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Archive for the ‘NPR/PRI/PBS’ Category

SOUNDTRACK: LAURA MARLING-Tiny Desk (Home) Concert #10 (April 16, 2010).

I have become a huge fan of Laura Marling over the last few years.  I was so looking forward to her solo performance this past March. It was one of my bigger coronavirus disappointments that the intimate show is not going to be rescheduled.

Marling has been doing regular guitar lessons about her own songs (her tunings and playing style is unique and wonderful to see demonstrated).  You can see the past (and future) ones here.

(While many artists have postponed the release of their new music in the face of the COVID-19 pandemic, Laura Marling rushed to change the release date of her album from late summer to April.

As of right now her album is only available digitally. The physical release is slated for summer.

On this Tiny Desk (home) concert, we find her in her living room, with an intimate performance of songs from her just-released record Song For Our Daughter. The album is an homage to a future generation of women and to Maya Angelou’s Letter to My Daughter, a collection of essays addressed to a fictional daughter. The warm, home setting makes room for Laura Marling’s extraordinary voice to shine.

“Held Down” has a lot of backing vocals and arrangements on the record and this stripped down version sounds amazing without it all.

“Strange Girl” demonstrates her deeper singing style in a fast and bouncy song.

“Song For Our Daughter” is a slower song, beautiful and thoughtful.

I just cannot get over how beautiful her voice is.  These personal performances almost make up for not seeing her live.

[READ: April 20, 2020] Mac B. Kid Spy: The Impossible Crime

This is the second book in a new series illustrated by Mike Lowery.  It begins

My name is Mac Barnett.  I am an author.  But before I was an author, I was a kid.  And when I was a kid, I was a spy.  An author’s job is to make up stories.  But the story you are about to read is true.

This actually happened to me.

It’s 1989 and Mac is at the mini golf course.  But he is there not for the mini golf but for the video games. He is playing Spy Master 2–the arcade update to the home game.  Mac was just about to beat the big boss–something no one else had ever done before.  People were cheering him on. Except for Derek Lafoy (who did not invite Mac to his birthday party in the previous book). Derek called him Mac Barn Head and chanted “Choke!”

But this book isn’t about video games, its about the Queen of England who called Mac at the golf course to tell him that she thought the Crown Jewels were going to be stolen again.  (In the previous book Mac helped rescue the Crown jewels for the Queen). (more…)

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SOUNDTRACK: KEVIN MORBY AND WAXAHATCHEE-Tiny Desk (Home) Concert #9 (April 14, 2020).

I had no idea that Katie Crutchfield and Kevin Morby were an item (or are at least close enough to quarantine together).

I really enjoyed Waxahatchee’s last two albums and was a little bummed to hear that this new one was more mellow (although good for her for getting sober!).

I really only know Kevin Morby from Tiny Desks.  I was pleased at how much I enjoyed his set and some of his other songs.

And so here they are together.

On the raw video Kevin Morby and Katie Crutchfield (aka Waxahatchee) sent to us, Kevin takes a deep breath, gives a sweet smile as he looks into his camera, clasps his hands, and says, “Hello everyone, we’re going stir crazy — this is take number 55.”

Recorded at Kevin’s tiny desk in Kansas City, they play two songs from Waxahatchee’s new album Saint Cloud, sing together on Kevin’s 2016 tune “Beautiful Strangers,” and find new meaning in the late Jason Molina’s song “Farewell Transmission.”

I also never noticed how much she and her sister Alison look alike as much as in this video–maybe it’s the (lack of) makeup?

“Fire” is the first song I’d heard from the Waxhatchee album.  I really didn’t like the high notes that start the song–they seemed just too much.  Although having heard it a few times (and now hearing her sing it live), I’ve grown to really appreciate it.  The rest of the song is really pretty too.

Kevin Morby wrote “Beautiful Strangers” in 2016 as a single with the proceeds going to Everytown for Gun Safety.  I don’t know the song, but I find it very pleasant (and Katie’s backing vocals are perfect here).

“Lilacs” is a great song from the new album which features Katie’s voice perfectly.  This is the song that made me want to hear more from the album.

The final song is a Songs: Ohia cover called “Farewell Transmission” I don’t know much about Songs: Ohia, but I know everyone loves Jason Molina, which makes me think I should listen to him more. This song runs over 7 minutes and doesn’t change all that much.  In fact,  it might just go five minutes before something different happens.  Without focusing on the lyrics, it’s a little dull, but it is nice to have both of them switching off lead vocals.

