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Archive for the ‘Fantasy’ Category

LoveLettersSMSOUNDTRACK: SONIC YOUTH-SYR 7: J’accuse Ted Hughes/Agnès B Musique (2008).

syr7The first side of the disc (for it was only released on vinyl) is a ballsy blast of music.  Ballsy because it was the opening track of their live set at the All Tomorrow’s Parties festival in 2000.  And who opens up their set at a festival that features bands like Super Furry Animals, Sigur Rós, and Stereolab (basically a who’s who in awesome Brit-rock) with this 22 minute shriek of noise?

The set was so derisively received that the cover of the NME (hilariously reproduced on the cover of the LP) stated “Goodbye 20th Century, Goodbye Talent.”

The noise is palpable: squeals and squalls and all manner of feedback.  Kim even gets a strange little spoken word section in the middle.  I would think fans might have enjoyed it for 5, maybe even 10 minutes, but by 23 it’s pretty numbing.  The rest of the set included instrumentals from the not yet released NYC Ghosts and Flowers.  It almost seems like the set was payback for the invitation.

The B-side is an 18 minute “soundtrack” of sorts.  Agnes B. is a French clothing designer and yet somehow the music feels like it could be for some scary kids’ movie.  It has a number of creepy elements to it.  I kept picturing people sneaking around a little cottage.

The liner notes are written in Arpitan, a steadily-declining-in-use language spoken mostly in Italy and Switzerland.

Not for the faint of heart (or the vinylphobic).

[READ: August 31, 2009] Four Letter Word

I read about this book in The Walrus and then I ordered it from Amazon.ca as it doesn’t seem to be available in the US.

The book is a collection of “love letters.”  What is so very interesting about the collection is the varied nature of the letters themselves.  It’s not just: “I love you XOXO” (of course).   There are letters to mothers, stepmothers, mountains, and the Earth itself.  There are letters of love, lust, anger and respect.

I was most attracted to the book by the great list of authors, some of whom I read religiously and many others whom I just really like (and of course a bunch who I’ve never heard of).

It’s hard to review a collection of short stories that is as varied as this, especially when the pieces are this short (as most of them are).  And, I guess technically, they aren’t even short stories.  They are just letters. I would never base my opinion of these authors from this work.  Although some of the authors that I know well definitely retain their signature style.  There were only one or two letters that I didn’t enjoy, but for the most part the entire collection is very good.  And if you like any of these authors, it’s worth checking out.

I’m going to list all of the authors, mention who the letter is to, and any other salient features (without trying to give anything away–several letters have a surprise in them)! (more…)

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sp5SOUNDTRACK: SONIC YOUTH-SYR 5: Sonic Youth Featuring Kim Gordon/DJ Olive/Ikue Mori (2000).

syr5The fifth SYR disc is rather different from the others in that the only SY member is Kim.  This is a sort of side project for Kim, Ikue Mori and DJ Olive. They’ve played shows together as well.

This disc is also different because it features a number of short songs rather than a couple of long ones.  It also features a lot of different instrumentation: turntables, keyboards, that sort of thing.  Most of the tracks are instrumental (more or less) although a few have Kim’s vocals on it.  And Yuka Honda from Cibo Matto does vocals on one track.

Kim’s side projects (like Free Kitten) are usually pretty abrasive. She lets her freak flag fly with her vocals.  And that in a nutshell will determine whether you like this or not.  Kim is playing mostly guitar, so the other instruments tend to take over a bit.

It’s always interesting when SY mixes it up with another band or solo artist.  But it doesn’t really make it a SY record, proper.

Oh, and all of the writing on the disc is in Japanese.

[READ: August 25, 2009] Scott Pilgrim vs the Universe

There’s a new Scott Pilgrim website which lets us know that Volume 6 will be out in 2010.  I can’t wait that long!

This 5th volume seemed a bit different from the other four.  The lines were crisper, it seemed like Ramona looked a little bit different (her eyes were bigger or something) and overall, the volume was a lot darker (in tone).

