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Archive for the ‘Film & TV’ Category

doubleSOUNDTRACK: KIM JUNG MI-“The Sun” (1973).

kjmsunThis song, along with a few other unexpected tracks accompany the score for The Double which was composed by Andrew Hewitt.  Kim Jung Mi is a South Korean singer (singing in Korean) and this track is hers from the 1970s.

Interestingly, the melody is conventionally Western (played on acoustic guitars), but as I said the vocals are all in Korean.  The song has a 70s folk (with orchestra) feel, and while there are a lot of Westernisms about the song, it still sounds “foreign.”

The song is pretty and eventually builds to adding some strings.  However at nearly 7 minutes without a lot of change (lots of La La Las, maybe like “Hey Jude”?), it’s a bit (well, a lot) too long.

[READ: June 13, 2014] The Double

I saw this book at work and immediately grabbed it because I love Richard Ayoade (Moss on The IT Crowd).  I didn’t even know what this was, I just had to see it.  Then I saw that it was that it a play and I was intrigued, especially when I saw that Chris O’Dowd (also from The IT Crowd) was in it.

Then I read the introductions by Korine and Ayoade and learned that this is actually a film.  When I looked online I saw that it opened in limited release last week.  Holy cow!  The film stars Jessee Eisenberg and Mia Wasikowska and also features Wallace Shawn, Noah Taylor and J Mascis (as a janitor).

The story is based on Dostoevsky’s short story “The Double” (so you know it’s not especially cheery).  And, although I assumed it would still be funny (given Ayoade’s credentials), it is not as funny (at least in print) as one might expect.  The other weird thing was that I kept picturing Moss as the lead character (some lines seem very Moss-like), so should I ever see this it will be weird to hear the lines coming from Eisenberg. (more…)

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arcSOUNDTRACK: HARI KONDABOLU-Waiting for 2042 (2014).

hariI knew Hari Kondabolu from the much missed Totally Biased with W. Kamau Bell (in fact the liner notes even have Hari thanking Kamau for employment—although at the time of this release, that employment was terminated).

As Hari jokes at one point during this show (recorded in Oakland, CA in 2013), he is “obsessed with race.” And how could he not be. To be alive in 2014, you should be obsessed with it, especially if you are paying attention. And his jokes about race are not only salient, they are different. Like the first one on the disc, “My White Chocolate Joke.” The set up is simple, chocolate is dark and creamy and delicious, why would anyone need to make a white version of it? This leads to a punchline that if you like white chocolate you are racist. But as with most of Kondabolu’s jokes, the punchline is just a set up for a much deeper joke—this one having to do with White Jesus. It’s very funny and really well done. “A Feminist Dick Joke” is self referential and funny, especially when he criticizes his own joke for not going far enough. “Moving to Canada,” pokes fun at Americans who say they are leaving for political reasons and then pokes fun at Canada for not being the panacea these people say it is anyway.

I loved “Environmentally Friendly Pollution Machines” which is about how eco-tourism is encouraging us to see things before the tourism industry destroys them.  “Toby” is such a wonderfully extended joke in which people like me who don’t get the initial joke are gently upbraided until the joke is fully revealed to us and even though we just had a joke explained to us, it was still funny. And the call back at the end of the disc is genius.

“Weezer Broke My Heart” is a very unpolitical joke about the band Weezer and that their fan base demographic has not changed in a decade–and how that’s really creepy.

There’s a lot of race jokes in the next few pieces. The title track about how in 2042, whites will be the “minority” is simply hilarious (whites are only the minority if you consider that the races are “whites” and “everyone else”).  And then the hilarious joke about how “Asians are Well-Behaved” (the Chinese restaurant bits are awesome) and the wonderful dichotomy of Mexican stereotypes (stealing our jobs but also being lazy). There’s also the very funny joke about how minorities never get to time travel for real (referencing the Martin Lawrence movie Black Knight and Back to the Future just to show how current and hip he is) because there would be some real changes.

There are also a number of jokes about homosexuality, and how heterosexuals are totally flamboyant even though they don’t realize it (showing off your spawn is pretty flamboyant, frankly). And the extended riff in “Matthew McConaughey on Tolerance” is just terrific.

Jokes dealing with all of these topics are bound to be inflammatory, but Hari is also not afraid of the deadly curse words, (he actually makes me uncomfortable in one joke with how many times he says the word fuck, although is very funny).

All in all this is a very funny standup show from a comedian who is very funny and will, with any luck, find a wider audience. (Of all races).