[READ: April 10, 2020] Mac B Kid Spy: Mac Undercover

I really like Mac Barnett.  I like his picture books, but I really like his chapter books.  His Brixton Brothers series is fantastic.  I love his style and his excellent sense of humor.

This is a new series illustrated by Mike Lowery.  It begins

My name is Mac Barnett.  I am an author.  But before I was an author, I was a kid.  And when I was a kid, I was a spy.  An author’s job is to make up stories.  But the story you are about to read is true.

This actually happened to me.

Mac shows his house and then gets right to it: The Queen of England called him to ask for a favor.  He says

Whenever somebody asks you for a favor, it is a good idea to ask them what the favor is before you say OK.

But I had never talked to a queen before.

So I said OK.

The queen tells him that last night somebody stole the Crown Jewels and she wants Mac to find them.

I have a question, I said.
“I hope it is a quick question,” said the Queen.
“Why me?”
The Queen of England sighed. “That is a stupid question.”
“My teacher says there is no such thing as stupid questions.”
The Queen of England frowned (I could tell she was frowning even over the phone).

Mac, said the Queen. “You are the smartest kid in your class.  You have straight As in every subject except handwriting.”

So Mac packed these things to take with him: his Game Boy, three books, a toothbrush, a hat, a shirt, a jacket, and his favorite blue jeans (perfectly faded). (more…)

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SOUNDTRACK: JOHN PRINE TRIBUTE-Tiny Desk (Home) Concert #8 (April 11, 2019).

I feel like I have been aware of John Prine forever.  Although I also feel like I only really became aware of who he was and what he had done in the last year or so.  Or at the very least since he had surgery and his voice changed dramatically.

I knew that he was a legend in folk circles, but I had no idea how many of his songs I knew–although likely from other artists.

I was not devastated when he died because I didn’t know him enough to be devastated.  But I did feel that it was unbelievably unjust of the world to have him survive cancer only to be beaten by this virus that could have been avoided.  While there are people out there actively doing harm to others, why would a person as thoughtful as him be the victim.

Every time I saw John Prine perform, he invited friends to join him. The outpouring of love and respect has always been so profound. And so when John Prine died on April 7 from complications related to COVID-19, I knew his friends and those he touched would want to pay tribute to him. Here are five artists performing their favorite John Prine tune in their home (or bathtub) in honor of one of the greatest songwriters of any generation.

Here are the five performances:

  • Margo Price and Jeremy Ivey, “That’s the Way That the World Goes Round”
    Recorded in their bathroom, with their baby entering the scene for the final verse.
  • Courtney Marie Andrews, “Speed of the Sound of Loneliness”
    She says that Prine was the best at putting humor and sadness in one song let alone one line.  Her version of this song (that I know very well) is too slow for my taste.
  • John Paul White, “Sam Stone”
    He says he is taking this harder than he thought. This song makes him cry every time.  I knew this song from someone else singing it, although I’m not sure who.
  • Nathaniel Rateliff, “All The Best”
    I didn’t know this one, but I do like it.
  • Brandy Clark, “Speed of the Sound of Loneliness”
    It’s a shame that two people did the same song since he has 19 albums out, but this song is quite lovely.  I like Clark’s version better than Andrews’ even if they aren’t that different.

[READ: April 1, 2020] The Spirit of Science Fiction

I have read pretty much everything that has Roberto Bolaño has written which has been translated into English (many, like this book, by Natasha Wimmer).  This is one of the first novels he ever wrote and it was finally published posthumously in 2016.

It’s a very strange book with a very strange construction (a precursor to the construction of his later, larger books, for sure).

The book is told in three parts and it concerns three major characters.  The narrator, Remo, his best friend Jan Schrella and a third poet, Jóse Arco.

The book opens with Remo being interviewed by a journalist.  He has just won a literary prize.  This interview is spread out over many chapters, but it is sort of summed up by his reply:

you actually predict a bright future for art? You don’t realize that this is a trap. Who the hell do you think I am, Sid Vicious?

Remo lives with Jan, another serious poet, but one who has more or less taken to his bed–barely ever leaving the house at all.

Jan is seventeen and spends nearly all of his time reading, especially science fiction books.  He seems to want to single handedly get recognition for his country men and women.

He spends most of his time writing letters to famous science fiction authors: Alice Sheldon, James Hauer, Forrest J. Ackerman, Robert Silverberg, Fritz Leiber, Ursula K. Le Guin, (twice, first one unsent), and Dr James Tiptree, Jr.

