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Archive for the ‘Funny (ha ha)’ Category

1969  SOUNDTRACK: ABIGAIL WASHBURN-Tiny Desk Concert #101 (January 3, 2011).

abigailAbigail Washburn had plans to study law at Beijing University in China.   Before she left, she bought a banjo—she wanted to take something to China that was American.  Then Washburn went on a road trip to study the banjo and to learn some tunes. She found her way to the Augusta Heritage Center in West Virginia, then to North Carolina and then Kentucky to the International Bluegrass Association. It was there that she sat down with a few women to play music, and right then and there was offered a record deal. She blew off China ans has made a career as a banjo player–typical story.

In the ten years since then, she has been to China (with her banjo) where she learned Chinese folk music.  She now mixes American bluegrass and folk with Chinese folk music.  For this Tiny Desk, she plays three songs with her band Rob Hecht on fiddle, Jared Engel on bass, Jamie Dick on drums and Kai Welch on keyboards and trumpet.  She uses two different banjos, a normal sized one and, om the final track, a great big-bottomed one.

The first song “City of Refuge” she says is done in hop high tuning (in case you were interested).  It’s fun seeing how fast her right hand is moving while her left hand is fairly still and her vocals are fairly slow.

“Taiyang Chulai” is a traditional Chinese song meaning “The Sun Has Come Out and We Are So Happy.”  She sings in Chinese (and plays no banjo).  Her Chinese sounds amazing (and it’s really funny to see her speaking/singing it).  She says that taught American folk music in China and learned that she needed to do arm gestures since all Chinese folk songs have accompanying arm movements.  She also wore armbands which her grandma made for her.

“Bring Me My Queen” is the final song.  I found it interesting that her songs are rather slower than the Chinese song, at least in tempo.  This song is even slow for a banjo song.  But it’s quite beautiful.  In addition to being a great banjo player, Washburn has a lovely voice, too.

[READ: December 8, 2015] The Complete Peanuts 1969-1970

I was excited to get to this book to see which strip was published on my birthday (it’s sort of like seeing the headlines from the New York Times on your birthday).

Well, sadly, my strip was kind of boring–part of an annual be kind to animals or national dog week or something like that.  Nothing life-changing or earth-shattering.   Good grief.

I also decided that I’m taking a break from Peanuts for a time.  I have really enjoyed what I’ve read, but I need a breather.  I have read twenty some years of the strips over the last few months and, even if Schulz never rested, he didn’t condense twenty years into a few months either.  So sometime later in 2016 I’ll resume the books.

This book is notable for revealing Woodstock’s name!  I feel like that was the last big revelation that we’ll see for a while.  I am curious to see if the 70s added any new characters. (Well, there is Marcie.  I wonder when she comes along).

1969 starts out with Lucy saying that this is her year, “it’s all mine.”  Although a few days later she asks for a refund.  Lucy finally gets fed up with Schroeder and not only kicks his piano but throws it into the kite eating tree.  In March of 1970, Lucy says “I’m a new feminist.”

There’s a lot of Lucy/Snoopy rivalries.  In May 1969 we see the first an only reference so far to tether ball–Lucy is great at it (until Snoopy beats her).  There has been a somewhat recurring joke about Lucy beeping Snoopy on the nose (which he hates).  She does it in April and says it has been 384 days since she did it last (I wonder if anyone confirmed that).  In June, Charlie and his family go on vacation and Lucy is in charge of Snoopy (and she is particularly harsh).

Los of things happen to Snoopy this year.  As is per usual, Snoopy is skating in the winter time.  He is planning to win trophies (skating with Peppermint Patty–although she has to break the news that she is not interested).  He is also in preparation (in March 1969) to be the first beagle on the moon (wearing an astronaut helmet).  Surprisingly, there is no acknowledgement when the first man does land on the moon.

In April 1969, Snoopy goes on a two-week journey looking for his mom (but doesn’t find her).  In July of 1969 Snoopy takes up roller derby (for a very brief time).  In September of 1969 Snoopy finishes his first novel and submits it for publication. But he is rejected!  In Sept 1969 there are a lot of football jokes involving Snoopy and the little bird (the bird being too small to move a football of course).  March 1970 shows the return of the Easter beagle.

1969 sees a lot of talk of “Head Beagle.”  First Frieda reports Snoopy to the Head Beagle for not chasing rabbits.  Later Snoopy is appointed Head Beagle but can’t handle the workload.

In the summer of 1970, Snoopy goes to give a speech at the Daisy Hill puppy farm and a riot breaks out with tear gas!  And in September 1970 Snoopy wears a cooper bracelet to cure his arthritis.

In July 1970 Snoopy reveals a good truism “If you think about something at three o clock in the morning and then again at noon the next day you get different answers.”  Also in July is the first mention of “The Six Bunny-wunnies” fictional series of books.

For a few weeks in August of 1970 Snoopy pretends to be a grocery clerk (butter 28¢, bread 39¢, eggs 59¢, tea 79¢).