[READ: June 20, 2014] Arcimboldo

Giuseppe Arcimboldo was a phenomenal painter who is best known for his paintings of people’s portraits which are made out of fruit.  But he was also a master of detail in realistic sketches, drawings and painting as well.  This tiny book (270 pages) with a paragraph of text on every other page, is a wonderful introduction to the man beyond the fruit.

Perhaps the most amazing thing about his work is that it was done in the 16th century.  I think many of us tend to lump him in with the surrealists or the modern period.  But he worked in this style long before.  For context, his father was friends with a student of Leonardo da Vinci.

Arcimboldo was born in 1527 to nobility.   Interestingly, there are variations on the spelling of his name: Acimboldi, Arisnbolde, Arcsimbaldo, Arzimbaldo and Arczimboldo.  Giuseppe even signed his first name in different ways as well: Giuseppe, Josephus, Joseph or Josepho.  The book doesn’t indicate if this was some kind of intentional obfuscation.

The first dozen or so pages contain amazing illustrations by Arcimboldo–primarily studies of nature, both flora and fauna. They have a distinctively 15th/16th century style, and they are amazingly detailed.  A little later, Arcimboldo began doing studies in deformed creatures–birds with three legs , goats with weird hooves.  Whether this was just because he wanted to explore nature in great detail or because he liked weird things, the book doesn’t say. (more…)

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zita3SOUNDTRACK: USMAN RIAZ-Tiny Desk Concert #349 (April 19, 2014).

usmanUsman Riaz is an amazing musical prodigy.  I almost don’t want to say anything about him, I just want you to watch the video and have your mind be shattered.

Riaz is a 23-year-old Pakistani man and is as humble (and soft-spoken) as he is talented.  He trained on the piano as a six-year-old child.  And then, at 16, he learned how to play the guitar (in a most unconventional way called “percussive guitar”) by…watching YouTube.  He transposed his piano style to the guitar and has developed his own style within the genre.  The first song,

His song “Boneshaker” starts with some intense drumming on the guitar and then… well just watch it below.

Next he plays his piano song,”The Waves” a song he wrote at 16.  And it is simply gorgeous.  There’s a bit of showoffiness in it, but it never sacrifices the song.

he returns to the guitar for his third song, “Shimmer” which uses more percussive guitar techniques.  It is also mesmerizing (and absolutely gives “eruption ” a run for its money).

Riaz is a shy, quiet man, but his love of technology and his belief that anyone can pick up any skill if they just watch it enough is really quite infectious.  He also shows off some “parlor tricks” like body percussion and harmonica (perhaps real harmonica players might be insulted by calling this a parlor trick) that he learned from videos.  He has also created a short film that was accepted at the New York Short Film Festival.

He’s all over the place, but give this guy 30 seconds and you’ll be hooked.

Riaz also did a Ted talk/performance with Preston Reed, which is pretty amazing too.  You can watch that here.

[READ: June 19, 2013] Return of Zita the Spacegirl

I was excited to see a new Zita–I really enjoyed the first two a lot.  But it took me a while to get up to speed with this one.  It has been two years after all–I think maybe a recap was in order.

We see that Zita is on trial in a strange land.  The judge calls her Zita the Crime Girl–so you know things aren’t looking too good for her.  And the judge’s exhibit A is Pizzicato the Plunderer (or, as we know him–Mouse), who is all shackled up.  She is found guilty and is thrown into a jail cell with a pile of rags and a skeleton.  Both of them can talk, of course.  And they encourage her to escape–even those the skeleton says that anyone who escapes is caught and sent right back to jail–or to the mines.

While this has been going on we’ve seen glimpses of a blue ghost-like creature who helps her in small ways.  He helps her to escape, but he her that she needs to help only herself–she can’t save everyone.  This just makes her mad.  But like skeleton said, she is caught and is sent to the mines.  In the mines there are coals with eyes (which reminds me of the Susuwatari in My Friend Totoro (those are the little black soots that carry things).  Everyone is told to smash the coals to look for the one with the crystal inside.  No one knows if the coals are alive, but one of the coal pieces hops into Zita’s pocket.

Meanwhile, when Zita’s uniform was thrown out, bits of her star floated into space and soon, all of her old friends knew she was in trouble,  So they reunite to rescue her.  It was great to see Strong Strong and One and even Piper and Madrigal, who are working together (temporarily). (more…)

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44SOUNDTRACK: WNYC SOUNDCHECK GIG ALERTS (2009-).

soundcheck There are so many places to listen to free music.  But i prefer places where you can (legally) download free music.  So here’s a place I’ve just discovered: WNYC Radio’s website which features a section called “Gig Alerts.”  The feature talks about a different interesting band playing that night (in New York).  After a small blurb, there is (almost always) a free downloadable track.   There’s twenty listings per page and 86 pages.  Do the math and that’s a lot of songs.

