff (of course, we don’t learn that she moved to Flagstaff for a few pages, so the fact that we are introduced to Flagstaff by a snowfall was confusing to me–I assumed she was on the East Coast).  However, this was not as confusing to me as the other character in the book who doesn’t know where Flagstaff is.  What high school aged person doesn’t know that Flagstaff is in Arizona?

Anyhow, we see Anda in school and her class is given a presentation by Liza the Organiza, a woman who is introducing the class to an online virtual game called Coarsegold (I’m also confused as to why this woman would be allowed to give this presentation in school, but maybe I’m too nitpicky here?).  Incidentally, I really enjoyed most of the art in the book, but the picture of Liza the Organiza on this same page is quite disturbing to me.  In fact, a few pictures in “real life” seem a little “off” to me, and I was worried that I wouldn’t enjoy the visual aspect of the book.  But when we get into the game, the pictures are simply fantastic, so I don’t know what that’s all about. (more…)

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10SOUNDTRACK: FATHER JOHN MISTY-Fear Fun (2012).

fjmI can’t get over how much I’ve been enjoying this album for the last two years.  Father John Misty is J Tillman from Fleet Foxes.

This disc is a gentle folk album with vaguely country leanings.  The arrangements are spare and yet the verses and choruses are so great to sing along to. “Funtimes in Babylon” has this infectious chorus: “I would like to abuse my lungs, smoke everything in sight with every girl I’ve ever loved.  Ride around the wreckage on a horse knee deep in mud.  Look out, Hollywood, here I come.”  “Nancy from Now On” has a great propulsive chorus with oohs and tinkling bells and pianos and Misty’s engaging falsetto.

I was introduced to this album by “Hollywood Forever Cemetery Sings” which opens with the super catchy line, “Jeeeeesus Christ, girl.”  I love the big crashing drum sound he has here.  “I’m Writing a Novel” is a fun romp, with the great line “I’m writing a novel because it’s never been done before.”  “O I Long to Feel Your Arms Around Me” introduces a great organ sound.  It’s a full song at only 2 and a half minutes.

“Misty’s Nightmares 1 & 2” opens with a slide guitar and turns into a stomping song with more Ooohs and a great chorus.  “Only Son of the Ladiesman” has a great chorus with the fun couple: “I’m a steady hand, I’m a Dodgers fan.”  “This is Sally Hatchet” has cool guitar blasts and a great bridge.

“Well You Can Do It Without Me” is a countrified 2 minute stomper.  “Tee Pees 1-12” is a big stompin’ honkey tonk song with fiddles and slide guitar.  The disc ends with “Everyman Needs a Companion” a slow ballad with a great piano melody and a fun to sing along with verse and chorus.

I love the lyrics on this album, especially the song “Now I’m Learning to Love the War” a slow ballad with a great story:

Try not to think so much about
The truly staggering amount of oil that it takes to make a record
All the shipping, the vinyl, the cellophane lining, the high gloss
The tape and the gear

Try not to become too consumed
With what’s a criminal volume of oil that it takes to paint a portrait
The acrylic, the varnish, aluminum tubes filled with latex
The solvents and dye

Lets just call this what it is
The gentler side of mankind’s death wish
When it’s my time to go
Gonna leave behind things that won’t decompose

In addition to all of the great music on here, the CD packaging is fantastic with that great cover, done in a cardboard gatefold sleeve including two huge books full of words and drawings and lyrics and everything.  I’m really looking forward to his next release.

[READ: September 14, 2014] Grantland #10

Despite my being in the middle of reading several other things, I was looking for a short article to read the other night and grabbed my Grantland 10.  And, of course, once I started, I couldn’t stop. I put everything else on hold and blasted through this issue.

And so all of my loves and hates are the same with this issue.  I never know how anything they talk about nearly a year ago turned out, which stinks.  And yet I get so wrapped up in the writing that I don’t care.  I’m not sure what it is about the writing for Grantland that i enjoy so much.  It is casual but knowledgeable.  Often funny but not obnoxiously silly. And I suppose that now I feel like I’m in on all of the secret stuff they talk about so I’m part of the club.  I fear that if I were to ever go to the website I would get sucked into a black hole and never emerge.