Some of the letters are stories about his dreams, some are general notes of good will, but the overall tones is one asking them to support science fiction written by authors in Latin America.

Remo does go out though,  He goes to writing workshops.  At one of them Jóse Arco enters late.  Remo’s is instantly taken with him. As the first scene with Arco ends, Arco lays back in his chair and recites his new poem Eros and Thantaos from memory.  Arco was a daring fellow riding his (often broken down) motorcycle at 3AM.  Arco is based on Mario Santiago Papasquiaro.

Although Jan is not active, his imagination certainly is. He feels compelled to tell Remo about “Silhouette,” a science fiction short story by Gene Wolfe. (Yes, part of the book is someone describing another book ).

Meanwhile, Remo and Arco decide to investigate a publication called My Enchanted Garden which comments on the torrent of poetry magazines in Latin America.  There were 32 then it jumped to 661 and by the end of the year it was predicted there would be one thousand.

Through Arco, Remo meets young poets Angélica and Lola Torrente and their friend Laura, as well as the queen of local poets, Estrellita. Remo invites them back to his apartment.  Although Lola is the more experienced of the two, it’s Angélica who falls for Jan.  The scene where they first meet is crazy.  Jan was in bed (of course) when they came in

Jan jumped up, his skinny ass exposed and his balls dangling golden, and in two or three swift movements his back to the group, he jammed his papers under the mattress and got back into bed.

What a lovely young man, said Estrellita And his darling balls are the color of gold.

Jan laughed

It’s true, I said

That means he’s destined for greatness.  Golden balls are the mark of a young man capable of … great deeds.

They’re not exactly golden, said Jan.

Shut up.  She thinks they look golden, and so do I. That’s all that matters

And I do too, said Angélica.

It was at this party that Remo fell for Laura.  She was with Cèsar at the time, but that didn;t stop them from kissing.  But when she says they could fuck right there, he says I don’t think I could.

What do you mean, you don’t think you could?  You mean you couldn’t fuck?
Yeah, I couldn’t get it up.  I couldn’t get an erection. It’s the way I am.
You don’t get erection?
No I mean, I do, but it wouldn’t work right how.  This is a special moment for me, if that makes sense, and its erotic too, bu there’s no erection.  Look, feel.  I took her hand and put it on my crotch.
You’re right. it’s not erect, said Laura with a barely audible laugh.

He falls for her immediately though and gives her a nickname–Aztec Princess.

Later in part 2 an actual Aztec Princess–a motorcycle with that phrase stenciled on it, comes into Remo’s life.   How can he refuse to get it?  Even if he has no money, cannot drive a motorcycle and has no licence?

This barely touches half of the ideas that float through this book.  There’s a lot of information about a potato farmer; a lieutenant (Boris Lejeune) watching a recruit shoot a colonel in the chest; Father Gutierrez visiting Pierre LeClerc; and a lengthy story about a village becoming obsessed with woodwork, to the detriment of everything else.  There’s also Jan’s dream of a Russian cosmonaut, and the final chapter called “Mexican Manifesto.”

This last section is all about Remo and Laura going to baths and the strange sexual things that happen in steam.  This section was excerpted in The New Yorker in 2013(!).  That version was translated by Laura Healy.

About it I wrote:

The narrator is the man and the woman, Laura, is the more adventurous of the two.  She is the one who encourages them to go to the baths in the first place and, while he also thinks it is wonderful, it is she who wants them to explore as many different baths in the city as possible.

The first bath that they go to is a nice one, an upscale bath where the man in charge (who is pointedly referred to as an orphan) is very nice and as a result people treat him with courtesy.  There’s never any trouble at this bath.  It’s very nice, but Laura wants to explore other houses.  So they ask him for a list.  And they set out on their voyage of discovery.

It is at these less reputable baths that most of the action takes place (both in the story and out of the story).  People mingle more freely (with sexual contact common), they also share drugs and other entertainments.  The story focuses on one instance in which the entertainment was two young boys and an older man.  The man instructs the boys to begin masturbating each other.  But the boys are tired (as is the old man).  They say they haven’t slept in days.  The old man falls asleep. And with the steam, the boys begin to fall asleep as well.  The steam gets thicker and thicker and soon Laura is squatting nearer to the boys.  The narrator can’t really see what’s happening but it all seems like such a dream that he’s not even sure what to think.

I’m not really sure what this section has to do with the rest.  I’m not really sure what happens in the book at all.  The revelation of Jan’s alias is pretty fascinating though.

