Feeds:
Posts
Comments

Archive for the ‘Funny (ha ha)’ Category

Mac Barnett–Mac B. Kid Spy: The Impossible Crime (2019)

Posted in Children's Books, Coronavirus, Funny (ha ha), Laura Marling, Mac Barnett, Mike Lowery, Miniature Golf, Mysteries, NPR/PRI/PBS, Quarantine, Thieves, Tiny Desk (Home) Concerts, Tiny Desk Concert on April 23, 2020| Leave a Comment »

SOUNDTRACK: LAURA MARLING-Tiny Desk (Home) Concert #10 (April 16, 2010).

I have become a huge fan of Laura Marling over the last few years.  I was so looking forward to her solo performance this past March. It was one of my bigger coronavirus disappointments that the intimate show is not going to be rescheduled.

Marling has been doing regular guitar lessons about her own songs (her tunings and playing style is unique and wonderful to see demonstrated).  You can see the past (and future) ones here.

(While many artists have postponed the release of their new music in the face of the COVID-19 pandemic, Laura Marling rushed to change the release date of her album from late summer to April.

As of right now her album is only available digitally. The physical release is slated for summer.

On this Tiny Desk (home) concert, we find her in her living room, with an intimate performance of songs from her just-released record Song For Our Daughter. The album is an homage to a future generation of women and to Maya Angelou’s Letter to My Daughter, a collection of essays addressed to a fictional daughter. The warm, home setting makes room for Laura Marling’s extraordinary voice to shine.

“Held Down” has a lot of backing vocals and arrangements on the record and this stripped down version sounds amazing without it all.

“Strange Girl” demonstrates her deeper singing style in a fast and bouncy song.

“Song For Our Daughter” is a slower song, beautiful and thoughtful.

I just cannot get over how beautiful her voice is.  These personal performances almost make up for not seeing her live.

[READ: April 20, 2020] Mac B. Kid Spy: The Impossible Crime

This is the second book in a new series illustrated by Mike Lowery.  It begins

My name is Mac Barnett.  I am an author.  But before I was an author, I was a kid.  And when I was a kid, I was a spy.  An author’s job is to make up stories.  But the story you are about to read is true.

This actually happened to me.

It’s 1989 and Mac is at the mini golf course.  But he is there not for the mini golf but for the video games. He is playing Spy Master 2–the arcade update to the home game.  Mac was just about to beat the big boss–something no one else had ever done before.  People were cheering him on. Except for Derek Lafoy (who did not invite Mac to his birthday party in the previous book). Derek called him Mac Barn Head and chanted “Choke!”

But this book isn’t about video games, its about the Queen of England who called Mac at the golf course to tell him that she thought the Crown Jewels were going to be stolen again.  (In the previous book Mac helped rescue the Crown jewels for the Queen). (more…)

Read Full Post »

Mac Barnett–Mac B Kid Spy: Mac Undercover (2018)

Posted in Children's Books, Coronavirus, Funny (ha ha), Guns, Kevin Morby, Mac Barnett, Mike Lowery, NPR/PRI/PBS, Quarantine, Songs: Ohia, Spies, Tiny Desk (Home) Concerts, Tiny Desk Concert, Waxahatchee on April 22, 2020| Leave a Comment »

SOUNDTRACK: KEVIN MORBY AND WAXAHATCHEE-Tiny Desk (Home) Concert #9 (April 14, 2020).

I had no idea that Katie Crutchfield and Kevin Morby were an item (or are at least close enough to quarantine together).

I really enjoyed Waxahatchee’s last two albums and was a little bummed to hear that this new one was more mellow (although good for her for getting sober!).

I really only know Kevin Morby from Tiny Desks.  I was pleased at how much I enjoyed his set and some of his other songs.

And so here they are together.

On the raw video Kevin Morby and Katie Crutchfield (aka Waxahatchee) sent to us, Kevin takes a deep breath, gives a sweet smile as he looks into his camera, clasps his hands, and says, “Hello everyone, we’re going stir crazy — this is take number 55.”

Recorded at Kevin’s tiny desk in Kansas City, they play two songs from Waxahatchee’s new album Saint Cloud, sing together on Kevin’s 2016 tune “Beautiful Strangers,” and find new meaning in the late Jason Molina’s song “Farewell Transmission.”

I also never noticed how much she and her sister Alison look alike as much as in this video–maybe it’s the (lack of) makeup?

“Fire” is the first song I’d heard from the Waxhatchee album.  I really didn’t like the high notes that start the song–they seemed just too much.  Although having heard it a few times (and now hearing her sing it live), I’ve grown to really appreciate it.  The rest of the song is really pretty too.

Kevin Morby wrote “Beautiful Strangers” in 2016 as a single with the proceeds going to Everytown for Gun Safety.  I don’t know the song, but I find it very pleasant (and Katie’s backing vocals are perfect here).

“Lilacs” is a great song from the new album which features Katie’s voice perfectly.  This is the song that made me want to hear more from the album.

