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Archive for the ‘The Afghan Whigs’ Category

[DID NOT ATTEND: September 16, 2022] Afghan Whigs / Pink Mountaintops

Back in May, although they had no Philadelphia show planned, Afghan Whigs were going to stop in and do a Free at Noon.

I grabbed a ticket but the show was cancelled because of a COVID case.

I love The Afghan Whigs’ album Gentlemen.  I should love more by them, but I like them just fine (never been in the cult of Dulli).  I’ve never really been interested in seeing them live.

When this show was announced, I was notified because of Pink Mountaintops.

Pink Mountaintops are a band led by Stephem McBean who is the main guy behind Black Mountain.  I saw Black Mountain a while back and they were great.  I’m not sure I would enjoy Pink Mountaintops as much.  So I was never really likely to go to this show.

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[CANCELLED: May 27, 2022] Afghan Whigs : Free at Noon

indexI love The Afghan Whigs’ album Gentlemen.  I should love more by them, but I like them just fine (never been in the cult of Dulli).  I’ve never really been interested in seeing them live.  But a Free at Noon is a great way to get a thirty or so minute show without committing to an evening out.

I grabbe a ticket for this show, but on the Wednesday before the show, a member of the band tested positive for COVID and they cancelled the appearance.

They had a show planned that night for New York (he last of the tour), so there was no point in them sticking around.

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[ATTENDED: April 26, 2018] Rituals of Mine

Rituals of Mine was a band I hadn’t heard of.  They were opening on the co-headlining Afghan Whigs/Built To Spill tour.  I don’t know why Built to Spill played this one-off, solo headlining show in Asbury Park, but I was super thrilled to see them alone.  I do really like Afghan Whigs, but it didn’t seem like a double bill I wanted to attend.  Rituals of Mine came along with Built to Spill to Asbury Park.

I looked up Rituals of Mine and learned that they used to be called the worst band name ever: Sister Crayon.  They even released an album as Sister Crayon and have since re-released it as Rituals of Mine.

Before the band came out, the stage was covered with drums.  And Rituals of Mine’s drummer was off to the left.  When the lights dimmed, a strobe light started flashing in the bass drum, which was kind of cool. (more…)

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HarpersaprilSOUNDTRACK: THE AFGHAN WHIGS-“I’m Her Slave” (Live at the Bowery Ballroom 2012).

whigs

 I really liked some of The Afghan Whigs’s songs back in the 90s.  There was other stuff I didn’t love by them–when they were on, they were amazing.  Of course, I feel like the Whigs were pretty much all the work of Greg Dulli–charismatic frontman with the intriguing voice.

When they disbanded or broke up or whatever, I didn’t mind so much.  But they have reunited recently and my friend Joe posted this video from last year’s tour.  I don’t really know this song that well (although I do have the Congregation album i was more of a Gentlemen fan), but it sounds great.  And apparently this is one of the songs they were trotting out (they played it on Fallon, but the video has been taken down).

Dulli’s voice still has that wonderful quality and the band sounds tight and loud here.  Seems like a good reunion.

[READ: March 19, 2013] “Limhansfältet”

This excerpt comes from Knausgaard’s (also spelled Knausgård’s) second volume of his six-volume autobiographical novel (wow!).  I have no idea who the guy is or why we’d want to read it.  Evidently Knausgård is quite famous in his native Norway.  Don Bartlett translated this from the Norwegian.

So this excerpt shows a very short time in the writer’s life (knowing it’ autobiographical makes it different somehow).  The writer is married, a father of four three (although evidently now, he is divorced and his first wife is mad to her portrayal in the books).  The first few paragraphs just kind of talk about what’s going on around him (but it is more compelling than that sounds somehow).  I liked the scene where he is sitting so still in the garden that a hedgehog crept past him (but then I like hedgehogs).  But the crux of the action occurs at Limhansfältet, a grassy area outside of town where men gather every Sunday to play football.  They have gathered since the 60s and the men range from 18 to 80.

