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Archive for the ‘Full show video’ Category

[DID NOT ATTEND: April 11, 2022] Fuzz / Electric Candlelight

This week was supposed to be an intense week of concerts for me.  I don’t really like when they all line up in one week. but what can you do?

Then we decided to go on vacation (it was Spring Break), so I blew off all of these shows.

This second show was with Fuzz.  Fuzz is one of Ty Segall’s bands.  He plays drums in this one and, as their name suggests, they play fuzzy psychedelic music.  I thought  this would be a fun show even though I didn’t know the band all that well.

Besides, I had tickets to Ty Segall later in the summer as well.

Electric Candlelight is a Philly-based band who sound right up my alley.  Here’s a brief write up:

Electric Candlelight — the newly minted four-piece is led by singer Owen Stewart from Ruby The Hatchet and guitarist Justin Pittney, formerly of Residuels and Moon Women. The heavy psychedelic band is rounded out by Max Jonas from Tough Shits on bass, Joshua Aaron from The Lawsuits band on drums, and Ali Awan on guitar. The group made its debut this week with a single called “Another Year Gone By,” a six-minute-long thrasher with ample guitar melodies and the drive of Stewart’s raspy, Credence-esque vocals that offer an element of Ruby The Hatchet’s psychedelic hard rock.

Sounds like it would have been a trippy, fun show.

But D.C. was a wonderful trip, so no regrets.

And Markit Aneight has a video of the whole show from Fuzz

And from Electric Candlelight too!

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[DID NOT ATTEND: March 15, 2022] Ryley Walker / Tonstartssbandht.

I’ve seen Ryley Walker four times, but never on purpose.  He’s been the support band for every show that I’ve seen him in.

So I thought it would be interesting to see what he was like when he was the headliner.

But this show was in between two days that I was going to shows and my brother-in-law was in town, so I decided to give it a miss.  Walker plays all the time so I’m sure I’ll see him again.

I’d never heard of Tonstartssbandht.  On their blurb for the concert, all it said was Andy & Edwin.  Wikipedia tells me they are

an American psychedelic, noise rock band consisting of brothers Andy (guitar and vocals) and Edwin (drums and vocals) White.  They formed c. 2008 when Edwin was 20 years and Andy was 18. Their influences include the Beach Boys, The Velvet Underground demos, and Can live recordings. As of December 2017, the band has released 17 live and studio albums, as well as a series of solo recordings and collaborations.

Woah.

Markit Aneight has a full show video of both Ryley Walkerand

and Tonstartssbandht

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[DID NOT ATTEND: December 9 & 10, 2021] Strand of Oaks / Pat Finnerty

In 2015, Timothy Showalter played his first Strand of Oaks Winter Classic at Boot and Saddle.

Every year since then he has played two to four shows around Christmas time to a small but rabid fan base.  Obviously he didn’t pay one in 2020.  And now Boot & Saddle is closed

I have been to three of these fun winter events.

When he announced December shows at Johnny Brenda’s, it just didn’t occur to me that these would be Winter Classic shows.  I’m not sure why it would have made a difference, but had I realized, I would have gotten a ticket before they sold out.  Even S said, you love those, I can’t believe you didn’t go.

When I’m looking for it now I see that it was clearly stated that this was a Winter Classic, but I guess I was looking in the wrong places. (more…)

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[DID NOT ATTEND: December 2, 2021] Surfbort / Smirk / Dog Date / Pure Adult

Here’s another great show from Underground Arts that I didn’t get to.

I had not heard of Surfbort until a few days ago.  They sound like an insanely fun band.  I mean, look at the picture of them.

They also seem to be all kinds of boundaries pushing.

Here’s what their blurb says about them

Channeling inspiration from the 80’s punk scene to produce rousing, explosive music, their feedback strafed, guitar-shredding music says no to a digital age full of intolerance; they radiate love and friendship. All are welcome in the SURFBORT FREAK FAMILY!

That’s right up my alley.  It’s a shame I found out about this show too late.

Smirk and Pure Adult were unknown to me.

Smirk is the solo project from Nick Vicario (who I don’t know).  The music is wiry, well-crafted punk with heaps of hooks.

Pure Adult has this as a write up

Pure Adult is pure experimental punk shit.

You will listen to this noisy goodness and you will love it.

(although, if you’re only looking for catchy bops, you might hate it)

That sounds pretty great to me.  And according to the videos below the longest set was 40 minutes.

Markit Aneight was there and recorded all four shows:

Pure Adult

Dog Date

Smirk

Surfbort

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[DID NOT ATTEND: November 24, 2021] The Lemonheads / Hey Rocco / Soft Kill / Larlene

I saw Evan Dando play a bunch of Lemondheads songs solo at a tiny venue in Jersey City.  He seemed kind of wasted, but he sounded great and I had a wonderful time.

I was genuinely interested in checking out this show (in which he had a full band), but it was scheduled for the same night as Jinjer who I really wanted to see live.

I see that he and the band played 35 songs that night.  It must have been a blast.

I had not heard of Soft Kill or Hey Rocco.

Soft Kill is a post-punk band from Portland who on their Facebook pages call themselves “sad rock”, a new musical subgenre.  That does not make me want to see them, that’s for sure.

Hey Rocco is a grunge band that formed in 2009.  I’m curious what that sounds like.