The final song is a Songs: Ohia cover called “Farewell Transmission” I don’t know much about Songs: Ohia, but I know everyone loves Jason Molina, which makes me think I should listen to him more. This song runs over 7 minutes and doesn’t change all that much.  In fact,  it might just go five minutes before something different happens.  Without focusing on the lyrics, it’s a little dull, but it is nice to have both of them switching off lead vocals.

[READ: April 10, 2020] Mac B Kid Spy: Mac Undercover

I really like Mac Barnett.  I like his picture books, but I really like his chapter books.  His Brixton Brothers series is fantastic.  I love his style and his excellent sense of humor.

This is a new series illustrated by Mike Lowery.  It begins

My name is Mac Barnett.  I am an author.  But before I was an author, I was a kid.  And when I was a kid, I was a spy.  An author’s job is to make up stories.  But the story you are about to read is true.

This actually happened to me.

Mac shows his house and then gets right to it: The Queen of England called him to ask for a favor.  He says

Whenever somebody asks you for a favor, it is a good idea to ask them what the favor is before you say OK.

But I had never talked to a queen before.

So I said OK.

The queen tells him that last night somebody stole the Crown Jewels and she wants Mac to find them.

I have a question, I said.
“I hope it is a quick question,” said the Queen.
“Why me?”
The Queen of England sighed. “That is a stupid question.”
“My teacher says there is no such thing as stupid questions.”
The Queen of England frowned (I could tell she was frowning even over the phone).
…
Mac, said the Queen. “You are the smartest kid in your class.  You have straight As in every subject except handwriting.”

So Mac packed these things to take with him: his Game Boy, three books, a toothbrush, a hat, a shirt, a jacket, and his favorite blue jeans (perfectly faded). (more…)

Read Full Post »

David Thorne–Burning Bridges to Light the Way (2019)

Posted in Australia, Concert, Coronavirus, Daniel Day Lewis, David Thorne, Essays, Food, Free Speech, Funny (ha ha), Guns, Humiliation, King Princess, NPR/PRI/PBS, Parenting, Peter Goers, Quarantine, Smarty Pants, Squirrels, Teenagers, The Prodigy, Threats, Tiny Desk (Home) Concerts, Tiny Desk Concert, Toilets, Unlikable main character, Video Games, Yuck! on April 18, 2020| Leave a Comment »

SOUNDTRACK: KING PRINCESS-Tiny Desk (Home) Concert #6 (April 8, 2020).

I’ve heard a lot of buzz around King Princess–that she’s fun and puts on a wild show.

This home Tiny Desk is not wild in any way.

“Welcome to the quarantine shed!” King Princess exclaims. She’s in jogging pants and sitting on a fluffy white chair, with two guitars, an amp and a tiny keyboard at her side. “I’m in Hawaii and brought as much gear in the carry-on of my plane ride as possible.”

She calls herself KP, which I rather like.  These songs are really quiet. She plays “the three songs from her late 2019 album, Cheap Queen, in ways I never would have imagined.”

“Isabel’s Moment” is played on a quiet keyboard.  She says it’s an homage to people experiencing quarantine thirstiness–texting their exes and ex friends and everyone.  It’s my least favorite of the three because I don’t like the keyboard sound she chose.  But her voice is excellent.

“Prophet” is played on one of her guitars (with lots of echo and slightly out of tune she admits).  The chorus turns surprisingly bright. She says it’s about the entertainment business and it is now more relevant than ever.  We’re all out of jobs right now.

She says this is back to making music in my room, trying to find that creative spark we had as children, when I could sit in my room and make things for hours.

“Homegirl” is also on that guitar and sounds really pretty, too.  I really like her singing voice quite a lot. It holds up well in this quiet setting–so if Bob says that it’s very different from what he’s used to, I’m very curious about what her live show is like.

But I really don’t like her speaking voice, I must admit.

[READ: February 2020] Burning Bridges to Light the Way

Evidently I asked S. for a book by David Thorne a few years ago.  I don’t know what book it was, I don’t recognize any of his titles and I didn’t even recognize his name when I saw this book.  She didn’t get me the book then, but she did get me one this past Christmas.

Turns out that David Thorne is an Australian smart ass.

As the foreword from Peter Goers puts it, this book is full of “barely coherent rants about friends, family, and colleagues.”  He continues,

David isn’t a dreadful human being all the time.  He has to sleep and I know he cares a lot about squirrels.  There are parts of this book that even hint at a certain degree of empathy for other human beings.  Some human beings, not all of them, maybe three.

I’m not sure who Peter Goers is, but his introduction is very funny.  Don’t skip it:

I once asked David if he’s autistic and he replied, “It’s pronounced artistic and no, not really, I can draw a cat though.”  I assume he was joking but it’s hard to tell with David.