This is strange book to be sure and I didn’t really enjoy it that much–I just couldn’t get into it.  But it seems to forecast the kind of (much better) writing that Bolaño would eventually become known for,

I wondered how different the 2013 Healy translation was from this one.  The content is of of course, the same, but they are notably different.

Here is the last sentence first from Healy

The color of the pool’s rocks, doubtless the saddest color I saw in the course of our expeditions, comparable only to the color of some faces, workers in the hallways, whom I no longer remember, but who were certainly there.

Now from Wimmer

The color of the stones around the pool, surely the saddest color I saw in the course of our expeditions, comparable only to the color of some gazes, workers in the hallways, whom I no longer remember, but who were surely there.

If Wikipedia is to be believed, here are the remaining untranslated works

  • 1976 [Reinventing Love] 20-page booklet in México (first publication)
  • 1983[Advice from a Morrison Disciple to a Joyce Fanatic] Novel written in 1983 in collaboration with A. G. Porta
  • 2011 [Bolaño By Himself] Collection of interviews with Bolaño (1998–2003)
  • ? [Diorama] not yet published

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SOUNDTRACK: BLACK THOUGHT-Tiny Desk (Home) Concert #7 (April 9, 2020).

?uestlove is (in my mind at least) the heart (or at least the face) of The Roots.  So it’s easy to forget that Black Thought is the man behind the voice.

This video is fascinating because Black Thought is sitting in a comfy chair, legs crossed, casually sitting as he raps the hell out of these songs.

While our culture adjusts to the New Normal, artists are revealing the threads of our common humanity as they find new ways to bring their work to virtual communities. In this installment of Tiny Desk (home) concerts, hip-hop wordsmith Tariq Trotter, aka Black Thought of The Roots crew, took the occasion to premiere three new songs.

On “Thought Vs. Everybody,” Thought calls for unity in response to the conditions of an encroaching dystopia.

It’s really fascinating that he can sound so powerful while chilling in his chair like that.  I also love that it starts with a sample saying “introducing the most powerful black man in the world.”

Thought talks about the Streams of Thought project that he’s been working on.  It started as a Steams of Thought mixtape/EP series he started in 2013.  “Thought Vs. Everybody” and “Nature of the Beast”  will appear on Streams of Thought Vol. 3.

Although the second song, “Yellow,” easily one of my favorite rap songs in years, is not on this EP.

“Yellow,” is song from his upcoming off-Broadway musical Black No More, an adaption of the 1931 Afrofuturist novel by George S. Schuyler, set during the Harlem Renaissance.

He is writing, producing and starring in the Broadway musical.  He says the plot is hard to summarize, but essentially, the main character a black man has decided he’s over the black experience.  There’s a machine that can turn black people white in an attempt to change the racial landscape of America.  Now this man wants everything yellow: yellow money, yellow women, yellow taxis.

Thought says that as a proud black man it challenged him to write from this perspective and to connect with feeling’s he’s never felt.

It is a fantastic song with a great 1920’s jazz score and although the lyrics are tough, he delivers them wonderfully (although I don’t really care for the chorus just repeating the word “yellow”).

He closes with “Nature of the Beast,” a collaboration with Portugal. The Man, who pop up on screen from a remote location.

This song has a really catchy singalong chorus.  I wonder how much of the music was from Portugal.

[READ: April 18, 2020] “The Media”

This was a real challenge to read and honestly I’m not sure what happened in it even after reading it three times.

It begins with Ben walking at dusk recording “this prose poem on his phone.”

He calls someone to ask about their trip–asks the person to call him back.  He’ll be around “until late nineteenth century, when carved wood gives way to polished steel.” (more…)

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SOUNDTRACKKING PRINCESS-Tiny Desk (Home) Concert #6 (April 8, 2020).

I’ve heard a lot of buzz around King Princess–that she’s fun and puts on a wild show.

This home Tiny Desk is not wild in any way.

“Welcome to the quarantine shed!” King Princess exclaims. She’s in jogging pants and sitting on a fluffy white chair, with two guitars, an amp and a tiny keyboard at her side. “I’m in Hawaii and brought as much gear in the carry-on of my plane ride as possible.”

She calls herself KP, which I rather like.  These songs are really quiet. She plays “the three songs from her late 2019 album, Cheap Queen, in ways I never would have imagined.”

“Isabel’s Moment” is played on a quiet keyboard.  She says it’s an homage to people experiencing quarantine thirstiness–texting their exes and ex friends and everyone.  It’s my least favorite of the three because I don’t like the keyboard sound she chose.  But her voice is excellent.

