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Archive for the ‘Food’ Category

CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: RAPHAEL SAADIQ-Tiny Desk Concert #28 (September 28, 2009).

saadI’ve heard the name Raphael Saadiq for years.  I’ve seen his name in print in many places.  And I always assumed he was a word music artist.  I had no idea that he was an R&B artist who was in Tony! Toni! Tone! (a band about which I know nothing except their name).

I’m not a fan of R&B, so I wasn’t expecting to enjoy this Concert very much.  But man, it is a great session.

I have to assume that it’s the acoustic guitars (with the amazing guitar work by Rob Bacon) that rein in some of the trappings of R&B which I tend to dislike.  But I was also really impressed with how great his voice sounded.  Especially knowing that he was in a dance artist (with implied studio trickery), his voice sounds amazing stripped down this way.  He plays three songs, “Love That Girl,” “100 Yard Dash,” “Sure Hope You Mean It” and each one is great.  I love the way he gets the office to sing along on “Sure Hope You mean It” (even though they’re not ready).

I’m tempted to listen to him in another setting to see what he sounds like outside of a Tiny Desk, but I’m afraid to spoil how much I enjoyed him here.

[READ: January 5, 2014] “Deliverance”

I don’t really know much about Lena Dunham. I know she writes Girls, and is the new It-Girl, but I’ve never seen the show and I’ve read very little else about her.  So I didn’t really have any expectations upon reading this.

I learned a bit about her past and her family, but primarily I learned that she and her sister (like so many of us) loved take out food. (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: PIXIES-Tiny Desk Concert #334 (February 3, 2014).

pixiesI had been planning on going in reasonable order with the Tiny Desk reviews, but when The Pixies come in, you throw order to the wind and move on.

The Pixies!  Holy cow.  I saw them many many years ago opening for The Cure (a great show).  And I’ve loved everything they’ve done.  I was a little less than excited with the reunion (2013 was a little too mcuh with the reunions) and I didn’t love “Bagboy” their first single (but that may have been because Kim Deal wasn’t in the reunion).  But I really like the two new songs they play here.

And, as it turns out Paz Lenchantin fills in for Kim Deal’s role quite capably (she plays violin and sings vocals here).

So, yes there are three songs.  “Greens and Blues” appears on the new EP2 (I haven’t heard the EPs).  It’s a mellow acoustic song (at least in this version) and sound like classic slow Pixies.  “Silver Snail” is so new it hasn’t appeared on an album yet.  It’s another slow song, but it has that kind of sinister slowness that the Pixies do so well.  And then they bust out “Monkey Gone to Heaven” in a mellow acoustic version that is ever so much fun.

It’s pretty great to see them reunited, and I may just have to check out those EPs too.

[READ: January 5, 2014] “Family Meal”

I didn’t realize until reading this essay (one of five on a food related topic), that the “theme” of these essays is “Take Out” (it says it right there at the top of them).

And this may be the most unusual version of food take out I’ve heard of (as the poor delivery boy confirms at the end of the essay).

But, as most good food stories do, this one starts talking about something else entirely.  Turns out that Baby T showed up on time for work at the restaurant, but she was bloodied and confused.  So Gabrielle took her to the hospital. (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: TELEKINESIS-Tiny Desk Concert #27 (September 21, 2009).

telekinI know of Telekinesis only from NPR.  They have a couple of albums out, but I think I only know one song of theirs.  And I don’t know it that well.  This Tiny Desk features only two members of the band, singer-songwriter Michael Benjamin Lerner and guitarist Chris Staples.

They play four songs in 11 minutes (they are quite brief).  The songs all features pretty melodies, and the singer’s gentle voice. The electric guitar is used sparingly and only to play delicate riffs. This works especially well on the first song, “Plankton.”  Meanwhile the second song, “Coast of Carolina” has catchy bouncy guitars right from the beginning.

The other two songs are “I Saw Lightning” (which is very sweet) and “Rust” (which is very short).  I didn’t love any of the songs and I honestly couldn’t remember them long after listening, but I found myself listening to this show a lot.  And I enjoyed the songs each time.  I’m curious what the songs sound like not in a Tiny Desk setting.

During the brief interview with them, Lerner says he daydreams about better places when he writes songs and that when he wrote the songs from this album, the studio smelled like Grunge never went away.

[READ: January 5, 2014] “Butter”

I wasn’t expecting another issue with five of this brief essays from writers I know (The October 14 issue had the last batch).  I’m not sure how many more issues will have these type of things, and I’m not sure if will review them all.  However, there were a few authors I liked in this group.  Plus I’m intrigued by the food writing in these essays.

