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Archive for the ‘Allen Stone’ Category

SOUNDTRACK: ALLEN STONE-Tiny Desk Concert #964 (March 30, 2020).

What’s worse?  Liking someone’s personality and disliking their music or liking their music and thinking they are a bad person?

In this Tiny Desk Concert, I learned that Allen Stone is a super nice guy, sweet and funny.  But boy do I dislike his music–and his singing voice.

Clearly I do not share the popular opinion about that.

His three graceful background singers L-r: Moorea Masa, Jessica Childress, Raquel Rodriguez) and piano player ( Michael Elson) provided the perfect compliment, but this set proved undoubtedly that his voice belongs right up front.

And yet, lyrically, “American Privilege,” which addresses his internal guilt about everything from materialism to being born white, is really powerful.

Between songs he is a delightful sweetheart.  He says that playing Tiny Desk is a, “breath of fresh air that this is how people want to hear music.  It’s not pyrotechnics, its stripped down songs in their purity.”

After this song he played

a trilogy of Building Balance songs dedicated to his wife (who he said he’s “face first in love” with)

He says he got married a year and a half ago.  And he is still married, which is great.

“Give You Blue” (I don’t quite understand the metaphor) is played on an acoustic guitar with gentle piano and the backing singers providing a lot of the backing sounds.

He says say that being so in love has meant that he got a lot of great tunes out of it.  Although “Brown Eyed Lover” seems a questionable title given the Van Morrison classic.  Plus, it seems odd to dedicate a song to your wife that goes, “I’ve got a brown-eyed lover on the other side of town.”

I acknowledge that Stone has a strong, powerful voice–his vibrato is impressive.  I just don’t care for it.

But again, he is so nice between songs.  He says playing a big room is fun and so much energy but with ear monitors in your head you feel isolated.  However, the best part of music is the people and this is so much fun for musicians.

He wrote “Consider Me” before he asked his wife to marry him.  It’s a sweet song, but I’m surprised that a sweet, romantic song has this verse

If you’re looking for somebody who
Will put up with your shit

[READ: April 1, 2020] Hilo: Book 5

Book 5, the army is more intent than ever on finding Hilo. But because he is a child (and not from here) they can’t find any matches in any database.

It will also be hard to find Hilo because he has returned to his home planet Jannus (along with DJ who put on Hilo’s suit and ran through the portal at the least second).

Their absence means that Izzy needs to create replicas of the two of them.  Which she does easily, although the first attempts are way too smart (hilariously so).

Meanwhile Gina has been practicing her magic and accidentally opens a a portal to let two giant dogs in the room.  And they are not friendly dogs. (more…)

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SOUNDTRACK: ALLEN STONE-“Sleep” (Field Recordings, November 1, 2012).

I read this performer’s name as Alien Stone and was kind of excited.  Far more than when I realized his name was just Allen Stone.

This [Allen Stone: A Rollicking Moment, Performed On The Wind] is the final Field Recording set backstage at the Sasquatch Festival.

It amused me as the song started that they start singing “Danger Zone”  And the opening moment where:

“I feel like Zeus,” Allen Stone announces with a laugh as gusts of wind whip his long hair in dramatic fashion. With a mountainous vista behind him, he’s found himself in the kind of majestic rock ‘n’ roll moment that requires a callout to Kenny Loggins’ “Danger Zone.”

I was thinking that Stone sounded a bit like Stevie Wonder as he sang (which the blurb agrees with), but I also sensed a bit of Jamiroquai.

I thought the song was kind of dull, but maybe that’s because it is normally much bigger.

Usually, Stone performs his bluesy soul with the aid of a crack band, but here, we got the 25-year-old belter to perform his single “Sleep” — usually a big, rollicking rave-up — with just a guitarist (Trevor Larkin, performing unplugged) to supplement Stone’s voice. Channeling Stevie Wonder in all but appearance, Stone demonstrates here that his sound can withstand just about anything, even as it’s stripped down to its skeleton and performed on the wind.

I’ve not heard of him since this, so I don’t know what happened to him, but I’m not really that curious to find out.

[READ: January 11, 2017] “The Hanging of the Schoolmarm”

This is a short, simple story in which the title pretty much tells the whole thing.

But Coover has some fun as it gets there.

The story opens with the schoolmarm playing poker in the town saloon.  At stake is the saloon itself.  The men are awed by her refined and lofty character–they cuss a lot, but never around her. (more…)

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