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Archive for the ‘Short Story’ Category

wild thingsSOUNDTRACK: FANTÔMAS-Suspended Animation (2005).

fantomasIf you know Fantômas, then you know what you’re in for.  If you don’t, well, it’s a surprise!

Fantômas are the brain child of Mike Patton (Mr Bungle-era more than Faith No More with help from Buzz Osborne from The Melvins and Dave Lombardo from Slayer).  Suspended Animation is designed as a soundtrack to April, 2005.  There are thirty tracks, and each one corresponds to a calendar page.  The limited edition (which is apparently still in print as I got one last month) is a calendar with art by Yoshitomo Nara.  Nara’s work combines cuteness and menace, just like the CD.

A piece by Nara

A piece by Nara

Although, really the CD is more menace than cute.

This disc seems to combine Patton’s favorite things: cartoon music (many ‘toons are sampled here), death metal, short sharp blasts of noise and his fascinating vocal deliveries.

This write-up makes the disc sound very intriguing, but before you rush out to check it out, do know what you’re in for: short, noisy blasts of utter chaos.  It is not for the weak of heart or the queasy of stomach (or for the lover of melody).  It’s not even a case of , oh the songs are short, the next one will come along soon.  While there is diversity, it’s diverse within it’s own little world.  Of noise!

Be afraid.  But if you’re still interested after that caveat, then by all means check it out, if only for the calendar!

[READ: August 23, 2009] Where the Wild Things Are/”Max at Sea”

Because of Dave Egger’s story “Max at Sea” (which is basically a retelling of Where the Wild Things Are I felt I needed to re-read the original.  So thank you Dave Eggers for that.

The original is a fun story which seems to be more visually based than word based.  The drawings are sublime and indeed there are several pgaes with no words at all.  And, so, the filmmakers’ question remains: how to you make a film out of a 48-page book, many of which don’t even have words?  Stills from the movie do look pretty awesome.

And thus, Dave Eggers’ story was born.

I’m not actually going to reveiw Where the Wild Things Are, because, well, it’s a classic, and it’s  awesome.  What more can I say about it?  But I did want to reevaluate Egger’s piece having re-read Sendak’s.

It is quite clear that Eggers is in no way trying to re-write the story.  He has fleshed out a lot of details that are absent from the original (which the original in now way needs, but again, if you’re going to make a film, you need some kind of backstory). (more…)

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nyorkerSOUNDTRACK: SONIC YOUTH-TV Shit (1993).

tvshitThis is a funny little addition to the SY catalog. It is essentially four covers of a song by Youth Brigade called “No Song II” (which is from Dischord records, Possible EP here).

The original song is one second long, with the band shouting “No”

So, covers of it are obviously absurd.  There are 4 tracks in total on the disc, the last two are each over three minutes long (!)

The band is in full noise/freak out ensemble, complete with maniacal screamer/lunatic  Yamatsuka Eye from the Boredoms (and elsewhere).

Obviously it’s a bit of fun, and little more. It’s only for super-die-hard fans or anyone who might like the Boredoms-style of noise rock.

[READ, August 18, 2009] “Max at Sea”

Since I just finished Eggers’ How We Are Hungry, I was delighted to find a new story by him in the New Yorker. The picture next to it looks like a still from the upcoming film of Where the Wild Things Are (Eggers cowrote the screenplay). So, when the story started and Max put on a bear costume, I thought, huh, that seems very familiar.

As the story progressed, well, it seemed really really familiar. Now, I admit I don’t know Where the Wild Things Are by heart, but I sure recognized a lot of it. And then I confirmed with Sarah that indeed, this short story IS the story of Where the Wild Things Are. Eggers has fleshed it out (presumably for the screenplay) and added some details and things, but the whole plot of the story is Maurice Sendak’s.

And I’m not sure how I feel about releasing it as a short story. It is acknowledged in the Eggers bio in the front of the magazine that it does come from Sendak’s work, but somehow it seems wrong to take up a fiction spot in the New Yorker (that most venerable of fiction locations) with a story that is a retelling of someone else’s story. (more…)

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eggersSOUNDTRACK: SONIC YOUTH-Washing Machine (1995).

washingAfter the short blasts and diverse collection fo songs on Experimental Jet Set Trash and No Star, Washing Machine sounds like almost a different band. For although there are a few shorter pieces here, they also give us the 9 minute title track and the, brace yourself, almost 20 minute “The Diamond Sea.”