I often wonder how they choose what goes into the book.  This issue has some new writers and the surprising absence of some regulars.  I wonder what went on there.  And as always, the book could use some editing and maybe actually listing the urls of the links that were once in the online version.  But I think I’m talking to deaf ears on that one.

This issue covers October-December 2013 (that’s ten-twelve months ago!  Some of this stuff feels ancient!)

(more…)

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rattleSOUNDTRACK: THEY MIGHT BE GIANTS-“Greasy Kid Stuff” (2013).

3This song was recorded especially for the Greasy Kid Stuff radio show and appears on Greasy Kids Stuff Vol 3.

It starts out like a very TMBG song–with funny lyrics (by John L) over a simple keyboard melody.  The lyrics are about his unruly hair (it needs some schooling).  But it quickly turns into a plea to the radio for songs about Greasy Kid Stuff!

The chorus sounds very “rock n roll” (with old style backing vocals).

It’s only 1:40 and it’s the kind of song TMBG seems to be able to whip out in a couple of minutes.  But it’s really quite catchy.  It’s nice to get some new fun from John and John and the Dans.

[READ: August 11, 2014] We Can’t All Be Rattlesnakes

Indeed we cannot all be rattlesnakes. Even the main character of this book, a gopher snake, can’t be one, despite how much she looks like one.

The gopher snake is unnamed because even though she is the main character, she has just been captured by a boy named Gunnar.   Well, actually he calls her Crusher, but that’s not her name, and she refuses to acknowledge it (especially since she doesn’t crush her prey, she asphyxiates it).  We see everything that happens to her from her own eyes. This allows us to see everyday human items (like a video game console) as completely foreign.

Gunnar is a kinda dumb, kinda violent boy, at least that’s what the other captive animals claim (reptiles can communicate telepathically, you know).  Speedy the tortoise and Rex the lizard tell Crusher all about how things are in this house.

Gunnar plays violent video games, disobeys his mom, has dumb friends and refuses to accept that Crusher is a girl.  At first Crusher is really angry about being captured and she vows revenge.  Not only won’t she eat the dead mouse he puts in there with her, she refuses to eat the live mouse he puts in there with her.  In fact the mouse, named Breakfast, becomes quite taken with Crusher, and cuddles up next to her. (more…)

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croninSOUNDTRACK: THE OKEE DOKEE BROTHERS-“Can You Canoe?” (2012).

okeecanoe I found out about The Okee Dokee Brothers from Kids Corner.  They are two guys (one on guitar one on banjo) who sing folk songs about going outside, “with a goal to inspire children and their parents to get outside and experience nature. They believe this can motivate kids to gain a greater respect for the natural world, their communities and themselves” (from their website).

This is a fun folk song–easy to sing along to and very catchy.  It reminds me in spirit (but not voice) of John Denver–the guys have very good harmonies as well.

And since spring time may (finally, maybe) be coming, we should be busting out our canoe soon as well.  Perhaps we’ll sing along to this

Can you canoe on a little boat built for two?
Can you canoe? I’ll be your captain and your crew
Can you canoe if there’s nothing better to do?
I wanna float down a river with you.

In addition to the catchy chorus, there are some great lines in the song, too.  Like:

“We don’t need no outlets, we don’t need no wires
Primetime entertainment will be lightnin’ bugs and fires”

and

“I’ll take the bow brother, you can take the stern
I’ll move us forward, while you choose when to turn”

and

“Sound waves on the water don’t need to be amplified.”

I have become a quick convert to this band whom I’d not heard of until very recently.  I’m looking forward to my kids hearing this (and watching the videos too).

Here’s the video:

[READ: April 15, 2014] The Chicken Squad (1)

I grabbed this book for the kids because it looked like a lot of fun.  And indeed it was.  I didn’t realize that Cronin was the author of such fun kids books as Click, Clack, Moo and Diary of a Worm (and other insects).  This book is quite different from those picture books in that this tells a (admittedly short) longer story.  And it has chapters!