And this first one proved to be such an unexpected topic.

Akhil Sharma grew up in the United States.  His older brother had been brain damaged in a swimming accident and his family took on the full responsibility of his recovery .  It was pure family loyalty and that loyalty made them all pretend that taking care of him was not an awful task (even though it was).  Akhil’s lunch from home often came in the bags that his brother’s medicine came in.  And while he was ashamed of this, he also felt it was his duty of loyalty to not be ashamed by this. (more…)

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CV1_TNY_10_14_13McCall.inddSOUNDTRACK: BENJY FERREE-Tiny Desk Concert #15 (May 29, 2009).

benjyI had never heard of Benjy Feree before this Tiny Desk Concert, and I have still never heard of him.  I don’t know a thing about him, and I kind of like that.  Where did they find him?  They seem to know him very well.  (He grew up locally to D.C., so I guess that’s it).

He plays four songs and he is very funny.

“I Get No Love” opens with Benjy whistling and playing a guitar in a Spanish style (not fingerpicking but that fast strumming style).  But when the song proper begins, it’s a bouncy acoustic song.  Benjy has a nice voice.  He also encourages everyone to get out their pens a make a beat.  The whistling is truly amazing. It’s strong and powerful and very catchy.

In the second song, “Fear,” Benjy pulls out a great falsetto—it’s a wonderful combination of his regular powerful voice and some cool high notes too.  Then he tells the story of working in an office.  He says his boss looked like Clarence Clemmons.  It’s a very funny story.

Then he starts talking to the “chat room.”  He messes up the tuning of his third song, “When You’re 16.”  But he pulls through with a very solid acoustic song with more good whistling.  After the song he says he’d like to take lessons from Andrew Bird in whistling.  And then he curses which leads to a lengthy and funny story about going to school at a Baptist Church.

“The Grips” is the final song, it’s a slower, very nice song, which really shows his range.

He is a charming and very funny and the end (the David Letterman joke) is especially amusing.  And I have to say that I thought his hair looked totally fake and then I read that it was a wig.  Ha.

[READ: January 7, 2014] “Take Your Licks”

This New Yorker has several small essays about work.  They are primarily from people who I wasn’t familiar with–only Amy Poehler saved the five from being unread.  When after reading all of them I enjoyed them enough to include them all here.

The pieces are labelled under “Work for Hire” and each talks about a humiliating job.

So Poehler’s essay is all about working at an ice cream shoppe as a young girl–a typical summer job.  I’ve often seen young girls working in ice cream shoppes for summer jobs and I always imagined that they would get the hugest arm muscles from scooping out in those awkwardly deep freezers.  But Poehler focuses more on the cleaning–every night anything that wasn’t nailed down got cleaned.  Ugh. (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: GRIPE-“Man vs Cop” CHULO-“Hombre vs Tombo” Split Single (2012).

chuloI downloaded the Gripe album yesterday and then saw this split single.  It has two songs which total 59 seconds.

Gripe has like a typical grindcore sound–pummeling and tinny.  All 32 seconds of “Man vs Cop” contain a pummeling riff, screamed vocals and even a ride cymbal at some point.

I was more intrigued by Chulo because I was surprised at how different a band could sound within the same limited soundscape of grindcore.  The big difference for me was the real presence of a bass guitar.  As “Hombre vs Tombo” opens, there’s a few seconds of pummeling sound (although their snare drum sounds more like a bongo) and then the sound drops out and there’s a cool heavy bass sound (for two notes).  Then the pummeling resumes, although again, much more bass heavy.  The other big difference is that they sing in Spanish.  I’m curious to know if that slightly different sound is a Latin American sound for grindcore or if it is just their own.

If you have a minute you can listen (or download for free) the single here.

[READ: January 7, 2014] “Weight Watchers”

This story began in a very weird way.  In it, an adult’s father has been kicked out of his house because his wife is mad that he now weighs more than 250 pounds.  Something that she has done on multiple occasions.  I find this reason/excuse so incomprehensible that it really impacted the rest of my reading this story.  This “problem” did put things in motion but was more or less ignored through the story and it seems that there were other more pressing issues that they needed to worry about.

When we meet the father, he has come to stay with his son. He believed that anything “done for pleasure was escapism.”  So we learn he has no tolerance for pleasure, except “when it came to seducing his secretaries and most of my mother’s friends.” Then we learn that his mother got pregnant as soon as she could when his father got back from the war because she figured that would get him to settle down.  his father basically resented him for his whole life.  So I guess the whole family is screwed up.

