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Archive for the ‘Harper’s’ Category

harpersaugSOUNDTRACK: Songs That Got Us Through WW2 (1993).

ww2My dad was in World War II. He was a Navy man, and he worked on airplanes.  He was stationed in the South Pacific.  When I was growing up, he listened to a lot of big band music (while most of my friends’ parents were listening to folk music).

This collection of songs is a favorite of mine whenever I’m feeling nostalgic for my parents.  Although not every song on this disc was one I knew, the majority are greatly familiar.  My dad even had a lot of these records on 78 vinyl (and I have begun a small 78 RPM collection of my own).

When I think of a lot of these songs and what they meant to the people back home they go from being upbeat fun dance songs to being songs that people held onto during such a tough time.  There hasn’t been a lot of documentation about what families hold onto during our current wars (emails I gather are pretty important), and I suspect that with popular culture being fragmented so much, there aren’t really any unifying songs like in WWII. I’m not sure if that’s a shame, but it does mean less that nostalgia like this isn’t as likely 60 years from now.

[READ: July 19, 2009] “Kinds of Killing”

Normally I don’t write about book reviews.  However, since I enjoyed William Gass’ The Tunnel, and I am fond of his writing in general.  In fact, Gass is such a powerful writer, and he spends such a great deal of time honing his words, that anything he writes is worthy of a read.  And since this book review was something like 8 pages long, it seemed worthy of a few words. (more…)

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harpersaugSOUNDTRACK: SONIC YOUTH-Sonic Death: Early Sonic 1981-1983 (1984).

sonicdThis document shows just how scary a Sonic Youth show could have been back in their early days.  Well, not scary so much as noisy!   They mention that they’ve been touring with the Swans, so you can imagine how intense these shows must have been.

This record is kind of a mess.  There’s no track listing (only 1 track on my copy of the disc). In fact, it’s mostly just snippets of songs and lots of distortion.  The Wikipedia Page shows the approximate breakdown of where the snippets are (and it gives you something of a track listing).  If you’re a fan of Sonic Youth circa Daydream Nation, and you haven’t heard their earlier stuff, don’t even bother with this.  If you like Confusion is Sex and you want to hear what they sounded like live back then, pick this up.

Under all of the noise, it shows the band being silly, with snippets of conversations and tape manipulation…exactly the kind of homemade tape that you might expect from Thurston Moore’s own record label (and one of the first releases on the label).  It seems like the kind of thing that nowadays would be included as bonus footage on a DVD, but heck, they didn’t do that back then.  So this feel more a home recording.

So, before you go hunting down this out of print title, be aware of just what you’re going to get!

[READ: July 18, 2009] “A Fine Display of Capuchins”

When I was a philosophy major I read only a small amount of Sartre.  I always wanted to read more, but never had call for it.  I especially wanted to read his fiction, which seemed like it would be interesting, or at the very least, some of his not too demanding essay work.

And lo, here is a piece that had been untranslated until now.

This is a fascinating piece.  Sartre goes into a crypt underneath a church in Rome.  In the crypt he finds that it contains the bones of thousand of friars which were exhumed and transferred there in 1631.  (more…)

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harpersaugSOUNDTRACK: SONIC YOUTH-Confusion is Sex (1983).

confusionOn the Sonic Death album, a collection of live recordings from 1981-83, Thurston mentions that they are touring with the Swans, a New York City doom and gloom band of thunderous proportions.  [This was before the Swans put out their first album, an incredibly slow, bass heavy bombastic disc of nihilism.  I can only imagine how raw they were BEFORE that one.]  Anyhow, that explains somewhat why this disc sounds like it does…if they were a part of a scene with the Swans, then their music would naturally be all about notes, not necessarily music.

