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Archive for the ‘Film & TV’ Category

onesummSOUNDTRACK: “WEIRD AL” YANKOVIC-”Foil” (2014).

foil;I wasn’t a huge fan of Lorde’s song “Royals.”  I liked it enough but it never really blew me away.  Al’s parody “Foil” seems obvious and yet it is such a wonderfully twisted take on the song that I think it’s just fantastic.

The video is set up like an infomercial (with Patton Oswalt as the director).  And it begins simply enough with all of the useful things you can do with aluminum foil (foy-ul).

What makes this better than a simple jokey song about using foil for your leftovers is that midway through the song, he tackles the more sinister uses of foil–keeping aliens out of your head.  The way the video switches from bright infomercial to sinister Illuminati conspiracy show is great.  And, amazingly enough he is able to keep the same bright Lorde-isms all the way through.

[READ: June 30, 2014] This One Summer

This One Summer is the second collaboration between Mariko and Jillian Tamaki.  In Skim, Jillian’s drawings reflected a very Japanese style of artistry, while in this book, the drawings are far more American/conventional.  This isn’t a bad thing at all, as they complement the story very nicely.

This is a fairly simple story (despite its length) about a family that goes to Awago beach “where beer grows on trees and everyone can sleep until eleven” each summer.  The protagonist is a young girl, Rose.  She is an only child and she looks forward to seeing her friend Windy there–they only see each other on these summer vacations.  Windy is a year younger, although she acts older and braver.  The girls are thrilled to swim, to watch horror movies and eat all the junk that they can.

But in this one summer things are not idyllic.  What I really liked about this story was that although nothing really happens to Rose or Windy, stuff happens all around them, and of course it impacts them as well.

The first thing is that Rose is finally interested in boys, specifically the boy who works at the convenience store in town, Duncan.  But Duncan is older–probably 17 and is dating a girl named Jenny. He teases with Rose and Windy but in a dismissive older brother sort of way–exactly the way that makes a crazy crush develop for Rose.  Windy and Rose are young, but are not that young–so they are full of misinformation.  And when they hear the older girls–Jenny’s friends–in town talking about things–abortions, oral sex–they learn more without learning everything . (more…)

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hiro2SOUNDTRACK: ASAF AVIDAN-“One Day/Reckoning Song (Wankelmut Remix)” (2012).

wankelYesterday I talked about Asaf Avidan and his song “Reckoning Song (One Day).”  His (live) version has 15 million views on YouTube.  But the remix by Wankelmut (which Avidan had asked Wankelmut to take down, but he refused) has almost 150 million hits.

The first song is a slow keening lament.  The remix adds a dancey beat and speeds up the vocals (mostly removing pauses, not really speeding up his voice at all–it’s high enough as it is).  And now that I’ve listened to both versions a few times, I’m totally hooked).

I think I like the verses better in the remix (the drum beat helps), but I like the chorus of the original better–the power comes through a lot more in the chorus of the original.  I’m glad the remix left in the yodelly aspect of his voice in the chorus, though.

I imagine that this remix has introduced a lot of people to Avidan, and that’s a good thing too.

You can see both below, first the original,

then the remix:

 

[READ: June 20, 2014]  Johnny Hiro Book 2

This book continues the exploits of Johnny Hiro and his beautiful girlfriend Mayumi.  There’s no listing of “originally published” so I don’t know if these came out as individual books, like the first collection of story did. So I’ll just assume that these were first published in this book.

The first story gives us a peek into Johnny’s past when Mayumi is having lunch with a coworker (and Johnny is hauling ass to get to the lunch date on time).  When he skids up to the table, he realizes that he knows the other woman–in fact, he almost moved in with her.  But just as things get really uncomfortable (Johnny never told Mayumi about her), King Kong reaches across the patio and pulls her away.  And, just as Johnny had to save a woman from Gozadilla in book one, he has to save woman from King Kong.

Which means more chases through New York City, a fascinating (if not sad) backstory about King Kong and another hilarious save via Mayor Bloomberg (wonderful to see him again). The connection to L.A. about King Kong is fantastic.