“Prophet” is played on one of her guitars (with lots of echo and slightly out of tune she admits).  The chorus turns surprisingly bright. She says it’s about the entertainment business and it is now more relevant than ever.  We’re all out of jobs right now.

She says this is back to making music in my room, trying to find that creative spark we had as children, when I could sit in my room and make things for hours.

“Homegirl” is also on that guitar and sounds really pretty, too.  I really like her singing voice quite a lot. It holds up well in this quiet setting–so if Bob says that it’s very different from what he’s used to, I’m very curious about what her live show is like.

But I really don’t like her speaking voice, I must admit.

[READ: February 2020] Burning Bridges to Light the Way

Evidently I asked S. for a book by David Thorne a few years ago.  I don’t know what book it was, I don’t recognize any of his titles and I didn’t even recognize his name when I saw this book.  She didn’t get me the book then, but she did get me one this past Christmas.

Turns out that David Thorne is an Australian smart ass.

As the foreword from Peter Goers puts it, this book is full of “barely coherent rants about friends, family, and colleagues.”  He continues,

David isn’t a dreadful human being all the time.  He has to sleep and I know he cares a lot about squirrels.  There are parts of this book that even hint at a certain degree of empathy for other human beings.  Some human beings, not all of them, maybe three.

I’m not sure who Peter Goers is, but his introduction is very funny.  Don’t skip it:

I once asked David if he’s autistic and he replied, “It’s pronounced artistic and no, not really, I can draw a cat though.”  I assume he was joking but it’s hard to tell with David.

In the first essay, David says that every year when he releases a new book friends and associates say that they are going to sue him if he says anything derogatory about them in his book.  But he’s not worried. Nobody he knows has enough money to hire a lawyer. (more…)

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SOUNDTRACK: BEN GIBBARD-Tiny Desk (Home) Concert #5 (April 4, 2020)

I feel like Ben Gibbard released the first new quarantine song.

On March 26 he released “Life in Quarantine,” and it’s the first song he plays in this Home Concert: “Hello, this is Ben Gibbard, welcome to Tiny Desk, Seattle style.”

Some of the other Home Tiny Desk Concerts were uplifting and lighthearted, but Ben’s mood is pretty down.  He lives in Seattle where things were very bad first.

And with that, the heavy-hearted Death Cab for Cutie frontman performs his newly written song from America’s first coronavirus hotspot, Seattle. The song is called “Life in Quarantine,” and it’s not only portrait of his city’s current state; it’s a gift to that city. Ben is donating money from streaming and purchases to Aurora Commons, a self-described “welcoming space for our unhoused neighbors.”

It’s a pretty song, but very sad (as you might imagine).  And Ben is not planning to cheer us up for the rest of the show.

And as if there weren’t enough sadness, Ben performs an homage to songwriter and musician Adam Schlesinger of the band Fountains of Wayne, who passed away on April 1 from complications due to COVID-19. Ben was a long admirer of Adam’s music and sings us one of his favorite Fountains of Wayne songs, as well as a song Ben wrote for The Monkees’ Good Times album, a record that Adam produced.

“Me & Magdalena” (The Monkees song) is slow.  It’s similar to The Monkees’ version, although Ben’s delivery makes the song sound even sadder.

He talks about Fountains of Wayne and how he and Chris Walla took a road trip San Francisco and listened to the debut FoW record the whole way down and back.  His favorite song was “She’s Got a Problem.”  Even though I think of FoW as being poppy and cheerful, this song, in keeping with the mood, is not.

I really like Death Cab for Cutie and Ben Gibbard, but this is one show I won’t be listening to again, it’s just too much of a downer.

[READ: April 10, 2020] Black Canary: Ignite

I believe S. brought this home because Meg Cabot wrote it.  I haven’t read any of Cabot’s books, but S. is a fan. This is Cabot’s first graphic novel (it somehow seems odd that it’s a DC book).  I don;t know if Black Canary is a familiar character (I’ve not heard of her, but then I’m not much of  DC fan).

This book is part of DC’s Zoom imprint which means its written for younger kids (which also means I’ll like it more than standard DC fare).

Dinah is the daughter of Detective Lance.  She is thirteen and is in a band.  She wants to try out for the Gotham City Junior Police Academy (during Career Week).  Both of these things make her father angry.  She believes its because she’s a girl, but he says that Gotham is just not a safe place to live. [So why not move?].