In the first essay, David says that every year when he releases a new book friends and associates say that they are going to sue him if he says anything derogatory about them in his book.  But he’s not worried. Nobody he knows has enough money to hire a lawyer. (more…)

Read Full Post »

Paul Myers–The Kids in the Hall: One Dumb Guy (2018)

Posted in Bruce McCullogh, Canadian Content, Canadian Music, Cancelled, Coronavirus, Crash Kills Five, Dave Foley, Drifters, Drinking, Flip Wilson, Funny (ha ha), Gender, Kevin McDonald, King of the Hill, LGBTQ, Mark McKinney, Michael McDonald, Mike Myers, Mouth Congress, NPR/PRI/PBS, Paul Bellini, Paul Myers, Quarantine, Saturday Night Live, Scott Thompson, Seth Meyers, Shadowy Men on a Shadowy Planet, The Doobie Brothers, The Kids in the Hall, The Kids in the Hall: Brain Candy, The Kids in the Hall: Death Comes to Town, The Larry Sanders Show, The X Files, Thundercat, Tiny Desk (Home) Concerts, Tiny Desk Concert, William B. Davis, Wings on April 16, 2020| Leave a Comment »

SOUNDTRACK: MICHAEL McDONALD-Tiny Desk (Home) Concert #4 (March 26, 2020).

I was never a fan of the Doobie Brothers, although I do like a few of their songs.  To me, especially now, Michael McDonald’s voice has the quintessential mockable tone and style.  If I were to sing in a voice that I thought was funny, it would sound like him.

Now, he sang on the Thundercat album “Drunk” so that gives him some cred for me, but it’s hard for me to listen to this Tiny Desk Home Concert.

Shows what I know, though, since he is hugely popular and is a “five-time Grammy winner and 2020 Rock and Roll Hall of Fame inductee.

After Michael McDonald finished “Matters Of The Heart,” the opening song in his Tiny Desk (home) concert, there was a brief pause. The bewilderment on his face was unmistakable. It’s a look I believe we all can relate to in this moment of uncertainty. He sat in his home studio, complete with an illustration of the Tiny Desk drawn by Mr. McDonald himself. That pause, usually reserved for the anticipated applause, was replaced by complete silence.

“Matters” is slow and ponderous.  It lasts nearly 6 minutes and sounds like a ballad I would have hated in the 90s.

I hate to be so mean to him, because he seems like a nice enough guy.  But my comments surely won’t affect him too much.

He then proceeded to play two 1978 Doobie Brothers classics that showcase his still-golden voice: “Minute By Minute” and “What A Fool Believes.”

He jokes: “If you know the words, sing along with me at home,” he said. “I won’t know if you’re singing well or not because I can’t hear you here.”

I enjoy these two Doobie Brothers songs, although  don’t really know the words–I had no idea that the song was called “What a Fool Believes” until about twenty years after I first heard it.  I much prefer the full band to these rather stripped down versions.

[READ: March 10, 2020] The Kids in the Hall: One Dumb Guy

It’s amusing to me that this book by Paul Myers, has an introduction by Seth Meyers and mentions Mike Myers.

Seth says that he was interning at Comedy Central and was doing a great job.  Then he found The Kids in The Hall (which he had never seen before). He became so obsessed with it that he started slacking off.  His boss at Comedy Central said that initially he was planing on offering Seth a job but after all the slacking off he wouldn’t do it.  When Seth told his boss he had been side-tracked by The Kids in the Hall, his boss sais, “There are worse things to throw an opportunity away for.”

So this is an authorized biography of the five Kids in the Hall.  Myers tells the story in a really compelling way. One where, as you read it, you think, gosh I hope everything works out for these guys.  Even though you know they did because well, this book wouldn’t be written about them if it didn’t and because you’re a huge fan of the Kids and you know it all worked out. (more…)

Read Full Post »

Clint McElroy, Griffin McElroy, Justin McElroy, Travis McElroy & Carey Pietsch–The Adventure Zone: Murder on the Rockport Limited! (2018)

Posted in Carey Pietsch, Clint McElroy, Coronavirus, Death, Decadence, donald tRUMP, Dungeons & Dragons, Elves, First Second :01, Funny (ha ha), Futility, Games (Non Video), Graphic Novel, Greed, Griffin McElroy, Jeremy Ivey, John Lennon, Justin McElroy, Magic, Magical Realism, Margo Price, NPR/PRI/PBS, Quarantine, The Adventure Zone, Tiny Desk (Home) Concerts, Tiny Desk Concert, Travis McElroy, Violence, Yoko Ono on April 14, 2020| Leave a Comment »

SOUNDTRACK: MARGO PRICE & JEREMY IVEY-Tiny Desk (Home) Concert #2 (March 26, 2020).

Since the quarantine began, many many many musicians have been playing shows at home.  There are so many online home recordings that it is literally impossible to keep up with them.  I have watched a few, but not many.  I’m not sure how many of the online shows are going to be available for future watching, but at least these are saved for posterity.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music’s Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

I respect Margo Price’s lyrics and attitude. But her music is just too country for my tastes.  I don’t know anything about her husband Jeremy Ivey (turns out he released his first album this year at age 41).