In the second story, the owner of the house that Johnny and Mayumi are staying in comes back for a few weeks, this introduces a new person to play off of, with new concerns–it;s a nice addition.  The only bad thing is that Alex curses like a storm–I don’t recall there being any curses in the first book–so that puts this book squarely into the older teen area (which isn’t really a bad thing, since there is talk about romantic relationships and some behind closed door scenes that kids might have to many questions about–but I feel like the big monsters might entice kids into reading it). (more…)

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hiro1SOUNDTRACK: ASAF AVIDAN-Tiny Desk Concert #340 (March 2, 2014).

asafAsaf Avidan is a 33-year-old, Israeli singer, formerly with a folkish rock band called Asaf Avidan & The Mojos.  He has since gone solo and is touring the States.   His voice is the most notable thing about this performance—it’s feminine, but not in a conventionally feminine way.  It’s got a husky Janis Joplin vibe or maybe that weird Billie Holiday thing that she does.  And yet Asaf Avida is (clearly) a man and when he belts out songs, his voice is incredibly powerful.

And yes indeed, he knows how to use his voice very well.  His voice would be unconventional even if he was a woman—it’s creaky and crackly, it warbles and rises and swoops and yet it is very powerful nonetheless.  And I can see it being very polarizing.  I didn’t like it at first but it really won me over.

“My Latest Sin” is a slow finger plucked song (the guitar is beautiful) and most of the song is pretty quiet, but man can Asaf belt out the lines when he wants to. “Different Pulses” is a more robust song musically (even though it is just him on guitar). When he sing the “oh ho” part, he hits some real falsettos, but is still very powerful.

The way he mixes up his incredibly high pitched voice with the gravelly and growly makes this an incredibly engaging performance.

As he introduces the third song, “Reckoning Song,” he explains that it was remixed as an ambient song–which he hates.  He had asked the remixer to take it down, but the guy refused.  And it has since hit 150 million hits.  He’s grateful for the attention, although he still hates the remix. His version is quiet and powerful with some beautiful catchiness.

I’m very intrigued by this fellow and want to hear more.

[READ: June 20, 2014]  Johnny Hiro Book 1

This book collects the first three Johnny Hiro stories (from 2007-2008).  It was originally published by AdHouse books with the cover that you’ll see below.  This Tor reprint is identical (as far as I was willing to investigate).

I was immediately intrigued by the cover and the title.  I loved the play on Hero and Hiro and when I saw that a Godzilla type monster attacks them on the first page, I was sold.

So Johnny Hiro is an average Japanese American kid living in New York.  He has a bad job as a sushi chef, but he has a beautiful Japanese girlfriend who loves him very much.  Of course, when the first story opens and Mayumi is pulled away by “Gozadilla,” things aren’t looking that good for him.

But here’s some wonderful things that do happen in the story: Johnny rescues her while wearing her Hello Bunny slippers (she’s concerned that he will stretch them out); we learn that Gozadilla is mad at her because her mother stopped him in 1978 from trying to rampage Tokyo (so this is a revenge mission) and, best of all, they are saved because Mayumi calls Mayor Bloomberg for help (she got his number from the phone book because of an article in the New York Times).  Oh and the monster attack has left a huge hole in their exterior wall. (more…)

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orphan[BINGED: June 15-24, 2014] Orphan Black

Last year when Orphan Black came out, we taped a bunch of episodes, but it aired at an awkward time in our viewing schedule.  We watched the first episode but we picked a bad night (for me) to watch it because I dozed off and didn’t get absorbed in it.  Then the Tivo deleted an episode or two and that was the end of that.

As Season 2 was amping up, the press about the show was a little ridiculous, but everything made the show sound so good that we decided to give it a try again.  Of course, it started before the Fall season shows ended, but SyFy kindly aired a marathon of Season 1.  By the time we had time to watch it, we had 17 episodes in our queue.  And that was an awesome way to watch this show–no delays between episodes, just one show a night until we were totally hooked.

Sure, some of the details of the show are confusing and sure there’s some weird sciencey mumbo-jumbo, but when the characters are this intriguing, and the actual story grows more compelling, you can forgive confusion (especially since a surprising number of those questions were answered in the Season 2 finale).  The acting is superb and each clone’s storyline is detailed and rich.  Even the characters that were despicable have become enjoyable (how many murderers are we going to root for on this show?). (more…)

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over easySOUNDTRACK: ANDREW HEWITT-“A Boy Held Up with String” (2014).

Yhewittesterday I mentioned the soundtrack to The Double.  The score was composed by Andrew Hewitt, and this is one of the more popular pieces from the film.

It opens with some fast violin runs that seems to be racing each other, until about twenty seconds in the piano takes over the runs, but with a high note that keeps the pieces grounded (in the air somewhat).

The end of the song is primarily the piano with violin swirling around on top of the melody.

It actually feels like an introduction to something epic, but as with most scores, 75 seconds is all you’re going to get out of this cool, dramatic piece.