The Joker has escaped [again].  One thing I dislike about DC is that it seems that everything is about The joker and Arkham Asylum, must have no security at all. (more…)

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SOUNDTRACK: MICHAEL McDONALD-Tiny Desk (Home) Concert #4 (March 26, 2020).

I was never a fan of the Doobie Brothers, although I do like a few of their songs.  To me, especially now, Michael McDonald’s voice has the quintessential mockable tone and style.  If I were to sing in a voice that I thought was funny, it would sound like him.

Now, he sang on the Thundercat album “Drunk” so that gives him some cred for me, but it’s hard for me to listen to this Tiny Desk Home Concert.

Shows what I know, though, since he is hugely popular and is a “five-time Grammy winner and 2020 Rock and Roll Hall of Fame inductee.

After Michael McDonald finished “Matters Of The Heart,” the opening song in his Tiny Desk (home) concert, there was a brief pause. The bewilderment on his face was unmistakable. It’s a look I believe we all can relate to in this moment of uncertainty. He sat in his home studio, complete with an illustration of the Tiny Desk drawn by Mr. McDonald himself. That pause, usually reserved for the anticipated applause, was replaced by complete silence.

“Matters” is slow and ponderous.  It lasts nearly 6 minutes and sounds like a ballad I would have hated in the 90s.

I hate to be so mean to him, because he seems like a nice enough guy.  But my comments surely won’t affect him too much.

He then proceeded to play two 1978 Doobie Brothers classics that showcase his still-golden voice: “Minute By Minute” and “What A Fool Believes.”

He jokes: “If you know the words, sing along with me at home,” he said. “I won’t know if you’re singing well or not because I can’t hear you here.”

I enjoy these two Doobie Brothers songs, although  don’t really know the words–I had no idea that the song was called “What a Fool Believes” until about twenty years after I first heard it.  I much prefer the full band to these rather stripped down versions.

[READ: March 10, 2020] The Kids in the Hall: One Dumb Guy

It’s amusing to me that this book by Paul Myers, has an introduction by Seth Meyers and mentions Mike Myers.

Seth says that he was interning at Comedy Central and was doing a great job.  Then he found The Kids in The Hall (which he had never seen before). He became so obsessed with it that he started slacking off.  His boss at Comedy Central said that initially he was planing on offering Seth a job but after all the slacking off he wouldn’t do it.  When Seth told his boss he had been side-tracked by The Kids in the Hall, his boss sais, “There are worse things to throw an opportunity away for.”

So this is an authorized biography of the five Kids in the Hall.  Myers tells the story in a really compelling way. One where, as you read it, you think, gosh I hope everything works out for these guys.  Even though you know they did because well, this book wouldn’t be written about them if it didn’t and because you’re a huge fan of the Kids and you know it all worked out. (more…)

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SOUNDTRACK: TARRIONA ‘TANK’ BALL-Tiny Desk (Home) Concert #3 (March 26, 2020).

Tiny Desk loves Tank and the Bangas, who won the 2017 Tiny Desk Contest.  Of the five winners so far, they have certainly had the most success that I’m aware of.

I really enjoy their attitude, although their music is surprisingly repetitive for the amount of creativity in the band.

This Home Concert might be entirely improvised (there’s not “setlist” provided).  Tank seems to be riffing around a refrain of “don’t go out to the cookout.”  She is playing a rather cool electronic melody on “a version of Korg’s music software called iKaossilator.”

The rest of the music comes from percussive instruments that include a suitcase, [that she received when she was nominated for a Grammy.  She didn’t win but she got a suitcase, which is just as good], a jar of cocoa butter and a cassette box.

The middle of the song has a lengthy rap/poem/freestyle.

Mostly she is trying to convince everyone to stay home, bitch.  She even modifies the State Farm theme: like a good neighbor, stay over there.

It’s OK to be alone by yourself, eat by yourself, chill by yourself, read by yourself.

It is clear that she is having a really good time–laughing, clapping along.  She also says “I’m obviously practicing social distancing cause my group is not here.”

[READ: April 13, 2020] “The Other One”

I really liked the way this story was constructed.

When Heloise was 12, in 1986, her father was killed in a car crash.

Her father was supposed to be in Germany at a conference. But the crash happened in Paris.  In the car with him were his mistress (who also died) and her friend (who survived).

Heloise had false memories about this event.  She was sure she went with her mother to view the body (that never happened). (more…)

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SOUNDTRACK: MARGO PRICE & JEREMY IVEY-Tiny Desk (Home) Concert #2 (March 26, 2020).