Lots of things seem to happen on the baseball field this year.

And in April 1969 Charlie Brown’s team wins two games in a row–neither team could make it so they both forfeit (Franklin is on one of those teams).  Later in June of 1969 Snoopy wins the Rookie of the year award for the baseball team.

In March of 1969 Linus make a sports drink which “replaces the body stores and prevents and diminution of vitally needed electrolytes and nutrients.”  (Gatorade was invented in 1965 and became popular with athletes in 1967).

Some great moments in this book:

In May of 1969 (on the baseball mound, of course) the team is talking about the costs of college “it can cost almost sixteen thousand dollars to go to college.”  The joke comes that Charlie is hoping for a baseball scholarship and every one busts out laughing.

In May of 1969 the school nurse is going to weigh them and Linus says he’s going to as about his hurting shoulder, “never pass up a chance to get a little free medical advice.”

In August, Linus’ gramma says she’ll donate $10 to his favorite charity, “ten dollars is a lot of money.”  (He ultimately decides not to accept).

In July of 1969 the little red-haired girl moves from Charlie’s street!  And Charlie never says anything to her.  Later in December 1969 Linus Charlie and Snoopy go skiing (on a school ski trip).   Charlie sees the little red-haired girl and falls off the ski lift.

Charlie makes a funny joke when he offers to shovel Lucy’s snow.  He asks for a quarter and she says “What if it snows tomorrow and covers up our walk again.  Do we get our quarter back?”  He replies, “No by then I will have spent it on riotous living.”

Peppermint Patty gets a lot of strips in these two years.  In Nov 1969 she talks about school: “I signed up for Folk Guitar, computer programming, stained glass art, shoemaking and a natural foods workshop.  I got spelling, history, arithmetic and two study periods.  I learned that what you sign up for and what you get are two different things.”  (I would TOTALLY sign up for those classes too).

She returns a lot in 1970–she’s a great character allowing Schulz to explore all different kinds of kids and ideas.  In the beginning of 1970 she is called to the principals’ office because she’s not allowed to wear sandals to school any more.  She cries and calls Charlie Brown for advice.  It takes Snoopy to kiss away her tear to snap her out of it.  The strip series ends with Franklin saying, “All I know is any rule that makes a little girl cry has to be a bad rule.”

Patty also says that she got an F on a test because she has a big nose–if a teacher doesn’t like your looks there’s nothing you can do.  Franklin looks at the paper and says “you turned in a blank test paper.”  She sighs, “there’s nothing you can do.”

In December 1970 Peppermint Patty invites Snoopy to a “turn about dance” (where the girls ask the boys).  They have a good time until a boy asks who her weird-looking friend is.  She punches him out and feels guilty about it until Snoopy says he had a great time and he’s the one who bit the chaperone.  Their friendship is great.

In Sept 1970 Patty has a crisis–thinking she’s not beautiful  (then Snoopy gives her a kiss).  The following week her dad gives her a dozen roses and says that the boys will be calling on her when she grows up and he wants to be the fist one in her life to give her a dozen roses.  It brought tears to my eyes.

In June of 1970, Peppermint Patty asks to borrow Charlie Brown’s glove for a kid on her team named “Thibault.”  Which leads to Charlie asking “Thibault?” at least twice.  Then Thibault (who has sideburns), refuses to give the glove back.  But Charlie Brown is happy by this because Thibault accuses him of “thinking you’re better than us.” And Charlie gleefully says “Me?  Better than someone else?”

1969 ends for Charlie when he buys a ticket to a sports awards dinner.  He gets a seat right next to Joe Shlabotnik…who never shows up.

This strip really sums up why Charlie Brown is so likable.  On October 26 in which Linus describes an amazing football game in which a team makes an amazing come from behind victory with seconds left in the game .  He describes the great plays and then Charlie’s response is “How did the other team feel?”

Sally is starting to become a more fully developed character–opinionated but often horribly wrong.  In May of 1970 she buys a fish tank saying “This is the age of aquariums.”  And she has no tolerance for school.  In Sept 1970 she asks why they have to learn all of these things in school.  Why does she have to learn the names of rivers?  “I’ve never even seen a river!  They could at least take me to see a river.”  Later she writes a theme for school, “If I had a pony:”  “If I had a pony I’d saddle up and ride so far from this school it would make your head swim.”  Then she crumples it up and says “That’ a good way to get a D-minus.”  In Nov she shows the class a document that is written by “an actual caveman.”  The punch line: “Show and Lie is my best subject.”

The best Great pumpkin joke comes in Oct 1970 when Lucy says “Santa Claus has elves to help him…what does the great pumpkin have, oranges?”

There are a couple of topical jokes.  In July 1970, when it rains during a game Lucy starts singing “Raindrops Keep Falling on My Head” (which was a hit in early 1970).  And in December 1970, the kids use a Ouija board which had been released as a game earlier that year.