You can hear it here.

[READ: June 5, 2014] Over Easy

I saw this book at work and more or less ignored it.  Then a few days later I saw a review of it in somewhere and decided to read it.

This is a graphic novel about a young artist making ends meet at a diner in Oakland, California in the 1970s.  The back of the book says this is a fictionalized memoir (which I hate because, well, let’s just call it fiction, huh?).

Margaret is an art student.  As the story opens, she is in a diner, the only one there, when a guy named Lazlo starts talking to her. He is funny, cleverly dressed and probably high.  (He claims his full name is Lazlo Meringue).  Margaret is broke and knows that most waitresses hate poor students, but Lazlo is willing to take one of her drawings in exchange a meal.  And a friendship is born.

A flashback shows us that Margaret grew up in San Diego.  When she graduated high school, she didn’t want to do anything, but was forced to go to college–so she chose Art school at San Diego State.  Then she moved to Oakland, and got mired in the art scene.  In which punks were starting to push out the hippies.  And the center of it all was the Imperial Cafe (the diner in the first scene).

She says that you can discern the various culture who came into the cafe by the drugs they took: Professional crowd (cocaine); punks (speed); hippies (pot).  And since she could no longer afford school, she felt that she could do worse than working at the Imperial.  Lazlo says she has to tell him a joke or a dream and if he likes it, she’s hired.  Her joke is quite vulgar and she is welcomed as Madge.  Her first job is washing dishes and scrubbing out all the shit.  It is backbreaking and strangely satisfying. (more…)

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doubleSOUNDTRACK: KIM JUNG MI-“The Sun” (1973).

kjmsunThis song, along with a few other unexpected tracks accompany the score for The Double which was composed by Andrew Hewitt.  Kim Jung Mi is a South Korean singer (singing in Korean) and this track is hers from the 1970s.

Interestingly, the melody is conventionally Western (played on acoustic guitars), but as I said the vocals are all in Korean.  The song has a 70s folk (with orchestra) feel, and while there are a lot of Westernisms about the song, it still sounds “foreign.”

The song is pretty and eventually builds to adding some strings.  However at nearly 7 minutes without a lot of change (lots of La La Las, maybe like “Hey Jude”?), it’s a bit (well, a lot) too long.

[READ: June 13, 2014] The Double

I saw this book at work and immediately grabbed it because I love Richard Ayoade (Moss on The IT Crowd).  I didn’t even know what this was, I just had to see it.  Then I saw that it was that it a play and I was intrigued, especially when I saw that Chris O’Dowd (also from The IT Crowd) was in it.

Then I read the introductions by Korine and Ayoade and learned that this is actually a film.  When I looked online I saw that it opened in limited release last week.  Holy cow!  The film stars Jessee Eisenberg and Mia Wasikowska and also features Wallace Shawn, Noah Taylor and J Mascis (as a janitor).

The story is based on Dostoevsky’s short story “The Double” (so you know it’s not especially cheery).  And, although I assumed it would still be funny (given Ayoade’s credentials), it is not as funny (at least in print) as one might expect.  The other weird thing was that I kept picturing Moss as the lead character (some lines seem very Moss-like), so should I ever see this it will be weird to hear the lines coming from Eisenberg. (more…)

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arcSOUNDTRACK: HARI KONDABOLU-Waiting for 2042 (2014).

hariI knew Hari Kondabolu from the much missed Totally Biased with W. Kamau Bell (in fact the liner notes even have Hari thanking Kamau for employment—although at the time of this release, that employment was terminated).

As Hari jokes at one point during this show (recorded in Oakland, CA in 2013), he is “obsessed with race.” And how could he not be. To be alive in 2014, you should be obsessed with it, especially if you are paying attention. And his jokes about race are not only salient, they are different. Like the first one on the disc, “My White Chocolate Joke.” The set up is simple, chocolate is dark and creamy and delicious, why would anyone need to make a white version of it? This leads to a punchline that if you like white chocolate you are racist. But as with most of Kondabolu’s jokes, the punchline is just a set up for a much deeper joke—this one having to do with White Jesus. It’s very funny and really well done. “A Feminist Dick Joke” is self referential and funny, especially when he criticizes his own joke for not going far enough. “Moving to Canada,” pokes fun at Americans who say they are leaving for political reasons and then pokes fun at Canada for not being the panacea these people say it is anyway.

