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Archive for the ‘Radio’ Category

sweater SOUNDTRACK: ÁSGEIR-Tiny Desk Concert #397 (October 18, 2014).

asgeirÁsgeir Trausti Einarsson is an Icelandic singer songwriter.  He has a beautiful soft soaring voice.  He released his debut album Dýrð í dauðaþögn in Icelandic (it became the biggest-selling debit in Icelandic music history).  A year later he reissued it in English (with translation help from John Grant who was living in Iceland) as In the Silence and finally (the version I have, as a 3 disc set with the Icelandic and English discs as well as a selection of bonus songs.

“On That Day” is a pretty, guitar based song (Ásgeir plays the main melody line and has guitar accompaniment (and backing vocals) from his childhood friend Julius Róbertsson.

For the final two songs, Ásgeir switches to piano.  “Torrent” has gorgeous vocal harmonies. It’s interesting how much more deliberate this song feels–not quite staccato, but the piano chords don’t really ring out, letting each note stand on its own.

For this Tiny Desk, he stripped down the songs, getting to their core.  They’re not flashy, they’re just lovely.

The final song he plays, “Higher” is the first song on the record (interestingly “On that Day” is the final song on the record).  It has a very slow, delicate piano melody and is also soothing and beautiful.

And in a cool synchronicity at the end of the show Bob tells Ásgeir  that he’s playing at the same piano that John Grant played on a few months earlier.

[READ: July 2, 2016] Sweaterweather

Back in 2003, Sara Varon published her first book called Sweaterweather.  This collection includes all of the original 8 stories as well as a few more.  Each story gets a brief introduction from Varon which makes me like her even more (she’s quite funny).

Most of the stories are short(2-3 p[ages) and most don’t seem to have a title.  The contents page is actually thumbnails from each story.

When I first saw Varon’s style, I wasn’t sure what to make of it.  It is so innocent and childlike.  And I have really grown to love it–especially when these sweet animals characters (they’re pretty much all animals) tackle some intense feelings. (more…)

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[ATTENDED: August 7, 2016] Pearl Jam

2016-08-07 18.26.10After the excitement of seeing Pearl Jam at the Wells Fargo Center, we were psyched out of our minds to go to Fenway.  I didn’t realize that Fenway has a regular concert series.  I’d assumed that Pearl Jam were the first band to play there–they weren’t–but that didn’t detract in any way from the coolness of the venue.

Neither of us are baseball fans, although when I lived in Boston two decades ago, I did attend a couple of games at Fenway because it is a landmark (and when I was a kid I loved baseball, so duh).  But we knew that the venue would make the show even more special.

We’d have loved to have gone to both shows, but unlike some people, we couldn’t get tickets for both nights.  However, through a small piece of luck, I won tickets to a screening of Friday night’s show on Saturday night.  What?  Well, each night is filmed.  So the film crew filmed Friday night, then edited the footage together and had it ready on the next night as a really nicely edited package at the House of Blues (across the street from Fenway) on Saturday night.

It seemed kind of dumb to go to a music venue to watch a movie.  And Sarah and I were skeptical about going.  But we did and we had a  great time.  I’ve watched live DVDs and it’s always an okay thing to do–fun, but never like you were really there. But this was different. Having a group of some 600 people in a club–with bars and good lighting and excellent sound–it made it feel (almost) like a real concert.  And even though we laughed at the people who were clapping and cheering (as if the band were actually there), and taking videos of the screen (my battery died or I would have grabbed a few screen shots too), we were caught up in the excitement on several occasions as well. (more…)

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[ATTENDED: July 22-24, 2016] XPN Fest

2016-07-24 15.34.58Even though I go to a lot of shows, I don’t really love Festivals.  I actually enjoy concerts too much to enjoy Festivals.  Which sounds dumb, but I’d rather see a band I like on their own play for a full set than for 30 minutes with a bunch of people who don’t really want to see them.

I’ve been to a few festivals over the years, and I have thought about going to other ones, but since I typically don’t want to spend a few days in the sun (and a few hundred dollars), I don’t go.

But the past two years we have seen some great headlining acts at XPN Fest.  And we thought it would be fun to go for the day, bring the kids and just have a fun day outside with music and vendors.  We bought tickets before the lineup was even announced.

WXPN members get half-priced tickets (which is cheaper than some of the regular shows I’ve been to) and kids’ tickets are $15 for the three days.  Perfect.

In the past, I have loved most of the headliners, but this year I didn’t really like any of them. The three day pass includes lawn seats to the headliners, but we wound up not using them at all. (more…)

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[ATTENDED: July 24, 2016] David Wax Museum

2016-07-24 15.58.23 David Wax Museum was supposed to play on Saturday.  Then it rained.  Really really hard.  For us, as we waited it out under a tent, the momentum was gone.  The kids were wiped out.  They kicked everyone out of the park because of thunder and lightning.  So even when the sun came back out, we decided to go home.

Well, it turned out that David Wax’s show was cancelled, but they were able to stick around until Sunday and the organizers squeezed them in and we got to see them anyhow!