Since the quarantine began, many many many musicians have been playing shows at home.  There are so many online home recordings that it is literally impossible to keep up with them.  I have watched a few, but not many.  I’m not sure how many of the online shows are going to be available for future watching, but at least these are saved for posterity.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music’s Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

I respect Margo Price’s lyrics and attitude. But her music is just too country for my tastes.  I don’t know anything about her husband Jeremy Ivey (turns out he released his first album this year at age 41).

In this concert, Margo’s accent is subdued and her songs sound great.  Plus, she says what we are all thinking between the first and second song.

Margo Price and her husband, Jeremy Ivey, performed a Tiny Desk (Home) Concert from their Nashville attic. Behind them are two handmade signs inspired by John Lennon and Yoko Ono’s Bed-In For Peace that simply reads “Stay Home” and “Save Lives.”

They play three songs

They played “Stone Me,” a song they co-wrote and included on Margo’s upcoming album, That’s How Rumors Get Started.

Maybe it is best is Margo stays in the country world, because her lyrics really stand out against the status quo:

Love me, hate me
Desecrate me
Call me a bitch
Then call me baby
You don’t know me
You don’t own me
Yeah that’s no way
To stone me

Plus it’s really catchy.

After the song Ivey jokes that you can hold your applause until the end.  But then Margo gets serious saying the last time they did Tiny Desk trump had just gotten elected and didn’t think things gcould ever get worse…here we are.

The second song, “Just Like Love” is from an EP.  It’s a minor key song, less catchy but more affecting with Ivey’s excellent backing vocals and guitar solos.

Margo and Jeremy dedicated this concert to all those that are struggling right now and thank “all the people still out there working, the doctors, all the sanitation people, everybody out there just doing what they have to do to so we can survive, all the people working in grocery stores. And to everyone who has lost their job, we feel you.”  In addition to the rapidly spreading virus, Nashville was recently ravaged by tornadoes.

The video cuts to black and Margo returns saying Take 25, while carrying a hand drum.

They ended the set with a premiere, a song called “Someone Else’s Problem,” that they wrote together on an airplane while Margo was pregnant. It’s a song dealing with the guilt many of us have, being part of a problem instead of part of a solution.

This is another minor key song and it’s quite long (about 7 minutes).  It’s almost like a Bob Dylan story song (including a harmonica solo).

She ends the set by looking at the camera and asking, Where’s the ventilators” if only the stereotypical country fan would listen to her and maybe change their minds about the impeached president.

[READ: March 30, 2020] The Adventure Zone 2

I loved this book.  It is a graphic novel realization of a Dungeons & Dragons campaign.  It is based on a podcast called The Adventure Zone.  The podcast is fun and is a real scenario of friends (in this case brothers) playing D&D.  The podcast is pretty funny if a little unedited.

Book Two picks up more or less where the last book left off.  Our heroes Taako the elf mage, Merle the dwarf cleric and Magnus the fighter meet with the leaders of the Bureau of Balance, a volunteer organization dedicate to finding and eliminating weapons of magical destruction.

They are given new gear, they level up, they shop at Magic Costco.  Then they are to board the Rockport Express train and retrieve the Oculus, a magical object.  The person who had it, Leeman Kessler, was killed for it.

The train is pretty cool with a crypt safe that can only be opened if the engineer’s hands are on it for an hour.

There a bunch of hilarious NPCs in the game including the engineer, Hudson, and the guy who is there to help them, Jenkins.  Jenkins brings their food and shows them the magic portal room (it’s not-only-a sex thing).  The fun that the characters have at Jenkins’ expense it totally worth the reading of the book.

Also on board is a young boy (I’m ten, not eight) Angus McDonald the self-proclaimed world’s greatest detective who offers to help him (and sound snotty doing it).   Angus knows about Leeman Kessler’s death and he is out to find “The Rockport Slayer.”  The three adventurers agree to help him.  As they go snooping around they discover another dead body.  His hands and head were cut off.

Coincidentally also on board is the professional wrestler, Jess the Beheader (Magnus loves her and has both her action figures, the regular one and the rare one).  But Merle snarks: “Don’t you know wrestling is made up fantasy bullshit?”

The rest of the book becomes kind of a mystery story–finding the Rockport Slayer and eventually getting the magical oculus out of the cryptsafe. There’s magical spells, serious hit point damage, a large  crab, preposterous story lines and a nice plot twist.

The fun part at the end comes when our heroes hand over the oculus (come on that’s not a spoiler) but the head of the BOB reveals that there are a total of seven magical items that they must retrieve and thanks to our heroes, they now have two.

