Archive for the ‘Piet Mondrian’ Category

CV1_TNY_06_10_13Schossow.inddSOUNDTRACKBOSNIAN RAINBOWS-“Turtle Neck” (2013).

bosnian rainbows_cvr-a5c79faedffc0dc27b9e81b5eb566b7c02c426e9-s1I had listened to most of the preview of this album, and I was mixed about it.  But I have to say that of all the songs “Turtle Neck” is my favorite.  It begins as most of these songs do with a very simple melody.  There’s an easy vocal melody, accompanying guitars and interesting keyboard notes dropped in.  As with most of these songs it has a very 80s feel to it.  The big difference with this song is that it is 6 minutes longs and allows Omar Rodriguez-Lopez some wiggle room to goof off.  Like the weird little noises (effects, guitars what have you) that sprinkle the ends of the verses.

 But it’s at the 3 minute mark that Omar really takes over—the song turns kind of sinister with a  great dark bassline.  And then comes the guitar solo—screaming, noisy, more or less out of control, while wailing notes and off-kilter scales litter the one-minute instrumental section.  Then Teri joins the tone with a wholly new vocal section that compliments what Omar is doing.  The wildness kind of wears itself out until the end of the song recreates the beginning sweetness.

It’s probably the best encapsulation of the combination of pretty and wild that Bosnian Rainbows put together.

[READ: June 18, 2013] “Pedigree”

This is a Personal History, so I assume it is true.  I don’t know Walter Kirn at all, and really I only read this because the main person he talks about is named Clark.  Of course, the Clark in this story, Clark Rockefeller, is an unmitigated fraud.

It turns out that the story of Clark Rockefeller, and his real name Christian Gerhartsreiter, is fairly well-known  in popular culture (there was even a Lifetime movie made about him.  Of course, I don’t watch movies on that network, so this whole story passed me by.  I wonder if this narrative is more or less interesting if you already know the truth.

This narrative begins with Walter explaining how he got to know Clark.  Clark had signed up to take a dog who had been injured and rehabilitated (it was a Gordon setter who had been hit by a car and now used a wheelchair for its back legs).  Clark had been vetted and talked to Walter, who was supposed to transport the animal.  Things were complicated and the trip from Montana to Manhattan was more difficult and costly than Walter imagined.  But Clark was there with an envelope and an offer of a place to stay and fabulous people to meet and a tour of all of Rockefeller Center.  When asked about his source of income, Clark explained his job as “a freelance central banker for Thailand.”  And Walter accepted it all.

Later, the envelope proved to hold a check for $500 (not even half of what Walter spent).  None of the famous people showed and the tour didn’t materialize.  Nevertheless, the ruse was surprisingly complex–like the man who claimed to be from MOMA authenticating the Mondrians and Rothkos that Rockefeller had on his wall.  (more…)

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mister orangeSOUNDTRACK: MUSE-The 2nd Law (2012).

2ndlawMuse are over the top.  No question about it.  And that’s why I like them so much.

So when the new album opens with crunchy guitars that give way to keyboards that sounds not unlike a Bond movie, it’s not really surprising.  The first verse is fairly mellow, building until Matt Bellamy hits some crazy high notes and the heavy bass guitar kicks in.  But unlike some previous albums, this one is not all heavy heavy guitar rock.  There’s some electronic elements as well.  Especially on the single “Madness” (which was debated about on the alt rock station I listen to, wondering if it was too dance-oriented).  The song uses a dub format for repeating the Muhmuhmuhmuhmuh madness, but the verses are so catchy it’s hard to resist.  It also has a major Queen feel (a common complaint about them, although it’s not like Queen are still making music).  For Muse, this song is kind of understated until the big verse at the end when Bellamy can really soar.  “Panic Station  has a big thumping bass and drum along with some screams that sound out of an 80s metal band but there are horns that give it a dancey feel–always a contradictory outfit, Muse.

“Prelude” sounds indeed like a prelude to what proves to be “Survival” it is big and anthemic (as Muse tends to be).  It is uplifting and, as one may recall, it was the official song of the 2012 London Olympic Games (which is fitting it’s all about winning).

“Follow Me” slows things down a bit in the beginning, but it of course comes back with lots of bombast (this is Muse after all) but there’s also elements of electronica (is that  dubstep sound?) and backing vocals that remind me a lot of U2.  “Animals” has a kind of slinky bass line that wends its way through the song’s guitar solos.  By the end of the song it has grown much heavier with shouting crowds and a furious double bass drums.

“Explorers” is a ballad that grows and retracts.  “Big Freeze” has another big chorus. It’s followed by “Save Me,” a gentle ballad with harmonies.  Then “Liquid Freeze” picks up the pace a bit.  This is all leading to “The 2nd Law: Unsustainable” which is my favorite weirdo song in ages.  It is so crazy over the top and audacious that I love it.  It opens with crazy strings and a fast talking jittery computer voice.  And when she reaches the word “unsustainable,” the song goes absolutely bonkers, with crazy sound effects–I would assume most people hate this track, but I think it is very cool.  The final track “The 2nd Law: Isolated System” is a kind of denouement for the whole album–a piano ballad of 5 minutes that has a bit of a dance feel to it.

I can’t get over how much I enjoy this record.  It’s definitely not as heavy as past muse records, but it has some great experimentation and Bellamy absolutely knows a great melody.

[READ: March 8, 2013] Mister Orange

I was walking past the New shelves in the library and this book caught my eye (who says placement isn’t important?).  Something about the title and the cover design was really appealing.  I looked at the blurb–it’s about an American kid during WWII.  I wasn’t really sure I wanted to read that, but then there was a line about an artist and comic books.  I immediately thought about The Adventures of Kavalier and Clay which is also about comics in the 1940s (although this book is NOTHING like that one at all), and I decided to grab it.  Besides it was only 150 pages.

Well, I never would have guessed that the book is a historical fiction novel about Piet Mondrian, one of my favorite artists of all time.

So the story is about a boy, Linus, and his family living in New York City in 1943.  His oldest brother, Albie has volunteered for the war.  His mother is disappointed in him as she believes that all war is wrong and that nothing good every comes from war.  She is so disappointed, in fact, that she does not hang the blue star that all families with soldiers are given to hang in their windows.  Linus wonders if she is not proud of her son for fighting for what he believes in, but his mother says “Flags are for celebrating, and there is nothing to celebrate about war.”  She doesn’t even let him go to the parade for the departing soldiers.

When Albie leaves, the rest of the family is stuck waiting for word from him.  But life goes on at home and with Albie gone, that means that everyone moves up in responsibility (and shoes get handed down).  Simon (now the oldest at home and a sullen teenager) takes on Albie’s work at the newspaper, Linus picks up Simon’s grocery delivery route (their family owns a grocer’s shop) as well as Simon’s shoes, which are way too big, and Max takes over looking after the youngest children: Sis and Willy.  For the most part we follow Linus as he learns the new route and learns a bit more about the city. (more…)

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