I loved “Environmentally Friendly Pollution Machines” which is about how eco-tourism is encouraging us to see things before the tourism industry destroys them.  “Toby” is such a wonderfully extended joke in which people like me who don’t get the initial joke are gently upbraided until the joke is fully revealed to us and even though we just had a joke explained to us, it was still funny. And the call back at the end of the disc is genius.

“Weezer Broke My Heart” is a very unpolitical joke about the band Weezer and that their fan base demographic has not changed in a decade–and how that’s really creepy.

There’s a lot of race jokes in the next few pieces. The title track about how in 2042, whites will be the “minority” is simply hilarious (whites are only the minority if you consider that the races are “whites” and “everyone else”).  And then the hilarious joke about how “Asians are Well-Behaved” (the Chinese restaurant bits are awesome) and the wonderful dichotomy of Mexican stereotypes (stealing our jobs but also being lazy). There’s also the very funny joke about how minorities never get to time travel for real (referencing the Martin Lawrence movie Black Knight and Back to the Future just to show how current and hip he is) because there would be some real changes.

There are also a number of jokes about homosexuality, and how heterosexuals are totally flamboyant even though they don’t realize it (showing off your spawn is pretty flamboyant, frankly). And the extended riff in “Matthew McConaughey on Tolerance” is just terrific.

Jokes dealing with all of these topics are bound to be inflammatory, but Hari is also not afraid of the deadly curse words, (he actually makes me uncomfortable in one joke with how many times he says the word fuck, although is very funny).

All in all this is a very funny standup show from a comedian who is very funny and will, with any luck, find a wider audience. (Of all races).

[READ: June 20, 2014] Arcimboldo

Giuseppe Arcimboldo was a phenomenal painter who is best known for his paintings of people’s portraits which are made out of fruit.  But he was also a master of detail in realistic sketches, drawings and painting as well.  This tiny book (270 pages) with a paragraph of text on every other page, is a wonderful introduction to the man beyond the fruit.

Perhaps the most amazing thing about his work is that it was done in the 16th century.  I think many of us tend to lump him in with the surrealists or the modern period.  But he worked in this style long before.  For context, his father was friends with a student of Leonardo da Vinci.

Arcimboldo was born in 1527 to nobility.   Interestingly, there are variations on the spelling of his name: Acimboldi, Arisnbolde, Arcsimbaldo, Arzimbaldo and Arczimboldo.  Giuseppe even signed his first name in different ways as well: Giuseppe, Josephus, Joseph or Josepho.  The book doesn’t indicate if this was some kind of intentional obfuscation.

The first dozen or so pages contain amazing illustrations by Arcimboldo–primarily studies of nature, both flora and fauna. They have a distinctively 15th/16th century style, and they are amazingly detailed.  A little later, Arcimboldo began doing studies in deformed creatures–birds with three legs , goats with weird hooves.  Whether this was just because he wanted to explore nature in great detail or because he liked weird things, the book doesn’t say. (more…)

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zita3SOUNDTRACK: USMAN RIAZ-Tiny Desk Concert #349 (April 19, 2014).

usmanUsman Riaz is an amazing musical prodigy.  I almost don’t want to say anything about him, I just want you to watch the video and have your mind be shattered.

Riaz is a 23-year-old Pakistani man and is as humble (and soft-spoken) as he is talented.  He trained on the piano as a six-year-old child.  And then, at 16, he learned how to play the guitar (in a most unconventional way called “percussive guitar”) by…watching YouTube.  He transposed his piano style to the guitar and has developed his own style within the genre.  The first song,

His song “Boneshaker” starts with some intense drumming on the guitar and then… well just watch it below.

Next he plays his piano song,”The Waves” a song he wrote at 16.  And it is simply gorgeous.  There’s a bit of showoffiness in it, but it never sacrifices the song.

he returns to the guitar for his third song, “Shimmer” which uses more percussive guitar techniques.  It is also mesmerizing (and absolutely gives “eruption ” a run for its money).

Riaz is a shy, quiet man, but his love of technology and his belief that anyone can pick up any skill if they just watch it enough is really quite infectious.  He also shows off some “parlor tricks” like body percussion and harmonica (perhaps real harmonica players might be insulted by calling this a parlor trick) that he learned from videos.  He has also created a short film that was accepted at the New York Short Film Festival.

He’s all over the place, but give this guy 30 seconds and you’ll be hooked.

Riaz also did a Ted talk/performance with Preston Reed, which is pretty amazing too.  You can watch that here.

[READ: June 19, 2013] Return of Zita the Spacegirl

I was excited to see a new Zita–I really enjoyed the first two a lot.  But it took me a while to get up to speed with this one.  It has been two years after all–I think maybe a recap was in order.