Markit Aneight was there to record the bands

Larlene apparently played instead of Soft Kill and here’s there full show

Hey Rocco

Lemonheads

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[DID NOT ATTEND: October 18, 2021] Frankie and the Witch Fingers / Acid Dad / Hooveriii

Over the quarantine, I have discovered the good fun of the Levitation online concert series and The Reverberation Appreciation Society.  I’ve enjoyed some great concerts from psychedelic garage bands.  So when it was announce with little fanfare that two bands I have really gotten to enjoy: Hooveriii and Acid Dad were going to be playing at PhilaMOCA with Frankie & the Witch Fingers (who i didn’t know), I was really excited at a chance for a night of psychedelic fun.  Then it turned out to be on the same night as the Torres show.

The Torres show that I bought tickets for in December of 2019!

It was a really hard choice to pick which show to go to.  Even though I had tickets for Torres already, they weren’t that expensive and I bought them almost three years ago!  I spend the week before this show trying to decide who I wanted to see.  I had seen Torres twice before (she’s amazing live).  I had never seen any of the other three.  Up until that morning I was still trying to decide.

Then as the morning struck, I decided that I would go to this show.  At work, I watched some live footage of Frankie and then i watched a recent live show from KEXP with Torres.  And after listening to the interview with Torres, she won out.

I don’t know if I’ll ever get to see all three bands together again, but I’m sure that at least the two openers will be back around.

But Markit Aneight was there to record all three bands

Frankie and the Witch Fingers

Acid Dad

Hooveriii

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[ATTENDED: October 13, 2021] Idles

I saw Idles two years ago and the show was amazing.  A raw, raucous punk show with all kinds of slam dancing, crowd surfing (including the band), and shouting.  But also an incredible feeling of warmth and love from the band.

I’m gathering that the band always opens with “Colossus.”  A loud, slow, rumbling repeating bass note from Adam Devonshire shook the whole place.  And then Joe Talbot came out and started singing the slow, quiet introduction.

But the band and the crowd were just waiting in anticipation for the BOOM, when the song took of and the pit started flailing around.

Since I saw them last, they put out a new album, with another one on the way.  The only played one song from the forthcoming album, but they did play a bunch from Ultra Mono.  They sprinkled the songs throughout the set, interspersing classic tracks with the new ones.

(more…)

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[ATTENDED: October 11, 2021] St. Vincent

I have seen St. Vincent three times and each time was a totally different experience.

The first time was in 2015 at XPN Fest.  She was so good that I wanted to see her again on that tour (since her set was a little shorter due to the co-headline).  But she did not tour that album again.

In fact, when she toured again, it for Masseduction and that tour (in 2017) was radically different.

So here it is four years later and this tour was also radically different–and in no way even close to that first tour either.

I bought S. and I tickets but since I didn’t have a good handle on the seating areas of the Met, the seats sucked (practically the last row).  Luckily, the Met is pretty small, so even sucky seats aren’t bad.  The thing is though, that Annie Clark has so much going on, you want to be close to her when she does it.

For her new album, St. Vincent went away from the technology and sexiness of the previous two records and dove into a wholly retro experience.  It was quite a change (and, once again, really minimized her amazing guitar playing).

This concert was a theatrical spectacle.  The background was an excellent retro design of a city scape.  It didn’t change much, but dramatic lighting changed the look of the set in nearly every song–from day to night to midday to whatever else was going on. (more…)

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[ATTENDED: February 7, 2020] Garcia Peoples

I saw Garcia Peoples on New Year’s Eve eve at a Phish after party.  The show was great with them playing their new 30 minute song “One Step Behind” as well as a few others.  For that show, their original bassist Derek Spaldo was in town (after this Philly show I talked to Tom Malach and he told me that Spaldo lives in Chicago and tours with them when he can–sometimes they are a six-piece band).  That show was great.  It was the second time I’d seen them playing a short set and I really wanted to catch them as a headliner. So I was pretty excited to see that they’d be playing Boot & Saddle (even if I’d only seen them a month ago I wanted to check them out again).

When I arrived the place was pretty empty, but by the time Garcia Peoples went on, it had filled in nicely.  I was intrigued by the diversity of ages in the crowd–a lot of old Dead-heads and a few younger frat boy types as well as a lot of (drunk?) women.  I am also pretty certain that Chris Forsyth was in the audience.

The crowd was responsive and really appreciative whenever the guys played some impressive soloing (which was often).

I was intrigued to see that Spaldo was not with them this time but bassist Andy Cush was.  Cush played with them when I first saw them.  This means that there are two guys who know the bass parts to their songs. Pretty cool. (more…)

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[ATTENDED: February 7, 2020] Suffacox [Mach 2]

When I entered Boot & Saddle, I saw that the opening band was named Suffacox.   I had never heard of Suffacox and was rather puzzled by the name.

I was even more surprised when I saw the band setting up because I was standing a few feet from the stage and a guy kind of squeezed in front of me (which I thought was kind of rude as there was so much empty space).  He then proceeded to remove his coat and soon enough I realized he was the guitarist for Suffacox.  Whoops.

When the band started, the guitarist, John Terlesky, told us that they were Suffacox… Mach 2.  He said that they had been a band in the mid 90s and now they were back together again.

In their first incarnation they were led by Wayne Hamilton (whom they spoke of as if I’d know who he was, which I don’t).  Hamilton has passed on and now the rest of the original band is back with an extra guitarist and a manager/backing vocalist. (more…)

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