And then on June 22, 1970 the little bird reveals his name to be Woodstock!  (strangely it was a year after the concert).  With a name he acts no differently.  In Nov 1970 Woodstock tries to fly south but gets lost.  So Snoopy walks with him.  After a week they get grabbed by a girl who say “Ma, I found a stray dog!”  Then Snoopy is tied up for a few days while Woodstock tries to rescue him.

The year ends with Sally doubting whether you really have to be good for Santa to bring you presents “the old rascal is bluffing…I know that [he] will bring me presents whether I am good or not.”  Then on Christmas Day, ”I was right!”

This was a great book, with some excellent strips and character developments.

Mo Willems, beloved children’s author, wrote the foreword.  Mo says he started his career by selling black market drawings of Snoopy and Charlie Brown in second grade.  He learned that even bullies liked Charlie Brown.  He says he could utterly relate to Charlie’s world, “For me, an immigrants kid, recently plopped into the middle of a small school in the insular world of uptown New Orleans, Charlie Brown was the only one who understood how confused and unhappy I felt.”

He says he aspired to Linus-ness: to be wise and kind and highly skilled at making gigantic structures of playing cards.  But he knew he was always a Charlie brown.  “Sometimes when I am in a deep funk and feel like my life if is an uphill battle…I try to stop and imagine someone reading the comic strip of my frustrated life and laughing.”

All of his characters are an homage to Schulz in some way.  And the greatest lesson her learned from Schulz, is “never let the characters know they are funny.”

He concludes by saying that Peanuts isn’t Art… it’s better.  He toured the Charles M. Schulz Museum and Research Center and held an original comic but he found it anti-climatic.  They were too precious to be enjoyed…they became Art.  The magic that you get from having them in a book or newspaper was missing.

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mixeduop[LISTENED TO: December 2015] From the Mixed-Up Files of Mrs. Basil E. Frankweiler 

I was sure that I had read this book.  I have a copy of it and I knew the premise, but clearly, after listening to this audio book (at Sarah’s suggestion) I learned that I had not.  And the book was awesome.  All four of us enjoyed it a lot.

The story was great, but it may have had to do with Jill Clayburgh’s reading.  I don’t really know anything about her and at first I wasn’t convinced that two kids from suburban Connecticut would have such strong New York accents, but they really worked.  Especially when the kids started fighting and she had subtle distinctions between Claudia and Jaime.

Of course, the book itself is masterful.  But there’s some really unusual choices in the book, which made me wonder how good it would be.  It begins with a letter from Mrs Frankweiler to her lawyer, Saxonberg, (a rip-roaring intro to a kids book, eh?).  This introductory device sets up the story in which Mrs Frankweiler tells the story of Claudia and Kincaid’s adventures in New York City.  And it works wonderfully. (more…)

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eggnogSOUNDTRACK: THE AMOEBA PEOPLE-“The Night The Hippies Hijacked Christmas” (2010) “Christmas Ferret” (2010) “Robotic Christmas Tree” (2014).

roboticA few years ago I backed The Amoeba People in a Kickstarter campaign.  And they sent me a booklet and CD of The Complicated Saga of Eggnog and Yule Log.  I had been putting off listening to it until the holidays because it seemed perfectly holiday themed.

But as it turns out, the entire collection (four songs) is sort of tangentially Christmassy.  Since they do have three specifically Christmas songs that they have also released, I’ll mention them first.

Of the three, the promisingly titled “The Night The Hippies Hijacked Christmas” is my least favorite.  It’s overly long and uses music to fight music.  But it is “Christmas Ferret” that really steals the show.

When coal isn’t enough for someone who has been naughty at Christmastime, why not send them a present that will bite back. The way the song is sung–in a weird falsetto and staccato delivery (making it almost like a hymn) is fantastic.

The newest song is “Robotic Christmas Tree,” a dancing riotous song about trees attacking people on this festive holiday:

You think your tree
Is perfectly organic
But on Christmas Day
There will be widespread panic!

It’s a fun song, although it doesn’t quite match up to “Christmas Ferret” either.

[READ: December 21, 2015] The Complicated Saga of Eggnog and Yule Log

This collection comes with four songs.  The booklet includes the lyrics to all four songs, but it also includes two extra texts.  One is the diary musings of Uncle Leon for his extra verses to “Omaha.”  But the real treat is the extended story of Yule Log and Egg Nog.

But first the songs:

“Uncle Pat” is a great bouncing song.  It’s about Uncle Pat who claims to be Irish but isn’t (the song has a fun traditional Irish feel to it).  He tells stories about his life which everyone knows to be lies.  It’s really quite funny (we also get Uncle Pat’s recipe for egg nog, both the kid friendly and the super unfriendly versions!)

“Eight Nights of Bowling” is about how three rabbis spend their Hanukkah nights: “ten pins, eight nights you know it’s really out of sight.”  This is an unexpected punk blast.