There’s a lot of slow, brooding pieces on this disc.  The bass is heavy and rather ponderous, and the vocals are pretty scary.  Although the inclusion of “I Wanna Be Your Dog” is an interesting cover choice.  The guitars are angular and quite harsh.  “Confusion is Next” is a stark song sung by Thurston and “Making the Nature Scene” is a similarly stark song sung by Kim.  These two tracks show that the disc is not all one style.  But the overall theme is consistent all the way through.

Later on, Sonic Youth would sound angry but it was often directed at something.  On this one they just sound angry.  Confusion is Sex is an interesting stepping stone to some really amazing Sonic Youth discs that will appear shortly. You can tell that they’re in there somewhere!

The remastered disc adds the Kill YR Idols EP which is more of the same.  But the live recording of “Shaking Hell” just goes to show how freaking scary a SY show must have been back then.  It also confirms anyone’s suspicion that the scariest member of the band was definitely Kim Gordon!

[READ: July 18, 2009] “Is Sex Interesting?”

Wallace Shawn is best known for a lot of things.  He was the “Inconceivable” guy in The Princess Bride, he is the voice of Rex in the Toy Story films, and he is the star and writer of My Dinner with Andre (among many other things).

I enjoyed My Dinner with Andre, both reading and watching it, and I rather enjoy reading what Wallace Shawn has to write.  So, I was pretty excited to read this which comes from a collection of essays called Writing About Sex.

vazziniI can’t help but hear his voice when I read his words, which makes it sound even funnier.

He writes that he is a sixty-four year-old man, and people seem to think that he is too old to be writing about sex (which he has been doing since he was 14).   And yet he (still)  thinks that sex is interesting to write about.  And he wonders why. (more…)

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millerWho has ever heard of this magazine?  I hadn’t.  And then Miller-McCune showed up in my mailbox at home with a “Subscribe for Free!” sticker on the front.  They just needed to know that I worked at a non-profit company (which I do).

It’s an unwieldy name, and I couldn’t really tell who published it or if they had a bias or an agenda or anything.  I was very suspicious of it.

And then I started reading it.  And it was very good.  I was all set to send in my subscription card.  And then I lost it.  Oh well.  Like I needed another magazine.

And then, the next month, another copy and another free subscription offer!  Whoo hoo.  So, I sent it in.  We’ll see if when the subscription starts I get the magazines as consistently!

I enjoyed this second issue even more than the first. The general tenor of the magazine is research, or as they say “turning research into solutions.”    Despite the “intellectual” tone of the subtitle, the writing is very readable.  (And it’s glossy with lots of pictures).  However, their ads are for things like: Johns Hopkins Press and Earthjustice.  So, they’re not exactly lightweight either. (more…)

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harperSOUNDTRACK: MOXY FRÜVOUS-the C album (2000).

cMoxy Früvous broke up (or went on indefinite hiatus) almost ten years ago.  But they released this final compilation, basically for fans only.  I’m not sure if it’s even available anywhere anymore.

And, hey, what happened to the Früvous website???

C is not quite as fun as b.  Although it is definitely a fun, silly collection.  Highlights include “Pisco Bandito” (the bandit fish!) and “The Goal Judge” (without him there would be no hockey game).

Some other fun tracks include “Video Disco Bargainville” a wild disco-fueled version of “Bargainville.”  “The Norbals” is another faux TV show theme.  And “Beware the Killer Tents” is an inside joke, but a good one.  It’s about a folk festival and name checks a number of artists who appeared with MF.

This seems like a good end of career recap for fans who missed the humor that the band was so good at.

[READ: June 25, 2009] “Wait Till You See Me Dance”

DIGRESSION: I had a dream last night and Deb Olin Unferth was in it.  It was one of those dreams where I was standing next to a woman on line for something or other and after twenty minutes or so dream-time I realized it was her.  I have no idea if she looks even remotely like the woman in the dream.  Great story huh?

Deb Olin Unferth must have grown up in a world that is very different from mine.  In the few things I’ve read by her, her characters seem to act in ways or experience things that are simply not what I’ve known people to experience.