I knew of David Wax Museum from a Tiny Desk and a Newport Folk performance broadcast on NPR a few years ago.  They played really fun, upbeat music (and used a donkey jaw bone as an instrument) and I was really psyched to see them.

Their set started literally just as The Districts finished up, so we had to hustle over.  And we caught them for the middle of their first song “Yes Maria,” a song I know pretty well and a wonderfully upbeat number.

2016-07-24 15.42.42And then they continued to have one of the most fun sets of the weekend.  Their songs have a Mexican flavor (co-lead singer Suz Slezak was wearing a  (very hot looking) poncho foe the set while Wax was wearing a very sharp looking pseudo-mariachi suit.

They talked to the audience a lot. They said they had driven to the show on Friday night from North Dakota (can that be right?).  Since it was the final night of their tour, they were actually kind of happy that the previous night was cancelled and rescheduled.  They only had to drive from the hotel nearby.  Suz said that it was the first show that they were really well rested for.

Their set included a bunch of sing-alongs, big clapping sections and lots of lyrics in Spanish.

Wax primarily plays the jarana, a Mexican instrument similar to a tiny guitar.  Slezak plays keyboards and fiddle as well as singing along.  And she’s the one who plays the quijada, a percussion instrument made from a donkey’s jawbone.  And yes it was great to see it in action.

Sarah told me after the show that it was her favorite set of the weekend.  I was pretty excited to get their latest album and then, to our surprise they cam over to the merch booth (instead of the meet and greet tent) and signed out disc.  I chatted with them a few minutes, and they were super nice.  Suz showed Tabby her necklace which has one of the teeth from the jawbone.  And their adorable daughter was there too.  She’s 2 and it was the first show of theirs that she got to watch (although I think mostly she was just hot).

I’m so glad that they were able to play and, as with The Districts, I’d love to see them in a smaller venue where they get a longer set.

See some colorful photos and stream their set here.

Setlist:

Yes, Maria, Yes

Dark Night of the Heart

Forgiveness

Harder Before It Gets Easier

Blood Jump

Chuchumbe

Don’t Lose Heart

Born With A Broken Heart

Colas

Guesthouse

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[ATTENDED: July 24, 2016] The Districts

2016-07-24 14.47.59 Despite the heat of Saturday, we were prepared to go back to the Fest on Sunday–with plans to pop into the Aquarium before the show.  I had wanted to see three artists on Sunday, but we only managed two.

I knew The Districts from WXPN , and I’d heard that their shows were a lot of fun.  And that was spot on.

This was the only show we watched at the River Front stage–the larger of the two.  Rather than fight the sun, we hung out on the periphery in the shade and, while we weren’t all that close, we could see the band fine and the sound was outstanding–it was actually a little better off to the side then in the front where it was  little ear-piercing.

Unlike the other bands we saw, The Districts were there to rock out and rock out they did. (more…)

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2016-07-23 13.16.33[ATTENDED: July 23, 2016] Esmé Patterson

I had originally intended to see five bands on Saturday of the Festival.  Because of a number of unexpected hiccups, I wound up seeing only two.  (More about the hiccups on Monday).

Of the five bands, I definitely had a couple that I wanted to see more than others.  And Esmé Patterson was one of them.  I knew her from All Songs Considered, and although I’d only heard one song, I really liked it and was excited to see her rock out.

We arrived in time for her set, put out our gear, and had a great time.

Esmé has a fun stage presence (and is really kind–she was worried about us all burning in the hot sun), she sings wonderfully and her backing band was totally solid. (more…)

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[ATTENDED: July 23, 2016] Darlingside

2016-07-23 14.21.10 Although I had wanted to see five bands on this day, my main focus was Darlingside, a band who sings beautiful songs with wonderful harmonies.

Because we had the kids with us and they were feeling a little wilty from the heat, we spent some of their set walking around looking for shade.  This was less than optimal in terms of enjoying the set, but since the sound was really good, there was no denying how great they were.  Their harmonies were right on and even in a big opened air setting, they still sounded amazing.

What I didn’t expect was how funny and lighthearted they were.  (more…)

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[ATTENDED: April 28, 2016] Pearl Jam

pjphilyWells Fargo Center is becoming one of my favorite venues.  Not because the acoustics are so good (although they are pretty good), but because now I’ve seen three of my favorite concerts there: Rush, Muse and now Pearl Jam.

I’ve been a fan of Pearl Jam for nearly their entire 25 years of existence.  I loved their first few albums, lost my way a bit in the late 1990s and then came back big time in 2001 when I enjoyed listening to their Live bootleg series.   Their live shows sounded amazing–super long, playing different songs every night–and making all of their songs sound more alive than on record.  They just sounded amazing.

And yet I had never seen them.  I should probably have gone on the 2003 tour but didn’t.  And then I met Sarah and Pearl Jam was one of her favorite bands, but she’d never seen them either.  Since we’ve been married they’ve toured near us 6 times.  We had some excuses of little babies for a couple of those tours, but we should have certainly gone in 2013.