The final song is sung by Crazy Uncle Leon (who is also mentioned in their earlier song “Cosmology, Your Futon and You”).  There’s a long opening in which Leon talks to his nephews.  He asks them why they have coats on.  And they say it’s 68 degrees in Hollywood, a really cold winter.  He is appalled and then proceeds to sing to them his tales of winters in Omaha.  Well, not tales so much as just a few words and a lot of chorus (Leon can’t think of many words as you can see from his diary entry).

The title song is actually quite short.  Eggnog wants to play, but Yule Log is angry and wants to fight.   But eggnog says “I don’t want to fight him/Like me he’s a seasonal item.”    The song is slow and sweet until it becomes fast and punky (with the same words both times).

But so much is left to wonder about with this song.  Why is Yule Log so mad?  Well, thankfully, the booklet tells us the full story.

In the fuller version,

Tchristmasferrethe logs piled on the rack congratulate the Yule Log on being picked to be used for the Christmas fire.  They say that only one log is given such an honor.   But Yule Log is pragmatic–what does it matter if I’m chosen, we’re all gong to be burned anyway.

The rest of the decorations are appalled by this attitude.  The Christmas Tree shames him saying that everyone plays a part in the Christmas tradition.  And one of the chocolate Santas says that Yule log is lucky that the Santa is stuck in the bowl or he would punch Yule Log.

As they were arguing they had to hush quickly because they head someone coming. But it wasn’t a person it was a fetching yellow carton with skinny legs and arms.   He wishes everyone a happy holiday and says that he is Eggnog.  He wishes everyone good cheer but Yule Log wants nothing to do with it.  He tells Eggnog that he is just going to be drunk tomorrow so what is he so cheerful about?

Eggnog says its better to be drunk than to go sour.  Yule Log is dismissive.

Eggnog then posits that they can fight or they can play holiday games.  The only game Yule Log is interested in is beating up Eggnog.

So what happens on Christmas Day?  Will they meet their fate?  And if so, whose attitude is better?

This is something to ponder while you sit by the fire and enjoy your own Egg nog.  Happy Christmas.

 

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dramaSOUNDTRACK: SHARON JONES AND THE DAP-KINGS-Tiny Desk Concert #497 (December 21, 2015).

sharonTo end out the Tiny Desk Christmas season, I chose this year’s entry.  And for this year’s Christmas show, they went all out.  There’s lights strung around the office, there’s twinkling gold tinsel behind them, presenting a wall of glitter, and a sign that says Dappy Holidays.

I don’t love Sharon Jones and the Dap-Kings (I often feel like I am the only person who doesn’t).  I’m not a big fan of the blues or of soul music, so there is that.  But then I heard her blues version of “Silent Night” and it is a travesty.  “Silent Night” is a beautiful tender song.  If done right, it can make you cry.  But this is just dreadful. You don’t make “calm” a ten syllable word.  You don’t sing “talkin ’bout a Silent Night.”  You don’t make this song fun.  You don’t show off you crooning skills with this song.  You just sing it.  Perfectly.

When she’s not tinkering with classics, though, Jones has some good fun with two originals.  The first is the fun “8 Days of Hanukkah” She sings about all the things they’ll do on each day–spin the dreidel, roll out the latkes, and the best: “we’re cooking up the brisket the kosher butcher sold my uncle Saul,”  It’s a lot of fun (when the horns launch into the dreidel song amid their jamming it’s a good time).  This is the kind of soul that I like–lots of swinging horns and good times.

And Sharon herself seems like a fun person–she asks for help remembering the lyrics to the final song and plays it off in a fun way.

“Big Bulbs” is another original.  It’s also funny with the lyrics, “Baby you got them big bulbs flashing in your windows tonight.”  IT seems like it’s a double entendre but I don’t really think it is, it’s just fun.

Despite my aversion to the first song, she totally won me over with the second two songs, and I’d happily add those to any holiday mix.

[READ: December 10, 2015] Drama

I really enjoyed Telgemeier’s Smile and Sisters.  But I enjoyed Drama even more.

This story is an ode to everyone who works behind the scenes at the drama club.  But it’s also a chance for the stars to shine and the shy kids to come out too.  All done in Telgemeier’s delightfully simple yet effective drawing and storytelling style.

Callie is in love with the drama club.  She works late on sets, she loves seeing things come to completion.  She also knows she has no talent to be on stage.

And things are good.  Until the drama arises.  Greg and Matt are her friends.  Greg is a little older and Callie has a crush on him.  When Greg tells her that his girlfriend Bonnie broke up with him, she is pretty excited.  And they share a kiss.  But from that moment on, not only does Greg avoid her, but Matt is a jerk to her, too.  Not bad for the first few pages. (more…)

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books SOUNDTRACK: PRESERVATION HALL JAZZ BAND-Tiny Desk Concert #328 (December 21, 2013).

peshallThis show is tangentially Christmassy.  I mean, it does feature a tuba player in a Santa Claus outfit, after all.  But the music isn’t Christmassy per se (except for one song).

Rather, the Preservation Hall Jazz Band does what it does best–play fun dancey jazz songs.  There’s trumpet (and trumpet solos) and trombone, there’s saxophone and piano and most importantly, there are two, count em, two tubas!