In this story, the narrator is able to look at people and see how long they have left to live.  So, this is going to b a weird sci-fi story?  No.  Not at all.  For even though that characteristic is very important to the story, it has very little to do with the plot.  In fact, I was a little put-off at how the story started like that.  It didn’t seem like it would be very interesting.  And yet as soon as the rest of the story kicked it I was hooked.  And that aspect of the narrator turned out to be very cool.

So, the narrator is an adjunct who works at a college.  She teaches the 99 class (ie, they’re not yet eligible for 101 classes, and if they fail, they will not be admitted into the school).  She is accosted by one of the assistant admins who invites her to go to an Indian dance (the admin is not Indian).  No, not that kind of Indian, Native American Indian (the admin is not that kind of Indian either).

But the narrator doesn’t really like the admin.  The admin has convinced everyone to call her Mary because she is like the woman from that film, you know with George and the angel who shows him the future. [Yes, I know what the film is].  The narrator doesn’t like this, because in addition to it not being her name, she also realizes that Mary is really quite insignificant in the movie.

But the dance isn’t the main focus either.  For Mary finally has a vested interest in whether one of her students passes the 99 class.  She has no say in whether they pass or fail as the final tests are graded by someone else.  In this particular semester an Iraqi violin piano prodigy is admitted to her school two weeks into the semester. She finds his music so haunting that she will do whatever she can to make sure he passes the class.  (he has no hope of passing the class).

And that means buttering up the admin, and maybe even going to this weird dance.

The things that happen in the story are bizarre and unexpected. And yet despite all of that, it offers some real truths and insights about humanity.

How does she do that?

For ease of searching I include: Moxy Fruvous.

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hapersSOUNDTRACK: THE REPLACEMENTS-Sorry Ma, Forgot to Take Out the Trash (1981).

sorrymaSince I’ve been talking about The Replacements so much, it made me want to go back and listen to their stuff.  The Replacements are the quintessential band that “grew up” or “matured” and for better or worse sounds utterly different from their first album to their last (a span of only nine years!).  In fact, I don’t imagine that there are too many people who would enjoy all seven of their discs.  One suspects that if the band themselves were given a copy of their All Shook Down disc in 1981, they would have smashed it.

So this was their first release. It has 18 songs in about 30 minutes.  That’s pure hardcore, right?  Well, not exactly.  Even though the songs are short and fast and quite sloppy, there’s something about Paul Westerberg’s voice and delivery that makes these songs seem not quite hardcore.  He enunciates!  And you can understand him most of the time. And, maybe this is a better indicator: there’s parts to these songs, it’s not just breakneck pacing.  They also have song titles that belied how good their song writing would become.  Like: “Shiftless When Idle.”

In fact, “Johnny’s Gonna Die” isn’t fast at all.  It shows what the kind of songs that they would eventually write: literate and moving indie rock.

There must have been something in the water in 1981 in Minnesota.  Hüsker Dü, the other amazing punk outfit out of Minnesota (referenced in the ‘Mats song “Something  to Du”) also put out a blistering live hardcore record in 1981 called Land Speed Record (17 songs in 26 minutes, listed as 2 tracks on CDs because they don’t pause in between songs).  Like the ‘Mats, Hüsker Dü wouldn’t recognize their later incarnations in 1981 either.  And why are The Replacements abbreviated as The ‘Mats?  I don’t know.

But this ‘Mats record is the kind of sneaky record that can get you to enjoy punk even if you don’t think you like it.  There’s something so fun about Sorry Ma, that you don’t really notice that it’s all done so fast.

[READ: May 22, 2009] “My Great Depression”

This essay collection is tough to catalog.  Do I include all of the authors in the title of the post, do I pick selected ones, or just go with none.  Yes, go with none.