So you’re telling us that you and your big organization and secret moon base and flying snow globes have been doing this for however long and your score is zero?!

Two?

No that’s our score…BOB Incorporated has a big old goose egg.

As the book ends a mysterious hooded figure who has been lurking throughout the book crosses out the oculus on a list.  The phoenix fire gauntlet is already crossed out.  That leaves Five to go.

I really enjoyed this story even if it was more of a mystery than a good old D&D story.  Although honestly I haven’t looked at D&D since the 70s so maybe it’s different now.

Although, more specifically there is no way this is how a D&D story could work.  The repartee and the battles are too clean cut and plotted.  Now I realize that the book borrows liberally from various things to create the story line.  So maybe they have taken the podcast and taken the highlights and best quips and made this story from it  I mean, it works as story but it doesn’t work at all as a campaign.  Which is fine, since this is a story not a campaign.

I’m just curious how the actual campaign worked.

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SOUNDTRACK: SOCCER MOMMY-Tiny Desk (Home) Concert #1 (March 21, 2020).

Since the quarantine began, many many many musicians have been playing shows at home.  There are so many online home recordings that it is literally impossible to keep up with them.  I have watched a few, but not many.  I’m not sure how many of the online shows are going to be available for future watching, but at least these are saved for posterity.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music’s Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

On Monday March 30, Sophie Allison, aka Soccer Mommy, was to perform a long awaited Tiny Desk concert at my desk. Now the world has changed, and with the coronavirus keeping us at a distance, we’re taking a break from filming Tiny Desks at the office for a while.

Sophie wanted to share her music and her thoughts with you. So we’re kicking off our Tiny Desk (Home) Concerts series with Soccer Mommy from her home in Nashville.

Soccer Mommy was supposed to play a show in Philly on March 31. I had a choice between this show and a show from Vagabon.  I wasn’t sure which one I wanted to go to.  Well, now I get this home concert instead.

This Home Concert (as most will be) is Sophie and her acoustic guitar.  Since I don’t really know (most of) the originals, I can’t compare them.

All three songs have catchy melodies.  It’s cool watching her hands up close to see he playing modifications to the chords in “Bloodstream” so it’s not as simple a melody as it seems.

Her voice is soft and high (although a little hard to hear in this mix).

“Circle the Drain” has been getting some airplay and I rather like it.  It reminds me of a Lemonheads song in style.  This acoustic version is nice, but I prefer the studio version (that extra guitar line is a nice touch).  She says it’s about being depressed and staying inside all day.  “I’m sure some of you can relate to that right now.”

Before the final song, “Royal Screw Up” she asks if anyone can guess what tuning she is going from and into.  My guess is that she is going into standard E tuning, although I’m not sure from what.

Most of her melodies remind me of the singers I liked in the 90s, and I think with a slightly better production I would have really enjoyed this set.  I might have to check out her album a little more closely.

[READ: April 1, 2020] The Customer is Always Wrong

I enjoyed, Mimi Pond’s first memoir(ish) book, Over Easy, but I grew tired of it by the end.  It was an look at late 1970s San Francisco and all of the low-level drug dealers and users who worked and ate at the restaurant where Madge was a waitress.

And yet, I came away from it with enough good vibes that I was interested in reading this second volume.  And this second volume had the heart and soul that I felt the first one lacked.

The story begins with some of Mimi’s past boyfriends (good boys whom her mother loved).  Then it moved on to bad boys who treated her like crap.  Finally, she meets Bryan, a nurse who treats her kindly–and the sex is amazing.

But the shine starts to wear off and a turd is slowly revealed–the way he breaks up and gets back together (he loves the drama), the way he watches the World Series at her house even though she doesn’t care about baseball (or own a TV–he brought his own).  Oh, and the way she finds out later that he lied about nearly everything.

The drug dealer characters from the first book are still there of course.  The most prominent one is Camille, a “straight looking” and pretty young woman who has hooked up with Neville, a real dirtbag (but one who tells great stories).  She has big dreams–they will sell a ton of coke, make a ton of money and go to Paris.  Of course that never happens.

And then there’s Lazlo.  Lazlo is the real main character of the story.  Even though it is Madge’s story, it all more or less revolves around Lazlo.  Lazlo runs the diner where Madge works and he is always around–wearing his cool hat, telling great stories (he is a poet).  It’s hard to remember that he is married.  Hard for him to remember too, apparently. (more…)

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