In this concert, Margo’s accent is subdued and her songs sound great.  Plus, she says what we are all thinking between the first and second song.

Margo Price and her husband, Jeremy Ivey, performed a Tiny Desk (Home) Concert from their Nashville attic. Behind them are two handmade signs inspired by John Lennon and Yoko Ono’s Bed-In For Peace that simply reads “Stay Home” and “Save Lives.”

They play three songs

They played “Stone Me,” a song they co-wrote and included on Margo’s upcoming album, That’s How Rumors Get Started.

Maybe it is best is Margo stays in the country world, because her lyrics really stand out against the status quo:

Love me, hate me
Desecrate me
Call me a bitch
Then call me baby
You don’t know me
You don’t own me
Yeah that’s no way
To stone me

Plus it’s really catchy.

After the song Ivey jokes that you can hold your applause until the end.  But then Margo gets serious saying the last time they did Tiny Desk trump had just gotten elected and didn’t think things gcould ever get worse…here we are.

The second song, “Just Like Love” is from an EP.  It’s a minor key song, less catchy but more affecting with Ivey’s excellent backing vocals and guitar solos.

Margo and Jeremy dedicated this concert to all those that are struggling right now and thank “all the people still out there working, the doctors, all the sanitation people, everybody out there just doing what they have to do to so we can survive, all the people working in grocery stores. And to everyone who has lost their job, we feel you.”  In addition to the rapidly spreading virus, Nashville was recently ravaged by tornadoes.

The video cuts to black and Margo returns saying Take 25, while carrying a hand drum.

They ended the set with a premiere, a song called “Someone Else’s Problem,” that they wrote together on an airplane while Margo was pregnant. It’s a song dealing with the guilt many of us have, being part of a problem instead of part of a solution.

This is another minor key song and it’s quite long (about 7 minutes).  It’s almost like a Bob Dylan story song (including a harmonica solo).

She ends the set by looking at the camera and asking, Where’s the ventilators” if only the stereotypical country fan would listen to her and maybe change their minds about the impeached president.

[READ: March 30, 2020] The Adventure Zone 2

I loved this book.  It is a graphic novel realization of a Dungeons & Dragons campaign.  It is based on a podcast called The Adventure Zone.  The podcast is fun and is a real scenario of friends (in this case brothers) playing D&D.  The podcast is pretty funny if a little unedited.

Book Two picks up more or less where the last book left off.  Our heroes Taako the elf mage, Merle the dwarf cleric and Magnus the fighter meet with the leaders of the Bureau of Balance, a volunteer organization dedicate to finding and eliminating weapons of magical destruction.

They are given new gear, they level up, they shop at Magic Costco.  Then they are to board the Rockport Express train and retrieve the Oculus, a magical object.  The person who had it, Leeman Kessler, was killed for it.

The train is pretty cool with a crypt safe that can only be opened if the engineer’s hands are on it for an hour.

There a bunch of hilarious NPCs in the game including the engineer, Hudson, and the guy who is there to help them, Jenkins.  Jenkins brings their food and shows them the magic portal room (it’s not-only-a sex thing).  The fun that the characters have at Jenkins’ expense it totally worth the reading of the book.

Also on board is a young boy (I’m ten, not eight) Angus McDonald the self-proclaimed world’s greatest detective who offers to help him (and sound snotty doing it).   Angus knows about Leeman Kessler’s death and he is out to find “The Rockport Slayer.”  The three adventurers agree to help him.  As they go snooping around they discover another dead body.  His hands and head were cut off.

Coincidentally also on board is the professional wrestler, Jess the Beheader (Magnus loves her and has both her action figures, the regular one and the rare one).  But Merle snarks: “Don’t you know wrestling is made up fantasy bullshit?”

The rest of the book becomes kind of a mystery story–finding the Rockport Slayer and eventually getting the magical oculus out of the cryptsafe. There’s magical spells, serious hit point damage, a large  crab, preposterous story lines and a nice plot twist.

The fun part at the end comes when our heroes hand over the oculus (come on that’s not a spoiler) but the head of the BOB reveals that there are a total of seven magical items that they must retrieve and thanks to our heroes, they now have two.

So you’re telling us that you and your big organization and secret moon base and flying snow globes have been doing this for however long and your score is zero?!

Two?

No that’s our score…BOB Incorporated has a big old goose egg.

As the book ends a mysterious hooded figure who has been lurking throughout the book crosses out the oculus on a list.  The phoenix fire gauntlet is already crossed out.  That leaves Five to go.

I really enjoyed this story even if it was more of a mystery than a good old D&D story.  Although honestly I haven’t looked at D&D since the 70s so maybe it’s different now.

Although, more specifically there is no way this is how a D&D story could work.  The repartee and the battles are too clean cut and plotted.  Now I realize that the book borrows liberally from various things to create the story line.  So maybe they have taken the podcast and taken the highlights and best quips and made this story from it  I mean, it works as story but it doesn’t work at all as a campaign.  Which is fine, since this is a story not a campaign.