The story is told by the family dog, J.J. Tully, a retired search and rescue dog.  J.J. Tully is in charge of the yard and that includes watching out for the chickens.  He introduces us to the four chicks who live in the yard: Dirt (speciality: foreign languages, math, colors, computer codes), Sweetie [who has glasses] (speciality: breaking and entering, interrupting), Poppy (speciality watching the shoe [which is where they live]) an Sugar [has a triangle head–which comes in for a very funny joke later] (specialty: None that i can see).

The plot begins when a squirrel named Tail comes running into the coop.  He is in a panic shouting, “It’s after me.”  When the chicks question him, he can only get out variations of: “Its big and scary!!.” “It’s BIG and it’s SCARY!!”  And while he is panicking, trying to get out the details of what it looks like: (Big), J.J. comes in to see what the ruckus in.  And Tail faints dead away. (more…)

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  9SOUNDTRACK: UNIVORE-“Vampire” (2013).

univoreI never watch the ads that come before Youtube videos.  But this came on as an ad and I was utterly mesmerized by it.

I didn’t even know what it was for.  Turns out that Univore is a band and “Vampire” is one of their songs.  The 1 minute ad video was actually the whole thing.

It’s got a simple buzzy synthesized riff, backing vocalists singing “Oh yea” when appropriate and an occasional deep voiced man saying “vampire.”  The video is of an older gentleman (who a little research suggests is Marco Casale) dressed like a vampire running around a small green space on a campus.  The whole video looks like it took 15 minutes to film.  It is weird and wonderful.

I still know nothing about Univore, which may be for the better, but I did enjoy this video.

[READ: April 6, 2014] Grantland #9

I’m surprised that there aren’t better cover images online for these books.  For #8 i had to use one with a big flash in the middle of it and this one is the illustration from the Grantland website.  The books are quite pretty so why uses these pale imitations?

So this issue proved to be a lot better about weird typos and “we just took this from the web and pasted it and never bothered to check to see if there was anything weird” problems.  So thanks for at least running it through Spellcheck.  The only other thing left is to either remove the lines that talk about attached links/images if they are not there or to include the url or make up a tiny url (but that would be actual work!).  Oh, and please make sure all of the footnotes are included.

I have given up on ever finding out how these things turned out several months after the fact–I’ll just happily live in ignorance of reality there.

This issue was taken from during basketball’s downtime which was a nice change (even though the still managed to talk about basketball).  There was more pop culture and some wonderful articles about team nicknames and mascots–something I absolutely love.  So this is one of my favorite issues overall.  (more…)

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jan2006 SOUNDTRACK: KURT WAGNER-Tiny Desk Concert #6 (October 8, 2008).

kurtI have never been a big fan of Lambchop.  It’s just not my kind of music—a little too slow for me.  But I really enjoyed Kurt Wagner in this Tiny Desk performance.  His guitar playing I really beautiful (I loved how he hit the high note on Bob Dylan’s  “You’re a Big Girl Now.”  He plays three Lambchop songs and two covers.

Wagner is from Nashville, and he has an air of Southern propriety about him–apologizing for taking up everyone’s time at work.  He sounds great doing the Dylan song, which I suppose is no real surprise.  The first Lambchop song is a pretty ballad called “Slipped Dissolved and Loosed.”

He is a charming and funny guy, joking about a few things (like working in an office) and then discussing about one of his songs, “National Talk Like a Pirate Day” (which is not as funny as the title might suggest).  Another song is titled “Sharing a Gibson with Martin Luther King Jr.” (and Wagner waves a fan of MLK Jr. (from a funeral home-(?)) to start the song.

The final song is a Don Williams song called “I Believe in You.”  I’ve never heard of him (and neither had anyone else in the studio).  It’s a really enjoyable, sweet song, and there’s a funny moment when sirens go past and he comments that at least they are in tune.  I still don’t think I’ll be listening to a lot of Lambchop, but I really liked this Tiny Desk show.

[READ: October 8, 2013] “Improvised, Explosive, & Divisive”

Two years after writing about his trip to Vietnam, Bissell returned to another war zone.  This time going to Iraq to get embedded (I suppose that’s the technical term for what he did) with some Marines at Camp Taqaddum in Iraq (17 miles from Baghdad).  This was during the Iraq war (and the Bush presidency), after Mission Accomplished, when the military was searching for a strategy for what to do in the situation.