Today is Scott’s 24th birthday (he’s now the same age as Ramona, yup he finally asked her).

But at a party Steven Stills tells Knives that Scott had cheated on Knives with Ramona and on Ramona with Knives (which wasn’t true exactly), which sets Knives off again.  She violently confronts Ramona and when she says why, Ramona gets pissed too.

At this same party, Ramona’s evil ex-boyfriends (the twins Kyle and Ken Katayanagi) show up.  Scott prepares to fight them, but they send their robot after him instead.  The fight continues downstairs while everyone pretty much goes to other rooms, kind of bored with the whole escapade.

We also see a bit of Ramona and Scott’s domestic life (Ramona runs errands all day and Scott does, well, nothing). (more…)

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ny1It took me going to Seattle to learn about The New Yorker magazine.  I was visiting my friend Rob and he was really surprised that I didn’t read the magazine all the time (my reading always seems to surprise people, see The Believer.)

Upon my first read of the magazine, I was surprised to see that the first twenty pages or so are taken up with upcoming shows: films, concerts, sports, everything.  I actually wondered how much content would be left after all that small print.

Since then I have learned that Sasha Frere-Jones writes columns in here quite ofuiten.  For reasons known only to my head, I was convinced that Sasha was a black woman.  Little did I realize that he is not.  And that he was in a band that I have a CD of called Ui.  He is an excellent resource for all things music, whether I like the artist he’s talking about or not.  Some entries are here.  This audio entry about Auto-Tune is simply fantastic.

But of course, there’s a lot of content.  And the first thing you get are letters.  I don’t think I have EVER looked at the letters section. (more…)

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vol3SOUNDTRACK: SONIC YOUTH-SYR 3: Invito Al Ĉielo (1998).

syr3This SYR release adds Jim O’Rourke to the mix (O’Rourke played with with them on A Thousand Leaves too).  I’ve always been aware of O’Rourke but I’ve never really listened to any of the bands that he’s been associated with (and there’s a lot).  So, I’m not sure what his actual contributions are, but he seems to be pushing the SY members into a much more noisy/abstract direction.  (A few samples of Gastr Del Sol shows them to be pretty out there, so perhaps pushing SY in a direction that was not too far from where they’d go on their own.  And, I rather liked the Gastr stuff, too).

The EP is nearly an hour with 2 songs over 20 minutes long.  And, the most fascinating parts come from the most unexpected places: Kim plays trupmet!  There’s keybaords!  And all of the text is in Esperanto.

This disc doesn’t diverge too much from the first two…it’s noisy and discordant and full of lots of experimentation.  There’s some good stuff on here, but there’s also a lot of it.

[READ August 9, 2009] Scott Pilgrim & The Infinite Sadness

Things get pretty intense in Vol 3 of this series.  We get an in-depth look ant Envy Adams, Scott’s first girlfriend and lead singer of The Clash at Demonhead.  TCaD have asked Scott’s band Sex Bob-omb to open for them, but there are clearly underlying reasons behind this.

One of them is that another of Ramona’s evil ex-boyfriends is the bassist in the band.  And, another more narratively interesting reason is to give a peek into Scott’s past.  We learn that Envy was a rather shy young girl, until she slowly grew out of her shell (and changed her name to Envy), and then became the extroverted lead singer.

Todd Ingram, the evil-ex is a vegan.  (more…)

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wild thingsSOUNDTRACK: FANTÔMAS-Suspended Animation (2005).

fantomasIf you know Fantômas, then you know what you’re in for.  If you don’t, well, it’s a surprise!

Fantômas are the brain child of Mike Patton (Mr Bungle-era more than Faith No More with help from Buzz Osborne from The Melvins and Dave Lombardo from Slayer).  Suspended Animation is designed as a soundtrack to April, 2005.  There are thirty tracks, and each one corresponds to a calendar page.  The limited edition (which is apparently still in print as I got one last month) is a calendar with art by Yoshitomo Nara.  Nara’s work combines cuteness and menace, just like the CD.

A piece by Nara

A piece by Nara

Although, really the CD is more menace than cute.