Especially when we find out that the son has witnessed all manner of “disturbances,” meaning his parents’ infidelities, in their house.  One of them was a very weird scene of food and eroticism.  Ew. (more…)

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fivedials_no29SOUNDTRACK: BOB & DOUG McKENZIE-“The 12 Days of Christmas” (1981).

bob & dougThis is my preferred old school version of “The 12 Days of Christmas.”  It was one of the first parodies of the song that I had heard (and I was big in parodies back in 1981).

I loved how stupid they were (on the first day of Christmas, my true love gave to me…a beer).  I loved trying to figure out what a two-four was, and it cracked me up that they skipped a whole bunch of days.

I also enjoyed how they continued to snipe at each other throughout the song.  Not comedy gold perhaps (that would be “Take Off” recorded with Geddy Lee, but a nice way to start, or end, the season on these “mystery days.”

Evidently, decades after SCTV went off the air, Bob & Doug got an animated TV show (without Rick Moranis).  And they made a video of the song. Hosers.

[youtube-http://www.youtube.com/watch?v=l2oPio60mK4]

[READ: December 3, 2013] Five Dials #29

Five Dials Number 29 was the first issue I had read in a while.  (I read this before going back to 26-28).  And it really reminded me of how great Five Dials is.  I don’t know why this isn’t Part 2 after Number 28’s Part 1 (there was no 28b either), but that’s irrelevant.  This is an independent collection of great writing.  I was instantly surprised and delighted to see that César Aria was included in this issue (I didn’t even know he had made inroads in England).

CRAIG TAYLOR-Letter from the Editor: In Swedes and Open Letters
Taylor’s usually chipper introduction is saddened by the contents of this one.  The discussion centers on Sweden and the city of Malmo, where integration is proving to be tougher than they’d hoped.  Black skinned people are profiled pretty explicitly.  Taylor talks about meeting the writer Jonas Hassen Khemiri (who they subsequently published in issue 21) who deals with issues of race.  In March of 2013, Khemiri wrote an open letter to Swedish Minister for Justice Beatrice Ask after she brushed off concerns about racial profiling. The letter went viral including getting translated into 15 languages.  So I guess there is some positivity after all. (more…)

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kawaiiSOUNDTRACK: BOB ATCHER AND THE DINNING SISTERS-“Christmas Island” (1950).

xmascocktailThere is something so charming and wonderful about white people co-opting Hawaiian music in the 50s.  I know fully well that there is nothing ‘authentic” about the whole AH-LOH-HA-AY business and that they have made it smooth and “sexy” for “bachelor pads” and all of that.  I know that I should be offended on everyone’s behalf.  And yet I can’t be.

I find bachelor pad kitsch to be fun (Esquivel’s Christmas Album is a perennial favorite), and so I was delighted to be introduced to this song from the 2007 NPR Holiday show.  I actually don’t know anything about Bob Atcher or the Dinning Sisters, but this song is a delightful trip through faux Hawaiian music–slide guitars and a very hula-feeling rhythm.

It even features Santa arriving on a canoe.  Yup, the whole simplification of Hawaiian/island culture is in poor taste, but man, it’s such a swinging and trippy take on a Christmas song.  And I’m sure no islanders were hurt in the making of the recording.  Aloha-ay.

[READ: December 15, 2013] Kawaii!

I’m fascinated by manga and the whole, as the subtitle says, Japanese culture of “cute.”  I don’t really get it.  I mean, I get it, that cute things are cute, but the whole cultural love of cute is so peculiar to me–especially when reading this book and seeing that it is a cultural explosion of cuteness.  This book was a great introduction to so many different aspects of this culture. (more…)

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givingtuesToday is #GivingTuesday.  Giving Tuesday is a campaign to create a national day of giving at the start of the annual holiday season.  It encourages a national day of giving to kick off the giving season added to the calendar on the Tuesday following Thanksgiving, Black Friday and Cyber Monday.

In honor of GivingTuesday I wanted to post about two young people whom I have encountered recently (in print, not in real life).  Each one of them has blown me away with his and her selflessness and resourcefulness.

freethechild

The first was in the book Breakfast on Mars and Other Essays (which will get a post tomorrow) from Craig Kielburger, a Canadian man who was just 12 when he made a difference.

Craig Kielburger wrote an essay called “A Single Story Can Change Many Lives.”  In it he recounts his own personal experience of outrage at reading a horrible news story.  In 1995, when he was 12 years old, Craig saw a headline in the Toronto Star newspaper that read “Battled child labour, boy, 12, murdered.” The accompanying story was about a young Pakistani boy named Iqbal Masih who was forced into bonded labour in a carpet factory at the age of four.  Masih eventually snuck out and began telling people about what had happened.  When he was 12 he was shot dead.

