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Archive for the ‘Radio’ Category

[ATTENDED: April 28, 2016] Pearl Jam

pjphilyWells Fargo Center is becoming one of my favorite venues.  Not because the acoustics are so good (although they are pretty good), but because now I’ve seen three of my favorite concerts there: Rush, Muse and now Pearl Jam.

I’ve been a fan of Pearl Jam for nearly their entire 25 years of existence.  I loved their first few albums, lost my way a bit in the late 1990s and then came back big time in 2001 when I enjoyed listening to their Live bootleg series.   Their live shows sounded amazing–super long, playing different songs every night–and making all of their songs sound more alive than on record.  They just sounded amazing.

And yet I had never seen them.  I should probably have gone on the 2003 tour but didn’t.  And then I met Sarah and Pearl Jam was one of her favorite bands, but she’d never seen them either.  Since we’ve been married they’ve toured near us 6 times.  We had some excuses of little babies for a couple of those tours, but we should have certainly gone in 2013.

Well, here it is, their 25th anniversary tour and Sarah and I finally got to see them.  And, although I do wish we’d gone before, was it ever worth the wait. (more…)

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1.14.2008 SOUNDTRACK: IRON & WINE-Tiny Desk Concert #105 (January 21, 2011).

irionwineI have enjoyed Iron & Wine, but not extensively.  I knew that it was more or less a Sam Beam project (until recently, as the band has since grown in size).  And I knew that he sang beautiful folk songs. I did not know that he was such an amiable and sweet fellow.

For this Tiny Desk, Beam plays four songs.  Three are from his then new album, Kiss Each Other Clean, and they are great.  Beam’s voice sounds fantastic and his playing is excellent too.

After the first song, “Half Moon,” Bob Boilen asks him when he has time to write songs and Beam replies that he has less and less time.  He has to get up early to take the kids to school, so he works like a day job for song writing.

For the second song, “Big Burned Hand” he begins with the capo on fret five and then switches it to fret four apologizing that it’s early.  It’s another beautiful song.  At the end he apologizes for the word “fucking” in the final line (“the lion and the lamb are fucking in the back row”) but says that no other word would have had the same impact.  He doesn’t use words like that lightly in his songs.

He says that “Tree By The River” is a song he had been writing for ten years.  He was afraid it was always turning out saccharine, but thinks he finally got it.

Before playing the final song, Robin Hilton requests an old song (I can’t hear it) which Beam says he will butcher.  Robin says he will die happy if Beam plays it, but Beam says he’ll die unhappy if he plays it badly.  So instead, the final song is an older one, “Naked As We Came,” which has become a set-ender for the band.   Stephen Thompson says it’s great to hear this in this stripped down acoustic format instead of the full band version that has been common now.

And speaking of the full band, when Kiss Each Other Clean came out, the full band of Iron & Wine performed it live on WNYC (you can hear all four of these songs with the full band). And NPR has archived that performance, which you can download here.

[READ: January 7, 2015] “Wakefield”

I have always intended to read more from Doctorow, but he always seems to fall off my radar.  So I don’t know how this compares to his other works.  I really enjoyed it even if I felt like I had to suspend my disbelief a number of times in what was otherwise a somewhat realistic story.

Realistic or not, I really loved the conceit behind it.  The narrator and his wife of many years have had a fight about something stupid.  He went off to work as usual, but on the way home strange things happened.  First there is a problem with is train and he winds up arriving home much later than usual.  And then he finds there’s a power failure (it was interesting to read this right after Updike’s power failure story last week).

He gets out of his car and sees that there are raccoons behind the garage so he chases them away.  When he goes upstairs in the garage he sees that there are baby raccoons there too.  He chases them away and, since the power is still out and he is mentally taxed, he sits in a tattered rocking chair.

He only wakes up the next morning.  And he knows that his wife will never believe the truth. (more…)

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borgesSOUNDTRACK: SEU JORGE-Tiny Desk Concert #79 (September 13, 2010).

seuSeu Jorge was the melancholy singer in Wes Anderson’s movie The Life Aquatic With Steve Zissou. He sang the David Bowie songs and was amazingly soulful and brought a completely unexpected quality to the Bowie songs.

He plays these five songs with his band Almaz.  For reasons unclear to me only one of the songs is on the video, but the other four are available in audio format.

He sings three songs in Portuguese, and his voice is husky and passionate, so even if you don’t know what he’s singing about, you can feel the emotion.