I’m just curious how the actual campaign worked.

Read Full Post »

Lucy Ellmann–Ducks, Newburyport (2019)

Posted in #ITMFA, #metoo, #RESIST, Activism, Adoption, Big Books, Boredom, Cats, Consumerism, David Foster Wallace, Dogs, donald tRUMP, Etiquette, Fears, Feminism, Film & TV, Flood, Food, Funny (ha ha), Global Warming, Greed, Guns, Hate, History, Humiliation, Hunting, Injustice, Jesca Hoop, Kindness, Kishi Bashi, Lions, Lucy Ellmann, Marriage (Happy), Marriage Trouble, Military, Morality, Native Americans, Novella, NPR/PRI/PBS, Parenting, Paterson Falls, Rain, Regrets, Runaways, Sam Beam, Sex, Stream of Consciousness, Tarte tatin, Threats, Tiny Desk Concert, Violence on April 12, 2020| Leave a Comment »

SOUNDTRACK: JESCA HOOP-Tiny Desk Concert #965 (April 3, 2020).

I really liked the Tiny Desk Concert that features Sam Beam and Jesca Hoop.  So much so that I bought the CD and it made me want to see both of them live.

Jesca Hoop last appeared at the Tiny Desk as a duet with Sam Beam (Iron & Wine) in the spring of 2016. They sang songs from their collaborative record Love Letters For Fire.

This time it is just Jesca and I have realized that I liked her more as an accompanist rather than a lead singer.  Actually, that’s not exactly right.  Her voice is lovely.  I just find the songs a little meandering.

This time around, Jesca Hoop came to the Tiny Desk with just her guitars, her lovely voice, and brilliant poetic songs. She has a magical way with words, and she opened her set with “Pegasi,” a beautiful song about the wild ride that is love, from her 2017 album Memories Are Now.

“Pegasi” is nice to watch her play the fairly complex guitar melodies–she uses all of the neck.  The utterly amazing thing about “Pegasi” though comes at the end of the song when she sings an amazing note (high and long) that represents a dying star.

She wanted to sing it today so it could live on Tiny Desk.

The two songs that follow are from her latest album, Stonechild, the album that captured my heart in 2019, and the reason I reached out to invite her to perform at my desk.

“All Time Low” is a song, she says, for the “existential underdog.”  She switches guitars (to an electric) and once again, most of the melody takes place on the high notes of the guitar.  Her melodies are fascinating.  And the lyrics are interesting too:

“Michael on the outside, always looking in
A dog in the fight but his dog never wins
If he works that much harder, his ship might come in
He gives it the old heave-ho.”

After the song, she says, I’m going to tune my guitar, but I’m not going to talk so it doesn’t take as long. If you were at my show, I’d be talking the whole time and it would take a long time.

And for her final tune, she plays “Shoulder Charge.” It’s a song that features a word that Jesca stumbled upon online: “sonder,” which you won’t find in the dictionary. She tells the NPR crowd “sonder” is the realization “that every person that you come across is living a life as rich and complex as your own.” And that realization takes you out of the center of things, something that is at the heart of “Shoulder Charge” and quite a potent moment in this deeply reflective and personal Tiny Desk concert.

This word, sonder, came to my attention back in 2016 when Kishi Bashi first discovered it and named his album Sonderlust for it.

The song is like the others, slow and quite with a pretty melody that doesn’t really go anywhere.

I found that after three listens, I started to enjoy the songs more, so maybe she just writes songs that you need to hear a few times to really appreciate.

[READ: March 2020] Ducks, Newburyport

I heard about this book because the folks on the David Foster Wallace newsgroup were discussing it.  I knew nothing about it but when I read someone describe the book like this:

1 Woman’s internal monologue.  8 Sentences. 1040 pages

I was instantly intrigued.

Then my friend Daryl said that he was really enjoying it, so I knew I had to check it out.

That one line  is technically (almost) accurate but not really accurate.

The story (well, 95% of it) is told through one woman’s stream of consciousness interior monologue.  She is a mother living in Ohio.  She has four children and she is overwhelmed by them.  Actually she is overwhelmed by a lot and she can’t stop thinking about these things.

She used to teach at a small college but felt that the job was terrible and that she was not cut out for it.  So now she bakes at home and sells her goods locally.  She specializes in tarte tatin.  This is why she spends so much time with her thoughts–she works alone at home.  Her husband travels for work.  Whether she is actually making money for the family is a valid but moot question.