This article shows interviews with Marines and makes assessments about our then current plans (such as they were) for how to extricate ourselves from a seemingly hopeless situation.  After Mission Accomplished the war went from a “war” to “stability and support operations against an insurgent element” or what is called MOOTW (military operations other than war).  And Bissell acknowledges that it barely seems like any resembling war in Iraq where the soldiers are headquartered.  They cannot drink alcohol, have sex or view pornography (they are trying to remain respectful of their host country), but at the same time they play softball and go to the gym, wear Co-Ed Naked Camel Watching T-shirts and have a Baskin-Robbins ice cream stand.  Not to mention DVD, video game consoles and Coke for sale in the PX.

Some of the article is technical—a side of the fighting that most readers probably don’t know. Like that the troops must be fully protected (and the vehicles as well) just to travel the relatively short distance between camps. (more…)

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SOUNDTRACK: PHISH-Live Bait 04 (2011).

bait04This Live Bait free sampler is compiled of songs from some of their summer tours (all songs are from June-August).  And it’s a fun collection of mostly long jams.

“Scent of a Mule” dates from 1996 and has a very “old” quality, like the band doesn’t sound as full as normal (the vocals also have an unexpected country feel). There’s a bit of “Sunshine of Your Love” from the guitars while Page is doing an elaborate solo.  Indeed there’s a lot of piano on this track—much more than usual (and some of it is crazy).  There’s a Jewish music section done on both guitar and voice which abruptly ends when the song returns to “Scent”.

“You Enjoy Myself” is one of my favorite Phish songs.  This version clocks in at almost 25 minutes.  At around 21 minutes the song devolves into them making a bunch of silly rhythmic noises, which must be very fun to see.  The next track is “The Landlady” (from 1993), a wonderful instrumental that morphs into “Tweezer” which has a pretty wild and raucous jam component.  There’s also a repeated guitar motif (which I don’t recognize) that seems to be a cue for the band to do things (play loud and fast or really slow—including their impossibly slow rendition of The Simpsons theme song.  It’s a neat trip.

The next track is “Mike’s Song.”  It opens a 36 minute jam that devolves at around 18 minutes into real silliness with spacey effects and controlled laughter.  At about 20 minutes, it morphs into the simple song “Contact” and eventually into “Weekapaug Groove.” Which starts in an unusual way—instead of Mike only playing the bass, the band joins the song in progress.

“Split Open and Melt” has some loud bass—I hadn’t really noticed the bass so much before, and in this version in particular Mike seems like maybe he’s mixed a little louder and he’s playing some really funky stuff (and making quite a few errors, it must be said).  Next comes the silly “NO2” (from 1999), which duplicates the effects of the record pretty well, and the guitar solo at the end of very pretty.  “My Friend My Friend” is a pretty dark song but it starts with the very pretty guitar work until the minor keys take over.  It slowly morphs into “McGrupp and the Watchful Hosemasters,” a lyrically insane but musically great song.  Page gets a lot of solo time in this song, too.

The next song is “Twist” always a fun and energetic live track.  There’s a very slow jam in the middle of the song (which in total is 29 minutes) before it turns into a very echoey “Slave to the Traffic Light.”

The next song is a nearly 20 minute, joyous “Free”.  It morphs into a beautiful “What’s the Use” yet another or f Trey’s gorgeous rising melodies.  “Axilla” is a fast almost punky version as is the near barbershop quartet riot of ”My Sweet One” which is the fastest I’ve heard it done.  And “Run Like an Antelope” is as frenetic as I’ve heard it—the pace of this segment (from 1993!) is insane.

“David Bowie” begins but then pauses as Trey sings “Catapult” a short piece that I don’t think I’ve ever heard played before.  Then “David Bowie” resumes for the remaining 10 or so minutes and it is a fast and furious cut as well.  This great free set ends with a 15 minute “Divided Sky,” which sounds as good as ever.

Phish releases a lot of concerts, so it’s nice that they throw these free compilations to us once in a while.