The first song in English “Everybody Loves the Sunshine” has a cool trippy 70s vibe, with some cool keyboards.  Although I don’t love his version of “Rock with You” which I imagine was super fun to sing, but it’s so different from the Michael Jackson version that it’s hard to reconcile the tow.

  • Cirandar” (Audio Only)
  • “Saudosa Bahia” (Audio Only)
  • “Everybody Loves The Sunshine” (Audio Only)
  • “Pai Joao”
  • “Rock With You” (Audio Only)

[READ: October 19, 2015] The Last Interview and Other Conversations

I have never really read any Borges (a piece here and there sure, but I have his Collected Fictions waiting for me and just haven’t gotten to it. However, when I saw this book at work I decided to give it a read. I have very much enjoyed the other books in The Last Interview series (there are ten and I have read four) so I thought I’d like this too, and I did.

Borges is a fascinating individual. He was legally blind from a youngish age and was completely blind by the time of the last interview. He was humble (but not exactly humble—he genuinely didn’t think he was that great of an author). He was a pacifist (remaining neutral even in WWII) and basically spent his whole life immersed in books.

This book contains three interviews

“Original Mythology” by Richard Burgin (from Conversations with Jorge Luis Borges, 1968)

“Borges and I” by Daniel Bourne, Stephen Cape, Charles Silver (Artful Dodger 1980)

“The Last Interview” by Gloria Lopez Lecube (La Isla FM Radio, Argentina, 1985) [translated by Kit Maude] (more…)

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june1SOUNDTRACKRHEOSTATICS–The Media Club, Vancouver, BC, (October 21, 2004).

media clubEvery year, the Rheostatics would perform what they called Green Sprouts Week in Toronto.  In 2004 they did a West Coast version. Five nights in a row at The Media Club (with each show being crazier than the last).  There aren’t always recording available for these shows, but on this leg there are recordings from the third, fourth and fifth nights.

This recording is about 90 minutes and I assume is edited (most of their GSMW shows are quite long and there’s no banter).  There’s also crazy static on a certain instrument, which mars the quality somewhat.

The band has added keyboards, although I’m not sure who is playing them.  Morgan from The Buttless Chaps guests on a nice rendition of “Claire.”  They play a great version of “Jesus Was Once a teenager Too” with a folky breakdown in the middle.  “Take Me in Your Hand” is slow but really good.

There’s goofing on “Song of Flight” with them ending the song quickly and booing and yelling “stinky” I wonder what happened).  “Marginalized” is blistering and “Record Body Count” is a little goofy.  Perhaps the highlight of the night is “Horses” which is an amazing rendition and ends with a few lines and acoustic guitars from “When Winter Comes”

The encore starts with “Pornography” a song later recorded by Bidiniband.  Then there’s some great harmonies on “Dope Fiends and Boozehounds.”

They do a rocking version of Talking Heads’ “Life During Wartime” which is musically spot on, even though no one really knows the words.  The last few songs are more covers.  A very fast version of Jane Siberry’s “One More Colour,” and then a perfect version of “Takin’ Care of Business” (the guitar and vocals sound right on) which segues into a sloppy/fun “My Generation.”

The Green Sprouts shows often allow the band to mess around a bit which is great for fans.

[READ: July 21, 2015] “The Duniazát”

I generally like Rushdie’s work.  This story is told in the style of a 1001 Arabian Nights tale and consequently I didn’t enjoy it that much.  Although I was interested to find out some details about those stories.  There was originally a Persian book called “One Thousand Stories” which had been translated into Arabic.  In the Arabic version there were fewer than a thousand stories but the action was spread over a thousand nights, or, because round numbers are considered ugly, a thousand nights and one night more.  Huh.

The stories featured a beautiful storyteller knows as Sheherazade, who told her tales to a murderous husband in order to keep him from executing her.

Anyone, in this story, Rushdie tells a similar type tale.

Set in the year 1195, the great philosopher Ibn Rushd (I enjoyed the play on his own name there) was a physician to the Caliph.  But when he started espousing liberal views, he was discredited (sound familiar?).  He wound up living in a village where Jews were forced to convert to Islam and could not speak of Judaism.  So he felt right at home as an outcast. (more…)

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[ATTENDED: June 28, 2015] King’s X

2015-06-28 20.57.00This was a special concert for many reasons.  The first was that it was a chance to see my college friend Sean for the first time in probably 20 years.  We’d chatted online, but this is the first time we actually got together–thanks King’s X!