So for most of the book not much happens, exactly.  We just see her mind as she thinks of all the things going on around her.  I assume she’s reading the internet (news items come and go in a flash).  She is quite funny in her assessment of the world (how much she hates trump).  While I was reading this and more and more stupid things happened in the real world, I couldn’t help but imagine her reaction to them).  She’s not a total liberal (she didn’t trust Hillary), but she is no conservative either (having lived in Massachusetts and New York).  In fact, she feels she does not fit in locally at all. (more…)

Read Full Post »

Judd Winick–Hilo: Then Everything Went Wrong (2019)

Posted in Adventure, Aliens, Allen Stone, Animals, Cats, Children's Books, Culture Shock, Fantasy, Funny (ha ha), Graphic Novel, Judd Winick, Mad Scientists, NPR/PRI/PBS, Outer Space, Robots, Superheroes, Supernatural, Tiny Desk Concert, Unfinished series on April 11, 2020| Leave a Comment »

SOUNDTRACK: ALLEN STONE-Tiny Desk Concert #964 (March 30, 2020).

What’s worse?  Liking someone’s personality and disliking their music or liking their music and thinking they are a bad person?

In this Tiny Desk Concert, I learned that Allen Stone is a super nice guy, sweet and funny.  But boy do I dislike his music–and his singing voice.

Clearly I do not share the popular opinion about that.

His three graceful background singers L-r: Moorea Masa, Jessica Childress, Raquel Rodriguez) and piano player ( Michael Elson) provided the perfect compliment, but this set proved undoubtedly that his voice belongs right up front.

And yet, lyrically, “American Privilege,” which addresses his internal guilt about everything from materialism to being born white, is really powerful.

Between songs he is a delightful sweetheart.  He says that playing Tiny Desk is a, “breath of fresh air that this is how people want to hear music.  It’s not pyrotechnics, its stripped down songs in their purity.”

After this song he played

a trilogy of Building Balance songs dedicated to his wife (who he said he’s “face first in love” with)

He says he got married a year and a half ago.  And he is still married, which is great.

“Give You Blue” (I don’t quite understand the metaphor) is played on an acoustic guitar with gentle piano and the backing singers providing a lot of the backing sounds.

He says say that being so in love has meant that he got a lot of great tunes out of it.  Although “Brown Eyed Lover” seems a questionable title given the Van Morrison classic.  Plus, it seems odd to dedicate a song to your wife that goes, “I’ve got a brown-eyed lover on the other side of town.”

I acknowledge that Stone has a strong, powerful voice–his vibrato is impressive.  I just don’t care for it.

But again, he is so nice between songs.  He says playing a big room is fun and so much energy but with ear monitors in your head you feel isolated.  However, the best part of music is the people and this is so much fun for musicians.

He wrote “Consider Me” before he asked his wife to marry him.  It’s a sweet song, but I’m surprised that a sweet, romantic song has this verse

If you’re looking for somebody who
Will put up with your shit

[READ: April 1, 2020] Hilo: Book 5

Book 5, the army is more intent than ever on finding Hilo. But because he is a child (and not from here) they can’t find any matches in any database.

It will also be hard to find Hilo because he has returned to his home planet Jannus (along with DJ who put on Hilo’s suit and ran through the portal at the least second).

Their absence means that Izzy needs to create replicas of the two of them.  Which she does easily, although the first attempts are way too smart (hilariously so).

Meanwhile Gina has been practicing her magic and accidentally opens a a portal to let two giant dogs in the room.  And they are not friendly dogs. (more…)

Read Full Post »

Judd Winick–Hilo: Waking the Monsters (2018)

Posted in Adventure, Aliens, Animals, Cats, Children's Books, Culture Shock, Fantasy, Funny (ha ha), Graphic Novel, Judd Winick, NPR/PRI/PBS, Outer Space, Robots, Superheroes, Supernatural, Tiny Desk Concert, Unfinished series on April 10, 2020| Leave a Comment »

SOUNDTRACK: THE BLACK CROWES-Tiny Desk Concert #963 (March 23, 2020).

I didn’t really like The Black Crowes when they dominated the airwaves in the 90s.  They weren’t really my cup of tea.  In hindsight I like them more.  Although I am very puzzled that the Robinsons are part of the jam band scene as their music seems a little too straightforward for jamming.  But then I haven’t heard any of his jam stuff.

This show is just the two Robinsons, Chris singing and Rich playing some beautiful acoustic guitar –lovely riffs and fills and harmonics.  (Rich’s beard looks better).

It’s somehow been 30 years since the singles “Jealous Again” and “Hard To Handle” (their Otis Redding cover) received constant radio play, and the brothers have reunited for the 30th anniversary of The Black Crowes’ debut platinum album, Shake Your Money Maker.

The newly reunited Brothers Of A Feather decided to open their Tiny Desk concert with “She Talks To Angels.”

This song is stripped down so much, that its sounds really quite different (I like the acoustic playing more than the original).  But I guess it is more of a jam band song since it stretches out to nearly 6 minutes.

The second song is another big hit in a very different format.  Although I feel like “Jealous Again” doesn’t quite work as well as an acoustic song.

It’s no secret that the brothers haven’t always gotten along, and Chris and Rich Robinson have had musical successes outside their collaboration as The Black Crowes. But the combination of Chris’ instantly recognizable raspy belt and Rich’s catchy guitar riffs was always going to be the duo’s legacy.