The feature covers virtually every genre, although there is a preponderance of alt- and indie- rock (mostly lesser known bands).  If you are interested in new (to you) music and in exploring different artists, this is a great resource for a ton of free music.  So, check out Gig Alerts here.

[READ: May 20, 2014] McSweeney’s #44

I was pretty pleased with myself when I got caught up on the McSweeney’s issues.  But I remember wanting to take a break when this one came in.  I now see it has been almost a year since I read the last issue.  So the break was too long and now I have three issues to catch up on again.  Sigh.  But this one proved to be a great issue to return on.

This is a pretty quintessential issue of McSweeney’s.  It’s got letters, some fiction, a special section dedicated to Lawrence Weschler (which includes a lot of art), and a cool, interesting section of plates with full color art.  It’s also got an interestingly designed hardcover with a kind of raw cardboard in the back, a slightly raised colorful section for the spine and then a further raised section for the giant 44 on the front cover.

LETTERS (more…)

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squish1SOUNDTRACK: I’M FROM BARCELONA-“Just Because It’s Different Doesn’t Mean It’s Scary” (2009).

miaI like I’m From Barcelona, although I don’t know too much about them.

This song opens with ukuleles (or small guitars anyhow) and a big farty bass line. It offers a sensible lyric about things being different and offers suggestions of new things you might enjoy, like fruit or a park.

The band has some fun backing vocals (“let’s taste it baby”), (“run run run run”) and have made a fairly complex song out of what is a very simple concept.

For these Yo Gabba Gabba songs I have to wonder if the bands have taken old songs and made them kid friendly or if they have written all new (fairly complex) songs just for the show.

This is a good one.

[READ: May 16, 2014] Squish: Super Amoeba

I thought I had written about all five of the Squish books so far (there’s a sixth one coming soon).  Except, I realized, that I never wrote about the first one.  So, here, three years after I first read it (I received it as a prepub for crying out loud, so I’ve had it for over three years), I’ve read it again for this post.

I hadn’t even read Babymouse when I read this book, although in retrospect it’s easy to see the similarities between the two (especially in the drawing style).  Of course, while Babymouse is colored primarily in pink, Squish is colored primarily in green.  And of course, Babymouse is a girl and Squish is a boy (well, a boy amoeba, but still a boy).  But there are kid friendly hardships and valuable (if not necessarily obvious) lessons to be learned.

All the characters who have been with us for the duration of the other books were introduced here: Pod another amoeba, who is Squish’ best friend and who is super smart, Peggy (a paramecium) who is happy all the time and Principal Planaria, who is a flatworm (and like all flatworms is really crosseyed).  This issue also introduces us to The Adventures of Super Amoeba, the comic book which Squish loves and the guy who acts as a role model for Squish. (more…)

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18SOUNDTRACK: THE SHINS-“It’s Okay, Try Again” (2009).

mia“Sometime you win, sometimes you lose.  But it’s okay, you try it again.”

A simple idea that no kid will ever believe in no matter how many times he or she hears this song.  Nevertheless, the song is poppy and fun, it’s pure Shins and it is infectious.

The song also feels a lot longer than 2 minutes.  They have really packed a lot into their choruses and verses (and middle third).

Yo Gabba Gabba has been excellent at getting great bands to play simple quickie songs for their records (and shows).

[READ: May 16, 2014] Happy Birthday, Babymouse

It’s hard for me to believe that it took 18 books before Babymouse had a birthday!  I got a chuckle out of the fact that in the book it acknowledges that we don’t even know how old she is [and that they break the fourth wall, too].

As the book opens, Babymouse imagines a full-on Times Square countdown for her birthday.  But that only makes sense because every other birthday that she has had in recent years was a disaster (no idea what season it’s supposed to be in since the disasters span just about everything you can imagine).

But this year she is planning something epic–she sends out a mailbox-filling pile of invitations (including to people in the Squish series–nice cross platform mixing there).  Everyone gets invited except for the gnomes–“they’re too troublesome.”  Of course then comes the dreadful information–Felicia Furrypaws is having her party on the same exact day.  And it promises to be everything Babymouse dreamed her party would be. (more…)

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1352113437munkeemanSOUNDTRACK: EVANGELISTA-Hello, Voyager [CST050] (2008).

helloThis is Carla Bozulich’s first “band” on Constellation. I didn’t really care for her solo album because it sounded way too all over the map.  She has brought in some great musician to rein her in somewhat and it really helps.  This album is still loose and wild and uncomfortable and at times hard to listen to and also really cathartic.  It feels like there is direction to the madness.