We see that Zita is on trial in a strange land.  The judge calls her Zita the Crime Girl–so you know things aren’t looking too good for her.  And the judge’s exhibit A is Pizzicato the Plunderer (or, as we know him–Mouse), who is all shackled up.  She is found guilty and is thrown into a jail cell with a pile of rags and a skeleton.  Both of them can talk, of course.  And they encourage her to escape–even those the skeleton says that anyone who escapes is caught and sent right back to jail–or to the mines.

While this has been going on we’ve seen glimpses of a blue ghost-like creature who helps her in small ways.  He helps her to escape, but he her that she needs to help only herself–she can’t save everyone.  This just makes her mad.  But like skeleton said, she is caught and is sent to the mines.  In the mines there are coals with eyes (which reminds me of the Susuwatari in My Friend Totoro (those are the little black soots that carry things).  Everyone is told to smash the coals to look for the one with the crystal inside.  No one knows if the coals are alive, but one of the coal pieces hops into Zita’s pocket.

Meanwhile, when Zita’s uniform was thrown out, bits of her star floated into space and soon, all of her old friends knew she was in trouble,  So they reunite to rescue her.  It was great to see Strong Strong and One and even Piper and Madrigal, who are working together (temporarily). (more…)

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44SOUNDTRACK: WNYC SOUNDCHECK GIG ALERTS (2009-).

soundcheck There are so many places to listen to free music.  But i prefer places where you can (legally) download free music.  So here’s a place I’ve just discovered: WNYC Radio’s website which features a section called “Gig Alerts.”  The feature talks about a different interesting band playing that night (in New York).  After a small blurb, there is (almost always) a free downloadable track.   There’s twenty listings per page and 86 pages.  Do the math and that’s a lot of songs.

The feature covers virtually every genre, although there is a preponderance of alt- and indie- rock (mostly lesser known bands).  If you are interested in new (to you) music and in exploring different artists, this is a great resource for a ton of free music.  So, check out Gig Alerts here.

[READ: May 20, 2014] McSweeney’s #44

I was pretty pleased with myself when I got caught up on the McSweeney’s issues.  But I remember wanting to take a break when this one came in.  I now see it has been almost a year since I read the last issue.  So the break was too long and now I have three issues to catch up on again.  Sigh.  But this one proved to be a great issue to return on.

This is a pretty quintessential issue of McSweeney’s.  It’s got letters, some fiction, a special section dedicated to Lawrence Weschler (which includes a lot of art), and a cool, interesting section of plates with full color art.  It’s also got an interestingly designed hardcover with a kind of raw cardboard in the back, a slightly raised colorful section for the spine and then a further raised section for the giant 44 on the front cover.

LETTERS (more…)

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squish1SOUNDTRACK: I’M FROM BARCELONA-“Just Because It’s Different Doesn’t Mean It’s Scary” (2009).

miaI like I’m From Barcelona, although I don’t know too much about them.

This song opens with ukuleles (or small guitars anyhow) and a big farty bass line. It offers a sensible lyric about things being different and offers suggestions of new things you might enjoy, like fruit or a park.

The band has some fun backing vocals (“let’s taste it baby”), (“run run run run”) and have made a fairly complex song out of what is a very simple concept.

For these Yo Gabba Gabba songs I have to wonder if the bands have taken old songs and made them kid friendly or if they have written all new (fairly complex) songs just for the show.

This is a good one.

[READ: May 16, 2014] Squish: Super Amoeba

I thought I had written about all five of the Squish books so far (there’s a sixth one coming soon).  Except, I realized, that I never wrote about the first one.  So, here, three years after I first read it (I received it as a prepub for crying out loud, so I’ve had it for over three years), I’ve read it again for this post.

I hadn’t even read Babymouse when I read this book, although in retrospect it’s easy to see the similarities between the two (especially in the drawing style).  Of course, while Babymouse is colored primarily in pink, Squish is colored primarily in green.  And of course, Babymouse is a girl and Squish is a boy (well, a boy amoeba, but still a boy).  But there are kid friendly hardships and valuable (if not necessarily obvious) lessons to be learned.

All the characters who have been with us for the duration of the other books were introduced here: Pod another amoeba, who is Squish’ best friend and who is super smart, Peggy (a paramecium) who is happy all the time and Principal Planaria, who is a flatworm (and like all flatworms is really crosseyed).  This issue also introduces us to The Adventures of Super Amoeba, the comic book which Squish loves and the guy who acts as a role model for Squish. (more…)

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