Chris’ voice does sound recognizable, although perhaps a little worse for wear.

“Wiser Time” (from 1994’s Amorica) is about constantly being in motion.  Rich plays a beautiful 12 string guitar (it sounds so full!)  They both sing in harmony for much of the song and their voices sound wonderful together.

[READ: April 1, 2020] Hilo: Book 4

In Book 4 we get to see just how awesome Hilo’s sister Izzy is.  Hilo is from another world and Izzy is his “sister.”  He rescued her at the end of Book 3 an now that she’s on Earth, she is just the cutest thing.  They are on earth hanging out with DJ and his best friend Gina.

Izzy makes things from parts and scraps and she is constantly making things (and hilariously, nonchalantly mentioning what they do).

The first thing Izzy makes is a chicken out of the broken toaster.  The chicken speaks Portuguese (what else is she going to speak?) and when she gets mad, her butt falls off.  The chicken shouts estar frio aqui alguem me dar um casaco and indeed it does fall off.

In the last book they went to Oshun, the planet of Polly the warrior cat.  Gina learned magic there and she is learning to control it. (more…)

Read Full Post »

Judd Winick–Hilo: The Great Big Boom (2017)

Posted in Adventure, Aliens, Animals, Arthur Moon, Cats, Children's Books, Culture Shock, Dirty Projectors, Fantasy, Funny (ha ha), Graphic Novel, Hocketing, Judd Winick, Laurie Anderson, NPR/PRI/PBS, Outer Space, Raveena, Robots, Supernatural, Talking Heads, Threats, Tiny Desk Concert, Unfinished series on April 9, 2020| Leave a Comment »

SOUNDTRACK: ARTHUR MOON-Tiny Desk Concert #962 (March 20, 2020).

Arthur Moon is exactly the kind of weirdo band that I never would have heard of if not for Tiny Desk Concerts. I’m so happy that Bob Boilen enjoys the offbeat, because there’s no other way I would have heard of these guys.

This band, the project of singer Lora-Faye Åshuvud has the quirky freshness I first heard from New York artists such as Laurie Anderson and Talking Heads in the late 1970s and more recently with Dirty Projectors. It comes off in the starkness of the sound, a spaciousness that leaves room for me to hear the storytelling in the songs, but always surprising me with aural delights.

They play three songs (here’s another Tiny Desk I wish was twice as long).

All three songs in this performance come from their brilliant self-titled 2019 album, an album too many missed, in my opinion. And this band pulls off these odd, unpredictable twists and turns with simplicity and charm.

The first song, “Homornormo” starts with an lopsided five-note acoustic guitar riff from Martin D. Fowler and hugely processed vocals Lora-Faye Åshuvud (I guess it’s a vocoder).  There’s backing vocals and hocketing from keyboardist Cale Hawkins and Aviva Jaye (who is credited with “toys” and vocals).  There’s a guitar solo form Åshuvud which is as weird and abstract as the rest of the song.  The only thing vaguely conventional about the song are the drums from Dave Palazola because the rhythm has to be consistent when every thing else is chaotic.  But even his sounds are oddball, like the reverse snare drum sound he plays at the end.

I haven’t even mentioned the lyrics:

The opening song at the Desk, “Homonormo,” begins with a kiss-off to the very city that birthed their sound, and a search for something normal, yet twisted.

“Hello
Send my kindest regards to New York
I’m gone, woo
I think I want to settle down
But weirder”

Even the end of the song is unconventional.  It ends with a series of claps: 4, 5, 6 and then a few random numbers that they all know perfectly.  It’s like getting people to clap for you.

“Reverse Conversion Therapy” opens with the mini Mellotron from  Cale Hawkins, who was last at the Tiny Desk with Raveena.  This song is slower, with Moog bass sounds from Fowler.  When the chorus kicks in the guitars launch out like a St. Vincent song, but it quickly settles back down.  The middle turns down nearly all the music as Ashuvud sings while others provide ooohs for backing vocals.  It ends with some awesome hocketing from all three vocalists.

There’s anxiety in these songs, even when the chorus is “I Feel Better,” but there’s a creative spirit in this anxiety, and then, of course too, there’s the tin foil.

“I Feel Better” opens with drums and a sprinkling of sounds as she sings.  Then comes the chanted chorus of “I feel better” that everyone sings. Aviva Jaye (who brought a table of toys) gets a brief lead vocal line before everyone else joins in again.

The song ends with a pretty piano solo and Åshuvud pulling out a roll of aluminum foil (I only wish I could see what she was doing with it).

[READ: May 6, 2016] Hilo: Book 3

At the end of book two, Gina was sucked into a portal and DJ and Hilo were surrounded by army tanks.  How would they ever get out of this?  In the most hilarious way ever (by acting like the little kids they appear to be).  I love that there is a recurring joke that dogs love Hilo and even they get in on the act.