“Sugar Plum” is their instrumental version of a holiday song (about the sugar plum fairy).  It’s a fun bouncy swinging song.  “I Think I Love You” has vocals, and they are fine, but it makes the band swing a little less.

“Happy Holiday” is indeed a Christmas song, and a nice one with sweet lyrics.  It’s also got a lengthy some trade off trombone and saxophone solos.

The final song, “Dear Lord,” sees the Santa tuba player removing his instrument and taking over as lead singer (and commenting that he’s from the South Pole which is why he is so hot).  This final song seems to be a familiar one with people singing and clapping along as he blesses everyone from South Pole to North.

[READ: December 23, 2015] The Haunted Man and the Ghost’s Bargain

This is the final book in the Christmas Books collection. And it does return to the Spirit of Christmas more than the previous stories did.

As I learned from the previous story, the plot is quite simple but its length comes primarily from Dickens’ intense amount of detail (and lots of humor).

The story focuses on Mr. Redlaw.  Redlaw is a chemist and a kind man.  But he is beset upon by sadness at all of the things that have happened to him in his past.  One night he is visited by a spirit (who seems to be something of a version of himself, maybe?).  The spirit tells him that he can help to “forget the sorrow, wrong, and trouble you have known.”  Basically he proposes that he will remove all of the bad memories Redlaw has ever had.  And if he accepts this proposal, he will also be able to do this to everyone else that he meets.

This seems like a good deal–no bad memories!  So he accepts. (more…)

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1967 SOUNDTRACK: JULIAN LAGE TRIO-Tiny Desk Concert #140 (July 7, 2011).

lageJulian Lage is a jazz guitar prodigy.  he normally plays with a quintet but for this set he brought only a trio which includes bassist Jorge Roeder and percussionist Tupac Mantilla.

This was my first exposure to Lage and he does some really impressive lines and riffs.  He plays a hollow-bodied electric guitar that sounds an awful lot like an acoustic guitar. He does some phrasings that are really pretty or really interesting

But I was more impressed with Mantilla on percussion.  He uses thick brushes, he uses his hands on bongos and cymbals.  He uses his hands on his body–playing his lap and chest).  He even uses little dusts brooms (which must be unwieldy).  He’s also got some kind of drum (perhaps a loose snare?) with a great sound and even a bell.

They play three songs.  “Welcoming Committee” is a new song not recorded as of then.  At the end of the song, they all laugh as an office phone rings the end.  Julian is a sweet funny guy with some interesting stories about his songs.

“However” is an upbeat bouncy song (with some less noodling).  Interestingly, it was written by their saxophonist who is not playing in the trio today.

Before introducing the final song “Untitled (No. 24)” he says he started a blog for inspiration–to get people to bounce ideas off each other–healthy peer pressure with incentives for song writers.  The most recent one was a song a day for 30 days.  This was number 24.  (Hhe jokes that the first 23 sucked).  It’s a really fun piece that doesn’t feel incomplete at all.

[READ: December 8, 2015] The Complete Peanuts 1967-1968

It’s 1967 and Schulz has had huge success with Snoopy’s Red Baron plots.  In December 1966 The Royal Guardsmen made a song called “Snoopy Vs the Red Baron” which made it to number 2 on the charts.  So The Red Baron plot takes over a lot of this year.  And while I enjoy seeing him like that and I get how it’s funny, I don’t really like it all that much–the jokes are too samey for me.  But despite all of the Red Baron excitement there are other things going on this year too.  Like the introduction of the Easter Beagle.  And of Franklin!

The kids get involved in many different sports this year.  In Feb 1967 Lucy begins arm wrestling (and beating) everyone.  She even takes on the Masked Marvel (Snoopy).  In Oct 1967 Snoopy plays hockey for the first time (I think).  He references Bobby Hull).  Later in Jan 1968 all the kids play hockey together.  Lucy beats everyone up and say how much she likes the game.  And at one point Snoopy smiles and is missing teeth.  In Oct 1968 Snoopy shoots and scores (on his doghouse) and says “they’re not sleeping well in Montreal tonight.”

In December 1967 Snoopy considers going to the Olympics in France for his ice skating.  He says he misses skating with Sonja Henie).  In April 1968 Snoopy is going to the Masters in Augusta.  When that doesn’t work out (we never see him there), later in April Snoopy is a wrist wrestler who is going to go to Petaluma for the world competition.  (There are many jokes about Petaluma).  Snoopy is disqualified because he has no thumbs.

In August 1968 Snoopy says “jogging is my thing.”  And in Nov 1968 we learn that Snoopy has a pool table but that Minnesota Fats won’t play him.

And of course there is baseball.

Peppermint Patty comes back in March 1967 to play against Charlie’s team.  She has a new player, Jose Peterson, who doesn’t really hang out in the strip for very long, but who is an awesome slugger.  In November of 1967, there’s a reference to the lousy New York Mets.  I didn’t realize it but at the time of this strip, the New York Mets were a recent expansion club with a terrible record.