This disc seems to combine Patton’s favorite things: cartoon music (many ‘toons are sampled here), death metal, short sharp blasts of noise and his fascinating vocal deliveries.

This write-up makes the disc sound very intriguing, but before you rush out to check it out, do know what you’re in for: short, noisy blasts of utter chaos.  It is not for the weak of heart or the queasy of stomach (or for the lover of melody).  It’s not even a case of , oh the songs are short, the next one will come along soon.  While there is diversity, it’s diverse within it’s own little world.  Of noise!

Be afraid.  But if you’re still interested after that caveat, then by all means check it out, if only for the calendar!

[READ: August 23, 2009] Where the Wild Things Are/”Max at Sea”

Because of Dave Egger’s story “Max at Sea” (which is basically a retelling of Where the Wild Things Are I felt I needed to re-read the original.  So thank you Dave Eggers for that.

The original is a fun story which seems to be more visually based than word based.  The drawings are sublime and indeed there are several pgaes with no words at all.  And, so, the filmmakers’ question remains: how to you make a film out of a 48-page book, many of which don’t even have words?  Stills from the movie do look pretty awesome.

And thus, Dave Eggers’ story was born.

I’m not actually going to reveiw Where the Wild Things Are, because, well, it’s a classic, and it’s  awesome.  What more can I say about it?  But I did want to reevaluate Egger’s piece having re-read Sendak’s.

It is quite clear that Eggers is in no way trying to re-write the story.  He has fleshed out a lot of details that are absent from the original (which the original in now way needs, but again, if you’re going to make a film, you need some kind of backstory). (more…)

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scott2SOUNDTRACK: SONIC YOUTH-SYR 2: Slaapkamers Met Slagroom (1997).

syr2The second SYR release is like the other side of the coin from SYR1.  The premise is the same, the players are the same, but the result is rather different.

The first track is nearly as long as the previous disc (17 + minutes) and it seems to run through a variety of song styles (including noise experiments) before settling down into a noisy improv.  The third track features the first “vocals” on these discs–rather unsettling sounds that Kim spits out.  (Online lyrics pages say that there are actual words here so I’ll take their word for it; I just like to think of them as vocal stylings).

While SYR1 was a smoother listen, this one is more jagged.  Not quite the noisefest they are capable of but not exactly easy listening either.

For this disc all of the titles, liner notes etc. are in Dutch.  (SYR1 was in French).  Each volume in the series is in a different language.

[READ: August 9, 2009] Scott Pilgrim Vs The World

The second volume of the series, (and the one the film is named after) continues the exciting saga of Scott Pilgrim and his band Sex Bob-omb.

This second volume introduces us to The Clash at Demonhead, the band that Scott’s ex-girlfriend took to stardom, after they kicked Scott out of the band, of course.

But before we get to the Knives Chu’s new favorite band,we learn about the origins of her former favorite band: Sex Bob-omb.  We see how Scott and Kim first met and why she acts so strangely around him.

But more importantly, plotwise, we get to meet Ramona’s second evil ex-boyfriend, Lucas Lee.  He is a broody actor who also just happens to be in Toronto filming a new picture.  And fight they do.

But they’re not the only ones who do battle in this volume.  There’s a rip-roaring battle scene between Knives and Ramona that takes place in the beautiful Toronto Reference Library.

But the book is more than fighting and music: there’s a cooking lesson for making vegan shepherd’s pie.  Veganism will loom large in Vol 3!   And there’s even more fun asides (with captions and comments about various characters) in this volume.  I especially enjoyed the ones that give the characters’ states of mind.

While the first volume was certainly fun, it feels like he is having even more fun with volume two.  It’s a very fun series, and the books are very fast reads (for better or worse…often worse.)

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pilgrimSOUNDTRACK: SONIC YOUTH -SYR 1 Anagrama (1997).

syr1

After Washing Machine, Sonic Youth began recording a series of EPs (that gradually grew into longer discs) in which they explored their improvisation/longer piece needs.

And so SYR1 was released.