Hilo takes advantage of being in the military base to hack into the computer system to learn about possible portals that he can open to get Gina back.  They were also given an orb by Polly which causes everyone on earth to forget the last two days–an outstandingly easy way to get everyone to forget everything. (more…)

Read Full Post »

Judd Winick–Hilo: Saving the Whole Wide World (2016)

Posted in Adventure, Aliens, Children's Books, Culture Shock, Fantasy, Funny (ha ha), Graphic Novel, Harry Styles, Judd Winick, NPR/PRI/PBS, One Direction, Outer Space, Richard Brautigan, Robots, Supernatural, Threats, Tiny Desk Concert, Unfinished series on April 7, 2020| Leave a Comment »

SOUNDTRACK: HARRY STYLES-Tiny Desk Concert #960 (March 16, 2020).

Harry Styles was in One Direction.  I couldn’t tell you a thing about One Direction (but I assume most other people could).

When he released his debut album in 2017, I was surprised how much I liked the (goofy) song “Carolina.”  It was a groovy, boppy trifle of fun.  I didn’t listen to anything else on it, but I was pleased to enjoy the Britpop chorus and lalalas.

Basically it taught me that Harry Styles has a good sense of humor.  And that’s on display in this Tiny Desk Concert.

Styles might not necessarily be the first name that comes to mind when you think of public radio’s only working, desk-music-discovery platform. After all, he’s got a wildly devoted fanbase that’s followed his every move since his One Direction days. In fact, before soundcheck had even started, a crowd of fans had begun to gather outside NPR HQ. They rightly suspected he would be playing a Tiny Desk concert after word got out that the former One Directioner was spotted in D.C. with no tour date on his public schedule.

But beyond the headlines, Styles has proven to be an artist who takes his songcraft and aesthetic seriously, interested in subverting expectations of what a pop star can and should sound like in 2020. That sense of unpretentious creativity is exactly what he brought to his Tiny Desk performance – and it definitely earned him some new adoring public radio fans in the process.

Styles performed four songs from his latest solo album, Fine Line.

“Cherry” starts with pretty a capella harmony vocals from the three women in his touring band (drums, piano and guitar). Then he starts the acoustic guitar and sings while Mitch Rowland plays a nifty slide guitar solo.  Midway through, Adam Prendergast adds a nice low bass  and Sarah Jones adds thumping drums.  It’s got a slow folk feel.

Between tracks, he talked about the process of writing these songs: From the day off in Nashville that led to “Watermelon Sugar,”

The song had been around for a long time.  He liked it, then he hated it and now it’s back.  he got the title from a Richard Brautigan book.

“Watermelon Sugar” is a faster song.  Charlotte Clark switches to the Wurlitzer which adds a nice tone to the song.  Jones plays some electronic percussion and Rowland has a nice wah wah lead on the acoustic guitar.

After the song he says, “I have to come into NPR more often… It’s nice here.”

He then says, it’s very hot.  “I am wearing a badly chosen jumper.”  It’s light blue wit a chick hatching out of an egg.  It says “mon petit.”

Before the next song he says thanks to that group who is like moving back there–“I’m getting my vibe from you … shame on the rest of you.”

He talks about his friend and collaborator Mitch Rowland doesn’t doesn’t speak a lot. Then he’ll call and say I have an idea and it was the whole song of “To Be So Lonely”

He admits that it’s a shame that when he sings the line about being an arrogant son of a bitch that that’s the line people sing back the loudest.

It’s a quieter song.  Backing vocalist Ny Oh normally plays guitar but on this one she just claps.  Harry has no guitar either.  Charlotte is on piano and Mitch plays a very cool guitar part.

Before the final song “Adore You” he talks about how weird this is, “It just feels like you’re in the way.”

He says “Adore You” is “about a fish… I just really liked it.”  There’s great backing vocals from Ny Oh.  He sings more intensely in this song which seems like it would be a big hit.

It’s always interesting when pop stars branch out, and I think Styles has done a good job of it.

[READ: March 31, 2020] Hilo: Book 2

Three years ago I read the first Hilo book and loved it.  And as often happens with series like this, I forgot all about it.  Well, S. brought home books 2-5 to read during our quarantine and I was thrilled that book 2 is as good, if not better, than the first one.

Judd Winick’s sense of humor is just dynamite. He has impeccable comic timing, a fantastic gift for drawing expressions and a great sense of family/children’s jokes.  I laughed out loud a lot during this book with lines like “I smell like gorilla armpit…. and not in a good way.”

After an introduction to earth kids DJ and his best friend Gina, we learn about Hilo (he loves telling that knock knock joke).  The first crisis occurs at the bowling alley.  A metal robot crashes into the alley and starts fighting with Hilo.

As Hilo fights he discovers new powers.  Like ice breath.  The puff he makes is about a foot wide “That’s not as impressive as I thought it’d be).  As the fight concludes, Hilo says a new decree: “no more hurting robots, starting now.”  He can stop bad machines without destroying them: “Nobody gets hurt. Not one.” (more…)

Read Full Post »

« Newer Posts - Older Posts »