[READ: October 15, 2012] “Puppy”

This story is included in George Saunders’ new collection Tenth of December.  But since I was able to find it at the New Yorker, I figured I’d read it now (this means that of all of the stories in the collection I have only not read two).

This story is dark.  Although it doesn’t seem so at first.

The story begins by looking at a married woman who has their two kids in the car with her.  She is trying to get them interested in the beautiful autumnal day but they have heard it all before.  And besides, her son is deeply engrossed in his video game Noble Baker “Not now, Mom, I’m Leavening my Loaves” (ha).  Which is better than the game he wanted, Bra Stuffer.  We go into the woman’s head and (at least in my case) pity her a little bit for trying so hard with kids who clearly aren’t interested.  Like when she read the instructions to her son’s video game so she could offer him tips while he played (and he swats her away, but at least it is “affectionately”).

She keeps her spirits up.  But every example seems more sad than nice.  When she thinks about her husband who says “Ho HO!” to anything that comes up.  Like all of the animals that they own, and how few of them are actually played with by the children.

The other day she spoke of their dog as a puppy and her daughter cried because she didn’t remember it.  So of course she had to get them a new puppy.  She saw an ad for a puppy and decided to go check it out. (more…)

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april 2013SOUNDTRACK: RICHARD THOMPSON-Electric (2013).

electRichard Thompson is remarkably consistent in his albums.  Especially his most recent ones.  The songs are all solid—both musically and lyrically.

Despite the name Electric, this album is no more or less electric than his other records.  Indeed, while this name may imply a much faster, heavier album, there are a number of ballads (and acoustic guitars) as well.  But if you like Richard for his amazing solos, you won’t be disappointed.

“Stony Ground” and “Sally B” are dark rockers (both mention gutters) with great fast solos.  “Treadmill” is one of RT’s class/money songs which are always spot on, even if he’s singing about sheet metal rather than playing guitar (great riff on this one too).

“Salford Sunday” is a more gentle rocker and “My Enemy” has a wonderful circular-feeling delicate melody and a gorgeous solo.  Both songs have female harmonies from Siobhan Maher Kennedy.  Indeed, Siobhan sings backing vocals on “Where’s Home” (an acoustic guitar ballad complete with violin solo), “Straight And Narrow” (a rocking song with aggressive guitars) and “Saving The Good Stuff For You.” “Good Stuff” Is a beautiful album ender, a sweet and tender ballad which I enjoyed even more live.

Alison Kraus sings backing vocals on “The Snow Goose,” a slow, somber song–the kind of which RT does so well.  “Good Things Happen to Bad People” is so unfailingly catchy, practically an earworm, that if there were any justice, this song would have been huge.  It’s got a great melody, cool lyrics and a really rocking solo.  “Another Small Thing in Her Favour” is a mellow acoustic/country song.  The end of the album goes a little too mellow.  Even though I like the songs individually, as a record it kind of trails off, which is a shame since “Good Stuff” is such a beautiful song.

I enjoyed this album tremendously and hearing him play some of those songs live was a treat.

[READ: October 10, 2013] 3 book reviews

This month Bissell reviewed three novels.

grossmanyouThe first is YOU by Austin Grossman.  Bissell explains that this is a book about a middling video games company circa the 1990s (Grossman was born in 1969 so he knows the territory well).  Bissell really enjoys the philosophical attitude of the book, specifically the narrator’s thoughts on making and playing games, although he fears that some of the characters are rather two-dimensional (and can’t decide if this is a flaw or if it’s intentional since the book is about video games).

grossman soonBissell is largely very positive about the book although the excerpt he quotes about human duality and videogames was not terribly exciting to me.  However he casually raved about Grossman’s first book Soon I Will Be Invincible (which is a literary work about superheros) which I think I’d be more inclined to read. (more…)

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laraSOUNDTRACK: VOIVOD-War and Pain (1984).

warandIt was easy to know that Voivod were going to be an unusual band.  Their name is crazy.  All the members had nicknames like Piggy, Blacky, Snake, and, confusingly, Away.  And they were French Canadian, which meant that their singer’s first language wasn’t English–I love the way he stresses things in his vocals especially on later albums, and he had the guttural French that sounds like a cookie monster vocalist even when he is just speaking.