On this one occasion his family came with him. They watched for a bit but then wandered off.  And they missed him get injured.  Injured so badly that he had to go to the hospital. (more…)

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SOUNDTRACK: SINKANE-“Jeeper Creeper” (SXSW, March 21, 2013).

sinkaneI’ve never heard of Sinkane either (was there anyone at this SXSW that I knew?).  NPR is streaming on song from this band.  It’s about 7 minutes of low-key funk with reggae-like guitars, some great bass jams and simple lyrics.  I really like the vibe that the song gives off.  They would be a great band to see live.

Sinkane later played with Usher and The Afghan Whigs, which shows a very cool range.  And evidently Sinkane leader Ahmed Gallab has collaborated with the likes of Yeasayer and Of Montreal.

Watch it here.

[READ: March 19, 2013] “Kattekoppen”

I had just finished John LeCarré’s excerpt in Harper’s when I read this short story (or possibly excerpt—it ended rather oddly).  So here was another spying operation, although this one was American and military-based.  I know very little about military operations, so this was all new to me.  And there were some things I liked about this story quite a bit. The story is set in Afghanistan where the army has just brought in a new howitzer-liaison (good job title, that) named Levi.  Levi is Dutch and yet somehow still in the US Army–and he is a good soldier.   His wife lives in Texas and is about to have a baby.

Levi gets Dutch care packages a lot.  In addition to stroopawaffles (yum!) are Kattekoppen which are cat-shaped licorice-like objects.  Levi loved them as a kid bit now he puts them on the shelf of things that people don’t want (until they desperately want them).  Eventually the narrator tries one and immediately spits it out because it tastes like ammonia.  He’s not even able to get the taste out with snow… or dirt.  It’s that bad.  I found this part of the story quite interesting.

The rest of the story was more specific to military operations.  He talks about how Levi targeted the howitzer and how he made target rings which offered an area of projection for where the shell would strike.  And that he was very good at it.  The minor problem was that Levi wanted to be home for his son’s birth.  Not a big problem except that thy Generals wouldn’t give them a new howitzer liaison in the meantime. (more…)

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SOUNDTRACK: BUFFALO TOM-Birdbrain (1990).

If Buffalo Tom’s first album was a kind of punky Hüsker Dü album (which I contend it was), their second album switches gears towards the Afghan Whigs.  In other words, they still have a raw punky feel, but they’ve added more textures and melodies to the proceedings.

And while Janovitz’ voice is still loud and bold, rather than the screamy sound of say Bob Mould, he’s got a more nuanced sound like Greg Dulli (for some of the disc, anyway).  I notice this especially on the second track “Skeleton Key” which sounds like it could be an outtake from an Afghan Whigs session (it’s not as a good as a typical Whigs song, however).  You can hear more of those Dulli-notes on “The Guy Who is Me.”

The songwriting is somewhat more comlex overall.  The title track “Birdbrain” is catchy not only in the verse, but the chorus is a wonderful surpise–really redirecting the momentum of the song.  Despite some variants in texture and pacing, the disc still retains that raw punk sound of the first.

The album feels kind of long to me, though (and not because there are two acoustic songs tacked on at the end).  At almost 5 minutes, “Enemy” is way too long.  And by the end of the album, some of the sameiness that was eveident on the debut has crept into this disc as well.  The last few songs in particualr seem to have a lot of that screaming voice over a fairly simple riff thing going on.

The cover of the Psyhedeclic Furs’ “Heaven” in a live aocustic setting is a nice change, but really should have been laced around track 7 or 8 to minimize redundancy.  The last track is a live acoustic version of the tenth song off their first album.  How odd to resurrect a very deep album cut in this way.  But, again, at almost 5 minutes (two minutes longer than the original), it just doesn’t hold up.

There are signs of change here, but they won’t become fully evident until their next album, Let Me Come Over.

[READ: July 29, 2011] “Reverting to a Wild State”

This story plays around with a timeline, but not in a crazy way–in other words, the story is out of sequence, but it’s not a gimmick.

In Part 3, we see the narrator “cleaning” a rich man’s apartment, in his underwear.  We have no real context for him or what he’s doing, but it’s an amusing little section, and ends with him seeming content.

In Part 2, we see the narrator fighting with Justin, the man who we learn was his boyfiorned.  They broke up, but are in a diner having what seems like a final hash-out. (more…)

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