It contains for tracks and runs about 25 minute.  It’s not simply guitar feedback or waves of distortion.  Rather it is songs built around themes which are followed to their logical ends.

Thee EPs aren’t for everyone. There’s no lyrics, there’s no choruses.  It’s sort of like how the end of “The Diamond Sea” was a chance for SY to let loose and see what happened. I can’t even say that the songs and motifs are necessarily memorable (although I’m led to believe that some have cropped up on the proper albums).  I don’t listen to these a lot, but they are fun to put on from time to time, if you’re in an avant garde mood.

[READ August 9, 2009] Scott Pilgrim’s Precious Little Life

I had read this book a few years ago.  But I had read it in bits and pieces over several weeks, and so I didn’t feel like I had a real grasp of the story.  This is especially true because the story begins simply enough and then turns into a wild hallucinogenic story that is very funny, very very funny, in fact, but also incredibly surreal.

When I was at BEA in New York this year I ran into the guy from Oni Press who told me that they are making a film of Scott Pilgrim, which is pretty fantastic.  I’m rather looking forward to seeing it.  But because there are so many interesting visual things going on in th graphic novel, I can’t help but wonder how they will transform them.  And also, Book 6 of this series may be written with a different ending from the film, so that should be fun, too.

But speaking of the visuals….

O’Malley’s style is utterly fascinating.  When I first started reading, I felt like the artwork was “sloppy” in that sort of stylized sloppiness that people take some time to achieve.  (I think mostly this is because of the character’s eyes.  They are a refined sort of manga but the pupils are so large that i found it disconcerting.)  But when reading it through this time, I realized not only is it not sloppy, it is meticulously designed in a very cool way.  Take Scott’s hair, which is commented about through the series.  I’m not going to go and spout on about how long he must have spent getting his hair just right, but clearly there was effort and planning in the length and style, even if it is primarily drawn with a  few broad triangles. (more…)

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tekSOUNDTRACK: RUSH-Retrospective 3 (2009).

retro 3This disc filled a hole that the public had been really clamoring for: a collection of the most popular songs by Rush from the 1990s until today.  [cue crickets chirping]. Okay so this period isn’t exactly the best selling Rush era, and many people probably didn’t even know that they were still around (they weren’t for a while, but then they came back with an amazing vengeance).

Back in the 1980s I was a huge Rush fan. They were hands down my favorite band. I don’t like them any less than I used to, I just like a lot of other bands more now.  And yet this era of Rush’s music has some of my favorite of their songs, and they’re pretty much all here.

Disc One is a selection of tracks and Disc Two is a DVD of all of their videos. Perhaps the most interesting thing to me is that if you compare the videos track list to the audio tracklist, they don’t jibe as much as you might think.  This leads me to believe that the band doesn’t think that their original singles were the best songs from the discs (and I agree, I think the track listing of the CD is much stronger than that of the videos).

Presto is one of my favorite discs of this era, as are their two most recent releases Vapor Trails and Snakes and ArrowsTest for Echo, on the other hand is one of my least favorite discs of theirs.  The last time I listened to it I thought it was pretty terrible (and yet I am very surprised to see how well liked it is by Rush fans in general).  Nevertheless, all of these discs are well represented here.

And speaking of their videos, I have to say that Rush has some of the w(and every one was directed by someone different it seems) they’re just terrible.  They always seem to have a “plot” of some sort, yet it is elliptical and lacking in specifics.  It frequently involves a teenaged boy, often shirtless, in some kind of peril.  The only parts I like are the band scenes, because it’s fun to see a) Alex’s hair b) Geddy’s hair and c) Neil’s scowl.

One of the major selling points of this disc is that the two tracks from Vapor Trails are remixed.  Anyone who knows Rush knows that their releases are definitive.  You don’t get remixes or even B-sides out of this band.  So for them to release a different version of these songs is pretty amazing.  I wonder what’s up with that.  Research suggests that the band was never happy with the quality of Vapor Trails, and there are rumblings that they’d like to remix the whole disc.  I hope they do, as these sound great.