Perhaps the most amazing thing about “The Diamond Sea” is that the first 5 or so minutes are probably the catchiest song they’ve ever recorded.  It’s a gentle, meandering piece with great chord changes and some of Thurston’s most delicate singing to date.   There’s an edited version available which basically just lops off the last 12 or 13 minutes, but keeps the first chunk (including the controlled chaos of the feedback solo) intact.  Those last 13 minutes are where SY gets to open up and experiment.  It’s all sounds and washes and textures.  There very little in the way of feedback squalls, and yet it’s not  conventional song structure either.  It’s very cool.

The other lengthy song is “Washing Machine” one of their weirdest songs in recent memory with Kim going downtown to buy her”baby a soda-pop.”  She talks in a sort of New Yawk accent, exaggerated and almost silly as they discuss washing machines.  Actually, I take that back, their weirdest song (for Sonic Youth) is clearly “Little Trouble Girl” as it is a straight up tribute to/mockery of doo-wop songs (with main vocals done by the Pixies’ own Kim Deal).

Two Thurston songs, “Junkie’s Promise” and “No Queen Blues” give him some great lyrics done in a catchy fashion (even is “No Queen” revels in its own dissonance).

But none of the songs are “singles” per se.  Even the catchiest among them have portions that are designed to keep casual listeners at bay.  Although “Unwind,” another delicate song could easily meet the most sensitive listener’s needs.

But it’s “The Diamond Sea” that points the direction SY would be heading for in the next few years: longer, more abstract pieces.

[READ: August 8, 2009] How We Are Hungry

I really enjoyed Dave Eggers’ first book A Heartbreaking Work of Staggering Genius.  And, obviously, I’ve been a fan of McSweeney’s for years. So, why did it take me this long to read his collection of short stories?  I have no idea.

They were really fantastic.

But before getting to them, I want to address the look of this book.  I have often commented on the quality of the books that McSweeney’s publishes.  But it seems like especially for Egger’s books, they pull out all he stops (and, sure, he’s allowed, it is his company).  This book is beautiful.  It has an embossed leather (faux?) cover of a gryphon on it.  It also comes with a page ribbon and an elastic to keep it closed.  It truly is a beautiful book. (more…)

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nySOUNDTRACK: Living with Music: A  Playlist by Joshua Ferris (New York Times September 19 2007).

ferrisWhile searching for Joshua Ferris (see below) I came across this playlist from The New York Times.  While I don’t agree with everything on the list, indeed, I haven’t heard of about half of the songs, I was delighted by several of his selections: Neutral Milk Hotel, Pearl Jam, and of course, Godspeed! You Black Emperor.  I also really enjoy the unusual Pink Floyd selection, too (Meddle being a favorite album of mine).

What I enjoy most about the list is that he tacks on a book that you might read that somehow ties to the song (I don’t know what the specifics are as I have yet to read any other “Living with Music” Playlists).  But it reminds me of an inverse of this very blog.

The article is available here.

[READ: August 3, 2009] “The Valetudinarian”

I knew the name Joshua Ferris sounded familiar, but couldn’t remember exactly why. Then I remembered that he wrote Then We Came to the End which I liked quite a bit. So I looked him up and found out that in addition to that novel, he’s only had a few short stories published in total. And now I’ve read two out of the seven. In terms of ratio of books read, that practically makes him my favorite author!

I should have looked up the definition of the title of this one: valetudinarian
which basically means invalid. (more…)

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jokeSOUNDTRACK: FRIGHTENED RABBIT-Midnight Organ Fight (2008).

rabbitMy friend Jarrett introduced me to this band.  He rather casually called it his favorite album of the year, so I figured it was worth checking out.

Frightened Rabbit are a group from Scotland, and they play a sort of disaffected folk.  Although that’s not a wholly accurate description because they do kick in the drums and louder guitars.  So, yeah, they don’t sound anything like Belle and Sebastian.  This is complemented by the lyrics which are somewhat bitter or aching.

