SOUNDTRACK: BRASS BED-Tiny Desk Concert #339 (February 24, 2014).
I expected Brass Bed to be a goofy band because of the snapshot image of them singing into toy microphones. I was initially disappointed by how normal they were, but I was soon won over by their interesting floating sound. They have this overall trippy underwater vibe (which seems to be accomplished by a bowed slide guitar). This is especially notable on “Yellow Bursts of Age” their best song in the set. Later the guitar solo is echoey and also underwatery. It’s a very wild sound for a fairly simple song.
They tell a funny story about being from Louisiana and encountering Washington DC snow and (of course) not having an ice scraper (although they did have bag of sand).
“Cold Chicory” is an upbeat sounding song musically although it is kind of a bummer lyrically, but again there’s the great sound of the bow on the slide guitar and the echoey lead guitar. “Please Don’t Go” is a slow song—with more interesting effects from singing into that slide guitar.
The plastic mikes do come out in the last song “Have to be Fine” in which they sing into the echoey mikes for the intro (with very nice harmonies). They sing the intro for about a minute, and then the slide guitar player takes lead vocals on this simple but pretty song (I don’t know any of their names).
At the end, the NPR folks gave them an honorary NPR ice scraper.
[READ: June 24, 2014] My Struggle Book Three
I read an excerpt of Book Three just a few weeks ago. And in the post about it I said I wouldn’t be reading this book for quite some time. But then the book unexpectedly came across my desk and I couldn’t resist grabbing it while it was here. So it appears that I will now have to wait well over a year before Book 4 (which is, I think about 1,000 pages–yipes). I also see that Book Three is fully called “Boyhood Island” in Britain.
At the end of Book Two, Karl Ove was more or less caught up to the present–writing about what he was then up to (with a few years gap, of course). So it makes sense that this book is about his childhood–showing us how he came to be the man he is.
The book, amusingly enough, starts off with memories that he cannot possibly remember, and he even says as much. He is using memories of his parents and piecing together pictures from when he was an infant. In 1970, (Karl Ove was born in 1968) his family moved to the island of Tromøy 
(and check out the idyllic picture that Wikipedia had). This is where Karl Ove spent his (rather traumatic) formative years. Their island is small, so he knows everyone in his school, but there are some amenities around like the Fina station and the B-Max, and there’s lots of soccer to be played and bikes to be ridden.
Things seem normal at first–he runs and plays with his friends, there is ample green space to run around in, and they have boats to sail on. And we meet two of Karl Ove’s earliest friends: Geir and Trond (so many people are named in the book, I’m very curious to know if any of them remember him). In an early scene they chase the end of a rainbow looking for a pot of gold (and have a discussion about what happens to it when the rainbow vanishes (the boys even play a prank on Karl Ove that they actually found the pot,a dn while he doesn’t initially fall for it, he is compelled to go back and they tease him).
But the looming figure here and throughout the book is Karl Ove’s father, who, at least according to Karl Ove’s memory, is pretty much a monstrous dick. He is demanding and exacting, unforgiving and seemingly uncaring. He is either bipolar or a drunk, jumping from goofy to outright rage in a mater of seconds. Karl Ove and his brother Yngve fear him unconditionally and, by the end of the book they both seem to hate him. The scene where their dad tries and fails to teach Karl Ove to swim is heartbreaking, especially when the dad goes home and tells their mom right in front of him “He’s frightened of water.” There are dozens of instances of fear and intimidation (often accompanied by a wrenching of Karl Ove’s ear). Like when Karl Ove turns on the TV for his grandparents (he wasn’t allowed to touch the TV but he wanted to do something nice for them). After a few minutes, the TV fizzed out and, naturally, he was blamed for it and sent to bed without supper (after some minor physical abuse). (more…)
SOUNDTRACK: MUSE-The Resistance (2009).
If someone were to create a band that tickled all of my fancy spots, on paper it would be Muse. Vocals like Thom Yorke from Radiohead. Heavy heavy guitars. And yet, not afraid to have prog rock keyboard sections. On top of that, throw in pretentious titles (how about a subtitle in French?), or, just for kicks, a three part suite called “Exogenesis: Symphony.” Oh, sure and let’s just throw in a clarinet solo in one of the songs too. Okay, so that’s Muse.
SOUNDTRACK: THE FUTUREHEADS-News and Tributes (2006).
I Just Read About That... 