Harper’s asked ten authors/artists to send stories from the near future, after the economic collapse of the country. All of the pieces are three columns or less, and some are more enjoyable than others. (more…)

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harpers 1993I first heard about this magazine from my friend Ailish’s then-boyfriend, Dave (this was sometime in 1993, I would guess).  Dave fancied himself an artiste: he typed his novel on a portable Underwood, loved Henry Miller and read Harper‘s.   I liked him, but was always confused by his pretensions since he didn’t really fit the bill.  But regardless, when we visited, I always read his Harper’s. I very quickly got hooked on it and have been subscribing ever since.

Harper’s is another one of those magazines that I don’t immediately get excited about receiving because there’s always the possibility that there will be five really long articles that I want to read in it.  And who has the time for all of that? Perversely, I am secretly delighted when there is only one story that I want to read in that month’s issue. But I know that if I’m going to read something in it, it will be good.

Clearly the high point of the magazine is Harper’s Index.  The index is a list of various statistics.  The gimmick, if you will is that everything is written in such a way that the answer can be given in a numerical value.  for example: “Amount the ABBA tribute band Bjorn Again says it was paid to play a concert for Vladimir Putin in January (2009): $27,500; Estimated street value of drugs seized last March at three Phish reunion shows in Hampton, Virginia: $1,200,000.” (more…)

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hapersSOUNDTRACK: MP3 Radio Transmitter

mp3I was looking for a solution to my broken CD Player and I recalled that there are these mini transmitters that broadcast your MP3 player like a radio station.  The broadcast range is pretty weak, but it’s usually strong enough to go from your player to your car radio.  In theory this allows for everyone to be their own tiny radio station which I find utterly cool.

In practice, however, I found it somewhat wanting.  Perhaps if I bought the really expensive one I would have had better results.  Yet in two areas right by my house, the non-station 88.1 (recommended for tuning in) would grow staticky.  It wasn’t that big a deal but it was disconcerting.

However, when we drove out to Western NJ, where there are virtually no radio stations, our transmitter just seemed to fade away. We had to turn up the radio all the way just to hear the MP3 player.  And it was still quiet and staticky.

Surely this isn’t how people play their MP3 players in their cars?  We had previously tried the MP3/cassette adapter.  That worked okay until the adapter started clicking loudly with every revolution.  So we ditched that. It also cracked me up that the highest tech downloadable-no-moving parts technology had to go through the clunkiest, ugliest, most prone to breakage music technology that I know of.

My latest solution is just to drive Sarah’s car.

[READ: May 22, 2009] “Little Drops of Water”

This short story appeared in Harper‘s and is going to be part of a forthcoming collection of stories.

I was a little nervous upon reading this story.  Faithful readers know that I am intending to read all of Vonnegut’s works.  So, imagine my disappointment when I didn’t really like this story in the beginning.

As the story opens, it sort of meanders around to the point.  In fact, almost the whole first page of this six page story seems like it’s trying to find a way to get into the actual story.

Once he finds the door, though, Vonnegut tosses it wide open and barges in with a very funny story of revenge.  (more…)

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harpers-maySOUNDTRACK: PEARL JAM-Yield (1998)

yieldThis Pearl Jam disc is something of a return to form after the experimentation of No Code.  Part of me feels bad that they experimented less, because I do enjoy a band’s wild side, and yet these songs are uniformly fantastic, and they include some of my favorites by Pearl Jam.

“Brain of J” bursts out of the speakers, as one of their heavier opening tracks.  Catchy and fast.  “Faithful” starts as a ballady song but the choruses once again build into a great sing along.  “No Way” is a more experimental sounding song.  It’s right in the middle of their speeds, but the guitar has a mysterious echo on it that gives it an eerie feel. “Given to Fly” is a classic: slow, building, anthemic.  “Wishlist” is another of Sarah’s favorites: a simple, catchy melody that builds and builds.