The second reason is because it was my first concert at the Sellersville Theater, a venue I’ve heard a lot about on XPN, but never been to.  When I walked into the venue I genuinely thought it was an optical illusion.  It’s an old movie theater, with about 300 seats.  Talk about intimate!  King’s X and dUg Pinnick (with Corey Glover of Living Colour) frequent the place, and I can see why.  The fans are right there and they (we) are all into it.

So hanging out with Sean and with great seats, I was totally in the mood for a great show. And King’s X delivered. (more…)

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julySOUNDTRACK: CHADWICK STOKES-Tiny Desk Concert #432 (April 13, 2015).

chadI had recently been hearing about Chadwick Stokes on WXPN.  But I didn’t really know anything about him.  I just looked him up and found that he has been making music for almost twenty years, with the bands Dispatch and State Radio (under the name Chad Urmston) and now as a solo artist.  He apparently is a big time activist as well, and his accolades ring high.

The three songs he plays her are wonderful.  He has a great voice that reminds me in some ways of Cat Stevens (even though Stokes is from Boston and certainly rocks harder than the Cat).  Although he even mentions Stevens in the third song.

I love the way the first song, “Pine Needle Tea” starts out slowly (with Stokes on the guitar) and a delicate xylophone playing along.  Then half way through, both accompanists start playing floor toms–one with stuff on it to deaden the sound and one (Will’s) with no deadening to really pound away.

I love the faster parts in the second song “Horse Comanche” and also how in the slower parts both guys sing lovely high harmonies.  It makes me laugh that the fellow who plays the melodica solo stands almost ramrod still while waiting for his time.  (He is actually Stoke’s brother, Will).  I have grown to really enjoy the melodica lately.  I love how the end of the song has the repeated refrain with great harmonies and the melodica all playing together.

Chad jokes after the song that “Comanche” has a dropped D E string and he always forgets to retune it live (and his brother says he forgets to remind him to re tune it) so half way through the next song “it goes Wah.”

The final song is called “I Want You Like a Seatbelt” which gets a laugh.  It is a funny title but it proves to be a great simile.  I love the vocal melody of this song.  And when it really gets going it is infectious.  It’s just way too short.

I need to dig into his back catalog.  And here’s a link to this great Tiny Desk.

[READ: April 10, 2015] “Democracy in Batumi”

Sometimes an excerpt from a novel (Waiting for the Electricity) piques my interest. In this case, however, it really didn’t.

In this excerpt, Slims Achmed Makasvili is from Batumi on the Black Sea.  He is writing to Hillary Clinton (we’re not told why to her specifically).  He says that Batumi is not very well-known.  The local dictator is tearing down old buildings, but Slims wants Clinton to know that Batumi is a natural port for petroleum deliveries.  He says that there are great business opportunities available for America here. Then he asks if she knows the movie Jesus Christ Superstar.

The next letter (they are undated so it is unclear how far apart they were written) talks about how Clinton’s version of democracy and his are quite different.  The Batumi Center for Democracy has expanded and even has an air conditioning unit. (more…)

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whatifSOUNDTRACK: SON LITTLE-“The River” (2014).

sonlittleI don’t like the blues.  I find it dull and repetitive.  I also don’t really like singers who are described as “soulful.”  And yet here is Son Little with a soulful blues stomper that I really like a lot.  WXPN has been playing this song pretty often, and I like it more with each play.

It’s a fairly simple set up with handclapping and a two note guitar riff.  Even Son Little’s voice doesn’t seem all that special at first.  But there’s some way that all of the elements combine that makes it so much more than the sum of its parts.

And with each verse, more elements are added, a synth sound, some guitar lines, even some bass riffs, building the song’s intensity.

But it’s that chorus–so catchy and ominous at the same time with interesting harmonies that just sound like he is echoing himself.  I really can’t get enough of it.

[READ: January 31, 2015] What if?

This book was just entirely too much fun.  Well, actually I thought it would be a bit more fun, but Munroe is so scientific that at times (when he got really factually scientific) I just felt dumb.  Which lessens the fun.  In fact, the first couple of pieces are really heavily sciencey, unlike some of the later ones which are really funny.

But what am I talking about?  This book is a collection of the “what if’ section of the website xkcd. There’s no real guidelines on the site for what kind of question you can ask, and many of them are quite strange (and often hilarious). They are hypothetical (what if?) questions and, depending on the arcane rules that Munroe follows he will answer them to the best of his scientific scrutiny.  And he will take the questions very very seriously–no matter how stupid your question may seem, he will try to answer it scientifically.  It’s fun!

But it’s also serious, and seriously scientific–Munroe is a former NASA roboticist.