Later on, their prog and psychedelic leanings would come out more, but on their debut, they were just a noisy, screamy pounding metal band.  And this debut has typically bad mid 80s metal production to top it off.

In 2004 the album was remastered with bonus tracks, a full live concert and a CD ROM with all kinds of goodies.  I originally thought the remaster didn’t sound that good, but there is definitely some clarity that the remaster brings.  It allows you to hear a lot of the subtleties (and there are some) that were lost in the original.

There are hints at the kind of weird sounding noises the band would make on future albums, but this is mostly just fast, pounding music.  I’d have liked them to re-record this stuff before Piggy died, just to see what a proper recording studio could do with these earlier songs.

Of course, now that I have listenedto it again with better equipment, I’m changing my assessment somewhat.  Despite the very heavy nature of the songs there are some very cool sequences in here.  They are nothing compared to the complexities that the band would undertake in just a few short years, but there are some really interesting things underway and the remaster definitely highlights them a little better. It still sounds pretty bad 9especially compared to their later records), but hey, they only spent $2,000 and recorded it in a studio where the engineer had never heard a metal band before.

[READ: August 23, 2013] Lara’s Book

I have known of this book since it came out in 1998.  I was a huge fan of Douglas Coupland and yet I had zero interest in Lara Croft or Tomb Raider. So I simply ignored this book.  But because I’m being all completist with this blog, it was time to bite the bullet and see what this piece of nonsense was all about.

And it is just as weird and creepy as I feared.

There are several sections to the book, most of which are written by Coupland.  I will admit right up front that I did not read the strategies and secrets from Kip Ward–sorry Kip, it seemed like fun but between the crazy fonts and layout and the fact that I will never play the game it just seemed like too much. (more…)

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squish5SOUNDTRACK: RALPH’S WORLD-At the Bottom of the Sea [Second Half] (2002).

ralph seaI split this disc into two because there were so many songs on it.  But the second half is just as fun as the first half.

“Baseball Dreams” is all about dreaming to be a pro baseball player (specifically a Chicago Cub, which is endearing).  “Sunny Day Rainy Day Anytime Band” is one of my favorite Ralph songs.  It’s a rocking rollicking song.  Super catchy and I find it in my head a lot.  “Fly Me to the Moon” is a charming take on the classic song (with mandolin).  And “Baa Baa Black Sheep” is the children’s song, slowed down and very mellow.

“Malcolm McGillikitty” is a fun original which is all about the psychic cat (he knows when we’re going to the vet, and when you’re coming home).  It’s a very funny original.  “The highlight of the second half of the disc has got to be “What Can You Do with Your Baby Brother” It is a great kid-friendly rendition of “What Can You Do with a Drunken Sailor.”  And it offers great advice about things you can do to torment your little siblings when your parents aren’t looking.  Very funny.  “Bean Soup and Rice” is a fun sing along because of the Buh Buh Buh Buh Buh Buh Beans line and for the nonsense about what you might eat.  “Many Things to Know” is a mellow album closer, which I actually didn’t even remember. I guess I tend to tune out the mellow Ralph songs, because I feel like a kid’s album should be all up or all mellow.

So there it is, a great children’s album–fun for kids and adults with a wonderful variety of styles for kids to delve into.

[READ: July 20, 2013] Squish #5

Why was this book better than #4? Because this one has a video game in it!  Well, that’s not exactly why, but as a parent who is struggling with a child who really like a video game a lot, it was comforting to see a story in which the video game doesn’t triumph (no matter how much fun it actually is).  And, as I mentioned in #4, there was a lot more dialogue here, which is always a lot of fun.

All of Squish’ friends are playing a game called Mitosis!  (Who says video games can’t be educational? Or comic books?).  There are  few wonderfully drawn screen shots of this 8-bit game (the kitten bonus is hilarious).  It’s not really relevant how you play the gamer (I’m not sure I could tell), but suffice it to say that levels must be defeated.  And once Squish sees Pod plying his game, Squish spends the money he was saving for some Super Amoeba comics (say it ain’t so!) to buy his own Mitosis game.  The scene where Squish sets foot in the video game store for the first time was just like the first time we took our kids to Game Stop. (more…)

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