Well, here it is, their 25th anniversary tour and Sarah and I finally got to see them.  And, although I do wish we’d gone before, was it ever worth the wait. (more…)

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1.14.2008 SOUNDTRACK: IRON & WINE-Tiny Desk Concert #105 (January 21, 2011).

irionwineI have enjoyed Iron & Wine, but not extensively.  I knew that it was more or less a Sam Beam project (until recently, as the band has since grown in size).  And I knew that he sang beautiful folk songs. I did not know that he was such an amiable and sweet fellow.

For this Tiny Desk, Beam plays four songs.  Three are from his then new album, Kiss Each Other Clean, and they are great.  Beam’s voice sounds fantastic and his playing is excellent too.

After the first song, “Half Moon,” Bob Boilen asks him when he has time to write songs and Beam replies that he has less and less time.  He has to get up early to take the kids to school, so he works like a day job for song writing.

For the second song, “Big Burned Hand” he begins with the capo on fret five and then switches it to fret four apologizing that it’s early.  It’s another beautiful song.  At the end he apologizes for the word “fucking” in the final line (“the lion and the lamb are fucking in the back row”) but says that no other word would have had the same impact.  He doesn’t use words like that lightly in his songs.

He says that “Tree By The River” is a song he had been writing for ten years.  He was afraid it was always turning out saccharine, but thinks he finally got it.

Before playing the final song, Robin Hilton requests an old song (I can’t hear it) which Beam says he will butcher.  Robin says he will die happy if Beam plays it, but Beam says he’ll die unhappy if he plays it badly.  So instead, the final song is an older one, “Naked As We Came,” which has become a set-ender for the band.   Stephen Thompson says it’s great to hear this in this stripped down acoustic format instead of the full band version that has been common now.

And speaking of the full band, when Kiss Each Other Clean came out, the full band of Iron & Wine performed it live on WNYC (you can hear all four of these songs with the full band). And NPR has archived that performance, which you can download here.

[READ: January 7, 2015] “Wakefield”

I have always intended to read more from Doctorow, but he always seems to fall off my radar.  So I don’t know how this compares to his other works.  I really enjoyed it even if I felt like I had to suspend my disbelief a number of times in what was otherwise a somewhat realistic story.

Realistic or not, I really loved the conceit behind it.  The narrator and his wife of many years have had a fight about something stupid.  He went off to work as usual, but on the way home strange things happened.  First there is a problem with is train and he winds up arriving home much later than usual.  And then he finds there’s a power failure (it was interesting to read this right after Updike’s power failure story last week).

He gets out of his car and sees that there are raccoons behind the garage so he chases them away.  When he goes upstairs in the garage he sees that there are baby raccoons there too.  He chases them away and, since the power is still out and he is mentally taxed, he sits in a tattered rocking chair.

He only wakes up the next morning.  And he knows that his wife will never believe the truth. (more…)

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borgesSOUNDTRACK: SEU JORGE-Tiny Desk Concert #79 (September 13, 2010).

seuSeu Jorge was the melancholy singer in Wes Anderson’s movie The Life Aquatic With Steve Zissou. He sang the David Bowie songs and was amazingly soulful and brought a completely unexpected quality to the Bowie songs.

He plays these five songs with his band Almaz.  For reasons unclear to me only one of the songs is on the video, but the other four are available in audio format.

He sings three songs in Portuguese, and his voice is husky and passionate, so even if you don’t know what he’s singing about, you can feel the emotion.

The first song in English “Everybody Loves the Sunshine” has a cool trippy 70s vibe, with some cool keyboards.  Although I don’t love his version of “Rock with You” which I imagine was super fun to sing, but it’s so different from the Michael Jackson version that it’s hard to reconcile the tow.

  • Cirandar” (Audio Only)
  • “Saudosa Bahia” (Audio Only)
  • “Everybody Loves The Sunshine” (Audio Only)
  • “Pai Joao”
  • “Rock With You” (Audio Only)

[READ: October 19, 2015] The Last Interview and Other Conversations

I have never really read any Borges (a piece here and there sure, but I have his Collected Fictions waiting for me and just haven’t gotten to it. However, when I saw this book at work I decided to give it a read. I have very much enjoyed the other books in The Last Interview series (there are ten and I have read four) so I thought I’d like this too, and I did.

Borges is a fascinating individual. He was legally blind from a youngish age and was completely blind by the time of the last interview. He was humble (but not exactly humble—he genuinely didn’t think he was that great of an author). He was a pacifist (remaining neutral even in WWII) and basically spent his whole life immersed in books.

This book contains three interviews

“Original Mythology” by Richard Burgin (from Conversations with Jorge Luis Borges, 1968)

“Borges and I” by Daniel Bourne, Stephen Cape, Charles Silver (Artful Dodger 1980)

“The Last Interview” by Gloria Lopez Lecube (La Isla FM Radio, Argentina, 1985) [translated by Kit Maude] (more…)

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