And speaking of lyrics, the first song that I wanted to sing along with most was “Keep Yourself Warm” and then I realized that the chorus is “It takes more than fucking someone to keep yourself warm.”  There’s also a very pointed use of the mother of all C words, in another song, too.  And I’ve had that song in my head for about three days now.  But I absolutely cannot sing the song at work or at home, or, well, anywhere except in the car when I ‘m by myself.

This all leads me to wonder, Do bands save their best songs to fill with curses or am I just 8 years old and I listen to the song with curses the most?

The one thing that has troubled me about the record is that at times the singer can sound like the guy from the Counting Crows.  And the Counting Crows are probably the band I hate the most in the universe.  But I just focus on the Scottish burr which lessens the Durwitz effect, and then I can enjoy the disc again.

[READ: Summer 2008] The McSweeney’s Joke Book of Book Jokes

This is a collection of humorous vignettes that are, if not about books exactly, certainly literary in nature.  If you like your humor to be bookish, then this is a great, funny collection.  It starts with the cover itself, as it is printed backwards and upside down w(the cover above is actually on the back).

Many of these pieces are very short (some are a page, even some more are just a few sentences.)  Plus, there are so many pieces that I’m not willing to write all that much, just a one-line summary (that I will try to make funny without giving away the punchline).

I thought about indicating in some way which ones I liked best or some kind of rating system, but that just seems extensive and cruel.

Most of these pieces came from McSweeny’s online, and I’m sure many of the pieces are still available there, but I’m not going to do all the work for you.  And it’s funny how many jokes there are about: James Joyce, Kafka, Homer and children’s books!

Oh, and authors: I started to include all of your names in my Categories, and then it just got too overwhelming.  But if you want to be added, just drop me a note!

Click here for the egress: (more…)

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ny629SOUNDTRACKSONIC YOUTH-Sonic Youth (1982).

syA new Sonic Youth disc (The Eternal) just came out which seemed like a perfect reason to go back and sift through their old discs as well.  And like Hüsker Dü, they were also on SST Records for a time.

This disc, their first, is possibly most notable for two things. One, their drummer (and this is the only disc of theirs that he appeared on) eventually became the parking attendant in Ferris Bueller’s Day Off (“What country you think this is?”  “Relax…I’m a professional”) among other films.  And two: it is really not very noisy at all.

This disc falls into the No Wave camp, a style of music that I honestly don’t know very much about.  When I see lists of bands that are in this “genre” I sort of get it, and I even know a bunch of them, but I can’t ever say I sought it out.

I guess in many ways it’s not very Sonic Youth at all.  And yet for what it is, it’s quite good.  The minimalism is there.  (Except for the drums which are all over the place, including cool flourishes of tom toms!)  Kim’s bass rides pretty solidly throughout.  But the biggest difference is the guitars which don’t contribute waves of noise but rather occasional blasts of sound.  If anything it reminds me a lot of early Cure (like around Seventeen Seconds).

The guitars are very chimey, and I’ve read that the band is dissatisfied overall with the sound of the disc.  And yet despite that, it’s an interesting artifact.  Even if it isn’t a great Sonic Youth album, it’s a cool look at the alternative New York scene of the time.  And it’s cool to see the origins of this band.

I have just learned that it was reissued with all kinds of bonus material (I knew about the other back catalogue reissues on DGC but this one didn’t get the reissue back then).  The reissue has live tracks from around that time.  The samples indicate that the band played these songs a lot noisier live, but they don’t seem quite as chaotic as their next couple of releases..

[READ: July 8, 2009] “Ziggurat”

This was a weird little story that became even more surreal as it went along.

The story is set in the Labyrinth.  The Minotaur lives there and is currently lounging on a pool table in the game room. This Minotaur is not half bull, but is just a very large, very ugly creature.  He kills and eats anyone who comes near (whether as a sacrifice or as an attacker).