The first song is probably the least appealing.  It’s almost a free form poetry slam, but there’s enough incidental music to make it feel like there should be more.–the music doesn’t necessarily follow what’s going on, as if the musicians were told to do what they wanted but weren’t listening to her.

That improv feeling exists throughout the album, but the other songs feel like they have a structure and a melody which really really help.  Like “Smooth Jazz” in which the drums keep a loud steady beat which regulates the tempo and makes her screams all the more intense.  Or “Lucky Lucky Luck” in which a beautiful vocal melody and backing vocal combine with pulsing bass to make a platform for the noisy guitars.  “For The L’il Dudes ” is a creepy string quintet.  But “The Blue Room” is a full complex song with a captivating melody and strings that really work well.

“Truth Is Dark Like Outer Space” is a heavy rock song with great distortion, while “the Frozen Dress” brings back the creepy and spooky sounds. “Paper Kitten Claw” reunites those minimal sounds with a mellow melody.  It feature the great lyric (and theme) “Every time you see the word never, cross it out.”  The disc ends with “Hello, Voyager!” Crazy noises open this 12 minute ramble.  Carla sounds like a crazy preacher and by the end it’s just a free form chaotic mind fuck.  But in a good way.

It’s not always fun to see where Carla’s mind will take you but in this case the crazy trip is disturbingly fun.  Not for the faint of heart.

[READ: May 18, 2014] Munkeeman

This comic came across my desk and I was intrigued by it.  I’ve never read a graphic novel published in India (and written in English) before.  One thing that struck me about the drawing style was how dark (full of a lot of lines and very little white space) the book was.  It’s very busy, demanding a lot of attention.  I prefer my graphic novels to be a little more open and less claustrophobic (okay, I’ll say it, more “white”–racist!–meaning I like more white space in the drawings because I find the heavily drawn dark lines to be a little too busy for me).  But having said that, I enjoyed this style.  The details were always interesting to check out, especially the crowd scenes were Sharma has a lot of fun with background characters (it reminded me of Mad Magazine a bit).

At the same time I was also somewhat surprised at how conventional the story looked.  I don’t know what I was expecting–something more decisively Indian perhaps, but this could have come from an underground comic publisher anywhere.

This is all background to say how much I enjoyed this kind of twisted book.

Incidentally Sharma also directed a film called Tere Bin Laden which is a comedy about an Osama bin Laden double and which sounds quite funny.  I’m going to have to give that a try if I can find it.

So the book starts with an explanation about Munkeeman–he appeared (for real) as an unseen villain in the Hindi film Delhi-6 (which I’ve never seen).  You don’t need to see that movie to quickly learn that there was a villain (the Black Monkey) who is now getting his story told from his point of view.  Especially since the prologue fills you in that nobody ever got a full glimpse of him but he was referred to as The Munkeeman. (more…)

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13SOUNDTRACK: JACK BLACK-The Goodbye Song (2009).

jbI love that Jack Black is a terribly terribly profane man, and yet he has also made a huge career out of doing kids shows and movies.  True Tenacious D are practically child men anyhow, but to think that the guy who sang some of those really dirty songs is also Kung Fu Panda?  Or the sweet guy saying goodbye to everyone in Yo Gabba Gabba land?

This song is, like most Yo Gabba Gabba songs, incredibly simple and repetitive (it’s mostly chorus singing goodbye) but each verse has one of the characters from the show singing a simple verse and JB saying something in return.

There’s nothing especially great about this song (you want it more for the visuals), it’s just always fun to hear Jack be funny and silly–and to rock out at the end.

[READ: May 9, 2014] File Under: 13 Suspicious Incidents

I knew that his book was coming out and I was pretty sure it was Book 3 in the All the Wrong Questions series because, well, because it came out during the series and it was illustrated by Seth.  But it is not part of the series at all.  Well, that’s not true.  It is sort of part of the series.

It is set in Stain’d by the Sea.  Lemony Snicket is there with his mentor S. Theodora and all of the characters we have met so far in the series are here as well.  But this is a series of unfortunate incidents in which Lemony Snicket helps to solve some crimes or, if not crimes, at least possible crimes.  Thing of it as a short story interlude from All the Wrong Questions.  And yet, even though that seems dismissive, it is a great and fun read.