Kielburger, at age 12, immediately wanted to do something about this.  He took the article to school, gathered friends founded a group called the “Twelve-Twelve-Year-Olds.”  In December 1995 before he started eighth grade, he took two months off of school and backpacked through Asia, Kielburger traveled to Asia with Alam Rahman, a 25-year-old family friend from Bangladesh, to see the conditions for himself.  His group evolved into the Free The Children fund, and international organization.  And his foundation has to date built over 650 schools and school rooms and implemented projects in 45 developing countries through its approach of “children helping children”. The majority of the organization’s annual funding comes from funds raised by young people.

marys

The second story is in the most recent Lucky Peach Issue (#9).  In an insert entitled “Guts,” there is a story about Martha Payne, a Scottish ten year old girl who has made a huge difference.

Martha was nine years old and was asked for a class to write like a journalist.  She thought it would be fun to make a blog about her school meals (this would allow her to include pictures).  So she created NeverSeconds. In one of her posts she wrote “I need to concentrate all afternoon and I can’t do it on 1 croquette. Do any of you think you could?”  Her dad tweeted it and soon it was a sensation.  People really responded to the size of her meal.

And then someone posted that she was lucky to get a meal at all.  She had been helping to raise money for Mary’s Meals for years–in her words, “they provide free school dinners in a place of education in sixteen of the poorest countries in the world.  Children can go to school instead of working or looking for food.”

never secondsBecause of the attention, she set up a JustGiving page that sends money to Mary’s Meals.  She raised £2,000 in a short time.

Back at home, her school began improving their meals and she began rating them (one even got a 10 out of 10).  And she started gaining fame in the region, making the paper and meeting chefs who were curious about her.  And then her school told her she had to shut down her blog.  She wrote about it here.

Of course, that made her blog explode.  She received thousands of messages and emails and began raising more and more money.  She had hoped to raise £7,000, as I write this she has raised £131,219 (that’s 1874% of her goal)–remember, she’s only 10.

Martha notes that $20 will feed a child for a year.  Here’s that link again JustGiving.

It’s amazing what determination can do.  Happy holidays.

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wallsSOUNDTRACK: PHISH-Round Room (2002).

round After Farmhouse, Phish went on a hiatus.  No one knew it would be quite so brief, but there was really a feeling that they were done.

And then they quietly released Round Room in 2002.  And it bursts forth with an 11 minute song.

“Pebbles and Marbles” has an interesting riff—complex and pretty.  And when I listened to it again recently I didn’t really quite recognize it.  But that’s because it’s nearly 12 minutes long and the really catchy part comes later in the song.  At around 5 minutes, the catchy chorus of “pebbles and marbles and things on my mind” announces itself.  And it is a good one.

“Anything but Me” is a pretty, mature song that is slow and piano heavy.  “Round Room” is a boppy little ditty (clearly a song written by Mike).  It is sweet and a little weird.  “Mexican Cousin” sounds a lot like a cover (maybe an old song by The Band) except for the solo which is very Trey.  It’s a funny, silly ode to Tequila.  “Friday” is a slow six minute song with two sections.  The verses are spaced out a bit, delicate riffs that are mostly piano once again.  The middle section is sung by Mike (which makes it more mellow somehow).

“Seven Below” is an 8 minute song.  It has another great riff (and the intro music is cool and bouncey).  When the vocals come in, it’s got gentle harmonies as they croon the sweet song).  Most of the 8 minutes are taking up with a guitar solo.  “Mock Song” is another of Mike’s songs.  This one seems to be a random selection of items sung to a nice melody.  Then when the chorus comes it’s quite nice, how this is a “just a mock song.”  The first verse is sung by Mike, then Trey does a kind of fugue vocal with different words in verse two.

“46 Days” opens with funky cowbells and turns into what seems like a classic rocking folk song—few words but a great classic rock melody (complete with 70s era keyboards).  “All of These Dreams” is a mellow piano piece, another mature song.  “Walls of the Cave” has an interesting piano melody that opens the song. The song is nearly ten minutes long and the middle part has a nice flowing feel to it.  There’s also a few sections that are separated be drum breaks—something that doesn’t often happen in Phish songs.  When the third part opens (to almost exclusively percussion, their vocals all work in a very nice harmony.  It’s a long song but with so many parts it always stays interesting.  “Thunderhead” is another piano-based song with some guitar riffs thrown on top. But it is largely a slow, mellow piece.