In summer of 1967 Charlie and snoopy return to camp and they see Peppermint Patty is there.  Patty strikes out Charlie a whole bunch and says she considered letting him hit one but he wouldn’t want that, right?

In march of 1968 snoopy takes over as manager and is really mean.

And of course, Snoopy has a lot going on too.  We learn that August 10 is Snoopy’s birthday.  He also says a lot of things are gauche.

In a very funny skit, in May 1968 Snoopy watches a bird chomp a worm and then says “I’m going to be very very very very very very very very sick.”

June 1968 introduces Lila again, and how Snoopy pines for her.  Then in August she writes to Snoopy again.  And finally on Aug 24 we meet Lila for the first time.  Lila is a girl in the hospital.  But it’s not until the end of the month that we learn that Lila was Snoopy’s previous owner who lived in an apartment and had to get rid of him.  AND THAT’S ALL THAT’S SAID ABOUT IT!

On a lighter note, in March Snoopy pretends to be a piranha for a few strips.  In April 1967 there’s some Cheshire cat jokes from snoopy (who is only a smile)  April 1968 sees the first mention of the Easter Beagle (Lucy doesn’t believe Linus who is the only one to see him).

Linus and Lucy pop up a lot of course.  They revisit a lot of the same ideas with variations.  In August Linus’ grandma agrees to give up smoking to get Linus to give up his blanket.  He thinks she’ll never do it, but he goes through the real withdrawal.

In Dec 1967 Lucy ups her psychiatrist booth’s price to 7 cents (winter rates).  And then as the book ends in Dec 1968, Linus is taking shorthand notes for her.

Father’s Day this year had Peppermint Patty writing a card.  She says that her dad calls her a “rare gem,”  This phrase is used as a joke in the strip and then a few more times.

It seems like summer is a good time for new things as well.  There are two weeks of strips starring Peppermint Patty at camp!  She is a counselor of littler kids.  There is a little girl who looks like Marcie but isn’t (her name is Clara).  And then later that week another little girl, Sophie, calls her “Sir.”

And then July 31, 1968 introduces Franklin!  He and Charlie play at the beach for a few days.

Religion pops up from time in the strips, especially with quotes from the Bible.  But in March 1967, Violet asks Charlie if they go to church.  He says yes, but she says her family “used to…now they belong to a coffee house.”  And in April Schulz revisits the “here’s the church gag.”

[From the Peanuts wikia] On February 8, 1963, Sally watches while her big brother uses his hands to illustrate that old rhyme: “Here’s the church…here’s the steeple…open the door…and see all the people!” After carefully examining his closed fingers, she announces, “It looks like a rather small congregation!” Four years later, on April 8, 1967, Sally watches as Linus delivers the same rhyme…and then she provides an almost exact response: “Sort of a small congregation.”

Most of the strips are totally timeless, with me even thinking that I read some of them when I was much older than I did.  I can’t say as I remember a lot of specific strips, but I always remember the one from Dec 5, 1968 (which is from before I was born, so I obviously read it in a collection).  Peppermint Patty says that it snowed last night Her dad says that “when it snows you should always take a slice of bread out for the birds.”  She places a whole slice on the bird’s head.

I think the timelessness of the strips are what make reading these volumes so much fun.

In May 1967, Charlie asks Linus if he wants to be the first man on the moon.

In July 1967, the bird (unnamed yet) has “long hair” and Snoopy calls him a bird hippie.

Charlie writes to his pencil pal in Nov 1967 and says, “According to what I read, your country hates my country and my country hates your country.  I don’t hate you, and I don’t think you hate me.  I think about this a lot.  It makes sleeping at nigh very difficult.”

In Jan 1968, the girls are going to have a “crab-in.”

Dec 18 1968 Snoopy has a sled and Charlie looks at it and says “Rosebud?”

In June 1968, Snoopy says he thinks he is in love with Twiggy.

In August, Snoopy says that you never hear anyone sing “Chloe” anymore (although which song that is, I’m not sure.  Perhaps the Al Jolson one).

In Nov, Snoopy says he is feeling groovy (the Simon and Garfunkel song came out in 1966).

There are references to the election year with the birds holding ups signs that say ? and !!  Snoopy say he’ll vote for the one with the paw print on it.

My two favorite jokes in the book have to do with math.

Sally is trying to learn her times table and guesses answers like “Four-thousand six? elventy-twelve? fifty quillion? overly-eight?  twiddelty-two?”  Then she  asks “Am I getting close?” And Charlie responds, “Actually it’s kind of hard to say.”