But the real selling point is the bonus video: a live interview/recording from The Colbert Report.  As I mention below, I simply don’t watch the Report as often as I ought, so I had no idea the band was even on.  I wish that Colbert had let them speak a little bit more, even if the fawning and funny questions are really great and show what a sense of humor the band has (as does the “cheering fans” that Alex has on his board).  And “Tom Sawyer” (which, I get as it’s their hugest song, but really they had to play a song that’s 27 years old?) sounds great.  And they clearly have fun with it.

If you’re on the fence about getting this disc, those two items should convince you to pick it up.

[READ: June 30, 2009] Tek Jansen

I enjoy the Colbert Report.  Quite a lot.  And yet, I don’t watch it very often.  I find the idea of committing to a daily show (like The Daily Show) is just impractical.  And so, even though Stephen Colbert and Jon Stewart are queued up on my TiVo, I rarely have the time to watch them.

And so, it was news to me that Colbert had the character of Tek Jansen on his show. I heard about this series via Oni (who publishes it, and all good comics).  I also just learned, (thanks Wikipedia) that there are animated shorts of this character which I must track down.  In fact, heck, for the hilarious background of the origin of this comic, just read this. (more…)

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eternalSOUNDTRACK: THE REPLACEMENTS-Don’t Tell a Soul (1989).

soulWith this disc, the ‘Mats finally scored a hit.  “I’ll Be You” actually made the Billboard charts!  And why not, it’s a delightfully catchy, far more mature version of the ‘Mats now-adult-alternative music.

In my head, this is where the ‘Mats sold out entirely.  But, I listened to the disc the other day and I was surprised at just how much I enjoyed it.  I was probably still really into Pleased to Meet Me when I first got Don’t Tell, so the trip from point A to B isn’t quite as drastic. I guess maybe grown up me enjoys it more than college-aged me did.

The allmusic review is very harsh about the disc, especially the production.  I can’t say I noticed anything about that.  I was just listening for the songs.  And, in addition to being their longest disc to date, it only features 2 songs shorter than 3 minutes!

What you see is Paul Westerberg maturing as a songwriter, for better or worse.  And, as far as his craft goes, it’s certainly better.  As for indie rock, well, not so much.

The songs still maintain the rocking style of older Replacements, but they have more proper structure  (verses and choruses, repeat).  They also play with the loud/soft dynamic that would really come to the fore with Nirvana…although The ‘mats version was more of a rocking/acoustic juxtaposition. Almost all of the tracks on this disc feature an acoustic guitar somewhere in the mix. In fact, I thought that the disc was a lot less rocking than it actually is.

There’s a couple of clunkers on the disc, “We’ll Inherit the Earth” seems a bit off somehow.  But for the most part, the songs sound like a grown up version of the teenage ‘Mats from just five years ago.

By comparison to general pop music, “I’ll Be You” still maintains some indie cred. And, it’s really hard to resist the catchiness of it (from the break to the slightly off-kilter guitar solo that ends the song).  “Achin’ to Be” is another coulda been a hit, although perhaps more on a folk/country side of things.  And “Talent Show” and “Back to Back” are sort of gentle rockers that speed up at a few points. Only “Anywhere’s Better Than Here” has the really distorted rock sound of yore.

Even though I did enjoy listening to the disc, it suffers from a lack of fun.  As I said, it’s a pretty shocking maturation over the span of eight (or even five) years.

[READ: June 12, 2009] The Eternal Smile

Sarah received a copy of this book, and as soon as I realized it was by the guy who did American Born Chinese, an amazing, amazing graphic novel, I was excited to read it.