But now there’s a new girl.  She doesn’t flee.  She doesn’t even tremble, she simply plays a video game called Ziggurat (the object of which is to build a Tower of Babel before God can knock it over).  The Minotaur is dumbfounded by this behavior, so he lets her live.  Eventually, they start talking, and the Minotaur begins to feel emotions he didn’t think he had (guilt, longing). There’s also a very awkward and funny discussion about virgins. (more…)

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ny7SOUNDTRACK: HÜSKER DÜ-Candy Apple Grey (1986).

candyThis disc seems to be universally panned as the worst Hüsker Dü disc (meaning it only gets 4 stars instead of 5) and yet I disagree.  Perhaps it’s because it was the second disc of theirs that I had heard and so it has always been more familiar, or maybe it’s because I think the sounds is fuller.

“Don’t Want to Know if You Are Lonely” is like the culmination of Grant Hart’s pop songwriting career.  Some say that the song is too stereotypically Hüsker Dü since all the parts fit together so well (as if that’s a bad thing).  “Sorry Somehow” is another shouting Mould gem that retains its pop sheen even with the noise.  And speaking of noise, the buzzsaw guitars that open the disc sound like nothing so much as the Jesus and Mary Chain.  Warner Bros must have been wondering what they got themselves into that their newly signed band opened their disc with that.

What’s most surprising about this disc though are the two acoustic numbers.  Hüsker Dü had obviously experimented before (see Zen Arcade) but these are the most delicate pieces they had written.  I mean, Bob’s voice is so delicate, it cracks in “Too Far Down” for goodness sake.  And “Hardly Getting Over It” would certainly be musically  familiar to anyone who knows Mould’s solo album Workbook.

It may not be a masterpiece, and I know that most Hüsker Dü fans don’t think that much of it, but it totally rocks my world.

[READ: July 6, 2009] “Childcare”

I had heard great things about Lorrie Moore. I bought her Birds of America and then just never read it. Then one day I was in my car waiting for some interminable thing or another and really wished I had a book with me. I decided to put Birds of America in my car. It’s a collection of short stories, so it seemed perfect. And then I never got in another situation where I was at an interminable wait and didn’t have some other book, too. So basically her book is still unread although now it is nicely beaten up. Sigh.

So this is my first Lorrie Moore story. She reminds me, at first thought, of Alice Munro (although she is not Canadian, nor quite so dark), because they both tend to focus on little events in people’s lives and how they can become defining.  Their stories are also small in scope, (in that not a lot “happens”), but are powerfully written and show a lot more going on underneath the surface.

In this story, Tassie Keltjin, a young woman who is just out of college goes in search of a job. She is looking specifically in the “childcare” area because she doesn’t really know what she wants to do for a real career. (more…)

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ny622SOUNDTRACK: HÜSKER DÜ-Flip Your Wig (1985).

flipHere’s where Hüsker Dü dropped most of the pretense that they didn’t write the catchiest songs ever.  And, if this had been released in the mid 90s it would have been an enormous hit.  Or for that matter, if this had been released on Warner Brothers as it was meant to be instead of SST, Hüsker Dü would probably be a more familiar name (and of course no one would love them as much).

Bob Mould wrote his first real shoulda-been breakthrough hit with “Makes No Sense at All,” simply the catchiest song they’ve released to this point (Grant Hart’s pop masterpieces notwithstanding).  And even though previous songs had been catchy, the recording of this track, and the disc as a whole, is less noisy/chaotic/wall of fuzz and is more subtle.  Not that anyone would mistake it for a Top 40 song or anything like that, because the noise is still there, it just feels like they are controlling it rather than the other way around.  The next song, “Hate Paper Doll” is probably even more poppy, although with a title and lyrics like that it’s not going anywhere near the radio.

“Green Eyes” is a sweet, yes, sweet, song from Grant Hart (showing that he hasn’t lost any songwriting chops).  “Divide and Conquer” is another poppy ditty, with a series of la-la-las in the post-chorus.  The rest of the disc couldn’t possibly continue this streak of amazingness, and yet it doesn’t drop very far.  There’s the by now obligatory silly song (“The Baby Song” with slide whistle as the main instrument), and then two instrumentals that close the disc.

Even though it’s still a punk record (mostly in the lyrics), the band’s love of psychedelic sounds is definitively shining through,  (which explains, no doubt why the Dead Milkmen sing in “The Thing That Only Eats Hippies,” “so Bob and Greg and Grant you best beware.”

You can’t go wrong with Flip Your Wig.