In Dec 1968, Peppermint Patty says she loves numbers.  “Twos are sort of gentle, threes and fives are mean, a four is always pleasant.  I like sevens and eights too, too but nines always scare me.  Tens are great.”  When a classmate asks if she has prepared her division homework, she says “Nothing spoils number faster than a lot of arithmetic.”

~~~~

In my edition the May 1 strip is repeated instead of the May 3rd strip! (The missing strip will apparently be printed at the end of the next book).

John Waters give the best foreword yet.  He actually references strips in this book!

He says he became obsessed with peanuts when he had mono in 6th grade.  He loves the depression paranoia and delusions.   But John was all about Lucy.  He loves her politics, her manners “Get out of my way!” her narcissism and her rants.   He says he has a niece named Lucy and Schulz got the expression perfect when she yells “No” on page 61.

He also says that for the most part the strips don’ age at all (with a few exceptions).  He talks about Lucy shouting “police brutality” at Charlie as a crossing guard!  He also says that Schulz was criticized for including the minority characters (which is shocking).  Waters is also fascinated by characters like Roy who are rarely if ever heard.

Pig-Pen was an inspiration for Dingy Dave in A Dirty Shame; Divine cutting up her daughter’s jump rope in Female Trouble is inspired from a Peanuts strip.

He sums up with the attitude that Peanuts presents:

You are dealt a hand.  Deal with it.  But most importantly he teaches all ages that if you can learn to laugh at the things that cause you the most pain, you will be the strongest of all.

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 puckettSOUNDTRACK: MARIACHI EL BRONX-Tiny Desk Concert #226 (June 21 2012).

bronx Mariachi El Bronx is an L.A. based band which plays Mariachi music.  They wear the full mariachi outfit (suits with great designs on them) and have traditional instruments.

According to Felix Contreras, NPR’s Alt Latino dude, their mariachi is quite authentic.  The biggest surprise to me is that the band started as a punk band.  So the lead singer is a bald Caucasian fellow and the accordionist has red hair!  That obviously doesn’t matter, it’s just surprising, especially since their music feels like the genuine article.

They play three songs,

  • “Revolution Girls”
  • “Everything Dies”
  • Norteño Lights”

And they have trumpets playing, a great violin solo on the first track and the big fat bass instrument on all the songs.  Mariachi is pretty much always fun, and this is no exception.

[READ: December 5, 2015] Desmond Pucket and the Mountain Full of Monsters

This sequel to the first Desmond Pucket book pushes Desmond’s love for scaring people (and making monsters) to a logical extreme.  But it also adds a romantic interest and a back story for his nemesis, Mr Needles.

I said that the first book surprised me with its ending, but there weren’t too many surprises in this one.

The book begins with Desmond showing us his Top Secret Master Plan, which involves giving Tina Schimsky a note asking if she’ll go on the Mountain Full of Monsters Ride during the school trip.

But before he can get her the note, class bully Scot Seltzer steals it.  We get a brief story about how Desmond and Scott used to be good friends and how they became enemies (which is pretty funny).   He gets the note back, but when he gets to Crab Shell Pier and is ready to put his plan into action, he is grabbed my Mr Needles, the school disciplinarian. (more…)

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pipbartrSOUNDTRACK: TURTLE ISLAND QUARTET-Tiny Desk Concert #111 (February 26, 2011).

turtleTurtle Island Quartet (there’s no explanation for their name) are a quartet who play an interesting hybrid/jazz crossover. This is most evident in cellist Mark Summer’s playing.  Half the time he bows the strings but the other half he plays like an upright bass (including a percussive elements when he slaps the strings).

“Model Trane,” the opening tune is a John Coltrane-inspired piece, propelled by Summer’s running bass lines Despite the more classical set up (and three violins) it feels very jazzy.  It runs about 4 and a half minutes.

The band leader is David Balakrishnan who has written most of the songs.  He describes the second song, “Monkey Business,” as “loosely based on a sardonic view of Darwin’s theory of evolution.”  I don’t quite know what that means (it’s an instrumental after all), but it’s neat the way the music is all over the place stylistically.  The most notable moment comes when they quote (and fugue) “Strangers in the Night.”  Although other parts of the song remind me of the music in Bugs Bunny cartoons.

The final song has the funny title “Groove in the Louvre.” He says it was inspired by Django Reinhardt.  I don’t know enough Django to know if that is evident here, but there is plenty of soloing going on.  There’s jazzy fiddles (Balakrishnan plays a baritone violin on this song).  There is very jazzy bass (and even a bass solo on the cello) as well as classical elements.  The song is 8 minutes long.

They are definitely an unexpected quartet.

[READ: June 1, 2015] Pip Bartlett’s Guide to Magical Creatures

Pip Bartlett is a young girl (yes I was surprised that Pip was a girl, especially since it didn’t say so until nearly the end of the Prologue).  She can speak to magical creatures–unicorns, silky griffins, fuzzles–but no one believes her (because no one else can).  This is a drag because she loves magical creatures and her Aunt Emma is a veterinarian of magical creatures (people know magical creatures exits, they just don’t think people can talk to them).