So the first one “What would happen if the Earth and all terrestrial objects suddenly stopped spinning, but the atmosphere retained its velocity” almost seems to be put in the front to scare off those who might not want to be too scientific.  And the second question comes more down to Earth (but also destroys the Earth): “What would happen if you tried to hit a baseball pitched at 90 percent the speed of light?” (more…)

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chew6SOUNDTRACK: ALVVAYS-Live at KEXP (December 2, 2014).

alvvays I’ve been enjoying the Alvvays album quite a lot.  They will be opening for The Decemberists this summer, so this was a good way to hear what they sound like live.

The band (pronounced Always) is from Canada and they play four songs and have a little chat.

The four songs are all on their debut album and while none of them are mind blowingly original, they scratch an itch that I have for poppy 90 s alt rock (female singer division).

Molly Rankin has a delicate voice that blends in beautiful with the washes of music (guitars and keyboards).  They remind me a bit of Lush, although less rocking.  There’s a bit more angst and yearning in her voice and lyrics.

Their hit is “Archie, Marry Me” but I find the other three songs, “Ones Who Love You,” “Dives” and “Party Police” to be just as catchy and delightful.  In fact I think the best song in this set may be “Party Police.”  The only real downside to this set is that they don’t have a live drummer.  No idea why, and it doesn’t really detract from the performance, it just makes it a but flatter than it might be.  I assume they’ll have a live drummer when I see them this summer.

[READ: January 22, 2015] Chew: Volume Six

Volume Six brings a very exciting return and a devastating loss to this awesome series.

The good news first: POYO!

The book opens with Toni (Antoinelle), Tony Chu’s sister in bed with Paneer, a man who is in love with her.  She, of course, needs to bite him to see what his future holds (which rather freaks him out).  Toni is (like her brother), cibovoyant and can read the future of everything she eats.

Toni is asked by her other brother Chow to help with a case.  A guy has out-bid him for a painting and he fears that the guy is just going to destroy the masterpiece.  As an agent of NASA surely Toni agrees she must help.  It turns out the artist is a sabopictor–his paintings taste delicious.  Of course it turns out that Chow has an ulterior motive–the guy has also stolen his cookbook, that’s all he cares about–he doesn’t care about the painting at all.  Toni is annoyed, but always happy to see her brother.

While she is visiting Tony in the hospital (from injuries suffered in book 5), Caesar walks in. Caesar used to work with Tony and he is quite certain that he recognizes Toni from somewhere (I loved this ongoing joke and that we keep flashing back to the number of times they met (and even hooked up) in their lives).

Then Toni gets called onto another case, involving mutated chicken frog (chogs) and a gangster named D-bear.Poyo-rules-the-Chew-roost-in-Secret-Agent-O31R1IQP-x-large

Of course the real excitement comes from the interlude which features POYO! the cybernetically enhanced rooster.  He is on a mission to stop Dr Albrecht Regenbigen, a ranapuliva who can recreate the meteorological phenomenon in which animals rain from the sky.

Back in our main story Poyo proves to be a great partner for Colby especially in the story of Judy Heinz-Campbell a victuspeciosian, who can craft a concoction out of food that temporarily changes your appearance (useful for supermodels and supervillains).

The final book shows the unthinkable–a wedding for Toni and Paneer?  Or something much more horrific and unimaginable.

I’m not sure I can forgive this series. Book 7 better bring something happy.

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harpjuneSOUNDTRACK: KING TUFF-“Black Moon Spell” and “Eyes of the Muse” (2014).

tuffI first heard King Tuff on WXPN.  A few weeks later I heard two of his songs on NPR Music.  I’m including both of these because they’re from the same album and yet they are so very different.

“Black Moon Spell” has a stupid, great, heavy riff–it’s all distortion and garage rock.  And when the first verse starts, Tuff’s voice sounds very 60’s–whispered and trippy.  It’s a great contrast to the rocking riff that repeats in the chorus.  The second verse and the chorus sound pretty much the same, but they are so catchy it’s hard not to rock out to it all.  There’s a cool guitar solo and, perhaps most unexpected, female backing vocals as the chorus repeats in the outro.

It has a real classic rock sensibility but with modern elements.

“Eyes of the Muse” is also full of classic rock sensibilities but in a very different way.  This song is anything but heavy–it has jangly chords, and a pretty guitar riff.  The vocals are also higher pitched with a very sixties folky style.  And when the Boston-style guitars burst forth about half way through, you’d swear you’d heard it all before, and yet it is still different enough to be really enjoyable.