So despite being a little disappointed that this wasn’t the next book in the series (I’m quite hooked) I really enjoyed these short “cases.”  It also turns out that the “bonus” story that came in the Barnes & Noble edition of Book 2 is one of these incidents.  I didn’t enjoy it that much as a “bonus” story, but I found it far more enjoyable this time in the context of Snicket trying to figure things out here. (more…)

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39SOUNDTRACK: THE ROOTS-“Lovely, Love My family” (2009).

miaThe Roots are known for many many things–most recently being the house band for Jimmy Fallon.  They do intelligent hip hop, but they also play “neo-soul” and this fun sorta-ska-like sweet song from the first Yo Gabba Gabba Music is Awesome CD.

It’s 2 minutes of poppy happiness. It’s fun to see ?uestlove bopping along, and to see the whole band in front of these bright colors.

This song is utterly catchy, with smart fun lyrics that are easy to sing along to And unlike some of the Yo Gabba Gabba songs it’s not terribly repetitive.  It’s even got a tuba solo.

Check it out:

[READ: May 6, 2014] The Dead of Night

I was pretty excited to get into this third book of the series, but something about this book burnt me out a bit.  It may have been because it was increasingly dark.  Or maybe that Atticus was in trouble from the get go and had to do a lot of work by himself–that seemed somehow more difficult to read than Dan and Amy working together.  It also seemed to have a bit less humor than the other books–like this one was all down to business, or that the stakes were higher or something.

Indeed, the book opens with Atticus in the back of the truck being taken away by the evil Wyoming kids.  They know he is a Guardian, even if he doesn’t know quite what that means. They are taking him somewhere in secret–which involves an airplane.  How is he ever going to notify anyone of where he is?  But it turns out that Dan and Amy aren’t the only techie kids, and soon Atticus has a way of signaling his friends that he has been taken to Turkey.

Meanwhile Amy is feeling especially guilty for everything that has happened–she’s supposed to be the senior family member in charge.  And Jake isn’t helping with that.  At the same time Dan keeps getting texts from AJT–the man he believes to be his father.  And they are making his mood even darker. (more…)

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medusaSOUNDTRACK: PETER BJORN & JOHN-“I Wish I Was a Spy” (2012).

awesome4Yo Gabba Gabba has always been a source of interesting music–very cool bands devote time and music to this, frankly bizarre kids show.

This song from Peter Bjorn and John is fantastic.  While the lyrics are kid friendly, there’s no reason that this song need be played only for kids.

The song opens with a good vibrato “spy” guitar lick and vocal breaths.  The unusual percussion really shows how much this song sounds like a PB&J song even if it is of a very specific genre.  When the vocals come in (sounding very PB&J), the lyrics simply state that he wishes he was a spy, and then he gives some great examples of what he would do as a spy.

But the big surprise comes from the chorus which s bright and bouncy and talks about how we can all pretend we are all agents.

The Yo Gabba Gabba version ends at 2 minutes, but the extended version has more instrumental surf/spy guitar work.  It’s kind of an extraneous coda, but the sound they capture is really cool, so it’s fun to get the extra minute of guitar work.

[READ: May 6, 2014] The Medusa Plot

When I finished Vespers Rising, I said I would pace myself because the Cahills vs. Vespers series was six book which would conclude in March 2013.  Clearly I paced myself too slowly because here it is May 2014, Cahils vs. vespers is long done, and they are on the next series already.

But hey, I’m not playing the online game so there’s no time constraints for me.

Also, Clark started reading the original series so I wanted to keep a little ahead of him.  It seemed like a good time to start this middle series.

And man, once I started reading I was immediately brought back into the exciting world of Dan and Amy Cahill.  I had forgotten about the short story in Vespers Rising (about the ring that Amy now has) and about the Vespers in general.  But that didn’t matter, because it was quickly set up that the Vespers (led by the unknown V-1) in particular are bad and they will stop at nothing to achieve their goal (which we don’t know yet).

It has been two years since the end of the 39 Clues.  As the book opens, several members of the disparate Cahill family clan are kidnapped: Fiske Cahill, Reagan Holt, Natalie Kabra (who, with her brother is now poor since their evil mother disowned them for not being evil enough), Alistair Oh (no!) and Ted Starling (his brother Ned escaped), Phoenix Wizard (Jonah’s little cousin) and, gasp, Nellie Gomez!  They are taken to an undisclosed location, given jumpsuits and left in a small cell with nothing to do and minimal food on a regular basis. (more…)

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