This is a collection of three short stories: “Duncan’s Kingdom,” “Gran’pa Greenbax and the Eternal Smile,” and “Urgent Request”  I’m not sure if Kim and Yang collaborated or if one did one story and not the others.  But regardless, the art is fantastic in each.  I love the effortless style shifts in “Duncan” from the simple lines in the fantasy sequence, to the very very dark style in the nightmares.  “Gran’pa Greenbax” is so cartooney, so “childlike” in its style, that the violent avarice in the middle comes as quite a shock.  And “Urgent Request” is simply beautiful from start to finish.  It’s a great looking collection. (more…)

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31SOUNDTRACK: THE REPLACEMENTS-Hootenanny (1983).

hootThis is the second full length from The Replacements.  For a band that just released two punk albums (one’s an EP), naming your new one Hootenanny is pretty ballsy.  As is the fact that the first track sounds like, well, a hootenanny (even if it is making fun of hootenannies.)

However, the rest of the album doesn’t sound like hootenannies at all.  In fact, the rest of the album is all over the place.  I don’t want to read into album covers too much, but the design has all 16 titles in separate boxes in different colors.  It suggests a little bit of stylistic diversity inside.

Just see for yourself:  “Run It” is a one minute blast of some of the punkiest stuff they’ve done. (It’s about running a red light).  Meanwhile, “Color Me Impressed” marks the second great alt-rock anthem (after “Go”) that Westerberg has put on record.  “Willpower” is a sort of spooky ambient meandering piece that, at over 4 minutes is their longest piece yet.  “Take Me to The Hospital” is a punky/sloppy guitar song.  “Mr Whirly” is sort of an update of the Beatles’ “Oh Darlin.'”  “Within Your Reach” is technically the longest Replacements song to date.  It starts with a cool flangy guitar sound that swirls around a fairly mellow vocal track (this song was featured in the end of Say Anything.  John Cusack cranks the song up past the red line).  “Buck Hill” is an (almost) instrumental.  “Lovelines” is a spoken word reading of personals ads over a bluesy backing track.  “You Lose” is the first song that sounds like another one…a sort of hardcore song.  “Hayday” is a fast rocker like their first album.  And it ends with “Treatment Bound” a sloppy acoustic number that sounds like it was recorded in a tin can.

As you can see, this album is all over the place, and almost every song sounds like they may not make it through to the end.  Yet, despite all of the genres represented, the band sounds cohesive.  The disc just sounds like a band playing all the kinds of music that they like, and the fact that there are a couple of really lasting songs on the disc makes it sound like more than just a bar band.

I feel as though not too many people even know of this disc (it was the last one I bought by them, as I couldn’t find it for the longest time).  But in reading reviews, I see that people seem to really love this disc.  I enjoyed it, and, like other ‘Mats discs, it’s certainly fun, but I don’t listen to it all that often.

[READ: June 9, 2009] McSweeney’s #31

The latest issue of McSweeney’s has a totally new concept (for this journal, anyhow):  They resurrect old, defunct writing styles and ask contemporary writers to try their hands at them. I had heard of only two of these defunct styles, so it was interesting to see how many forms of writing there were that had, more or less, disappeared.

Physically, the issue looks like a high school yearbook.  It’s that same shape, with the gilded cover and the name of the (school) on the spine.

Attached to the inside back cover is McSweeney’s Summertime Sampler. As far as I know this is the first time they have included a sampler of multiple upcoming works.  There are three books sampled in the booklet: Bill Cotter’s Fever Chart; Jessica Anthony’s The Convalescent & James Hannaham’s God Says No. I enjoyed all three of the pieces.  Fever Chart has stayed with me the most so far.  I can still feel how cold that apartment was.  The Convalescent begin a little slow, but I was hooked by the end of the excerpt. And God Says No has me very uncomfortable; I’m looking forward to finishing that one.

As for #31 itself:

The Fugitive Genres Recaptured (or Old Forms Unearthed) include: pantoums, biji, whore dialogues, Graustarkian romances, nivolas, senryū, Socratic dialogues, consuetudinaries, and legendary sagas.  Each genre has an excerpt of an original writing in that style.  Following the sample is the modern take on it.  And, in the margins are notes in red giving context for what the author is doing.  I assume these notes are written by the author of the piece, but it doesn’t say.

I’m going to give a brief synopsis of the genre, but I’m not going to critique either the old piece or whether the new piece fits into the genre exactly (suffice it to say that they all do their job very well). (more…)

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