The Prologue sets up that Pip loves unicorns but she never really encounters them.  Pip is an authority on magical creatures because she has read (and carries with her) Jeffrey Higgleston’s Guide to Magical Creatures.  She has actually been annotating it as she learns more stuff than is in the guide.  (The guide is good it’s just incomplete).  Then on field day, a classmate brings in four of her show unicorns.  Pip talks to them and discovers that they are incredibly vain and show-offy.  One of them demands that she ride her so that she can show off as much as the other unicorns.  So Pip does (against her better judgment) and all chaos reigns.  Pip is then sent to live with her Aunt for the summer.

As mentioned, Aunt Emma is a vet for magical creatures, and Pip is pretty excited to see them all.  Emma’s daughter Callie is less than thrilled.  She works in the vet’s office for long thankless hours.  And she is crabby when Pip sees her.  Within a few minutes, a couple of exciting things happy, though. (more…)

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gryphosnSOUNDTRACK: FLACO JIMENEZ-Tiny Desk Concert #250 (November 12, 2012).

flacoFlaco Jimenez has been playing button accordion for almost six decades.  He’s played with The Rolling Stones, Bob Dylan, Dr. John, Los Lobos, Willie Nelson and Ry Cooder.  His grandfather started playing an accordion in cantinas and family parties along the Texas/Mexican border around the late 1800s. Then Flaco’s dad, Santiago Jimenez Sr., carried on the family tradition when he released his first record in 1936.

The accordion that Flaco uses is so tiny and yet he is all over the place with it–fingers flying everywhere.  The NPR site describes his longevity as lying in the short bursts of improvisation in between verses.  He will actually not playing anything for a measure and then fly when it’s his turn.   He is accompanied by bajo sexto player Max Baca, who keeps a great rhythm and accompaniment.

They play three songs.

  • “Margarita”  was written by Flaco’s dad in “nineteen hundred and throw it away.”
  • “La Paloma”  is a fun instrumental.
  • “Cada Vez Que Cae La Tarde”  sounds German (many of these original melodies were but they had changed the lyrics to Spanish).

Before this final song he asks if they want a honky tonk (he plays a little riff), but he changes his mind and says lets polka.

[READ: December 9, 2015] Gryphons Aren’t So Great

I hadn’t kept up on my plan to read all of the First Second books, so as the year draws to an end, I decided to grab a few of the kids books, which I figured would be quick and would allow me to check off a few on the list (since they keep publishing more, I have to keep up).

I found two books by the creators of Adventures in Cartooning, a series of book which I haven’t read but which look like a lot of fun.

These two books are tiny graphic stories for very little kids–the art and story are very simple.  And they are both really fun.

Gryphons Aren’t So Great continues the story of the knight (actually the two stories are completely separate and can be read in either order).  As this story opens, the knight is riding Edward super fast down a hill.  When they get to the end…they jump! (more…)

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knights SOUNDTRACK: RENAUD GARCIA-FONS-Tiny Desk Concert #238 (August 27, 2012).

renaudRenaud Garcia-Fons plays the double bass.  He was born in France to a family with roots in the Catalonia region of Spain, and he’s fluent in French, Spanish and English.  He easily switches between classical, jazz and flamenco.  And he plays the double bass in a way that I’ve never seen before.  As “Aqua Jan” opens he is tapping the strings with his bow, creating a very cool hammering effect and what sounds like very fast picking (but with a bow).  Then the song switches to a more traditional bowing style and Renaud’s fingering is amazing to watch.  He returns briefly back to the bouncing bow at the end.

The second song is “Hacia Compostela.”  Compostela is a holy place in the north of Spain.  It is a song about going to holy city.  He opens the song with some harmonics (which he loops).  It never occurred to me you could do harmonics on a double bass.  And then he’s on to some lovely fretless bass playing.  Then it’s on to some more bowing–very high-pitched and almost electronic sounding–it’s very cool.   Back to some incredibly fast bowing and amazing finger work.  The loops (I’m not sure when he was recording them, but they kept changing), add some great bass notes and some sort of percussive elements too).

The final song, “Rock Wandering” he introduces as saying that since most of you are standing, I w ill play something that is dancing.

It opens with more of that tapping style (and feels like rock chords the way he plays it).  He makes them looping backing chords as he just goes to town with the virtuoso playing on the strings.  He gives any guitarist a run for his money on the solos.  It’s astonish to watch.

[READ: December 9, 2015] Sleepless Knight

I hadn’t kept up on my plan to read all of the First Second books, so as the year draws to an end, I decided to grab a few of the kids books, which I figured would be quick and would allow me to check off a few on the list (since they keep publishing more, I have to keep up).

I found two books by the creators of Adventures in Cartooning, a series of book which I haven’t read but which look like a lot of fun.

These two books are tiny graphic stories for very little kids–the art and story are very simple.  And they are both really fun.

Sleepless Knight is the story of the knight (who is a little stick figure kinda guy with a knight’s helmet on) and his horse Edward.  As the story opens they are planning for the best camping trip ever!

Poor Edward is laden down with so much stuff (including a cactus and a scooter).  And while the knights considers that maybe he over packed, it doesn’t stop him from filing up a huge sack full of stuff.

After a brief hike, they stop to camp (the visual joke is very funny). (more…)

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