“Pilate” is a rather confusing song: “Like Pilate, I have a dog”  Okay.  A gnashing rocking chorus with verses that are actually catchier.  “Do the Evolution” quickly became my favorite Pearl Jam song from the live sets.  This studio version is a little slower, and to me it sounds off.  But it’s such a weird little song, what with the “choir” singing “alleluia” and yet it is just a perfectly tidy punk song.  Certainly one of my favorite PJ songs.  The next untitled song (a red dot) is one of those weird, forgettable tracks that PJ throws on their albums, it’s less than a minute of steel drum inspired chanting.  It’s quickly followed by another of my favorite songs “MFC” a rocking song that sounds like its subject matter (driving).

“Low Light” is a slow song that builds, but it is a very full song; the whole band plays, keeping it from being dull. “In Hiding” has a great guitar opening and one of those great Pearl Jam singalong choruses. “Push Me, Pull Me” is another weird little track, that reminds me of some of the Who’s wackier numbers. “All Those Yesterdays” ends the disc on a quirky song.  It’s catchy but not as catchy as some tracks.

The album ends with an untitled hidden track. It’s a Middle Eastern style guitar solo. Amazon says the song is called “Hummus.”

I really enjoy this disc, it’s a shame it took me so long to discover it as I had given up on PJ after No Code.  But now it ranks as one of my favorites.

[READ: April 24, 2009] “Two Cosmicomics”

I’m not sure why all of these Calvino stories are appearing in magazines all of a sudden.  But after the one in the New Yorker not to long ago, I figured I’d give this one a try, too. (more…)

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harpersaprilSOUNDTRACK: BILLY IDOL

spikeBilly Idol plagues my existence.  Ever since he popped up on the scene (my first exposure was “White Wedding”) I thought he was kind of goofy. He has some kind of claim to cred and fame from being in Generation X, and yet I have never heard a song by Generation X and I never hear them mentioned anywhere except as being the band that spawned Billy Idol.

And yet, through the 80s he proliferated with a series of increasingly stupid singles: “White Wedding” (Everyone mocked the lip thing.  And that scream at the end–come on!).  Then came “Dancing with Myself” (This guy is a punk legend? And that “sweat sweat sweat sweat” chant–come on!).  Then we get “Eyes Without a Face,” (A ballad that is apparently be profound, but really?  “Eyes without a face got no human grace”–come on!).

So, basically I can’t stand Billy Idol.  Which would be fine.  I don’t have to hear him right?  I mean it’s been 27 years since these songs came out.  But no!  I was working in the garden, which means listening to the radio.  Between 101.9 WRXP (my new favorite station) and Radio 104.5 WRFF (my even newer favorite station) I heard TWO Billy Idol songs in three hours.  And this was in the midst of an otherwise awesome collection of tunes.  And then, just to add insult to injury, TiVo had recorded a VH1 morning music block, and as I was fast forwarding through it “Eyes Without a Face” came on.

Three Billy Idols in the span of a day.  Good grief.

I can only hope that by writing this, I can purge my Idol dismay and break the curse.  And I had to include a picture of Spike from Buffy the Vampire Slayer just to take away the stigma of a Billy Idol photo on one of my posts.

[READ: March 25, 2009] “The Quarrel in the Strong-Box”

I’m surprised at how much Mark Twain has been coming up lately. This piece is a fable, (written in 1897), about two pages long, and is very Twain-ian.

The basic gist is that all of the money in a strongbox is vying for most important coin or bill. It begins with a simple argument between a nickle and a penny. The nickle argues (in a not-so-subtly racist manner) that the copper coin is second class, since the nickle is worth so much more. Then various denominations chime in, all arguing that they are more valuable.

It is taken to a court, where the penny argues that all coins are created equal. The judge determines that all of the coins get the same amount of interest (at the time 5%) regardless of their actual value. And in that regard they are all created equal. What happens after that is up to them to determine.

A good and pertinent fable, even if it is 112 years old.

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