Ty Segall plays drums of “Black Moon Spell” and I can compare this record to him or to Mikal Cronin–simple familiar elements done in a novel and exciting way.  I’d definitely like to hear more from this record.

[READ: November 17, 2014] “The Second Doctor Service”

I didn’t think I’d read anything by Mason before, but I had.  I didn’t really like his previous story in Harper’s,(which was sort of a parody of Herodotus).  This one was written in an old style as well (although not a parody this time–if indeed the first one was supposed to be one).

Anyhow, this one opens like an old story (with county names given in this format: K— and S—).  At first I thought we didn’t really need a story pretending to be old like this, but Mason really mastered the style.  Not to mention a story with this content works much better as an old one (before “modern” science).

Essentially, the author is writing a letter to the Journal, in response to Dr Slayer’s study “On the So-called Cumberland Were-wolf.”  He has not encountered a were-wolf but he hopes that anyone reading the Journal might be familiar with his own unusual plight.  (more…)

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gwynSOUNDTRACK: STARS-No One is Lost Tour EP (2014).

stars epStars are back with a new album and this downloadable 5 song EP.  There’s something about Stars’ aggressive pop sensibilities that I just love.  It’s the dual vocals, the big choruses and I’m sure to a certain degree it’s the darkness in the lyrics that compliment the poppy music so much.

The EP has five songs, “No One is Lost” and “From The Night” are from their new album.  “Hold On When You Get Love And Let Go When You Give It” is from their previous album The North.  There’s also two exclusive tracks: “Blue Is The Colour” and “From The Night” (A Tribe Called Red Remix).

“From the Night” has simple, keyboard note-driven verses which are obliterated by the dancey and even discoey chorus.  Surprisingly at the 4 minute point, it adds a third fast part which segues back into the catchy chorus.  “No One is Lost” opens with Amy Milan speaking French before the keyboards wash in.  It has a slightly faster pace than their usual fare.  But despite the bouncy music in the chorus, we get the twisted lyric: “put your hands up coz everybody dies” (that’s Stars in a nutshell).

“Hold On When You Get Love And Let Go When You Give It” is less dancey (perhaps less discoey sounding is more accurate).  It’s got a real Stars feel to it (when Milan comes in at the chorus it is really angelic), and showcases Stars’ previous album very well.

The two new songs include the Tribe Called Red remix of “From the Night.”  I’m not that big a fan of remixes, but this one is pretty good.  I like the way they stripped the big chorus of the music and left it spare–which makes their catchy vocals seem kind of sinister.  I actually expected a bit more of Tribe’s signature sound put into the song, but that’s not really what remixes are all about, so I guess it’s no real surprise they didn’t.

“Blue is the Colour” is a dark sounding song as well, until the chorus comes in with some poppy keyboards and slinky guitars.  It’s very electronic sounding which I love in contrast to Torquil’s mellow vocals.  But at 6 minutes long, this song has many sections up its sleeve, and the twist at 4 minutes really turns the song into something else, with an almost epic feel.

It’s a great sample of Stars more recent work.  This link takes you to WXPN from which you can download the EP from NoiseTrade.

[READ: November 5, 2014] Mr. Gwyn

I loved this book.  It has been one of my absolute favorite books in years.

The premise is fairly simple.  A successful writer (Mr. Gwyn) has had three books published to much acclaim and financial success.  But one day he wakes up and decides that he is done writing. He crafts a list of 50 things he will never do again, and one of them is write a book which he publishes in the newspaper.  His agent thinks it is a great marketing scheme, but Gwyn is quite serious.

Gwyn then disappears from society for a while.  Only his agent is able to fin him (Gwyn and the agent are very close).

After a series of small incidents, Gwyn’s agent tracks him down at the laundromat.  He has sent his new employee, a young woman named Rebecca, to give him a phone through which they can talk.  Rebecca is respectful and Gwyn is fascinated by her.  Over the next few months, he and his agent only communicate via Rebecca.

One day, in order to avoid a rain storm, Gwyn ducks into an art gallery.  He has never really understood art.  But he becomes fascinated with the portraits there.  And he decides that his new “job” is that he is going to create portraits with words.  He calls his new occupation, “copyist.”  Obviously his agent freaks out about his–no one even knows what “copyist” means.  But Gwyn is determined.

He spends the next few months getting ready–he rents a studio, buys furniture and specially ordered light bulbs.  And then he is ready to work.  But who will he his first portrait be? He finally settles on Rebecca–someone he knows a little and feels comfortable enough to ask to pose for him.  And this is where the story became fantastic. (more…)

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