“Waves” is an 11 minute song with long instrumental passages.  It also begins with a kind of Santana feel to it, but it is a largely meandering song, with a simple melody that they stretch out for much of the song.  So this album proves to be an interesting mix of long jams and mellow ballady type songs.  It seems like Phish had a big mix of things to let loose.

[READ: November 1, 2013] If Walls Could Talk

This book reminds me of the work of Mary Roach—exploring a topic in great detail and including lots of amusing insights.  The two big differences here are that Worsley is British and that she goes back very far in British history to give us this fascinating information about the development of certain rooms of the house.

Worsley begins with the bedroom.  She looks at the furniture—the history of the bed from lumps with straw to fantastically ornate full poster beds that were made for kings who might never actually use them.

Then she moves on to more personal matters—sex (including deviant sex and venereal disease); breast feeding (for centuries mothers felt they were not equipped to take care of and nurse their own children, hence wet-nurses) and knickers (royalty had an entourage designed specifically to assist with underthings).  Indeed, privacy was an unknown thing in olden times.  Even royalty was expected to receive people in all of the rooms in the house.  Initially the bed chamber was for their most intimate friends, not just for sleeping.

The section on old medicine was also fascinating, they believed that it was vaporous miasma that did you more harm than say, excrement-filled water.

The section on Sleep discusses what was also in a recent article by Gideon Lewis-Kraus—that there were two sleep times at night.  With no electricity there was no artificial light to keep people up late so they would go to sleep early, wake up in the middle of the night (the best time for conception of children) and then sleep again. (more…)

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cooksSOUNDTRACK: PHISH-The Story of the Ghost (1998).

storyghostThe Story of the Ghost is one of the first Phish albums that I was aware of when it came out.  I remember buying it and liking it, especially the first few songs.  This is not surprising as the first few songs are much more electric and funky.  By the end of the album there’s a lot of mid tempo songs that feel like they’re somewhat incomplete—good ideas but the songs feel…unfinished?

“Ghost” has a funky guitar and drum section, it’s a song I’ve liked from the day I bought the disc.  But the real hit was “Birds of a Feather,” which has an amazingly catchy chorus.  This version (as opposed to the live one) is weird in that Trey is kind of whispering the vocals, but the guitar is ferocious.

“Meat” is a weird skittery song that sounds cavernous here.  The weird processed vocals are certainly something that keeps this song like more of an oddity.  “Guyute” sounds an awful lot like early Phish—like it has come from Gamehendge, it’s a nice return to old form.  It’s a great song with a really lengthy instrumental section.  This features one of Trey’s great extended pretty solos.

“Fikus” is a strange little song (2 minutes), with lots of percussion and a quiet bass line.  “Shafty” has got  some cool wah wah guitars, and is also only 2 minutes long, but it shows that there is a bunch of funk on the disc.  “Limb by Limb” is a fun if simple song that seems sparse until the chorus kicks in.  “Frankie Says” is a kind of circular song that is interesting but doesn’t really go anywhere.  “Water in the Sky” is a short piece but it is full of ideas—percussion, slide guitar, and nice harmonies.  “Roggae” is a fun little song with some fugue like vocals.

“Wading in the Velvet Sea’ is a very pretty song with very nice harmonies.  “The Moma Dance” is a funky wah wah guitared track which really comes to life live, although I like the way they reprise “Ghost” at the end.  The final track is called “End of Session,” it’s a very mellow little number (also less than 2 minutes) with organ and gentle guitars.  There’s a small verse of harmonies as the albums drifts off.

This album is one of the band’s less popular recordings, but i think it’s quite good.

[READ: October 30, 2013] Lives of Notorious Cooks

Brendan Connell is back with a book which demonstrates that whatever subject he writes about, he delves in deeply and with great relish.

Connell’s new book is, as the title says, a series of brief lives of fictional cooks.  There are 51 biographies in this book.  From Connell’s previous works and from the title, I expected that these cooks might be somewhat less than savory characters.  But Connell makes these chefs genuinely impressive—making delicious meals from both the finest ingredients or the lowest of items.

As with previous stories by Connell, the depth of his knowledge is impressive—he includes not only recipes but complete menus of feasts.  And as usual, his word choices are wonderful—exuberant when necessary, obscure if useful and always spot on.

Although I am normally inclined to make a comment about each “story “ in a  collection, this one really resists that.  There are not enough distinguishing characteristics between cooks for me to write enough about each one (without rewriting the book).  This is not in any way to say that each is not unique, but that they are all cooks, each specializing in a different food or style.  But rather than from saying “Agis cooks fish” it’s better to take this book as a whole rather than in pieces. (more…)

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