[READ: July 7, 2009] “Idols”

This story almost seemed to be a fable it was so patently moralistic.  And although the details were unexpected, the conclusion seemed rather inevitable.

In this story Julian fixes typewriters in Memphis.  He receives a letter that his family’s estate in rural Tennessee has finally cleared up and he has inherited the old family house (which he has only seen once when driving past it with his mother).  The house is run down and very very old and Julian decides that it is his destiny to renovate this house and return to his roots.  His inheritance! (more…)

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The Believer occasionally publishes first person narratives.  They’re usually relatively short but are insightful and poignant.  After reading one particular story the events described below converged in my head.  When I wrote this piece I had originally called it “Piece for The Believer” because well, that’s who it was written for.  I’m not upset that they rejected it, but I’m also not going to submit it anywhere else because I can’t think of any place else where it would fit. So, it might as well go somewhere!  [This is a slightly modified version]

[WRITTEN: April 2009] “Miracle Memory”

Recently my work had a staff training day.  It was yet another of those in-house services in which they pay people to create acronyms for success, and to encourage us all to read Don’t Sweat the Small Stuff.  This particular training was about Teamwork (always capitalized).  The meeting proceeded apace, finding clever ways to say the same thing for five hours, until she told us that after lunch we would be treated to some clips from a movie that we would find inspiring in its look at teamwork.

When lunch was finished, she unveiled the movie: Miracle.  According to IMDB, Miracle is

The inspiring story of the team that transcended its sport and united a nation with a new feeling of hope. Based on the true story of one of the greatest moments in sports history, the tale captures a time and place where differences could be settled by games and a cold war could be put on ice. In 1980, the United States Ice Hockey team’s coach, Herb Brooks, took a ragtag squad of college kids up against the legendary juggernaut from the Soviet Union at the Olympic Games. Despite the long odds, Team USA carried the pride of a nation yearning from a distraction from world events. With the world watching the team rose to the occasion, prompting broadcaster Al Michaels’ now famous question, to the millions viewing at home: Do you believe in miracles? Yes!”

And of course, what better display of teamwork could there be than an underdog team winning a gold medal?

I instantly bristled upon hearing that this was our movie.  One of my strongest non-family related memories is of watching the U.S. Olympic team skating to victory over the U.S.S.R. in the 1980 Olympics.  I didn’t watch the whole game (I didn’t become a fan of hockey until the late 1990s), but I tuned in during the third period right around when Mike Eruzione scored the go-ahead goal. (more…)

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esquireSOUNDTRACK: MOXY FRÜVOUS-Live Noise (1998).

livenoiseLive albums usually work as a “best of” and so, with Live Noise you get the crème de la crème of the Früvous catalog.  But, more than that, Früvous were amazing live.  I had the opportunity to see them once, and it was a fantastic show.

Just about every song I have mentioned in other reviews is here: “Michigan Militia,” “Horseshoes,” “Fly,” “King of Spain,” “Johnny Saucep’n” and “The Drinking Song” among many others.

They also do some interesting covers: Tom Wait’s “Jockey Full of Bourbon” and Talking Heads’ “Psycho Killer.”

And best of all, there’s a lot of between-song banter.  Interestingly, the banter is quite vulgar.  While Früvous is not a G rated band by any means, it’s a little surprising how many F bombs they drop (which is why it got a parental warning sticker).  But mostly they are funny bits, like the “Intra Pennsylvania Rivalry,” and the hilarious and factual crowd participation bit: “Lowest Highest Point.”

You can’t go wrong with this disc, it’s fantastic (although, I suppose I could do without the  second version of “King of Spain,” as it does go on a bit long), but aside from that?  Fantastic!

[READ: June 25, 2009] “Morality”

I’ve said a lot about Stephen King in the past, so I’ll just get right to the story.

I wasn’t sure if I was going to read this story or not.  I mean, it’s long, and I don’t jump at the chance to read Stephen King anymore.  But I read the first paragraph and I remembered why Stephen King is so popular, and why I liked him so much.  Whether or not he is a great writer or an artiste, he has a wondrous way with words.  With the first few paragraphs I was hooked into this story.  His prose is effortless, and before you know it you are engaged with the characters. (more…)

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